Quantum of Solace’s revisionist history continues

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Marc Forster picked up A CAMERIMAGE AWARD last week in Poland. In AN INTERVIEW with Empire magazine, the subject of Quantum of Solace came up — and Forster’s comments didn’t exactly match up with what he said during production.

Excerpt from Empire:

So after that, Quantum Of Solace must’ve seemed like a walk in the park.
Not quite a walk in the park (laughs). Barbara Broccoli and Michael Wilson are great producers, the best I’ve ever worked with – fantastic. So you have a well-oiled machine and you’re in such good hands, even though you don’t have a script (laughs). It makes it easier, even when you only have half a script. That was the problem there. You had Casino Royale, which came from the best book by Ian Fleming, and three or four years to develop the script. You have Skyfall, another three years to develop a script. We were in the middle – ‘Here, three months, make a movie.’ And as a director you can only do as much as you have on the page.

In that case, why did you take it on?
Because I believed the script would come. But it never did! (Laughs). At one point I felt like pulling out but I didn’t. Barbara and Michael and Eon wanted to make the movie and I thought we’d pull it off.
(emphasis added to Forster quotes)

In 2008, Forster told a much different story to THE ROTTEN TOMATOES WEBSITE. Among other things, Forster said then that the Quantum script was mostly ironed out before a 2007 Writer’s Guild strike. “The good thing is that Paul (Haggis, the screenwriter) and I and Daniel (Craig) all worked on the script before the strike happened and got it where we were pretty happy with.”

In the same interview, Forster said there was a script when he first came on board, but he tossed it out and things started from scratch. Forster said he conferred with Haggis, “And I said to him these are the topics I am interested in this is what I would like to say.”

This, of course, isn’t the first instance or revisionist history with the 2008 James Bond film. Daniel Craig also drastically changed his tune in 2011 compared with what he said in 2008.

The main talking point now is that the 2007 writer’s strike damaged the production and everybody soldiered on as best as they could.

For Forster, that’s convenient because he can ignore his contributions to the problem — throwing out a script and starting over from scratch and his emphasis on “topics” rather than a story.

Forster didn’t specify the topics to Rotton Tomatoes. In another 2008 interview, NEW YORK MAGAZINE, he talked about sneaking political ideas past the Bond producers into the movie. “I question the role that these Secret Service agencies play today—is their role really to protect the country? Or the interest of a few?” Forster told New York five years ago.

Earlier posts:
WHAT REALLY HAPPENED WITH THE SCRIPT OF QUANTUM OF SOLACE? (December 2011)

DANIEL CRAIG, 2008 AND 2011 VERSIONS (December 2011)

QUANTUM OF SOLACE’S POLITICAL POINT OF VIEW (March 2012)

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2 Responses

  1. There was nothing wrong with the script for “QUANTUM OF SOLACE”. My only real complaint with the movie was the fact that its pacing was too fast in the movie’s first half.

    I’m sick of this attitude toward the movie. And I find both Craig and Forster’s attitudes rather cowardly. They’re bashing the film, because its not that popular with the Bond fanboys who couldn’t deal with the fact that it was atypical of the usual Bond movie. If they had their way, “QoS” would have been another “DIAMONDS ARE FOREVER”.

  2. I’m inclined to agree. I don’t know what the bashing is all about, either. I saw QOS twice and enjoyed it. It does have flaws, but underneath the surface it’s a good show and I’d much rather watch QOS than the abysmal Skyfall. Since 1983 it’s been a tradition for my father and I to go see every new Bond movie, and Skyfall was the first Bond movie EVER where my father dozed off in the middle. I didn’t doze off, but I kept checking my watch.

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