The Man From U.N.C.L.E. coming to Me TV

The original U.N.C.L.E.s

The original U.N.C.L.E.s

The Man From U.N.C.L.E. is coming to Memorable Entertainment Television, or Me TV, according to a promo the U.S. channel ran ON ITS FACEBOOK PAGE.

The promo only runs 10 seconds, utilizing the second-season version of Jerry Goldsmith’s theme music. There were no further details in the promo, such as date or how frequently U.N.C.L.E. will be telecast. The programming schedule on ME TV’S WEBSITE only goes into early August. The channel, which specializes in televising 1960s and 1970s shows, typically begins a fall schedule during the U.S. Labor Day holiday.

If Me TV begins U.N.C.L.E. in Sepember, that’d be in time for the 50th anniversary of the series starring Robert Vaughn and David McCallum. The show ran from September 1964 until January 1968.

James Garner dies at 86

James Garner

James Garner

James Garner, an actor at home playing drama, comedy or a combination of both, died July 19 at 86, according to AN ASSOCIATED PRESS OBITUARY on the Los Angeles Times website. (UPDATE: You can view The New York Times obit BY CLICKING HERE.)

The Oklahoma-born Garner was best known for the 1950s Western television series Maverick and the 1970s detective show The Rockford Files. Garner’s Bret Maverick and Jim Rockford preferred to outwit rather than outfight adversaries. But neither character was to be taken lightly and could handle themselves in a variety of situations.

In both series, Garner & Co. weren’t afraid to poke fun at their genres.

One Maverick episode, “Gun-Shy,” was a parody of Gunsmoke, as Marshal Mort Dooley keeps running Maverick out of town. A sixth-season Rockford Files, “Nice Guys Finish Dead,” has Rockford instructing would-be a private eye on the art of smiling and sucker punching opponent. Meanwhile, ace private investigator Lance White (Tom Selleck) is aghast, saying a proper detective begins a fight by saying, “Put up your dukes!”

In the end, Lance White corners the villain, says, “Put up your dukes!” and knocks him out with one punch.

Garner was popular enough in both roles he participated in revivals: a one-season series called Bret Maverick in the early 1980s and a series of Rockford Files television movies in the 1990s.

The actor had plenty of other work, with other highlights including The Great Escape, The Americanization of Emily, Grand Prix (where he did much of his own racecar driving), Marlowe and Support Your Local Gunfighter.

Here’s an excerpt of a long interview Garner did about his career. It concerns the early days of The Rockford Files.

Film Music Reporter says an U.N.C.L.E. composer chosen

U.N.C.L.E. logo on a second unit crew T-shirt

U.N.C.L.E. logo on a second unit crew T-shirt

The Film Music Reporter website, in a short item, says Daniel Pemberton was hired to score The Man From U.N.C.L.E. movie.

Pemberton, has a number of television composing credits and a few movies, according to his IMDB.COM ENTRY. One of his film credits is the 2013 Ridley Scott movie The Counselor.

The Film Music Reporter item doesn’t specify how the website obtained the information. Previously, IMDB had listed Theodore Shapiro as the movie’s composer, but that listing was removed.

If this is correct, the question is whether Pemberton will incorporate Jerry Goldsmith’s theme for The Man From U.N.C.L.E. Goldsmith scored three first-season episodes, but his music was reused constantly in episodes that season that didn’t have original scores. Much of Goldsmith’s U.N.C.L.E. music was re-recorded in the fourth and final season and used in various episodes.

Thanks to laneyboggs2001@Twitter for a headsup.

UPDATE: A YouTube video featuring Pemberton.

Bond 24: Sam Mendes does some teasing

Sam Mendes

Sam Mendes

Bond 24 director Sam Mendes talked a bit, but not much, about the next James Bond film adventure, according to the SCREEN DAILY website.

Mendes spoke this week at an event at Windsor Castle. Here’s an excerpt from the Screen Daily article:

After doing Skyfall, which was hailed as a more modern approach to Bond, he knew he wanted to do a follow-up film. “We had taken Bond where people aged and were getting old and dying. It had come out of this bubble of timelessness I felt. I thought I would need to say what happened next, in the next year or two.” He knew he would do the next film as soon as Daniel Craig also confirmed.

There’s a bit of revisionist history here. In 2013, Mendes said ACCORDING TO THE PLAYLIST WEBSITE that the idea of doing a sequel to Skyfall “made me physically ill.” Also, in other 007 films, the idea that Bond had aged had been explored.

In any case, Mendes’ comments suggest (but is hardly conclusive proof) that the aging Bond meme of Skyfall will continue in Bond 24. Also, the director briefly discussed the challenges of a Skyfall follow up:

“I spent a long time doing movies that defied easy categorisation,” the director said. “But with Bond, it was very clear what was demanded. With Bond you have to know everything Bond has done before. You can’t repeat it. You’re not going to reinvent the wheel.”

To read the entire Screen Rant article, CLICK HERE.

UPDATE: U.N.C.L.E. composer? What U.N.C.L.E. composer?

"Don't rely on IMDB, son."

Robert Vaughn says, “Don’t rely on IMDB, son.” (Uncle Agents photo, used with permission)

As Maxwell Smart used to say, “Sorry about that, Chief!”

IMDB.com has altered its ENTRY FOR THE MAN FROM U.N.C.L.E. MOVIE to remove Theodore Shapiro as composer. IMDB has gone back to not listing any composer at all.

As noted in this blog before, both IMDB and Wikipedia both listed Shapiro as composer for the film that’s due out in January 2015. (In fact, as of July 10, Wikipedia STILL DOES.) Both websites rely on users to input information and things occasionally go awry.

Anyway, it appears we’re back to Square One. Whoever gets the gig will be following in the footsteps of famed composer Jerry Goldsmith, who scored the pilot of the 1964-68 television series and wrote its distinctive theme.

Meanwhile, IMDB has, once again, added a name to the movie’s writing credit (Jeff Kleeman, one of its producers). The site for a time added another writer’s name, only to withdraw it later. So, for now, it’s best to say we’ll see what happens.

‘Mr. Warner, when does U.N.C.L.E. get some publicity?’

Henry Cavill in a new publicity image

Henry Cavill in a new publicity image

This past week, Warner Bros. unleashed some publicity images for a movie involving actor Henry Cavill — a movie that won’t be out for 22 months.

That film, of course, is Batman v Superman: Dawn of Justice, due out in May 2016. Warners released a new publicity image of Cavill as Superman. Various outlets bit on doing stories, including Forbes.com and USA Today. The movie currently is in production.

Meanwhile, Cavill has done another Warners feature. By comparison, the studio is in radio silence concerning the film. That project is a film version of The Man From U.N.C.L.E., which is due in a little more than six months, in mid-January 2015.

Long-time U.N.C.L.E. fans have a mixed reaction. Some would like to see a new take on the 1964-68 television series. Others wished the studio would have left well enough alone. Either way, there’s a feeling of disrespect. Robert Vaughn, who played Napoleon Solo in the series (the role Cavill played in the film), says he wasn’t asked to do a cameo. That rubbed some fans the wrong way.

What it comes down to is business. Warners is looking to Batman v Superman as the precursor to a Justice League movie, where a group of super heroes combine their forces. The studio watched as Disney/Marvel had a huge hit with 2012′s The Avengers and the owners of the WB shield want in on that kind of action.

The U.N.C.L.E. film, meanwhile, is more of a back door operation. Warners would, of course, like it to be a hit. But it has bet a relatively modest sum, if $75 million can be called modest. That’s less money that, say, the first Robert Downey Jr. Sherlock Holmes film. That 2009 project, which, like U.N.C.L.E., was directed by Guy Ritchie, had an estimated budget of $95 million. Of course, Downey, fresh off 2008′s Iron Man, was a star. It remains to be seen whether Cavill is a star beyond 2013′s Man of Steel.

Warners has a lot invested in its superhero properties (its parent company owns DC Comics). It’s also trying to play catch up with Disney/Marvel’s machine-like output of films.

Also, Superman has more name recognition among the general public than U.N.C.L.E. does. Christopher Reeve did four Superman films from 1978 to 1987, Warners has produced various Superman TV projects, a 2006 movie and Man of Steel. There hasn’t been an U.N.C.L.E. production since a 1983 television movie. The first-generation U.N.C.L.E. fan base isn’t getting any younger.

Put another way, leveraging DC characters is a top priority for the studio. U.N.C.L.E.? Not so much.

For better or worse, U.N.C.L.E. fans are going to have to wait to see what Cavill and Ritchie have done with U.N.C.L.E.

Bond 24 questions: the writers edition

Robert Wade, left, and Neal Purvis.

Robert Wade, left, and Neal Purvis.

Neal Purvis and Robert Wade are back? There’s been no official announcement but it was reported last month by The Daily Mail’s Baz Bamigboye that the writers were retained to rewrite John Logan’s efforts.

Bamigboye had a number of Skyfall and Bond 24 scoops proven correct. Example: he wrote that Purvis and Wade were initially not going to be back for Bond 24, while their Skyfall co-scribe John Logan would be the new 007 film’s writer. Purvis and Wade subsequently confirmed they were leaving the series. Until, it now seems, things changed.

How extensive will Purvis and Wade’s Bond 24 script work going to be? If the duo end up getting a credit, you’ll know it will have been substantial.

The Writer’s Guild has extensive guidelines on how much work a scribe (with a team of writers such as Purvis and Wade counted as a single entity) should do to get a screen credit. A writer or writing team must contribute more than 33 percent of the finished product for an adapted script, 50 percent for an original one. Bond 24 falls under the adapted category since it uses a character who originally appeared in a novel.

Getting a credit isn’t as simple as counting lines of dialogue. A credit is supposed to reflect “contributions to the screenplay as a whole,” according to the guild. It’s possible, for example, for a writer to change every line of dialogue but for the guild to determine there’s been no significant change to the screenplay.

In any case, if Bond 24′s credit reads something like, “Written by John Logan and Neal Purvis & Robert Wade,” Purvis and Wade will have done more than revamp some dialogue or tweak a scene or two.

Is this unusual?It’s the normal method of operation for both movies in general and James Bond movies in particular. Even 007 films that had only one writing credit had contributions from other writers. For example:

–From Russia With Love had a solo screenplay credit for Richard Maibaum, but also an “adapted by” credit for Johanna Harwood, while Len Deighton did work that didn’t earn a credit.
–You Only Live Twice had a “screenplay by” credit for Roald Dahl but an “additional story material” credit for Harold Jack Bloom, the film’s first writer.
–On Her Majesty’s Secret Service had a Maibaum solo credit for the screenplay but an “additional dialogue” credit for Simon Raven, who rewrote dialogue in some scenes.
–Tomorrow Never Dies had a “written by” credit for Bruce Feirstein. Other writers took a whirl without credit between Feirstein’s first draft and his final draft.

As far as anyone knows, Live And Let Die really represented the work of only one writer (Tom Mankiewicz), and he did plenty of rewrites himself.

Is this any reason to be concerned? The Daily Mail also reported the start of Bond 24 filming was pushed back to December from October. If true, that should still be enough time for Bond 24 to meet its release date of late October 2015 in the U.K. and early November 2015 in the U.S.

What should fans look for next? The date of the press conference announcing the start of Bond 24 filming. There should also be a press release. If Purvis and Wade get a mention in that press release along with John Logan, that’ll be a sign they did a fair amount of work on the script.

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