Dr. No’s script Part II: Bond memes make their debut

Jack Lord and Sean Connery during Dr. No filming

Jack Lord and Sean Connery during Dr. No filming

Continuing our look at a January 1962 Dr. No script provided by collector Gary Firuta.

Bond, having bested Sylvia Trench (or Trenchard, depending on which page of the script you’re reading), gets ready to exit the casino. Bond invites Sylvia for golf and dinner, similar to the finished film with a few differences in dialogue.

On page 13, Bond enters the office. He says, “Hi….Moneypenny….” as he enters. There is no mention of him throwing his hat on the hat rack. The dialogue is again very close to the final version of the movie. Stage directions specify that she “takes in his appearance with mock admiration” as she says, “You never take me out look like that James….” She has a “deep sigh” and says, “You never take me out, period.”

Bond replies, “I’d take you out tomorrow, only I’d have me courtmartialled for illegal use of Government property.”

After Bond enters M’s office, there’s a description. “He is a man in his middle fifties, well-sel up, with some of the Navy about him.” M and Bond discuss the situation in Jamaica before Major Boothroyd enters to give Bond his new gun. Boothroyd “is a short, slim man, with snady (sic) hair.” When Boothroyd produces the Walther PPK he is “producing gun and shoulder holster from case with professional pride.”

As in the finished movie, Bond tries to sneak out his old Beretta from the office but M stops him. “They catch each others’ eyes. They really understand each other perfectly. BOND GOES.”

The intrepid agent goes back to his flat and gets a surprise in the form of Sylvia in Bond’s pajama tops. She is practicing chip shots “into the bowler hat which is laying on the floor by foot of bed.”

The rest of the scene plays out as in the finished film, but there’s an extra. As Bond and Sylvia make out, there’s this stage direction: “CAMERA PANS DOWN to take in his toes curling inside silk evening socks and her bare ones on tiptoe. The golf club drops onto the carpet; as his tie foins it, we….. FADE OUT.” (Note: it says “foins” rather than “joins” in case you’re wondering.)

Bond takes a BOAC flight to Jamaica, rather than PanAm, as in the film. He is met by a chauffeur, who says, “I’m Mistuh Jones, suh…chauffeur from Government House. Ah been sent to get you.” Bond even calls him “Mistuh Jones” in return.

007 calls Government House. Playdell-Smith takes the call. “Put him through, Miss Taro.” After talking with Bond, Playdell-Smith wraps up the call and says “(off-screen to SECRETARY) Thank you, Miss Taro. I’ll call when I want you.”

Meanwhile, at the Kingston airport, another figure takes in the scene: “a tall thin HATCHET-FACED MAN (FELIX LEITER).”

Bond and Jones depart the airport, followed by Leiter and a “humourous-looking, intelligent CAYMAN ISLANDER (QUARREL).”

The British agent, as in the film, loses his pursuers and gets Jones off alone to interrogate him. He still addresses him as “Mistuh Jones.” After Bond bests Jones in a fight, Jones commits suicide rather than reveal who he’s working for. Jones says, “The….hell with you….” before he dies.

With nothing else to do, Bond drives to Government House. “THE CHAUFFEUR’s body is propped up realistically in the back seat.” When he arrives, the agent utters a witticism to A UNIFORMED GUARD similar to the finished movie.

BOND
(indicating CHAUFFEUR)
Watch him. Make sure he doesn’t get away.

GUARD
(briskly)
Yes, sir.

He does a double take as he sees the DEAD MAN.

TO BE CONTINUED

Early 1962: Dr. No’s script takes shape Part I

Sean Connery in Dr. No

Sean Connery in Dr. No

By early 1962, the screenwriters of Dr. No finished their fifth draft of a script adapting Ian Fleming’s novel. That draft, dated 8-January-1962, greatly resembles the film that would ultimately premier that fall. But there were still elements that either got dropped or significantly altered during production.

What follows is a summary based on a copy supplied by Bond collector Gary Firuta.

The draft’s title page lists Richard Maibaum, Wolf Mankowitz and J.M. Harwood as the writers and Harry Broccoli and A.R. Broccoli as producers. The production company name is listed as Eon Film Productions Ltd., later shortened to Eon Productions.

The early sequences are very similar to the final product, but scenes have additional dialogue than would make the final cut.

In the stage directions, John Strangways, R.N. (ret.) is described as “Carribean Universal Exports Agent, or, less discreetly, the local representative of the British Secret Service. He is a tall, lean man with a black patch over his right eye, and the sort of acquiline good looks associated with the bridge of a destroyer.”

The bridge game at the Queen’s Club includes an exchange after Strangways departs the bridge game for his daily call from headquarters. Potter, one of the players, asks, “What is his wretched Company, anyway?” Professor Dent replies, “He’s the Carribean Agent for Universal Exports…”

In the script, Strangways realizes, too late, he’s in danger. “The tapping of the sticks” of the supposedly three blind men “ceases. STRANGWAYS turns partially back to the, the moment of silence registering.” (Yes, there appears to be a dropped word.) The stage directions specify Strangways is hit between the shoulders, small of the back and the pelvis. The driver says, “Hurry it up, boys…” rather than the “Hurry, man, hurry!” of the final film. Meanwhile, inside the hearse, the killers put on “roomy black alpaca coats” and replace their baseball caps with black top hats.

At Strangways house, Mary Prescott, “STRANGWAYS’ secretary and No. 2,” is described as “a striking-looking young woman despite her tailored dress.” As described in the stage directions, she only sees one of the assassins before she dies.

As in the final film, the scene switches to London. The script references “the M.I.6. building, a square eight-storey structure near Regent’s Park.” An operator even says, “Urgent. M.I.6. RT Control.”

We’re then off to Le Cercle Casino. On page 10, the stage directions refer to SYLVIA TRENCHARD, who is “willowly exquisitely gowned with a classic, deceptively cold beauty. The stage directions say at first she is playing the “MAN” As the game progresses, it’s specified “we have still not seen” the Man. He is then identified as BOND when he “takes a cigarette from a flat gun-metal case on the table besides him.”

The game continues. On page 11, Sylvia introduces herself as “Trench…Sylvia Trench.” Bond lights her cigarette.

SYLVIA
And I admire your luck, Mr….?

BOND
(as he brings the lighter up to his own cigarette, and for the first time we see his face.)
Bond….James Bond.

TO BE CONTINUED

1980: Jack Anderson digs up FBI memos about Goldfinger

Scene from Goldfinger

Filming during Goldfinger

Thirty-four years ago, syndicated newspaper columnist Jack Anderson obtained some FBI memos that showed how, in 1964, the bureau was concerned about how it might be portrayed in Goldfinger.

Here’s an excerpt from a column published in June 1980 in various newspapers. This excerpt is based on how it appeared in The Galveston (Texas) Daily News on June 24, 1980, via NEWSPAPERS.COM.

WASHINGTON — The FBI’s deep concern with the true-blue Americanism of such celebrities as Helen Keller and Humphrey Bogart has been chronicled in past columns.

Now I’ve obtained internal documents that reveal that the late J. Edgar Hoover was also worried about a fictional celebrity — Ian Fleming’s super-British Agent 007, James Bond.

Communist subversion may have been threatening the Republic in the 1960s — as Hoover assured Congress it was every year at budget time — but the FBI could still find time and agents to check into the possible effects of a James Bond movie on the agency’s pristine image.

Anderson quoted one FBI memo as saying, “The type of book written by Fleming is certainly not the type where we would want any mention of the FBI or portrayal of FBI agents, no matter how favorable they might look in the movie.”

Another memo recommended that “in the event the Bureau is contacted for permission to portray an FBI agent in the movie, it should be flatly declined.”

About half of the column was devoted to the FBI memos concerning Bond and Goldfinger. The rest of the column was devoted to several other topics. Anderson retired in 2004 and died in 2005.

NYT’s Upshot blog breaks down 007 by the numbers

Ian Fleming

Ian Fleming

The New York Times, IN AN ENTRY IN ITS UPSHOT BLOG, performs a bit of numerical analysis on James Bond.

The Upshot used this week’s 50th anniversary of the death of 007 creator Ian Fleming to examine Bond. The Upshot stresses data-based reporting. The newspaper started the blog after Walt Disney Co.’s ESPN purchased the FiveThirtyEight blog, which used to appear on the NYT’s website, from journalist-statistician Nate Silver, who now works for ESPN and its sister company ABC News. Silver gained fame for using data to project the winners of political races.

The Upshot describes itself as providing “news, analysis and graphics about politics, policy and everyday life.” (For more information, you can CLICK HERE.)

The Bond post by Alan Flippen includes graphics about which authors wrote how many 007 novels (Fleming being in a tie with John Gardner at 14 each) and how many 007 movie titles are derived from Fleming. To read the entire post, CLICK HERE.

In addition, you can read the newspaper’s 1964 obituary on Fleming BY CLICKING HERE. If you want to see the obituary in its original form, you can find information on purchasing a copy, or getting a Times digital subscription BY CLICKING HERE.

U.N.C.L.E. movie delayed to August 2015

Slow down, Solo. You're not being called up for another year.

Stand down, Solo. Mr. Warner says you can wait another seven months.

The Man From U.N.C.L.E. movie is being delayed by seven months to Aug. 14, 2015 from Jan. 16, according to several entertainment news sites, including Deadline: Hollywood and Comingsoon.net.

The Guy Ritchie-directed film, based on the 1964-68 television series, has underwent a series of reshoots. Initially, they were being done with a second-unit crew. But Henry Cavill, who plays Napoleon Solo, traveled from the Detroit area (where a Batman-Superman film is in production) to London to participate in a reshoot along with Armie Hammer, who plays Illya Kuryakin.

Some fans were concerned about the January release date. That’s sometimes viewed as a dumping ground for movies not good enough for the end-of-the-year holiday season. Now it’s slated for a late summer slot. By the time August 2015 rolls around, it will have been 23 months since the start of principal photography. Another chapter in The Man From U.N.C.L.E. curse?

Character actress Arlene Martel dies at 78

Robert Vaughn and Arlene Martel in a first-season episode of The Man From U.N.C.L.E.

Robert Vaughn and Arlene Martel in a first-season episode of The Man From U.N.C.L.E.

Arlene Martel, a busy character actress, including 1960s spy shows, has died at 78.

Her death was disclosed on THE FACEBOOK PAGE for These Are The Voyages, a three-volume book about the original Star Trek series. The author, Marc Cushman, was a friend of Martel’s, according to TREKNEWS.NET, a Star Trek site.

Martel is primarily known for Star Trek as T’Pring, a Vulcan woman Spock is supposed to marry before complications arise in the episode “Amok Time.” That connection, along with her other television work, made her a regular at collectibles shows where fans meet and get autographs from fans.

But Martel also showed up on 1960s spy shows, including The Man From U.N.C.L.E. as a Rome-based operative who assists Napoleon Solo and Illya Kuryakin in a first-season episode, “The King of Knaves Affair.” She also made appearances on It Takes a Thief, Mission: Impossible and The Wild Wild West.

The actress made guest appearances in series covering various genres, including police/detective dramas (Columbo, Mannix); comedies (including several episodes of Hogan’s Heroes); and science fiction (playing opposite Robert Culp in the Harlan Ellison-scripted “Demon With a Glass Hand” on the original Outer Limits series).

UPDATE (Aug. 14): To view a more detailed obituary in The Hollywood Reporter, CLICK HERE.

50 years ago today

Fleming-obit

Without whom, etc.

Follow

Get every new post delivered to your Inbox.

Join 135 other followers