Cavill does some U.N.C.L.E. post production work

The HenryCavill.org site published a bit of news: Henry Cavill, while in the Detroit area working on a Superman-Batman movie, did some post-production sound work for next year’s movie version of The Man From U.N.C.L.E.

According to THE POST:

According to sound engineer Marty Peters, Henry Cavill stopped today into Ozone Music and Sound, a creative audio boutique in Royal Oak, Michigan, to do some ADR work for The Man from U.N.C.L.E.

ADR is when additional dialogue is recorded by an actor to “fix” lines that may have had audio issues during the original recording on set.

There isn’t much additional information about U.N.C.L.E. Ozone Music and Sound put out the news VIA ITS TWITTER ACCOUNT.

Production on the Batman-Superman film is gearing up, with a scheduled release date of May 2016. Royal Oak is a suburb north of Detroit. Ozone Music and Sound HAS A FACEBOOK PAGE.

Jared Harris talks briefly about his U.N.C.L.E. role

Jared Harris

Jared Harris

Thanks to @LaneyBoggs2001 on Twitter for the heads up.

Actor Jared Harris gave an an interview to the Latino Review website where, at the very end, he provided a tiny bit of information about his role in The Man From U.N.C.L.E. movie.

Latino-Review: And just real quick, who are you playing in “The Man from U.N.C.L.E.?”

Jared Harris: I play a CIA agent who is initially involved in training and running Napoleon Solo. So it’s running him as a spy as you would like. It’s set in the 60s and it’s a Guy Ritchie film. It has a great mixture of action and comedy. And there’s fantastic plotting.

That’s all there is. Harris did his filming in September with both Henry Cavill and Armie Hammer, who play Napoleon Solo and Illya Kuryakin in the film, which will be released in January 2015.

Warner Bros. has previously specified that in the movie Solo is a CIA agent who becomes involved in a joint operation with KGB operative Kuryakin. The original 1964-68 series played down such Cold War references. A first-season episode, The Neptune Affair, included a brief scene where David McCallum’s Kuryakin is seen in a military uniform in the Soviet Union.

Such scenes were more the exception than the rule. Other references were more subtle. Another first-season episode, The Love Affair, depicted Kuryakin telling Robert Vaughn’s Solo, “Suddenly, I feel very Russian” as the two approach a mansion on Long Island.

The Bond of the 1990s

Pierce Brosnan

Pierce Brosnan

By Nicolás Suszczyk, Guest Writer

Does anyone remember the 1990s?

Beverly Hills 90210, the Backstreet Boys, the fall of Communism, Claudia Schiffer everywhere, the rise of the Nintendo and Sega videogames, Windows, Internet… so much stuff to make us all feel a little nostalgic and perhaps a bit old, too.

Now we can watch once again on YouTube, in that standard VHS quality, we might now consider bad footage of a long haired and beardy man in a dark suit being surrounded by thousands of cameras and photographers, next to producers Michael G. Wilson, Barbara Broccoli and a director called Martin Campbell.

It was 20 years ago. The man was Pierce Brosnan. And this moment was the return of James Bond.

The franchise had its weak moments before, but in the longest gap in the franchise history between 1989 and 1994, Bond seemed really dead, without a chance to survive the post Cold War era or the legal troubles surrounding Danjaq and MGM.

Even with the necessary reboot in 2006 with Casino Royale after the somewhat exaggerated Die Another Day, there was probably no bigger buzz about Bond being outdated than in these five years, for many reasons: (a) Agent 007 was a product of the Cold War, and there was no more Cold War, (b) Licence to Kill was a commercial failure and had weak reviews, and (c) too many years were passing without Bond.

By no means was the return of 007 in the form of Daniel Craig unimportant. It certainly was, but it was expected James Bond would return. By the early 1990s, with only the TV cartoon James Bond Jr. and some telefilm Ian Fleming biopics, the “man on the street” would have many doubts of watching our hero back in the silver screen. Some headlines even called Licence to Kill “007’s final mission.”

This is why June 8, 1994, will be remembered as one of the greatest days in the history of the cinematic agent 007.

With a thousand journalists and photographers from all over the world, Brosnan promised to show us “what is beneath the surface of this man, what makes him a killer,” but also maintain the elements that made him famous: “He’s still a ladies man, yes.”

(Essay continues below the videos)

From that day on, the name of James Bond, sentenced to be part of a retro club subject of conversations years before, was being heard again everywhere, including in Papua New Guinea, where Brosnan, shooting Robinson Crusoe, was recognized by a group of children as the secret agent.

The Brosnan era firmly represented the ‘90s, in the humor, the costumes, the music and the scripts.

GoldenEye (1995) offered us a classic story with some twists. The old Communists were back –- in jokes included –- but also with explicit sex scenes; a metallic and modern score by Eric Serra; and, of course, the inclusion of something that was starting to change our lives, the Internet (Natalya asks for an IBM Computer with 650 MB hard drive, basically one-sixteenth the capacity of our iPad;), the 007 vs 006 rivalty, first time a 00 agent –- a friend of Bond — goes rogue.

Tomorrow Never Dies (1997) opted for a more pragmatic and less brainy idea by having media tycoon Elliott Carver using his empire to make a war between China and Britain (action, action, action everywhere).

The World Is Not Enough (1999), being the last Bond of the 20th century, provided a twist by having as a villain a woman he fell for, with Sophie Marceau having the distinction of being the first female mastermind in a 007 film.

The 40th anniversary adventure, 2002′s Die Another Day, might have been a weak film in many aspects, but it also had its dosage of drama and violence (i.e. a depiction of torture as part of the main titles).

Even when nowadays Pierce says his Bond wasn’t “good enough” and that he doesn’t dare to watch his own Bond movies, his contribution to the franchise was more than memorable and needed.

Brosnan not only resurrected Bond but also brought a new generation of fans. The end of Cold War couldn’t kill James Bond.

MI6 Confidential features Armstrong, Picker in new issue

David Picker

David Picker

MI Confidential is out with A NEW ISSUE that, among things, includes features on stuntman/second unit director Vic Armstrong and former United Artists executive David V. Picker.

Armstrong worked on the 007 film series in such films as You Only Live Twice and On Her Majesty’s Secret Service. He was interviewed for John Cork-directed documentaries about those movies, providing some behind-the-scenes perspective about how stunts were performed. From 1997-2002, Armstrong assumed the helm as stunt coordinator and second unit director for three Bond films starring Pierce Brosnan.

Picker was among the UA executives who reached a deal in 1961 with producers Albert R. Broccoli and Harry Saltzman to get the 007 film series started. His memoirs were published last year, including A CHAPTER ON THE BOND FILM SERIES.

Also included in the issue are stories about Lana Wood and her experiences filming Diamonds Are Forever and Ian Fleming’s taste in cars.

The price for MI Confidential No. 25 is 7 British pounds, $11 or 8.50 euros. For more information about the contents or to order, CLICK HERE.

U.N.C.L.E.’s director of photography talks up Cavill’s Solo

Henry Cavill's Napoleon Solo reports for duty in January 2015

Henry Cavill’s Napoleon Solo

Thanks to C.W. Walker for the heads up.

The man who photographed next year’s movie version of The Man From U.N.C.L.E. has made public comments about Henry Cavill’s version of Napoleon Solo, according to THE INDEPENDENT IN IRELAND.

John Mathieson, the movie’s director of photography, commented about Cavill’s performance and Guy Ritchie’s work as director.

Here’s an excerpt:

Speaking at the launch of the new Samsung Curved UHD screen TV in London he said: “I thought Henry was terrific.

“He plays it quite humorously, everything’s slightly quirky, slightly sharp. It was very comic strip in some ways, I mean that in a good way.

“He plays it very differently [to Superman], this is much more earthbound. He’s a peacock, and he’s very funny. I thought he was great.”

(snip)

(I)t’s got a very British feel….We filmed in London on a digital camera but we were trying to give it more of a sixties feel.

“It’s a very good looking film, it’s set in the sixties, it’s very chic.”

Mathieson also said that Ritchie is “still cutting, he’s very close to finishing….We’ve got to do some post production to get that sixties look really right.”

None of this is startling. Crew members rarely talk down on a movie before it’s released. But there hasn’t been much U.N.C.L.E. publicity since the film completed shooting in early December.

The movie has been given a January 2015 release date by Warner Bros. Ritchie’s version, which he co-wrote with Lionel Wigram, is set in the early 1960s and depicts the origin of U.N.C.L.E. The original Warners’ press release said that Solo was a CIA agent and Illya Kuryakin a KGB operative involved in a joint operation. Armie Hammer has the Kuryakin role in the movie.

The original 1964-68 series, starring Robert Vaughn and David McCallum, downplayed Cold War references.

Earlier this week, some reshoots were filmed of a car chase, something that @laneyboggs2001 at Twitter had sniffed out. The main actors weren’t involved. Cavill is currently in Michigan for production of a Superman-Batman movie scheduled for release in May 2016.

Captain America and spies prove to be big box office

Captain America: The Winter Soldier's poster

Captain America: The Winter Soldier’s poster

Captain America: The Winter Soldier, which mixed superheroes and spies, generated an estimated $96.2 million in U.S. ticket sales, according to the Box Office Mojo website.

The movie, starring Chris Evans as Cap, set a record for an April movie opening, according to The Wrap entertainment news site.

The film concerns Cap becoming increasingly wary of S.H.I.E.L.D., the Marvel Comics spy agency. The movie addresses various plot threads going back to 2008′s Iron Man, the first production from Marvel Studios. One of two epilogues in the end titles provides a teaser for next year’s sequel to 2012′s Marvel’s The Avengers. A third Captain America movie has been scheduled for May 2016.

Meanwhile, the storyline of Captain America: The Winter Soldier will affect the ABC series Agents of S.H.I.E.L.D. USA Today has a story that details how in a story you can view BY CLICKING HERE. Both Marvel Studios and ABC are owned by Walt Disney Co.

Also, BusinessWeek has a story about Kevin Feige, Marvel Studios boss and producer of its movies. You can read it by CLICKING HERE.

HMSS Weblog’s guide to Bond 24 ‘silly season’

Daniel Craig during the filming of Skyfall

Daniel Craig during the filming of Skyfall

The Bond 24 “silly season” is underway as reports begin to emerge about possible casting.

The term “silly season” isn’t entirely accurate. Often, at least during the months leading to Skyfall, the reports WERE USUALLY PROVEN TO BE CORRECT.

Still, here’s a few things to keep in mind:

Read the actual story, not just the headline: The entertainment news website The Wrap ran A STORY saying that Chiwetel Ejiofor from the film 12 Years a Slave was the frontrunner to snare the role of Bond 24′s villain. The story was referenced in other entertainment site.

This got 007 fans going all over the Internet. But the story itself was less than definitive. An excerpt:

While Ejiofor does not have an official offer yet and is not in formal talks, he is being eyed for the coveted role and is widely presumed to be the frontrunner amongst the other actors under consideration.

Translation: He hasn’t been cast yet and the situation is still in flux.

That hasn’t stopped fans from debating whether the actor would be a good choice to play a new version of Blofeld.

The Wrap’s story doesn’t even come close to mentioning Blofeld. But, given that Eon and Metro-Goldwyn-Mayer finally secured the rights to the character once and for all from the Kevin McClory estate, what’s a little speculation among friends?

Put another way: read the story, don’t just read the headline and don’t make assumptions.

With Skyfall, almost all the major casting news was reported accurately before an official announcement: News of Skyfall casting Ralph Fiennes, Naomie Harris, Albert Finney and other actors was reported before the official press release in November 2011. Given that track record, it could happen again with Bond 24.

Don’t take denials from Eon at face value: Barbara Broccoli and Daniel Craig denied Ben Whishaw was playing Q in Skyfall even though Whishaw’s agent said it was true. Sam Mendes denied he was in talks to direct Skyfall even though his publicist told other media outlets that was taking place. Barbara Broccoli denied that Skyfall co-writer John Logan had been hired to write Bond 24 and Bond 24 days before MGM announced that Logan had, in fact, been hired.

The past doesn’t guarantee the future: This contradicts the first two points, admittedly. But, as fans read news accounts about possible Bond 24 casting and other news, they should take into account the source. Moreover, they should actually seek out the actual original source.

Often, websites will mention where the news came from. They may even provide a link to the original source. But fans should, at the very least, actually read the original source before getting overly excited. It may still be difficult to evaluate how accurate the report is. At the very least, check out where the news originated and how that source phrased the news.

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