The Secret Service principals compare movie to old-style 007

UPDATE (July 26): A reader who was at the presentation tells us that a Colin Firth quote below was transcribed incorrectly by Screen Rant. Quote has been changed to reflect that.

Some of the people behind the new Kingsman: The Secret Service compared the upcoming film to 1960s James Bond movies and other spy entertainment of that decade, according to the entertainment website SCREEN RANT.

The movie got promoted at the San Diego comic book convention. The film is based on a 2012 comic book series by Mark Millar and Dave Gibbons.

Millar made light of more recent Bond films with Daniel Craig in discussing Kingsman. “James Bond cries in the shower now in these movies but [star Colin Firth] gets to do cool stuff – like firing these gadgets and all this stuff. I think he got the best gig in the end.”

Firth kept his comparisons to the 1960s. He was quoted thusly by Screen Rant (with corrections included): “I enjoyed this kind of thing growing up in the ’60s and the character of the spy movie has its roots in the ’60s. It’s the Man from Uncle U.N.C.L.E., it’s the Harry Donner Palmer films, it’s John Speed’s Steed’s Avengers, and those early Bond films. It’s the guy in the suit who seems slick and cool and capable but very contained but you cross him at your peril.”

The Matthew Vaughn-directed film is due out this fall.

Could both 007 and U.N.C.L.E. end up in Rome?

Daniel Craig during the filming of Skyfall

Daniel Craig during the filming of Skyfall

Rome is getting to be a popular place for spies.

Bond 24, according to a local film official, is to include a car chase in Rome. The Play 4 Movie website attributed the news to Luciano Sovena, president of the Roma Lazio Film Commission.

There aren’t many details. Sovena says on the website he’s met with the co-bosses of Eon Productions, Michael G. Wilson and Barbara Broccoli, about it. “Barbara and Michael really count on it, they’re already excited,” Sovena is quoted as saying. (Thanks to the James Bond Dossier for the heads up.) It should be noted for Skyfall there were reports the producers were looking at India, but the production ended up doing its main location shooting in Turkey.

The 007 film series has been in Italy before, including three stops (From Russia With Love, Moonraker and Casino Royale) in Venice with three different leading men (Sean Connery, Roger Moore and Daniel Craig). The first time viewers see Roger Moore’s 007 in Live And Let Die, he’s back home from a mission M refers to as “the Rome affair.” It’s a passing reference (though we’re told Italian officials were impressed with Bond). It’s mostly to explain for the audience the presence of a woman Italian agent at Bond’s flat. (“They do seem to be missing one of their agents, a Miss Caruso.”)

Last year, The Man From U.N.C.L.E. movie with Henry Cavill and Armie Hammer also filmed in Rome. A fair amount of location shooting time for the film, which is due out in January 2015, was filmed in Rome and elsewhere in Italy. Here’s a video of the U.N.C.L.E. crew during the Rome shoot.

Bond 24: Sam Mendes does some teasing

Sam Mendes

Sam Mendes

Bond 24 director Sam Mendes talked a bit, but not much, about the next James Bond film adventure, according to the SCREEN DAILY website.

Mendes spoke this week at an event at Windsor Castle. Here’s an excerpt from the Screen Daily article:

After doing Skyfall, which was hailed as a more modern approach to Bond, he knew he wanted to do a follow-up film. “We had taken Bond where people aged and were getting old and dying. It had come out of this bubble of timelessness I felt. I thought I would need to say what happened next, in the next year or two.” He knew he would do the next film as soon as Daniel Craig also confirmed.

There’s a bit of revisionist history here. In 2013, Mendes said ACCORDING TO THE PLAYLIST WEBSITE that the idea of doing a sequel to Skyfall “made me physically ill.” Also, in other 007 films, the idea that Bond had aged had been explored.

In any case, Mendes’ comments suggest (but is hardly conclusive proof) that the aging Bond meme of Skyfall will continue in Bond 24. Also, the director briefly discussed the challenges of a Skyfall follow up:

“I spent a long time doing movies that defied easy categorisation,” the director said. “But with Bond, it was very clear what was demanded. With Bond you have to know everything Bond has done before. You can’t repeat it. You’re not going to reinvent the wheel.”

To read the entire Screen Rant article, CLICK HERE.

Bond 24 questions: the writers edition

Robert Wade, left, and Neal Purvis.

Robert Wade, left, and Neal Purvis.

Neal Purvis and Robert Wade are back? There’s been no official announcement but it was reported last month by The Daily Mail’s Baz Bamigboye that the writers were retained to rewrite John Logan’s efforts.

Bamigboye had a number of Skyfall and Bond 24 scoops proven correct. Example: he wrote that Purvis and Wade were initially not going to be back for Bond 24, while their Skyfall co-scribe John Logan would be the new 007 film’s writer. Purvis and Wade subsequently confirmed they were leaving the series. Until, it now seems, things changed.

How extensive will Purvis and Wade’s Bond 24 script work going to be? If the duo end up getting a credit, you’ll know it will have been substantial.

The Writer’s Guild has extensive guidelines on how much work a scribe (with a team of writers such as Purvis and Wade counted as a single entity) should do to get a screen credit. A writer or writing team must contribute more than 33 percent of the finished product for an adapted script, 50 percent for an original one. Bond 24 falls under the adapted category since it uses a character who originally appeared in a novel.

Getting a credit isn’t as simple as counting lines of dialogue. A credit is supposed to reflect “contributions to the screenplay as a whole,” according to the guild. It’s possible, for example, for a writer to change every line of dialogue but for the guild to determine there’s been no significant change to the screenplay.

In any case, if Bond 24’s credit reads something like, “Written by John Logan and Neal Purvis & Robert Wade,” Purvis and Wade will have done more than revamp some dialogue or tweak a scene or two.

Is this unusual?It’s the normal method of operation for both movies in general and James Bond movies in particular. Even 007 films that had only one writing credit had contributions from other writers. For example:

–From Russia With Love had a solo screenplay credit for Richard Maibaum, but also an “adapted by” credit for Johanna Harwood, while Len Deighton did work that didn’t earn a credit.
–You Only Live Twice had a “screenplay by” credit for Roald Dahl but an “additional story material” credit for Harold Jack Bloom, the film’s first writer.
–On Her Majesty’s Secret Service had a Maibaum solo credit for the screenplay but an “additional dialogue” credit for Simon Raven, who rewrote dialogue in some scenes.
–Tomorrow Never Dies had a “written by” credit for Bruce Feirstein. Other writers took a whirl without credit between Feirstein’s first draft and his final draft.

As far as anyone knows, Live And Let Die really represented the work of only one writer (Tom Mankiewicz), and he did plenty of rewrites himself.

Is this any reason to be concerned? The Daily Mail also reported the start of Bond 24 filming was pushed back to December from October. If true, that should still be enough time for Bond 24 to meet its release date of late October 2015 in the U.K. and early November 2015 in the U.S.

What should fans look for next? The date of the press conference announcing the start of Bond 24 filming. There should also be a press release. If Purvis and Wade get a mention in that press release along with John Logan, that’ll be a sign they did a fair amount of work on the script.

Repeat after me, ‘Writing a James Bond movie is hard’

Bond 24 writer, err co-writer, John Logan

Bond 24 writer, err co-writer, John Logan

John Logan is learning a lesson that the likes of Paul Haggis, Bruce Feistein, Jeffrey Caine and Michael France learned before him. Writing a James Bond movie is hard.

You can be a hero one day (Logan after Skyfall, Feirstein after GoldenEye, Haggis after Casino Royale) and out the door the next (Feirstein for a period during Tomorrow Never Dies until he got asked back, Haggis after Quantum of Solace).

Screenwriting in general is tough. If you’re in demand, you make a lot of money. If you’re not, it can be humbling. Studios make fewer, more expensive movies. With the stakes so high, there are all sorts of people — directors, stars, studio executives — looking over your shoulder. Bond movies take it a step further. You have the Broccoli-Wilson family, which has controlled the franchise for more than a half century. They have definite ideas of what they like and don’t like.

Screenwriters don’t tally up a lot of multiple 007 screen credits. An Oscar winner such as Paul Dehn had only one. Other one-time only scribes include John Hopkins. Roald Dahl and Michael France. Some writers toil without even getting a credit, such as Len Deighton and Donald E. Westlake, hardly slouches as authors.

All of which is a long way of saying it’s remarkable that Neal Purvis and Robert Wade have been summoned, according to Baz Bamigboye of the Daily Mail, for a sixth turn writing a James Bond movie, taking over for Logan, who, in turn, rewrote their script for Skyfall. The only writer who has more Bond screenwriting credits is Richard Maibaum (1909-1991) with 13. Maibaum had the advantage of a long-standing relationship with producer Albert R. Broccoli.

Maibuam and the Purvis-Wade team have one thing in common. They’ve taken their share of flak over the years. The British film historian Adrian Turner, in a 1998 book about Goldfinger, made it clear he didn’t think much of Maibaum, painting Dehn as the one who brought the Goldfinger script into shape. Purvis and Wade, meanwhile, get criticized on Internet message boards and social media by some fans as hacks. It helps to have a thick skin.

Feirstein, Haggis and Logan were the final writers on three significant 007 hits: GoldenEye (reviving the franchise after a six-year hiatus), Casino Royale (a reboot of the franchise) and Skyfall (the first billion-dollar Bond film). They got invited back but in the cases of Feirstein and Haggis it was hardly easy going. Something similar may be going on with Logan. He was hired to write a two-film story arc, but that plan got scrapped as part of the price to get Skyfall director Sam Mendes back for Bond 24.

The situation undoubtedly is even more complicated and can only really be appreciated by those who’ve gone through the same grind. But the basic lesson still stands. It’s hard to write a James Bond movie.

Purvis and Wade return to rewrite Bond 24, Daily Mail says

Robert Wade, left, and Neal Purvis.

Robert Wade, left, and Neal Purvis.

Five-time 007 screenwriters Neal Purvis and Robert Wade have been hired to revamp John Logan’s Bond 24 script, Baz Bamigboye of the Daily Mail reported.

The move also means that the start of production has been delayed until December, according to Bamigboye, who had a number of scoops about Skyfall proven correct. (CLICK HERE for examples.)

Here’s an excerpt:

Purvis and Wade have been asked to ‘punch up’ the script and sprinkle in more gags, emphasising the witty repartee between Daniel Craig’s 007 and Naomie Harris’s Miss Moneypenny, and focusing on the interplay between Bond and Ralph Fiennes’s M.

Bamigboye originally reported that Purvis and Wade wouldn’t return for Bond 24 and that Logan — who rewrote their Skyfall script — had been hired. Purvis and Wade later confirmed their departure and Metro-Goldwyn-Mayer announced that Logan had been hired to write Bond 24 and Bond 25.

Originally, Bond 24 and Bond 25 were supposed to be a two-movie story arc. That plan was jettisoned as part of the deal to get Skyfall director Sam Mendes back for Bond 24. Mendes himself confirmed all that in April.

PREVIOUS POST: PURVIS & WADE, AN APPRECIATION

Some critiques from 007’s first Oscar winner

The James Bond Radio website had an interview with Norman Wanstall, the first James Bond movie Oscar winner. The sound effects editor, who won for Goldfinger, had a number of observations of interest.

Here’s a sampling:

– The current leaders of Eon Productions: “I think the biggest problem is, with all respect to the producers, they’re really not what I would call film producers. They’ve inherited the role. So now, they’ll feel because Skyfall was probably the biggest grosser of all time, they’ll feel, fine. They won’t realize the film itself wasn’t up to it. That’s dangerous. They need to be told.”

– Wanstall’s critique of Skyfall: “At one point, I was rather tempted to leave the cinema, which is of unheard of…After (Bond) had hung on to the bottom of the lift, I thought, forget it, it’s getting ridiculous. I knew there was no way for him to get into the building from the lift, so they faked it.”

–The unanswered letter: “Quantum of Solace, of course, is a complete disaster…I’ve often said to people if it was any film other than a Bond film, it would have been shelved. It was unshowable…After Quantum, I did actually write to the producers…I said I was supervising sound editor on six Bond films…we all love them, I said it’s just a terrible shame that you allowed so many things to go on to ruin it…People will always be loyal. But don’t take advantage of it.” Wanstall says he didn’t get a response.

–Wanstall says he can’t watch a Roger Moore 007 film these days. Meanwhile, Sean Connery is his favorite Bond.

The entire interview is embedded below. It runs almost one hour and 47 minutes.

New questions about Bond 24

Daniel Craig

Daniel Craig

There’s still a few months before Bond 24 is scheduled to start filming. So here’s some new questions about the project.

How extensively was the script reworked to get Sam Mendes back? The director confirmed earlier media reports that the original intention was to make Bond 24 and Bond 25 a two-part story arc. But Mendes didn’t want any part of that.

So to entice the Skyfall director back, the two-part arc plan was scrapped. But that’s about all the public knows. Did screenwriter John Logan merely rework things a bit to make Bond 24’s story self-contained? Or was the story thrown out entirely?

Something like the latter happened with Quantum of Solace, where two scripts were junked along the way. Director Marc Forster didn’t like the story done before he came aboard while producers Michael G. Wilson and Barbara Broccoli rejected another involving Bond looking for the child of Vesper Lynd. Scribe Paul Haggis started over and submitted a draft just ahead of a 2007 writer’s Guild strike.

In March, Logan was quoted by Empire magazine as saying he was almost done with the first draft of Bond 24’s script.

How many Skyfall crew members will return for Bond 24? When Mendes signed on last year to direct Bond 24, many fans assumed a lot of the main Skyfall crew would return.

That may still be the case. However, Skyfall director of photography Roger Deakins made it known he wouldn’t be back for a 007 encore.

Deakins was one of the people Mendes had insisted on for Skyfall. So was composer Thomas Newman. It’s not known if he’ll be back. Throughout the 007 film series produced by Eon Productions, only John Barry and David Arnold scored multiple Bond movies. So Newman will join an exclusive club if he scores Bond 24.

Will Bond 24 (figuratively at least) be Skyfall Part II? Logan told Empire that the Bond 24 script “continues the themes of Skyfall. Some of the characters and themes that we began to introduce in Skyfall will play out.”

In April, Mendes told television interview Charlie Rose that with Skyfall, “I started a number of stories that were incomplete…There was a missing piece now. I felt there was a way to create the second part of a two-part story.”

At the end of Skyfall, the villain (Javier Bardem’s Silva) and M (Judi Dench) were dead. But “themes” could cover a lot of ground, including more depiction of a now-aging Daniel Craig Bond trying to cope with the modern spy world. Also, it sounds like there could be more fleshing out of Ralph Fiennes’ new M and Naomie Harris’ new Moneypenny.

Who knows? Perhaps Judi Dench could even return via flashbacks.

If U.N.C.L.E. is a success, can Cavill do sequels?

Henry Cavill as Napoleon Solo

Henry Cavill as Napoleon Solo

File this under “getting ahead of yourself.” Still, at major companies, people are paid to think about various future scenarios. So…

If The Man From U.N.C.L.E. movie, scheduled to debut in January 2015, is a success, will the lead even be able to do any sequels?

Warner Bros. evidently plans on keeping Henry Cavill busy playing Superman. The studio also controls U.N.C.L.E., but you still have to wonder if the actor will have enough time to do future U.N.C.L.E. films. He played Napoleon Solo in the U.N.C.L.E. movie that’s now in post-production.

Here’s what prompts the question:

Nikki Finke, the founder of the Deadline: Hollywood website, is now on her own and has started A NEW WEBSITE. She has a history of scoops that have been proven to be true, such as Sam Mendes being in talks to direct Skyfall and John Logan being hired to write Bond 24 and Bond 25.

In one of her posts on the new site, Finke reported that Warner Bros. plans in the way of superhero movies. It’s already known that Warners is planning a Batman-Superman movie for May 2016 (it’s currently in production) and a Justice League film for 2017.

According to Finke, the studio also wants another solo Superman movie for May 2018. (She also says Warners plans several other superhero projects as it tries to catch up with Disney’s Marvel Studios.) Cavill first played the character in 2013’s Man of Steel.

If Finke is right, you’ve got to wonder if Cavill would have the time to do an U.N.C.L.E. sequel. Superhero movies involve a lot of special effects and long shooting schedules.

The U.N.C.L.E. movie had a tight, three-month shooting schedule — probably in part to make sure Cavill could beef up in time to do the Batman-Superman film. Compare that to Skyfall, the most recent James Bond movie, that had a seven-month shooting schedule.

Again, this is looking way ahead. The U.N.C.L.E. movie hardly is assured of being a hit. It doesn’t have the name recognition of the comic book characters from Marvel and DC that are populating movies.

Considering the seeming curse whether there’d even be an U.N.C.L.E. movie, it’s remarkable there’s even a film to watch. Even then, some fans don’t like the idea of a movie, preferring there never, ever be any more versions of the original 1964-68 series.

Still, it is something to keep in mind as events unfold in the months ahead.

The race to do an Edward Snowden movie

Barbara Broccoli and Michael G. Wilson

Barbara Broccoli and Michael G. Wilson

There’s a race to see who can do an Edward Snowden movie first.

In one corner is Sony Pictures and 007 producers Michael G. Wilson and Barbara Broccoli. In the other, according to various stories (including THIS ONE BY THE GUARDIAN) is director Oliver Stone.

Each project is based on separate books about Snowden, the former National Security Agency contractor who leaked details of NSA surveillance programs to reporters. The Sony-Eon Productions project is based on a book by Glenn Greenwald. The Stone project on a book by Luke Harding.

Here’s an excerpt from The Guardian about Stone’s project. The newspaper may have a bit of a rooting interest.

Stone’s thriller will focus on the experiences of the American whistleblower Edward Snowden, a contractor at the National Security Agency who leaked thousands of classified documents to the former Guardian columnist Glenn Greenwald back in June 2013. The film is to be produced by Stone’s regular business partner Moritz Borman, with Harding and other Guardian journalists serving as production and story consultants.

“This is one of the greatest stories of our time,” Stone, 67, said in a statement. “A real challenge. I’m glad to have the Guardian working with us.” Stone’s previous films include Platoon, JFK and W. The director has also made documentaries on Fidel Castro and Hugo Chavez, together with a 2012 TV series, Oliver Stone’s Untold History of the United States.

The Sony-Eon project was announced in May. Greenwald’s work for The Guardian about Snowden earned that newspaper a Pulitzer Prize for public service, which it shared with The Washington Post. The public service Pulitzer is given only to publications, not to particular individuals. Greenwald left The Guardian to start a website called The Intercept.

For now, the question is which project reaches theater screens first. Wilson and Broccoli have been involved in a number of non-Bond movie projects but haven’t had one become reality yet. Separately, Broccoli has been involved as a producer of a documentary (Stolen Childhoods), a made-for-television movie (Crime of the Century) and a public service short film (James Bond Supports International Women’s Day). Broccoli and Wilson together have also been involved in stage productions.

Wilson and Broccoli also have Bond 24, scheduled to start filming this fall for a 2015 release. Can they handle they handle that and get their Snowden project to theaters ahead of Oliver Stone? We’ll see. The Stone movie is supposed to start filming before the end of 2014.

Follow

Get every new post delivered to your Inbox.

Join 133 other followers