Star Trek’s homage to Ken Adam

Ken Adam’s “war room” set from Dr. Strangelove

This weekend, the No. 1 in the U.S. is Star Trek Into Darkness. The movie references the original 1966-69 television series and one of the movies in the franchise. We’ll avoid specifics. But it also has an homage to veteran production designer Ken Adam, one of the major contributors to the early James Bond films.

Early in the new Star Trek film, there’s an emergency meeting of Starfleet captains and their first officers. The meeting room is clearly influenced by Adam’s “war room” set from the 1964 film Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb.

Do you suppose Ken Adam will get a royalty for this scene?

For the uninitiated, Ken Adam designed the sets for the modestly budgeted first James Bond film Dr. No. Producer-cirector Stanley Kubrick, upon watching the 1962 007 film, offered Adam the job to design the sets for Dr. Strangelove. The “war room” set is among the most memorable for that 1964 film.

Adam designed the sets for seven James Bond films in all, starting with Dr. No and ending with 1979′s Moonraker. He won TWO OSCARS and was nominated for another for 1977′s The Spy Who Loved Me. Kubrick did some uncredited consulting work for Adam for the 1977 007 movie, according to the documentary Inside The Spy Who Loved Me.

May 1963: Ian Fleming cries U.N.C.L.E.

Ian Fleming

May 1963 was an eventful month for James Bond author Ian Fleming.

It was THE MONTH that Dr. No finally reached the U.S. market after a slow rollout that began the previous October in the U.K. At last Americans, who’d heard about how President John F. Kennedy was a fan of Fleming’s books, could sample the first film adaptation. Meanwhile, a second Bond film, From Russia With Love, was in production.

It was also the month that things were coming to a head with the television project that producer Norman Felton had wanted to title Ian Fleming’s Solo.

In the middle of the month, things were picking up steam. Here’s an excerpt from CRAIG HENDERSON’S FOR YOUR EYES ONLY WEB SITE:

Tuesday, May 14, 1963
New York entertainment lawyer Ronald S. Konecky, in a letter to Fleming, delivers his legal opinion that Solo is not an infringement on Eon’s James Bond film rights.

Tuesday, May 14, 1963

Sam Rolfe delivers five-page memo to Norman Felton outlining in print for the first time the Solo format developed to date — with an organization known as U.N.C.L.E., headed by a Mr. Allison, employing Solo and agents of all nationalities, “even Russians,” and recurrent encounters with an international criminal group called Thrush. Rolfe eliminates Doris Franklyn, who’s both a secretary to Solo’s boss and a part-time actress in the Fleming-Felton notes, adding Allison’s secretary Miss Marsidan, “who is fat, fifty and somewhat on the motherly side.”

According to the timeline compiled by Henderson, writer Rolfe agreed a few days later “to rewrite the existing Solo format, develop story ideas and make further contributions to the format.”

Meanwhile, Fleming was getting cold feet under pressure from 007 film producers Albert R. Broccoli and Harry Saltzman and their company, Eon Productions. In the early 1990s. Rolfe said at an event called Spy Con that Felton told him that Fleming was scared of Saltzman in particular. (Rolfe’s talk is on a YOUTUBE VIDEO but the sound is very feint; the Saltzman anecdote is around the 17:57 mark.)

The truth of this story is hard to determine. All concerned (Fleming, Felton, Rolfe, Broccoli and Saltzman) are dead and Rolfe was told about it second hand. In any event, on May 28, Fleming’s 55th birthday, the author wrote to the Ashley-Steiner Agency, where Phyllis Jackson, his U.S. agent worked, according to the Henderson timeline. The message: Fleming didn’t want to participate in Solo after all.

It was the beginning of the end for Ian Fleming’s Solo. Less than a month later, the author would sign away his rights to the show. Meanwhile, the James Bond films were gaining momentum and steps were being taken that would result in The Man From U.N.C.L.E. emerging in the place of Ian Fleming’s Solo.

RE-POST: Happy 60th anniversary, Mr. Bond

Casino Royale’s original cover

Originally posted April 1. Reposted for the actual anniversary.

Sixty years ago, readers sampled the start of a novel by a new author. “The scent and smoke and sweat of a casino are nauseating at three in the morning,” it began. The world hasn’t been quite the same since.

The novel, of course, was Casino Royale by Ian Fleming, published April 13, 1953. About 5,000 copies of its first edition were printed and it sold out quickly. Fleming combined the skills and experiences of two lives: his work as an intelligence officer during World War II and his experience as a journalist in spotting the right, and telling detail.

Casino Royale was a short novel. But it had an impact on readers. The story’s hero, British secret agent James Bond, first loses and then wins a high-stake game of cards with Le Chiffre, the story’s villain. Later, Bond is helpless, the victim of torture by Le Chiffre. But before Le Chiffre can finish the torture, he is dispatched by an operative of Smersh for being “a fool and a thief a traitor.” The Smersh operative has no orders to kill Bond, so he doesn’t. But he carves up the back of Bond’s right hand. “It would be well that should be known as a spy,” the killer says.

What seems to be novel’s climax happens less than three-quarters of the way through the story. But the new author had some other ideas to keep readers turning the pages until the real resolution. Bond is betrayed Vesper, a woman he had fallen deeply in love with. She commits suicide by taking a bottle of sleeping pills.

Bond, after all this, doesn’t collapse. He emerges more resolute, determined to “attack the arm that held the whip and the gun…He would go after the threat behind the spies, the threat that made them spy.”

Writer Jeremy Duns in an essay PUBLISHED IN 2005 argued “there’s a strong case to be made for it being the first great spy thriller of the Cold War.” Toward the end of his article, Duns writes, “Before Casino Royale, the hero always saved the damsel in distress moments before she was brutally ravaged and tortured by the villain; Fleming gave us a story in which nobody is saved, and it is the hero who is abused, drawn there by the damsel.”

For Fleming, Casino Royle was just the start. More novels and short stories followed. He lived to see two of his novels, Dr. No and From Russia With Love, turned into movies in 1962 and 1963 (following a CBS adaptation of Casino Royale in 1954). The author visited the set of the third film, Goldfinger, but died in August 1964, just before 007 became a phenomenon, spurring a spy craze.

Six decades later, the 23 movies of the Eon Production series (plus a couple of non-Eon films) are what most people think of when the name James Bond is mentioned. 2012′s Skyfall had worldwide ticket sales of $1.1 billion.

Oh, the Fleming books remain in print. Ian Fleming Publication hires a continuation novel author now and then (William Boyd, the latest continuation author, is scheduled to disclose his novel’s title on April 15). Periodically, there’s a new book about some aspect about the film series.

Fans can fuss and debate about Bond (and do all the time). But there is one certainty: without Casino Royale’s publication six decades ago, none of that would be possible.

UPDATE: Other 007 blogs and bloggers are noting the anniversary today, including THE JAMES BOND DOSSIER, BOND BLOG, MARK O’CONNELL, JAMES BOND BRASIL, FROM SWEDEN WITH LOVE and THE BOOK BOND You can also read an article in the Express newspaper by CLICKING HERE.

Finally, Spy Vibe, part of the COBRAS group of blogs, has a post including a graphic of various Casino Royale covers. You can check it out by CLICKING HERE.

Happy 60th anniversary, Mr. Bond

Casino Royale’s original cover

Sixty years ago, readers sampled the start of a novel by a new author. “The scent and smoke and sweat of a casino are nauseating at three in the morning,” it began. The world hasn’t been quite the same since.

The novel, of course, was Casino Royale by Ian Fleming, published April 13, 1953. About 5,000 copies of its first edition were printed and it sold out quickly. Fleming combined the skills and experiences of two lives: his work as an intelligence officer during World War II and his experience as a journalist in spotting the right, and telling detail.

Casino Royale was a short novel. But it had an impact on readers. The story’s hero, British secret agent James Bond, first loses and then wins a high-stake game of cards with Le Chiffre, the story’s villain. Later, Bond is helpless, the victim of torture by Le Chiffre. But before Le Chiffre can finish the torture, he is dispatched by an operative of Smersh for being “a fool and a thief a traitor.” The Smersh operative has no orders to kill Bond, so he doesn’t. But he carves up the back of Bond’s right hand. “It would be well that should be known as a spy,” the killer says.

What seems to be novel’s climax happens less than three-quarters of the way through the story. But the new author had some other ideas to keep readers turning the pages until the real resolution. Bond is betrayed Vesper, a woman he had fallen deeply in love with. She commits suicide by taking a bottle of sleeping pills.

Bond, after all this, doesn’t collapse. He emerges more resolute, determined to “attack the arm that held the whip and the gun…He would go after the threat behind the spies, the threat that made them spy.”

Writer Jeremy Duns in an essay PUBLISHED IN 2005 argued “there’s a strong case to be made for it being the first great spy thriller of the Cold War.” Toward the end of his article, Duns writes, “Before Casino Royale, the hero always saved the damsel in distress moments before she was brutally ravaged and tortured by the villain; Fleming gave us a story in which nobody is saved, and it is the hero who is abused, drawn there by the damsel.”

For Fleming, Casino Royle was just the start. More novels and short stories followed. He lived to see two of his novels, Dr. No and From Russia With Love, turned into movies in 1962 and 1963 (following a CBS adaptation of Casino Royale in 1954). The author visited the set of the third film, Goldfinger, but died in August 1964, just before 007 became a phenomenon, spurring a spy craze.

Six decades later, the 23 movies of the Eon Production series (plus a couple of non-Eon films) are what most people think of when the name James Bond is mentioned. 2012′s Skyfall had worldwide ticket sales of $1.1 billion.

Oh, the Fleming books remain in print. Ian Fleming Publication hires a continuation novel author now and then. Periodically, there’s a new book about some aspect about the film series.

Fans can fuss and debate about Bond (and do all the time). But there is one certainty: without Casino Royale’s publication six decades ago, none of that would be possible.

EARLIER POST: CLICK HERE to read a March 17 post about events at the University of Illinois to celebrate the 60th anniversary of the publication of Casino Royale.

Derek Watkins, 007 musician, dies

Derek Watkins

Derek Watkins, who frequently played trumpet on the scores of James Bond movies, has died, according to a series of Tweets by composer David Arnold.

DavidGArnold ‏@DavidGArnold
Very very sad news…the legend that was Derek Watkins,gentleman,musical genius and Trumpet on EVERY
Bond score has just passed away

DavidGArnold ‏@DavidGArnold
renowned as one of the finest Trumpet players in the world (LA session players often asked me about him) but he was mainly a lovely man

DavidGArnold ‏@DavidGArnold
He played on pretty much all of my scores and records….sublime playing,tasteful,supreme…and could hit notes others couldn’t get near

DavidGArnold ‏@DavidGArnold 4h
That will be a chair in the Trumpet section that will remain permanently empty….an irreplaceable musician and a down to earth,funny man

Arnold was composer on five James Bond movies, starting with Tomorrow Never Dies and running through Quantum of Solace. Watkins’s Web site has a long list of movie and TV credits.

UPDATE (March 23): Watkins, born in 1945, was just 17 when he played on Dr. No, beginning his long run performing on 007 scores. You can CLICK HERE to view his biography on his Web site.

UPDATE II (10:55 a.m., March 23): There is a Facebook page called DEREK WATKINS, THE TRUMPET LEGEND. It includes this post from his wife Wendy:

“A trumpet spreading a wondrous sound
Throughout the graves of all lands.
Will drive mankind before the Throne
Death and Nature shall be astonished”

It is with such sorrow that I have to tell you that my beloved husband died at 19.50 on 22 March. He was surrounded by his family telling him how much we loved him. His two year battle against cancer is over, he is at peace but we shall miss him so very much. His courage and strength over the past years have been an inspiration to everyone he met, and his music will live on for his future generations.

DEREK ROY WATKINS – 2 MARCH 1945 – 22 MARCH 2013

The HOME PAGE of Watkins’s official Web site now also has a tribute. Finally, some 007 Web sites have tried embedding one of the Skyfall videoblogs about the film’s music where Watkins is featured along with composer Thomas Newman. But those videos appear to have been blocked. But you can still see it by going to the VIDEOS PAGE of the official 007.com Web site.

UPDATE III (11:52 a.m.): The BBC’s Web page has an obituary you can view by CLICKING HERE. Meanwhile, other 007 bloggers inform us they’ve embedded versions of the 007.com video featuring Watkins works fine. So we’ll try to embed here:

March 1963: Ian Fleming caught between two worlds

Ian Fleming

Fifty years ago this month, Ian Fleming was a busy man. Maybe too busy. He would soon be caught between the worlds of movies and television.

Dr. No, the first movie based on one of his 007 novels, had gotten off to a promising start. But as March 1963 began, it still had yet to debut in a number of major markets, including the U.S. Production would begin a month later on From Russia With Love. That was good news for the author. But Bond still wasn’t a phenomenon.

Meanwhile, Fleming had another iron in the fire. According to Craig Henderson’s U.N.C.L.E. For Your Eyes Only Web site:

March 1963
Ian Fleming, passing through New York on his way home to London after his annual stay at Goldeneye, discusses Solo with Phyllis Jackson.

She starts negotiations with MGM for Fleming’s participation in the series. NBC reconfirms that it will put an Ian Fleming TV series on the air without a pilot. At the same time, (producer Norman) Felton, realizing Fleming will not devote the time necessary to actually creating a concept ready for weekly production, enlists Sam Rolfe to develop a full series presentation.

Jackson was Fleming’s agent in the U.S. and was with the Ashley-Steiner Agency.

Presumably, Fleming had a copy of his You Only Live Twice novel manuscript in either his briefcase or luggage. The year before, in early 1962, Fleming had penned On Her Majesty’s Secret Service while in Jamaica and he had visited the Dr. No set. Readers wouldn’t discover for more than a year that Fleming has surprise in mind for the literary 007.

By early March 1963, it had been more than four months since Fleming had his first meetings in New York during late October 1962 with producer Felton to discuss a proposed television series to be called Solo that would feature a lead character named Napoleon Solo. Fleming hadn’t done the heavy lifting but his March ’63 meeting would seem to indicate he still remained interested in the project.

Within a few months, that would change. Albert R. Broccoli and Harry Saltzman, the producers of the 007 series, weren’t happy about Fleming’s potential new venture. According to the U.N.C.L.E. For Your Eyes Only site, Fleming was making counterproposals for his Solo deal as late as May 8. But on May 28, Fleming’s 55th birthday, he writes to Ashley-Steiner Agency to indicate he wants out of the television project.

Saturday, June 8 – Wednesday, June 12, 1963

Jerry Leider of Ashley-Steiner travels through London and meets with Fleming, who tells Leider that Saltzman and Broccoli have pressured him to drop out of Solo.

Fleming’s final exit occurs June 26. He signs away his interest in the television show for one British pound. By that time, filming on From Russia With Love was well underway, with a world premier scheduled for the fall of 1963.. Meanwhile, Fleming wouldn’t live to see debut of The Man From U.N.C.L.E., the television’s show new title, debut on Sept. 22, 1964.

For more, CLICK HERE to see the U.N.C.L.E. For Your Eyes Only Web site for significant 1962 dates. CLICK HERE for significant 1963 dates.

Raymond Benson starts a blog

Raymond Benson

UPDATE: Benson deleted a Dr. No post and put up another one titled IN PRAISE OF STANLEY KUBRICK is in its place.

ORIGINAL POST (with appropriate deletions): Raymond Benson, the former James Bond continuation novel author, has started a blog, Blog Benson.

The author describes Blog Benson it as a “storehouse of random and useless thoughts, usually about various Baby Boomer ‘things’ with regard to movies, music, books, theatre, and whatever strikes my fancy.”

Benson wrote six Bond continuation novels that were published between 1997 and 2002 as well as novelizations of Tomorrow Never Dies, The World Is Not Enough and Die Another Day.

Skyfall’s legacy

Skyfall’s poster image

As Skyfall’s run in theaters ends (outside of China, anyway), there have been various efforts to analyze its place in 007 history, including whether or not it should be considered the top Bond performer even adjusted for inflation.

Here’s a simpler evaluation, without math or complicated comparison of box office from different eras over a half century: Skyfall, whether you liked it (and many did) or not, re-established or confirmed (depending on your view) Agent 007 as a major player in pop culture.

Not that long ago, Harry Potter films had passed 007 for worldwide ticket sales. Many 007 fans cried foul, saying such comparisons were unfair. Today, after Skyfall has reached No. 8 all time in adjusted ticket sales? You don’t hear that so much.

In 2008, Quantum of Solace got off to a strong opening weekend in the U.S. but faltered the next weekend when Twilight,the first of series of movies about young vampires, arrived in theaters. Four years later, Skyfall and 007 got even, recording higher ticket sales, even in the U.S., Twilight’s home ground for The Twilight Saga: Breaking Dawn Part 2, the final bow of the young vampires.

All of this occurred despite a bankruptcy at Metro-Goldwyn-Mayer, the studio that controls half of the 007 franchise. It happened despite a four-year hiatus for 007.

Is 007 as big as 1965, when Thunderball set a James Bond box office record for (unadjusted for inflation) worldwide ticket sales that would stand until 1973′s Live And Let Die? Well, 1965 was a big year for Bond: it started out with Goldfinger still playing in theaters, was followed by a Dr. No-From Russia With Love getting re-released as a double feature and concluded with Thunderball. Thanks to home video, that kind of almost-constant run in theaters can’t happen today.

On the other hand, remember Thunderball wasn’t even the most popular movie in the year it was released. The Sound of Music had higher U.S.-Canada ticket sales than Thunderball did worldwide. Thunderball was a huge hit, to be sure, but some fans may remember it as being even larger than it was.

Skyfall, which debuted in Chinese theaters last week, is right behind The Dark Knight Rises for No. 7 all-time (unadjusted) and No. 2 movie worldwide for 2012 releases.

Eon Productions, MGM and Sony Pictures (which has released the last three 007 films) face a tough comparison when Bond 24 goes into production. But that’s a discussion for another day. As of early 2013, Harry Potter, Twilight and Batman (at least until the next reboot) have fallen away; agent 007 is still plugging away. That’s Skyfall’s real legacy.

REVIEW: 60 Minutes’s James Bond story

On Oct. 14, CBS’s 60 Minutes devoted one of its three segments to the 50th anniversary of 007 films and the upcoming Skyfall. There wasn’t a lot that hard-core fans didn’t know, but Anderson Cooper’s story was probably illuminating for casual fans.

Eon co-boss Barbara Broccoli and 007 star Daniel Craig

Among the better bits: Cooper (who works primarily for CNN but does occasional stories for 60 Minutes) visits the warehouse that stores artifacts from the series produced by Eon Productions. He also goes to a firing range to learn how to fire a Walther PPK (harder than it looks).

At the warehouse, Cooper had to don gloves to handle the older props, including a champagne bottle from Dr. No (Sean Connery’s Bond is prepared to break it when Dr. No’s lackeys take Honey Rider away), From Russia With Love’s gimmicked briefcase and one of Oddjob’s hats from Goldfinger (used in the villain’s finale scene when he gets electrocuted by Connery-Bond).

Cooper’s main interviews are with Eon’s co-bosses, Barbara Broccoli and Michael G. Wilson, as well as Skyfall star Daniel Craig. The newsman tries to probe but mostly gets some of the standard talking points. Broccoli talks about “electrifying” Craig was. Wilson teases she must be referring to the Casino Royale scene where Craig-Bond comes out of the water in a short pair of trunks. “How did you know that was what I was thinking of?” she teases back. Broccoli ends up doing most of the talking for the Eon pair.

The biggest problem with the story: Cooper refers to how the 007 series is “one of the most profitable” in film history than says it “earned” $5 billion. The $5 billion figure is total worldwide ticket sales, not profit.

Profit is revenue minus costs. The $5 billion figure is just revenue. Fan Web sites often make this mistake but CBS News and 60 Minutes should know better. An alternative way to say it: “It’s one of the profitable film series in history. The first film, Dr. No, just cost $1 million to make and had ticket sales of almost $60 million.” That doesn’t take much longer to say but gets across the point (even if one doesn’t know the exact profit figure) in a more accurate way.

Another factual error: Cooper says Harry Saltzman *bought* the Bond film rights for $50,000. He bought an *option* to purchase the rights and that was only good for six months. As the hard-core fans know, time was running out on Saltzman when he met Albert R. Broccoli, who had the studio connections needed to make a deal.

In any case, it was, an entertaining story. 60 Minutes usually likes to slip one entertainment story in each broadcast. The Bond story was the typical slickly edited segment. But there are a few gaps here and there. GRADE: B (mostly for the visuals of Cooper visiting the prop archive).

Meanwhile the 60 Minutes Overtime Web site has a story about BECOMING BOND FOR A DAY.

UPDATE: Stuart Basinger, who sometimes replies to posts here and has written about Bond elsewhere, mentioned this on Twitter: “Six degrees of separation. Anderson Cooper’s mother was once married to Cubby Broccoli’s cousin.” We looked it up and indeed, Gloria Vanderbilt (b. 1924) was married to Pat DiCicco from 1941 to 1945.

UPDATE II: If you CLICK HERE you should be able to access the 60 Minutes story.

Happy Global James Bond Day

“Happy 50th, James.”

The 50th anniversary of the James Bond film series has arrived. It’s Oct. 5 in the U.K., Global James Bond Day, as we type this; in the U.S. it’s merely Global James Bond Eve.

The Adele theme song for Skyfall, the 23rd film in the 007 series is now live:

Other Oct. 5 activities include a program in Los Angeles hosted by Jon Burlingame and including Vic Flick and Don Black concerning 007 music. Burlingame is an expert on film and television music who has written a new book titled THE MUSIC OF JAMES BOND. The official 007 Facebook page also is scheduled to release details of its fan survey concerning the favorite film of the series produced by Eon Production.

Meanwhile, for those who missed it the first time, is our series about the 50th anniversary of Dr. No, which made its debut on Oct. 5, 1962, in the U.K. but wasn’t seen in other countries until 1963.

Happy anniversary, Commander Bond.

UPDATE (Oct. 5): Epix has come out with a Skyfall preview it uploaded to YouTube. The principals say many of the things they’ve said previously, although Barbara Broccoli now says Javier Bardem will be the best Bond villain ever.