Hawaii Five-0′s fixation with Die Another Day

DADposter

Goldfinger said, “Mr. Bond, they have a saying in Chicago: `Once is happenstance. Twice is coincidence. The third time it’s enemy action.”‘

We’re way beyond coincidence now. Clearly, the makers of CBS’s Hawaii Five-0, a remake of the 1968-80 television series, have a thing for Die Another Day, the 20th James Bond movie, released in 2002.

The April 15 installment featured an episode where the setting, for the second time in consecutive seasons, was set in North Korea. One of the villains was played by Rick Yune, who played Zao, the “physical villain” of Die Another Day.

Well, that could be happenstance, you say. Except, the show previously has had Will Yun Lee, who played North Korean Colonel Moon (who transforms himself into Gustav Graves, played by Toby Stephens), from the same movie. Lee has had a recurring role since the start of the show.

More tellingly, a November 2011 episode borrowed even more from Die Another Day. In that episode, scenes set in North Korea are photographed so they’re all dark while scenes set in other locales have bright colors. Also, there’s a scene where McGarrett 2.0 (Alex O’Loughlin) is tortured much the same way that Bond (Pierce Brosnan) is tortured in the 2002 Bond movie.

We’re definitely passed coincidence. Die Another Day these days tends to get mixed reviews among 007 fans. But it seems clear that it has fans among the Five-0 crew.

EARLIER POSTS:
McGarrett 2.0 clearly has never watched Die Another Day (Nov. 21, 2011)

Compare Die Another Day vs. Hawaii Five-0 (Nov. 24, 2011)

Five-0 `Hookman’ remake’s similarities, differences

Hawaii-five-O-new

Feb. 5: Updated with a correction about the credit fonts.

CBS’s new Hawaii Five-0 followed the 1973 version of “Hookman” pretty closely in the remake that aired Feb. 4. But there were some significant differences, as well. Here’s a sampling of the similarities and differences:

Episode title: The new Five-0 repeated “Hookman” as the episode titles. The new show, that debuted in 2010, usually uses Hawaiian words as titles while not actually showing those episode titles on screen. (CLICK HERE for an example.) Apparently, “Hookman” doesn’t have a good Hawaiian equivalent. Also, the title “Hookman” was shown on screen just before the main titles. The villain had prosthetic hands rather than hooks, but “Prosthetic Hand Man” wasn’t nearly as good a title as “Hookman.”

Credit fonts: It appeared that Five-0 used the same, or at least a very similar font for the credits as the one used in the original show. Presumably this was intended for a “retro” look that CBS had hyped in promoting the episode. (Shoutout to Mike Quigley, webmaster of The Hawaii Five-O Home Page for pointing out differences in the fonts.)

Car chase: In both the 1973 and 2013 versions, the villain takes off in a Ford Mustang. In the original show, Ford Motor Co. was the supplier of vehicles. In the new show, General Motors Co. has that role (McGarrett 2.0 tools around in a Chevrolet Camaro). It looked like the crew attempted to obscure the Mustang logo in the front grille of the Feb. 4 show.

Meanwhile, in the original, McGarrett chased after the villain by himself. In the Feb. 4 show, both McGarrett 2.0 and Danno 2.0 are in McGarrett’s Camaro. Naturally a “cargument” (a schtick of the new show) ensues between the two men.

Things not shown in the original: In the 1973 “Hookman,” we don’t see the villain send his car into the bay; we’re just told about it later. Such a scene was staged in the remake. What’s more, the Feb. 4 show had a flashback sequence showing how the villain lost his hands. In the 1973 version, McGarrett provides a quick recap. Also, in the new version, it was McGarrett’s father who was involved in that case, rather than McGarrett himself.

Score: Morton Stevens won an Emmy for his “Hookman” score. The score on the Feb. 4 story keeps with the general Five-0 background music by Brian Tyler and Keith Power that seems like it’s the poor man’s Hans Zimmer from Christopher Nolan’s Batman movies.

New ending: McGarrett 2.0 “meets” the ghosts of the villain’s victims, something that didn’t happen at all in the original.

UPDATE (Feb. 5): You can CLICK HERE to watch the Feb. 4 episode on CBS’s Web site.

Hawaii Five-0′s remake of `Hookman’ to air Feb. 4

Hawaii-five-O-new

The new Hawaii Five-0′s remake of the “Hookman” episode from the original 1968-80 series is scheduled to be broadcast by CBS on Feb. 4, according to the TV LINE WEB SITE.

The story is presumably accurate because CBS promoted TV Line’s piece IN A TWITTER POSTING.

According to TV Line, the remake includes some scenes shot in the same locations as the 1973 original. The story includes stills from the new and original versions of Hookman, which features a villain who has no hands and must use hooks to operate weapons. Here’s an excerpt of the TV Line story:

Fans of the original series will remember the episode’s title and plot from the sixth season premiere, which nabbed an Emmy for the iconic drama. Only back then, a double amputee gunned for Jack Lord’s Steve McGarrett, who’d played a huge role in his accident.

Morton Stevens, composer of the Five-O theme, won the Emmy for his background music for the 1973 episode.

UPDATE (Jan. 23): We came across a CBS PRESS RELEASE for this episode and see a red flag. It has some credits near the end including “Written by Joe Halpin.” But what about the writers of the original episode, Glen Olson and Rod Baker?

In the 1990s, Lois and Clark: the New Adventures of Superman remade “Panic in the Sky,” an episode of the 1950s George Reeves series The Adventures of Superman. Jackson Gillis, the writer of the original, got a “story by” credit for the 1990s show. It would seem that Olson and Baker would be due similar treatment for the new version of “Hookman.”

UPDATE II: Back IN NOVEMBER: CBS said writer Halpin had consulted with Olson and Baker about the remake to get their blessing. Executive Producer Peter Lenkov said the remake would “stay true to each and every element that made ‘Hookman’ such a beloved hour of television.”

UPDATE III (Jan. 25): The Writer’s Guild of America has weighed in on the credit issue for Glen Olson and Rod Baker. See Rod Baker’s response to this post below. We’re glad to hear it. If you click on the link to the online CBS press release, it now has a credit for Olson and Baker.

UPDATE IV (Jan. 28): Peter Lenkov fielded a question from a fan on Twitter about Hookman:

Peter Lenkov‏@PLenkov

“@FangirLEEng: @PLenkov Currently watching the original Hookman. Are you guys going to remake every single scene of the episode? #H50” yep

That’s going to be a neat trick. In the 1973-74 season, Five-O episodes were 49-50 minutes without commercials. The new Five-0 is 42-43 minutes.

New Hawaii Five-0 to remake “Hookman”

Hawaii-five-O-new

The new Hawaii Five-0 series is going to remake the “Hookman” episode of the original Hawaii Five-O, according to a story at ENTERTAINMENT WEEKLY’S WEB SITE.

The first “Hookman” led off the 1973-74 season. The story concerned a double amputee out for revenge against lawman Steve McGarrett and others. It won an Emmy award for composer Morton Stevens, who also wrote the Five-O theme and established the musical template for the original series.

Here’s an excerpt from the EW.com article:

Peter Weller (RoboCop) is set direct the episode and guest star as the title villain, taking over the role originally played by double amputee Jay J. Armes.

“It was a stand-out and a fan-favorite,” says executive producer Peter Lenkov of choosing the episode from a batch of many contenders. “It sort of came to everyone’s mind — everyone remembered ‘Hookman.’”

Part of the episode is on YouTube, at least for now. It provides a sample of the score that won Stevens his Emmy:

New Hawaii Five-0 borrows from 007 again


Last season, the new Hawaii Five-0 televisions series seemed to borrow quite a bit from the 2002 007 film Die Another Day in an episode where Steve McGarrett 2.0 (Alex O’Loughlin) ended up going to North Korea and was tortured by arch-nemesis Wo Fat.

For the third-season premier on Sept. 24, the CBS show was at it again, this time paying an homage (if you can call it that) to You Only Live Twice and Licence to Kill.

Wo Fat, captured at the end of last season was supposed to be transferred to a super-maximum security prison on the Mainland. He’s in an armored car (not unlike, say, Franz Sanchez in Licence to Kill). A helicopter swoops out of the air. Instead of using a giant magnet (as the Japanese secret service did in You Only Live Twice), it uses a giant claw and takes the armored car away.

The helicopter then, once over the Pacific Ocean, lets go of the armored car, as in Twice (except it appeared to be GCI rather than the real thing). After the armored car is submerged, there are thugs in scuba equipment ready to rescue Wo Fat (again similar to Licence to Kill where the armored car carrying Sanchez goes off a bridge and into the water).

As we type this, the episode is still being broadcast, so maybe the script by Peter M. Lenkov has more 007 homages in store.

UPDATE: No other 007 homages (at least not as obvious), but the episode also showed how the new series is different than the 1968-80 original.

In the third season of the original Five-O (spelled with a capital O instead of a 0 as in the new series), the girlfriend (Anne Archer) of Dan Williams was killed by a murderer wanting it to appear to be the work of a psychopath. Danno eventually caught up with the culprit and could have let him fall off a cliff. Danno was tempted but brings his man in alive.

In the third-season opener of new Five-0, the wife of Chin Ho Kelly dies. When Chin Ho catches up to his man, he shoots him dead. There are no witnesses and he gets off without repercussion.

Dr. No’s 50th anniversary conclusion: legacy


In evaluating the legacy of Dr. No as it approaches its 50th anniversary, start with the obvious: There’s still a 007 film series to talk about.

James Bond isn’t the biggest entertainment property in the world the way it was in 1965. But its longevity is unique. The five decades that have passed include more than a decade of enforced hiatus (a troublesome 1975 financial split between Eon co-founders Albert R. Broccoli and Harry Saltzman; a legal fight in the early 1990s between Broccoli and MGM; and MGM’s 2010 bankruptcy) disrupting production of the Bond movies. But the Bond films soldier on, with the 23rd entry in the Eon Productions’ series, Skyfall, coming out soon.

The series turned actor Sean Connery into a major star. It made Roger Moore, known mostly as a television star, into a movie star. The same applies to Pierce Brosnan. It made Daniel Craig a star. Even George Lazenby (one movie) and Timothy Dalton (two) who had limited runs as 007 are identified with the series.

The films generated new fans of Ian Fleming’s hero to the point that the movie 007 long ago outsized the influence of his literary counterpart. Finally, the film 007 helped form an untold number of friendships among Bond fans who would have never met otherwise.

All of that began with a modestly budgeted film, without a big-name star, led by a director for hire, Terence Young, who’d be instrumental in developing the cinema version of Agent 007. Dr. No, filmed in Jamaica and at Pinewood Studios, made all that followed possible.

Fans may fuss and feud about which Bond they like best. This 007 film or that may be disparaged by some fans, praised by others. The series may get rebooted. Bond may get recast. The tone of the entries may vary greatly.

In the end, Bond continues. The Man From U.N.C.L.E. can’t say that; The Avengers, the John Steed variety which debuted the year before Dr. No, can’t say that; Matt Helm can’t say that. In time, we suspect, Jason Bourne, which influenced recent 007 movies, won’t either.

Many of those responsible for Dr. No aren’t around to take the bows. They include producers Broccoli and Saltzman; director Young; screenwriter Richard Maibaum; editor Peter Hunt; United Artists studio executive Arthur Krim who greenlighted the project; Joseph Wiseman, who played the title charater, the first film Bond villain; Jack Lord, the first, and some fans say still the best, screen Felix Leiter, who’d become a major television star on Hawaii Five-O; art director Syd Cain, the main lieutenant for production designer Ken Adam; and composer John Barry who orchestrated Monty Norman’s James Bond Theme and who would later define 007 film music.

That’s too bad but that’s what happens with the passage of time. The final product, though remains. It’s all summed up with these words:

James Bond will return.

The Andy Griffith/Hawaii Five-O/007 mashup

Andy Griffith died this week at 86 and, naturally, obituaries detailed his work on the highly successful The Andy Griffith Show. He had one television guest appearance we’d like to note, one that had connections to James Bond movies as well as Griffith’s 1960-68 television series.

Andy Griffith as con man Arnold Lovejoy


That would be the fifth-season Hawaii Five-O episode I’m a Family Crook — Don’t Shoot! The episode, which first aired Dec. 19, 1972, is one of Five-O’s best and one of its most unusual.

Griffith played Arnold Lovejoy, patriarch of a family of grifters. The Lovejoys have arrived in Hawaii to ply their trade. Things go awry when they steal a briefcase belonging to a bag man for an island hood, Charlie Walters. It contains almost $100,000 and Charlies isn’t happy it’s missing.

Now this sounds like standard 1970s police television stuff. But the script by Jerome Coopersmith includes some dark humor mixed with sudden, brutal violence. For example, the hood abruptly shoots his bag man to death while the latter desperately tries to explain how the Lovejoys ripped him off. A thug asks Walters, “Hey Charlie, what if he was tellin’ the truth?…Supposin’ he was?” Charlie’s response? Without a hint of remorse he says, “Then I just made a terrible mistake.”

The score by Morton Stevens reflects the changing mood of the story. He has a “Lovejoys theme” that sounds very light but the music turns frantic as both crooks and the law (led by Five-O’s Steve McGarrett, of course) get closer to the family.

Griffith plays Lovejoy as a sort of darker, amoral Andy Taylor. He evokes his famous role without copying it. He may have gotten some help from director Bob Sweeney, who had helmed 80 episodes of The Andy Griffith Show from 1960 to 1963. Sweeney was supervising producer on Five-O during seasons four through seven and directed several episodes during that time.

The Lovejoys attempt to pull another con.


The 007 connections? With Five-O you start out with Jack Lord the first screen Felix Leiter in Dr. No. But another familiar face briefly shows up: Harold Sakata (sans his Oddjob hat), who plays a thug for another hood who’s a rival of Charlie’s. Sakata gets a couple of lines. Nothing memorable but more than, “Ah ah!” as he got to say in Goldfinger.

Homages in Skyfall and Five-0 to past 007 films? (spoiler)

Spoiler involved is fairly minor (especially since the horse is out of the barn) but stop reading if you want to remain spoiler-free.

After looking at images at the Facebook page of Bondklub Deutschland & Friends you have to wonder whether Skyfall, the 50th anniversary James Bond film,will have homages to past 007 movies.

Bond flies past a statue of a stag in Thunderball (left), a statue of a stag at 007's ancestral home in Skyfall as photographed by the Foraging Photographer. Coincidence?


Thanks to photos appearing on the Foraging Photographer blog, images of a set intended to pass for Bond’s ancestral home in Scotland show there’s a statue of a stag atop a gate post. In 1965′s Thunderball, Bond (Bill Suitor doubling for Sean Connery), using a jetpack, flies past a statue of a stag while getting away from some minor villains.

An homage? If so, it’s fairly subtle. Eon Productions pulled the same trick with 2002′s Die Another Day, the 40th anniversary 007 movie, which was packed with references to earlier Bond films. Many were pretty obvious, such as Q’s workshop filled with old gadgets, everything from what was supposed to be Thunderball’s jetpack to Rosa Klebb’s deadly shoe in From Russia With Love.

Separately, the March 19 installment of the new Hawaii Five-0 series had a “McGuffin” that would be familar to those who’ve seen Die Another Day. The plot centered around conflict diamonds, the same thing that caused Bond (Pierce Brosnan) to pursue Colonel Moon/Gustav Graves in the 2002 Bond film.

You could write that off to coincidence except the Nov. 21 episode of Five-0 also had things in common with Die Another Day, including a North Korean setting, the hero being tortured and dark, murky photography for scenes set in North Korea. Maybe the Five-0 writing staff liked the movie.

CBS renews Hawaii Five-0 for a third season

CBS renewed the new Hawaii Five-0 series for a third season, according to the show’s official Twitter feed. It also linked to THIS PART of CBS’s Web site, but didn’t really provide any additional details.

Earlier this month, CBS said star Alex O’Loughlin would miss some time for rehab related to pain medication for a shoulder injury, according to a story on the Dateline Hollywood Web site.

Next week, CBS will also televise an episode where Edward Asner reprises a role he played in the original Hawaii Five-O series. Apparently the new show will say Asner’s August March was arrested by the father of O’Loughlin’s Steve McGarrett, rather than the Jack Lord original version of McG. Here’s a preview CBS uploaded to YouTube:

UPDATE: iTunes is offering episodes of the original Hawaii Five-O free for a limited time. To check it out, CLICK HERE.

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