It’s under a month before Skyfall’s world premier and about six weeks before the 23rd James Bond movie comes out in the U.S. At this point, it’s all over but the shouting. Still, perhaps because it’s the 50th anniversary of the first 007 movie, there are few more things to be endured for the dog days of Skyfall. No. 1 example: speculation about who will perform Skyfall’s title song.
Endured? That may seem an odd phrase, but in some ways appropriate. Various Web sites have had breathless stories about how they’ve confirmed that Adele will perform Skyfall’s title song.
One of the most persistent has been a Web site called Showbiz 411, which has run multiple stories saying Adele is the title song performer. The most recent was THIS ONE which not only repeated Adele would sing it but provided what is says are lyrics from the song. Meanwhile, on Twitter, a number of proprietors of 007 fan Web sites (including OUR TWITTER FEEDhave noted nothing has been “confirmed” (a word used in most of the title song stories) because no actual announcement has happened.
Then it hit us: at this point, it doesn’t really matter. Adele do the song? “That’s nice.” Jack White is back for a second time? “That’s nice.” The cast of 2012’s The Three Stooges? “That’s nice.”
Why such a tepid response? Because it’s not really going to affect the movie. After all, the title songs of 2006’s Casino Royale, 2002’s Die Another Day, 1999’s The World Is Not Enough, 1997’s Tomorrow Never Dies, 1995’s GoldenEye, 1987’s The Living Daylights, 1983’s Octopussy, etc., etc., etc. didn’t have a massive impact on those movies.
There’s a handful of “classic” Bond title songs. For argument’s sake, let’s call Goldfinger, Thunderball, You Only Live Twice, Diamonds Are Forever, Live And Let Die, Nobody Does It Better and For Your Eyes Only classic title songs. And not everybody would agree on all of those. Some people, for example, will discuss why, Goldfinger, is a musically challenged song. And some Bond fans say there’s absolutely nothing redeeming about any 007 film with Roger Moore.
Meanwhile, the composer of the movie’s score (Thomas Newman in Skyfall’s case) will either enhance or detract from scenes in the movie.
In fact, TWO OF THE TOP THREE 007 movies in a vote by readers of 007 Magazine, On Her Majesty’s Secret Service and From Russia With Love, didn’t have songs in their main titles (while having songs later in the film). Dr. No, the first movie, led off with The James Bond Theme, some Jamaician-sounding music courtesy of Monty Norman and a short song called “Three Blind Mice.”
But the entertainment Web sites soldier on as if the selection of a title song performer represented the second coming of Shirley Bassey or Nancy Sinatra. Still, the 50th anniversary (Oct. 5 to be precise) is more than a week away. A title song announcement would be natural for the occasion. Then again, it might be anti-climatic. Anyway, until then, the dog days of Skyfall continue.
Filed under: James Bond Films | Tagged: 007 Magazine, Adele, Bond 23, Casino Royale, Diamonds Are Forever, Dr. No, For Your Eyes Only, From Russia With Love, Goldeneye, Goldfinger, James Bond Films, James Bond music, Licence to Kill, Live and Let Die, Octopussy, On Her Majesty's Secret Service, Showbiz 411, Skyfall, The Spy Who Loved Me, The World Is Not Enough, Thomas Newman, Thunderball, Tomorrow Never Dies, You Only Live Twice | Leave a comment »