Dr. No’s script Part V: Meeting the villain, Bond woman

Not what Dr. No's screenwriters had in mind.

Not what Dr. No’s screenwriters had in mind.

Concluding our look at an early 1962 version of Dr. No’s script provided by Bond collector Gary Firuta.

The first James Bond movie required a top-notch James Bond villain. The screenwriters of Dr. No envisioned an entrance for the title character that was different than what audiences would eventually see.

The January script by Richard Maibaum, Wolf Mankowitz and Johanna Harwood species the scene is “POV” (point of view) of Dr. No.

According to the stage directions, “All we see of DR. NO is the edge of his desk, and a slight shadow cast from a reading lamp as he makes a slight movement. In short, we see this scene entirely from his eyeline.”

This, of course, is the scene in the finished film where Dr. No’s lackey, Professor Dent, rushes out to the villain’s headquarters in broad daylight to tell his superior how Agent 007 refuses to be killed. After Dr. No says, “Good afternoon….Professor,” the stage directions add this detail.

“He makes ‘Professor’ sound like an insult.”

From here on out, the dialogue is similar to the finished movie, until this stage direction:

“DR. NO learns forward, extending one hand, still in silouhette, toward a nearby table, from which he picks up small glass cage. As he holds it out towards DENT we see something black and furry moving inside it. DENT recoils involuntarily.”

At this point, Dr. No says, “Since your attempts at assassination have been so ineffectual….let’s try ‘natural causes’ this time.”

In real life, production manger Ken Adam came up with a set, that maximized his minimal resources. The striking set created a strong visual. Dr. No’s voice is heard, but the audience doesn’t even see a shadow. The tarantula Dr. No provides Dent seems to materialize out of nowhere.

Meanwhile, the writing team also was faced with adapting one of Ian Fleming’s most memorable passages, where Bond meets Honey(chile) Ryder.

Ursula Andress as part of her entrance in Dr. No.

Ursula Andress as part of her entrance in Dr. No.


The sun beats down on BOND as he sleeps. In the distance, as if in his dreams, he can hear a WOMAN SINGING.

(snip)
146. BOND’S EYELINE. DAY

What he sees: HONEY, standing at the water’s edge, her back to him. She is naked except for a wisp os (sic) home-made bikini and a broad leather belt with an undersea knife in a sheath….Her skin is deep honey cooured (sic)….She stretches contentedly like a cat in the warm sun.

147. EXT. BOND’S EYELINE. DAY

BOND – appreciates what he see (sic), in a moment he takes up the calypso refrain.

At the end of the script, as in the finished film, Bond is in a boat with Honey that’s out of fuel. But before the pair can make out very much “we hear the throbbing of an approaching motor launch.” It’s Felix Leiter, of course, spoiling their fun.

LEITER
I’ve brought the Marines….

BOND
(with a sly grin, as he helps HONEY up to her feet)
You picked a helluva time to come to the rescue.

THE END
James Bond will return….

Happy birthday, Sean Connery

Sean Connery, circa 1963

Sean Connery, circa 1963

Aug. 25 is Sean Connery’s 84th birthday.

A recent CBS NEWS POLL of Americans indicates he is still, far and away, the most popular screen James Bond.

In that poll, Connery was the No. 1 choice among 51 percent of those surveyed. The poll was performed July 16 to 20 among 1,024 adults across the Unites States. People were surveyed using both cell phones and land lines. The margin of error was 3 percentage points.

In the second position was Pierce Brosnan at 12 percent, with Roger Moore at No. 3 at 11 percent and Daniel Craig No. 4 at 8 percent.

Some Bond fans, expressing their opinion on social media, question the results, saying it sounds like a poll done before 2006. 

We suspect the results more reflect how Connery blazed the trail that others followed. No matter how well his successors have performed, he remains the original screen 007.

Happy birthday, Sir Sean.

Dr. No’s script Part IV: Killing Professor Dent in triplicate

Anthony Dawson as Professor Dent

Anthony Dawson as Professor Dent

Continuing our look at a January 1962 Dr. No script supplied by collector Gary Firuta.

When Dr. No, the first James Bond movie is discussed, a lot of attention is paid to how Bond (Sean Connery) ruthlessly kills Professor Dent (Anthony Dawson), one of the villain’s lackeys.

Based on the January draft, completed shortly before principal photography began, the crew was still considering exactly how to portray that killing. The script provides three versions.

On page 71, Bond gets the drop on Dent. The dialogue isn’t exactly what would be in the finished movie.

Dent asks if Miss Taro (by now already in police custody) talked. “No,” Bond replies. “You gave yourself away. I was suspicious at the Queen’s Club – but when you told me that Strangways’ radioactive samples were worthless…well…” Bond asks Dent who he is working for

Meanwhile, Dent is “edging impercectable nearer to his gun on the floor. BOND goes on taiing (sic), seemingly oblivious of DENT’s manoeuvering.”

He makes a sudden swift movement toward his gun, picks it up and levels it at BOND. As his finger tightens on the trigger.

DENT (contd.)
(triumphantly)
…Dr. No!

But as in the finished film, Dent’s gun is empty.

“Only six bullets in a Smith and Wesson, Professor…and I counted them…” Bond then shoots Dent, killing him.

The first alternative version starts on page 72, with Dent, proclaiming triumphantly, he’s working for Dr. No.

“But BOND’s inattention has only been assumed,” the stage directions read. “He fires also, but that much faster and just that much more accurately. DENT’S BULLET SMACKS INTO THE WALL BEHIND HIM, AND BOND’S bullet hits DENT in the center of the chest.”

With the second alternative version. Professor Dent never says he’s working for Dr. No.

Instead, “He makes a sudden swift movement toward his gun, but BONDS (sic) inattention has only been assumed. Before DENT can reach his gun, BOND has fired.” There is no mention of the gun being empty as in the first version, but if it is loaded, Dent can’t get off a shot.

The final film uses the first version but tweaks were still made. For example, Bond lies, implying Miss Taro has already talked (“But of course.”) Instead of saying he counted Dent’s shots, Bond says, “It’s a Smith and Wesson and you’ve had your six,” before killing Dent.

Meanwhile, the professor doesn’t actually say he’s working for Dr. No, which was probably an improvement.

By this time in the movie, the audience is well aware of Dent’s allegiance. It’s clear Bond has figured it out. Having Dent yell, “Dr. No!” is unnecessary.

NEXT: Meeting the villain

Dr. No’s script Part III: A friendship is forged

Jack Lord with Ursula Andress and Sean Connery during Dr. No's production.

Jack Lord with Ursula Andress and Sean Connery.

Continuing our look at a January 1962 Dr. No script supplied by collector Gary Firuta.

Dr. No’s screenwriting team of Richard Maibaum, Wolf Mankowitz and Johanna Harwood opted to bring in Ian Fleming’s Felix Leiter character into the film version of Dr. No even though he wasn’t in that novel.

Their challenge: establish the James Bond-Leiter friendship within a few minutes of screen time.

By the time Dr. No was nearing production, Leiter had appeared in the novels Casino Royale, Live And Let Die, Diamonds Are Forever, Goldfinger and Thunderball. Bond and Leiter had shared a number of adventures in the novels, including Leiter providing a major financial assistance in Casino and nearly getting killed in Live And Let Die.

But that back story wasn’t of use for the screenwriters. They would have to invent their own storyline of the forging of the Bond-Leiter friendship.

In the film, it gets off to a rocky start. The audience doesn’t realize it’s Leiter observing Bond at the Kingston airport. Bond gets the best of the encounter, losing Leiter and Quarrel, who are following him. Bond catches up to Quarrel and gets into a fight. Here’s how the script describes what happens next.

Behind him, and unknown to him, LEITER has appeared in the door. He gently takes BOND’S wrist and equally gently shoves a Walther into his kidneys.

LEITER
(softly)
Gently, bud, gently. Let’s not get execited, eh?

BOND stiffens. His position is now untenable and he’s not a bloody fool. LEITER stretches round in front of him and takes his gun. He tooks at two identical weapons with slightly raised eyebrows.

The exchange that takes place is similar to the finished film but there are some interesting stage directions.

Quarrel we’re told is “looking murderous, steps forward and expertly frisks BOND. (Expertly means to start at sock level and run and tap lightly upwards. A favourite place for keeping a second gun or a knife is taped to the inside of the thigh. QUARREL evidently knows this.)”

Leiter is “moving around so he can see BOND CLEARLY.” After Leiter tells Bond his got his gun from “a guy in Washington,” he then “suddenly breaks into a grin, puts his own gun into his shoulder holster, reverses one in his left hand and holds it butt first to BOND, simultaneously holding out now free right hand in greeting.”

The next scene is at the restaurant/night club as in the film. “In the background, FOUR ATTRACTIVE GIRLS, wearing just what they are forced to by law, are going through a particularly Jamaican type of Twist.”

As they discuss how Cape Canaveral rockets are being sabotaged, Bond “chooses his words with irony” when he asks if Leiter had “cased the joint.”

LEITER
I checked…unofficially. You…
(mimics BOND)
“Limeys” can be pretty touch about trespassing.

The TWO MEN grin at each other.

From here on out, the two men are friends, although there’s an occasional edge. Later, Leiter “thoughtfully” asks whether Professor Dent is a bad professor or a bad liar. Bond “grimly” says he intends to find out which.

When Bond finally shows up to head out to Crab Key, Leiter is “growling” when he asks where Bond has been.

When Bond and Quarrel get ready to make their approach to Dr. No’s island, Leiter “softly” says “Let me go with him” to Bond. The British agent replies, “We’ve argued all the way out. Strangways happened to be a friend of mine.”

Bond and Leiter “grin understandingly” after Bond says, “We’ll be back in twelve. If not, it’s your show, and you’d better bring in the Marines.”

NEXT: Killing Professor Dent in triplicate

Dr. No’s script Part II: Bond memes make their debut

Jack Lord and Sean Connery during Dr. No filming

Jack Lord and Sean Connery during Dr. No filming

Continuing our look at a January 1962 Dr. No script provided by collector Gary Firuta.

Bond, having bested Sylvia Trench (or Trenchard, depending on which page of the script you’re reading), gets ready to exit the casino. Bond invites Sylvia for golf and dinner, similar to the finished film with a few differences in dialogue.

On page 13, Bond enters the office. He says, “Hi….Moneypenny….” as he enters. There is no mention of him throwing his hat on the hat rack. The dialogue is again very close to the final version of the movie. Stage directions specify that she “takes in his appearance with mock admiration” as she says, “You never take me out look like that James….” She has a “deep sigh” and says, “You never take me out, period.”

Bond replies, “I’d take you out tomorrow, only I’d have me courtmartialled for illegal use of Government property.”

After Bond enters M’s office, there’s a description. “He is a man in his middle fifties, well-sel up, with some of the Navy about him.” M and Bond discuss the situation in Jamaica before Major Boothroyd enters to give Bond his new gun. Boothroyd “is a short, slim man, with snady (sic) hair.” When Boothroyd produces the Walther PPK he is “producing gun and shoulder holster from case with professional pride.”

As in the finished movie, Bond tries to sneak out his old Beretta from the office but M stops him. “They catch each others’ eyes. They really understand each other perfectly. BOND GOES.”

The intrepid agent goes back to his flat and gets a surprise in the form of Sylvia in Bond’s pajama tops. She is practicing chip shots “into the bowler hat which is laying on the floor by foot of bed.”

The rest of the scene plays out as in the finished film, but there’s an extra. As Bond and Sylvia make out, there’s this stage direction: “CAMERA PANS DOWN to take in his toes curling inside silk evening socks and her bare ones on tiptoe. The golf club drops onto the carpet; as his tie foins it, we….. FADE OUT.” (Note: it says “foins” rather than “joins” in case you’re wondering.)

Bond takes a BOAC flight to Jamaica, rather than PanAm, as in the film. He is met by a chauffeur, who says, “I’m Mistuh Jones, suh…chauffeur from Government House. Ah been sent to get you.” Bond even calls him “Mistuh Jones” in return.

007 calls Government House. Playdell-Smith takes the call. “Put him through, Miss Taro.” After talking with Bond, Playdell-Smith wraps up the call and says “(off-screen to SECRETARY) Thank you, Miss Taro. I’ll call when I want you.”

Meanwhile, at the Kingston airport, another figure takes in the scene: “a tall thin HATCHET-FACED MAN (FELIX LEITER).”

Bond and Jones depart the airport, followed by Leiter and a “humourous-looking, intelligent CAYMAN ISLANDER (QUARREL).”

The British agent, as in the film, loses his pursuers and gets Jones off alone to interrogate him. He still addresses him as “Mistuh Jones.” After Bond bests Jones in a fight, Jones commits suicide rather than reveal who he’s working for. Jones says, “The….hell with you….” before he dies.

With nothing else to do, Bond drives to Government House. “THE CHAUFFEUR’s body is propped up realistically in the back seat.” When he arrives, the agent utters a witticism to A UNIFORMED GUARD similar to the finished movie.

BOND
(indicating CHAUFFEUR)
Watch him. Make sure he doesn’t get away.

GUARD
(briskly)
Yes, sir.

He does a double take as he sees the DEAD MAN.

TO BE CONTINUED

Connery still No. 1 007 among Americans, CBS poll says

Sean Connery in a From Russia With Love publicity still

Sean Connery in a From Russia With Love publicity still

CBS News commissioned a poll of Americans concerning who the best screen James Bond was. The answer: Sean Connery, the original movie Bond, at 51 percent.

Connery hasn’t played Bond (in a movie, anyway) in 31 years, in 1983’s Never Say Never Again. His last appearance in the 23-film series of Eon Productions was Diamonds Are Forever in 1971. He did voice over work as 007 in a video game version of From Russia With Love (which also mixed in the Aston Martin DB5 and a jet pack from later films).

Nevertheless, CBS says the margin of error for the poll was only 3 percentage points, meaning the Connery vote could range from as low as 48 percent to as high as 54 percent.

Connery’s debuted in the role in 1962’s Dr. No and held the role for five consecutive films. After a one-film absence, United Artists offered $1.25 million, as well as financing for other films, to get him back for Diamonds. With Never Say Never Again, he was a de facto producer, helping to select writers and the composer, for a 007 film not made by Eon.

No. 2 in the poll was Pierce Brosnan, the Bond of record from 1995 to 2002, at 12 percent, and Roger Moore, who did seven 007 films from 1973 through 1985, at 11 percent. The rest: current 007 Daniel Craig, on duty since 2006’s Casino Royale, at 8 percent, and 1 percent each for Timothy Dalton (1987-89) and George Lazenby, who was the lead in 1969’s On Her Majesty’s Secret Service.

CBS says was conducted by telephone July 16-20, with 1,024 U.S. residents participating. Interviews were conducted over both land lines and cell phones. A company called SSRS conducted the poll on behalf of CBS.

Could both 007 and U.N.C.L.E. end up in Rome?

Daniel Craig during the filming of Skyfall

Daniel Craig during the filming of Skyfall

Rome is getting to be a popular place for spies.

Bond 24, according to a local film official, is to include a car chase in Rome. The Play 4 Movie website attributed the news to Luciano Sovena, president of the Roma Lazio Film Commission.

There aren’t many details. Sovena says on the website he’s met with the co-bosses of Eon Productions, Michael G. Wilson and Barbara Broccoli, about it. “Barbara and Michael really count on it, they’re already excited,” Sovena is quoted as saying. (Thanks to the James Bond Dossier for the heads up.) It should be noted for Skyfall there were reports the producers were looking at India, but the production ended up doing its main location shooting in Turkey.

The 007 film series has been in Italy before, including three stops (From Russia With Love, Moonraker and Casino Royale) in Venice with three different leading men (Sean Connery, Roger Moore and Daniel Craig). The first time viewers see Roger Moore’s 007 in Live And Let Die, he’s back home from a mission M refers to as “the Rome affair.” It’s a passing reference (though we’re told Italian officials were impressed with Bond). It’s mostly to explain for the audience the presence of a woman Italian agent at Bond’s flat. (“They do seem to be missing one of their agents, a Miss Caruso.”)

Last year, The Man From U.N.C.L.E. movie with Henry Cavill and Armie Hammer also filmed in Rome. A fair amount of location shooting time for the film, which is due out in January 2015, was filmed in Rome and elsewhere in Italy. Here’s a video of the U.N.C.L.E. crew during the Rome shoot.

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