Roger Moore in a 1980s publicity still
Skyfall director Sam Mendes this month said his 007 film was the first Bond adventure “where characters were allowed to age.” But was it really?
In 2000, author James Chapman made an observation about the opening of 1981’s For Your Eyes Only. At the start of the film, Roger Moore’s Bond visits the grave of his late wife, Tracy. Her headstone gives her year of death as 1969, the year On Her Majesty’s Secret Service came out.
What is unusual, however is not that the film refers back to Bond’s wife…but that it should do so in such a temporally precise way. The dates on the gravestone place the Bond of For Your Eyes Only as being twelve years older than the Bond of OHMSS. Assuming that Bond is usually taken to be in his late thirties, then the Bond of For Your Eyes Only would therefore be approaching fifty. In this sense, the film brings Bond roughly in line with Roger Moore’s own age (he was fifty-three when the film was released) and works better for Moore than it would likely have done for a younger, incoming actor.
Licence to Thrill, Columbia University Press, page 207
Chapman, interacting with fellow 007 fans on Facebook, also mentioned how Desmond Llewelyn’s Q aged. In The World Is Not Enough, he refers to his upcoming retirement and gives Bond a piece of advice before the agent departs on his mission. It would be the last time Llewelyn’s Q would be seen. The actor died after the film was released in the fall of 1999.
This wasn’t the first time such a notion had been considered. In Bruce Feirstein’s first draft script for what would become Tomorrow Never Dies, Q is retired. He has been succeeded by a man named Malcolm Saunders. Q even got a retirement gift from the CIA.
However, later in the Feirstein draft, Q interrupts his retirement to help Bond out. In the final version of Tomorrow Never Dies, there is no hint about a Q retirement.
Finally, while it’s not part of the Eon Productions series, 1983’s Never Say Never Again, with Sean Connery returning as Bond, embraced the older Bond concept.
Arguably, though, Mendes’ Bond film addressed the aging issue the most of a 007 story.
Variations of the line sometimes, the old ways are best were repeated. Mendes, in various interviews, quoted himself as telling Daniel Craig before production started that “you’ll have to play this at close to your own age.” Also, Roger Deakins, the movie’s director of photography, seemed to highlight every wrinkle on Judi Dench’s face in some closeups.
UPDATE: Some other examples of aging in the pre-Mendes Bond universe:
–Connery, in a 1971 article in True magazine, indicated he wanted to play an older Bond in Diamonds are Forever. He said how immortality “isn’t anyone’s, not yours, not mine and not James Bond’s.” The article also referenced how Connery would have preferred to portray a balding Bond.
–Lois Maxwell’s Moneypenny, in Octopussy, says “as I used to be?” when Moore’s Bond talks about how lovely her new assistant is. Of course, this changed when the part was recast in The Living Daylights.
–In Licence to Kill, David Hedison tells his wife that Bond had been married “a long time ago,” in a reference that’s not as specific as the one in For Your Eyes Only.
Filed under: James Bond Films | Tagged: Bruce Feirstein, Daniel Craig, Desmond Llewelyn, For Your Eyes Only, James Bond Films, Judi Dench, Licence to Thrill, Never Say Never Again, Roger Moore, Sam Mendes, Sean Connery, Skyfall, The World Is Not Enough, Tomorrow Never Dies | 2 Comments »