Matt Helm audio books coming in August

Matt Helm cover image that debuted with 1963's The Ambushers novel

Matt Helm cover image that debuted with 1963′s The Ambushers novel

Audio book versions of Donald Hamilton’s first five Matt Helm novels are coming starting in August.

Death of a Citizen, The Wrecking Crew, The Removers, The Silencers and Murderers’ Row will make their audio book debut, You can CLICK HERE for ordering information. UPDATE Sept. 8: See comment below which has updated pricing information.  

The five novels were published 1960 to 1962. They were part of a 27-book series, with the last published in 1993. Titan Books returned the Helm series to print in 2011.

For a detailed description of the first five novels, you can check out The Matt Helm Dossier’s descriptions of Death of a Citizen, The Wrecking Crew, The Removers, The Silencers and Murderers’ Row.

You can CLICK HERE for the website’s list of all of the Helm books.

E-book on the Matt Helm films now available

Dean Martin as Matt Helm with Stella Stevens in The Silencers.

Dean Martin as Matt Helm in The Silencers.

There’s an new e-book about the four-film Matt Helm series available. Bruce Scivally has written Booze, Bullets & Broads: The Story of Matt Helm, Superspy of the Mad Men Era.

Scivally previously worked on John Cork-directed documentaries of the James Bond films that were part of DVD extras. He and Cork also wrote James Bond: The Legacy, a coffee table book that came out last decade.

Here’s the description from the new e-book’s AMAZON.COM LISTING:

The story of Matt Helm, spy of the Mad Men era. After his creation by Donald Hamilton, Helm went from being a literary rival of James Bond to being a cinematic rival with the production of four movies starring crooner Dean Martin as a woozy, boozy secret agent. Produced by Irving Allen, the former partner of 007 film producer Cubby Broccoli, the Helm movies influenced not only the Bond films but also Austin Powers, and remain a “guilty pleasure” viewing favorite of red-blooded males everywhere.

We’ve written before how the first Helm movie, The Silencers, had THE BIGGEST EFFECT ON THE 007 FILM SERIES from rival movies because Dean Martin got a bigger paycheck than Sean Connery. Allen made Dino a partner in the enterprise. Soon after, Connery began demanding not only more money but to be a partner in the Bond films. 007 producers Albert R. Broccoli and Harry Saltzman resisted the partnership demand, contributing to Connery’s departure after You Only Live Twice.

Also, according to film historian Adrian Turner, some at United Artists were keen on Phil Karlson to direct Dr. No. But Karlson’s asking price was $75,000, which helped Terence Young get the job. Karlson ended up directing The Silencers and The Wrecking Crew, the final Helm movie.

For the Scivally e-book, the price is $2.99. You can download it for free if you’re a Prime Member of Amazon.

Matt Helm prequel available

A 1963 re-issue of Death Of a Citizen

Death Of a Citizen, the original Matt Helm novel.

A prequel novel to Donald Hamilton’s Matt Helm series of novels is out.

Matt Helm: the War Years is AVAILABLE ON KINDLE. The author, Keith Wease, says he has permission of the Hamilton family. Here’s how he described it on Amazon.com:

Although a cold-blooded killer, Matt Helm has a superb sense of humor, a sharp opinion on just about everything, and is quite capable of falling in love (or lust) during his missions. This book is about his WWII experiences, from his initial recruitment into the agency, his training, and his missions during the war. Matt Helm fans will know the ending, but it would be a “spoiler” to mention it here.

I have been a Donald Hamilton fan since the 1960s and, when he died, decided to write the prequel. Having read the Matt Helm series several times, I researched everything Donald Hamilton wrote about Matt Helm’s wartime experiences and his pre-war life. Incorporating direct quotes from the books, and my own imagination, I filled in many of his mission details (including, of course, the one featuring Tina, who shows up in the first Matt Helm novel, Death of a Citizen) and added several of my own, trying to keep the narrative authentic to Donald Hamilton’s style.

The book was approved by Donald Hamilton’s son (who is CEO of the company holding the rights), who told me that I had “captured Don’s voice quite successfully” and that it was “All in all, a quite good read!”

Hamilton wrote 27 Helm novels, starting with 1960′s Death Of a Citizen, through 1993. Hamilton also wrote an unpublished 28th novel that the family is holding onto in case a new Matt Helm movie develops. Hamilton died in 2006.

Titan Books has also republished the first four Helm novels: Death Of a Citzen, The Wrecking Crew, The Removers and The Silencers.

The non-Bond film that had the biggest impact on 007

Dean Martin as Matt Helm during a dramatic moment in The Silencers.


With the 50th anniversary of the James Bond film series, we got to thinking about the 007 film competitor that had the biggest impact. It’s really not much of a contest. It’s 1966′s The Silencers.

Now, other spy films had an impact on the style of Bond films. Studio executives told The New York Times (without letting their names be attached) in 2005 that The Bourne Identity and The Bourne Supremacy comprised the model for Daniel Craig’s rebooted 007, beginning with 2006′s Casino Royale and especially with 2008′s Quantum of Solace. Even non-spy films influenced earlier 007 films such as Live And Let Die (Shaft, Super Fly), The Man With the Golden Gun (Bruce Lee kung fu films) and Moonraker (Star Wars).

But The Silencers rocked the Bond franchise in ways other films didn’t. The 1966 movie was the first of four Matt Helm movies produced by Irving Allen, once the partner of Albert R. Broccoli, the co-founder of the 007 film franchise. Allen (dismissed as a “blowhard” by current Eon Productions co-boss Barbara Broccoli) had been skeptical of 007′s film potential and had insulted Ian Fleming.

Allen, presumably realizing the scope of his mistake, got the film rights to the Matt Helm series of paperback novels by Donald Hamilton. To make a Helm film series a reality, Allen needed a star. He got one — Dean Martin. But to get Dino into the fold, Allen made the Rat Packer a partner. For The Silencers, that meant a $1.2 million paycheck, more than twice the money Sean Connery got for doing Thunderball. To top it off, the Helm series found a home at Columbia Pictures. That was the same studio that passed on doing business with 007 producers Broccoli and Harry Saltzman, who ended up taking their project to United Artists.

The Scotsman didn’t like that and tensions accelerated between the star and 007 producers Broccoli and Saltzman. Perhaps Connery would have tired of the role anyway. But the conflict over money — fueled by The Silencers — caused Eon’s relationship with its star to rupture. Broccoli’s relationship with Saltzman was already getting tenuous and making Connery a partner in the enterprise wasn’t going to happen. Broccoli eventually would be proven right in one respect. Once Dean Martin lost interest, the Helm film series went away.

Still, had Allen not brought The Silencers (retooled from Hamilton’s serious novels to almost an extension of Dean Martin’s variety show) to the screen, much could have been different. Perhaps Connery would have stayed longer. Perhaps On Her Majesty’s Secret Service would have been a lot different with Connery, rather than George Lazenby. The point is, things got a lot bumpier for the franchise as The Silencers worsened tensions lurking beneath the surface.

Other films affected Bond films but The Silencers affected the business of Bond. The new Everything Or Nothing documentary references this in an indirect way. But in a way, the impact of The Silencers is part of Bond film history.

REVIEW: Everything or Nothing

Doing a documentary about the James Bond film series, on the surface, would seem to be daunting. After all, some would say, is there really anything left to be said? The answer is yes, and, for the most part, director Stevan Riley does so with his Everything Or Nothing: The Untold Story of 007. At the same time, it’s not the definitive story and there is one major, inexplicable omission.

On the plus side, and the positives are overwhelming, the 98-minute documentary, moves quickly and tells it story efficiently. It gives James Bond creator Ian Fleming and founding 007 film co-producer Harry Saltzman their full due, something that HASN’T ALWAYS HAPPENED DURING THE 50TH ANNIVERSARY YEAR of the Bond film series. The film also makes excellent use of 007 film scores, especially those composed by John Barry.

What’s more, there are glimpses of candor: one-time 007 George Lazenby talking at length how he squandered the opportunity of a lifetime; former United Artists executive David V. Picker expressing exasperation that Saltzman and partner Albert R. Broccoli re-negotiated their deal with UA multiple times while letting Sean Connery get away; current-Eon Productions co-boss Barbara Brocoli dismissing her father’s former partner, Irving Allen, as a “blowhard” without naming him; how Saltzman favored hiring Roger Moore as 007 while Broccoli initially opposed the move; and how Kevin McClory, who won the film rights to Thunderball in court, lurked as a recurring foe to Eon Productions.

The latter, though, leads up to the one omission that’s hard to explain — because had it been included would have reinforced one piece of 007 history that’s explored in detail. Much of the first half of the documentary deals with how Connery felt he had been exploited by Broccoli and Saltzman, to the point where the star refused to do anything on the set of You Only Live Twice as long as Saltzman was present.

What’s the omission? The documentary never mentions Irving Allen beyond the one Barbara Broccoli comment. Albert Broccoli was partner with Allen for years, so the breakup probably wasn’t very comfortable. But more importantly, once Allen was proven wrong in his opinion of James Bond — Allen thought the character wasn’t movie material — the producer ended up producing THE MATT HELM MOVIES RELEASED BY COLUMBIA PICTURES.

To get that series off the ground, Allen had to make Dean Martin a full partner and that, in turn, meant that Martin got paid more for The Silencers than Connery did for Thunderball. The documentary goes into great detail about Connery felt he was being exploited. The Silencers is Exhibit A and Broccoli’s former partner Allen was a major player. As the cliche goes, Irony is so ironic. That would have been a great point to make.

Also, it would have been interesting to ask the following questions: Ms. Broccoli, your father’s former partner did the Matt Helm movies where Dean Martin got paid more than Sean Connery. Could that have contributed to the way Connery felt about his Bond salary? Or: Mr. Picker, what was your reaction when you found out Dean Martin got paid more for doing Matt Helm than Sean Connery got for playing James Bond? The answers would have enlivened the documentary even more, we suspect.

Also, the documentary’s candor seems to run short concerning later movies. It talks about the 2006 Casino Royale while not discussing Quantum of Solace very much, aside from a few quick clips.

If it sounds like we’re ragging on Everything Or Nothing, we’re not. It’s very well done. It even, for a Bond fan, flirts with perfection. There are some other omissions (there’s basically no mention of the spoof 1967 Casino Royale or how American John Gavin was signed to do Diamonds Are Forever before Connery came back).

Overall, Everything Or Nothing is a great show for hard-core fan or casual 007 viewer. It just could have been even better without much more work. GRADE: A-Minus.

UPDATE: We’re watching the documentary a second time. We didn’t mention how Lazenby says Broccoli and Saltzman “sent a girl” to his room to make sure the one-time male model was heterosexual.

Hal David, an appreciation

Hal David

Hal David, who contributed lyrics to songs in three James Bond movies, died on Sept. 1 at age 91. He’s not really remembered for his 007 contributions because he wrote lyrics to many popular songs, especially in collaboration with Burt Bacharach. But he merits mention for his Bond film work also.

The 1967 Casino Royale spoof produced by Charles K. Feldman is an uneven movie. Still, Bacharach’s score and the songs he did with David were a highlight, especially “The Look of Love” performed by Dusty Springfield. David went on to work two times on the Eon Productions series, collaborating with John Barry on songs for 1969′s On Her Majesty’s Secret Service. The main Barry-David offering was “We Have All the Time in the World” performed by Louis Armstrong.

A decade later, David worked with Barry one more time on the title song of 1979′s Moonraker, whose title song would be the third, and final, performance by Shirley Bassey in a James Bond movie.

Both “The Look of Love” and “We Have All the Time in the World” are memorable (the latter revived many years later for a beer commercial). “Moonraker” doesn’t get the kudos of other Bond title songs but it’s still a collaboration of three highly professional individuals in composer Barry, lyricist David and singer Bassey.

It should also be noted that David’s older brother Mack (1912-1993) also dabbled in the spy genre, writing lyrics for songs in two Matt Helm movies, The Silencers and The Wrecking Crew. Mack David also co-wrote the title song to 77 Sunset Strip and other Warner Bros. television shows.

The FBI/Octopussy/You Only Live Twice mashup

This just popped up on YouTube. Louis Jourdan, 15 years before he played the villain in Octopussy, played the head of a spy ring in the fourth-season opening episode of The FBI, Wind It Up and It Betrays You. By this stage, the series, starring Efrem Zimbalist Jr., was an anchor of ABC’s Sunday night schedule. Jourdan had also played a villain in a second-season episode.

One of his accomplices is played by Nancy Kovack, who was a femme fatale in the first Matt Helm movie, The Silencers. The plot was by Harold Jack Bloom, who contributed “additional story material” for You Only Live Twice and wrote the second episode of The Man From U.N.C.L.E., The Iowa-Scuba Affair.

Anyway, you may want to take a look. Given it’s on YouTube, you never know when it may get pulled.

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