Will Bond 24 be Skyfall Part II?

Bond 24 writer John Logan

Bond 24 writer John Logan

The answer is almost certainly not. But some recent comments by Bond 24 scribe John Logan remind long-time 007 fans of history: on previous occasions, Eon Productions has followed up enormous Bond hits with more of the same.

The IGN website had a Jan. 17 story that quotes Logan, signed to write Bond 24 and Bond 25, about the next 007 movie.

“My goal is to write a great movie that’s appropriate, to build on what we did on Skyfall, but make it its own unique animal,” Logan said of the teams aspirations for Bond 24. “The themes, ideas and the characters from Skyfall can obviously continue on, because it is a franchise, and it is an ongoing story. So I think there’s resonance from Skyfall in the new movie.”

Some history: 1965’s Thunderball was the biggest 007 hit of the 1960s, the decade the film series began. Eon followed it up with You Only Live Twice, which dispensed with most of the plot of the 1964 Ian Fleming novel. Instead, Eon came up with bigger set pieces and even had a SPECTRE woman assassin (Karin Dor) made up to look very similar to Thunderball’s femme fatale (Luciana Paluzzi).

In the 1970s, the future of the franchise was at stake. The Spy Who Loved Me was a huge hit in 1977 and Eon’s next outing was Moonraker, an even bigger spectacle. The former had a villain who wanted to kill off the human race to preserve the oceans; the latter had a villain who wanted to kill off the human race and repopulate it with a “flying stud farm” of perfect human specimens.

Skyfall, while having its share of spectacle, was more about introspection, inner emotions and the like. Based on Logan’s remarks, will viewers get even more introspection, even more inner emotions? Perhaps even flashbacks as Bond thinks back to the demise of M (Judi Dench)?

Obviously, few people have any idea what will happen next. Logan has made a tease, but that’s all it is. Still, it’ll be interesting to see when the movie comes out in the fall of 2015.

Hank Simms, extraordinary announcer, dies

An end titles from the first season of The FBI

An end titles from the first season of The FBI


Hank Simms, an announcer best known for the words “a Quinn Martin production!”, died last month at the age of 90, according to THIS OBITUARY But he did lots of other announcing work, including movie trailers and the Oscars television broadcast.

Simms first work for QM was The FBI in 1965. He went on to be the announcer for other QM hit shows including Barnaby Jones, Cannon and The Streets of San Francisco not to mention less successful series such as Dan August, Caribe and Banyon.

Simms also did “bumpers” for Mannix, as in, “Mannix…brought to you by…” followed by the name of a sponsor.

Simms worked the microphone at the Oscars, including when John Stears got his Oscar for Thunderball (explaining that Ivan Tors was picking it up in Stears’ place) and when Roger Moore and many viewers were surprised when Marlon Brando declined his Oscar for best actor.

His work could also be heard in trailers including movies edited from episodes of The Man From U.N.C.L.E. such as TO TRAP A SPY and ONE SPY TOO MANY as well as THE GLASS BOTTOM BOAT, the Doris Day spy comedy, and POCKETFUL OF MIRACLES, the final Frank Capra film.

The announcer’s voice was so distinctive when the makers of the 1982 comedy Police Squad! decided to do a QM-style opening, there was only one man for the job:

Rest in peace, Mr. Simms.

UPDATE: Here is the very first Hank Simms announcing job for Quinn Martin:

UPDATE II (Oct. 13): The Academy of Television Arts & Sciences put up an obituary for Hank Simms on its Web site on OCT. 2.

Happy 83rd birthday, Sean Connery

Sean Connery in a From Russia With Love publicity still

Sean Connery, circa 1963

It’s a day early but here’s wishing a happy 83rd birthday to Sean Connery (b. Aug. 25, 1930), the first screen James Bond.

Sir Sean is only seen occasionally in public these days. While his Bond work is a prominent part of his resume, he’s often noted for his non-007 work as well. If you do a SEARCH FOR HIS NAME ON IMDB.COM, it lists him as “(Actor, Indiana Jones and the Last Crusade (1989))”.

Even in the world of Bond fandom, there has been a shift. The $1.11 billion box office take of Skyfall has been cited as having the top 007 box office even adjusted for inflation, displacing Connery’s Thunderball. Many fans say the 21st century Bond films of Daniel Craig are much more sophisticated than previous films, the first Connery movies included.

Also, Barbara Broccoli, co-boss of Eon Productions is on record as saying Daniel Craig, the current 007, is the best James Bond ever. (Click HERE, HERE and HERE.)

To be clear, nobody says “Sean Who?” But Connery and his six films for the Eon Productions series aren’t necessarily held with the same reverence as even 10 years ago. Occasionally, you’ll see some younger fans tell older ones who still hold Connery as the No. 1 007 that they need to let it go.

It’s easy to forget, however, how Connery’s Bond early movies — Dr. No through Thunderball, released annually — were a phenomenon. By the mid-1960s, in the days before home video, his 007 adventures seemed to run non-stop in theaters, whether they be new releases or double feature re-releases. Connery, aided and abetted by talented crew members, made a huge impact on popular culture.

So happy birthday, Sir Sean. The blog has posted the following before. It’s Connery’s appearance in the fall of 1965 on the CBS prime-time game show What’s My Line?

By this point, Connery was tiring of Bond and working for producers Albert R. Broccoli and Harry Saltzman. Thus, Connery talks more about his other projects at the time, including The Hill, which was about to open. But during this mystery guest sequence (where blindfolded panelists try to guess the celebrity’s identity) there’s also banter about how the Bond films were constantly in theaters.

Red 2 utilizes a familiar meme

Luciana Paluzzi and Sean Connery during the filming of Thunderball

Luciana Paluzzi and Sean Connery on the set of Thunderball

This weekend’s release of Red 2 includes one of the most dependable memes of spy fiction: the hero and the femme fatale who have been more than friendly.

In the new movie, Catherine Zeta-Jones’s Katja is described as “Kryptonite” for Bruce Willis’s Frank Moses. Often the femme fatales are enemies but at times reach an uneasy alliance with the hero — at least until she starts trying to kill him again.

James Bond-Fiona Volpe (Thunderball): In Goldfinger, Sean Connery’s James Bond “recruited” Honor Blackman’s Pussy Galore to the side of right. In Thunderball, Connery’s Bond tries it again, albeit unsuccessfully, with Fiona Volpe (Luciana Volpe), the chief executioner for SPECTRE. “What a blow it must have been — you having a failure,” Fiona says. “Well, you can’t win them all,” Bond replies.

Fiona doesn’t survive long after that. But Paluzzi made such an impact that in the next 007 film, You Only Live Twice, Karin Dor’s Helga seems to be a knockoff of Fiona.

Napoleon Solo/Angela-Angelique-Serena Luciana Paluzzi had a dry run before her Thunderball role. When The Man From U.N.C.L.E. pilot was in production, producer Norman Felton had additional footage shot for a movie version for international audiences. Paluzzi’s Angela lures an U.N.C.L.E. agent to his death and tries to do the same with Robert Vaughn’s Napoleon Solo. The extra footage for the movie version as used, yet again, in a first-season episode of the series called The Four-Steps Affair.

Other Thrush femme fatale operatives showed up in Man’s first season, Serena (Senta Berger) and Angelique (Janine Gray). Solo has had a history with both but the viewer isn’t provided many details. Serena helps abduct Solo for a double can take his place. But at the story’s climax (the TV version was called The Double Affair, the movie version The Spy With My Face), Serena ends up shooting the double.

Matt Helm/Vadya: In the third Matt Helm novel by Donald Hamilton, The Removers, Helm goes to the “recognition room” to review dossiers of Soviet-bloc assassins. One of the dossiers concerns the mysterious “Vadya.” Helm readers don’t meet Vadya until Hamilton’s sixth Helm novel, The Ambushers. The encounter ends in a draw. Helm meets Vadya twice more in the novels The Devastators and The Menacers. She’s killed off early in The Menacers, but her death is a key part of the novel’s plot.

Meanwhile, the 1967 adaption of The Ambushers, starring Dean Martin, includes Vadya (Senta Berger again), except the character has been renamed. The character is killed before the end of the movie.

RE-POST: 30th anniversary of the last U.N.C.L.E.

David McCallum, left, and Robert Vaughn

David McCallum, left, and Robert Vaughn during filming of The Return of The Man From U.N.C.L.E.


Originally published March 4. Re-posted today, the actual anniversary

You can’t keep a good man down. So it was for former U.N.C.L.E. spies Napoleon Solo and Illya Kuryakin, who made a one-time return 30 years ago.

The intrepid agents, again played by Robert Vaughn and David McCallum, were back after a 15-year absence. This time they appeared in a made-for-television movie broadcast in April 1983 on CBS, instead of NBC, home of the original 1964-68 series.

It was a mixed homecoming. Return’s script, penned by executive producer Michael Sloan, recycled the plot of Thunderball, the fourth James Bond film. Thrush steals two nuclear bombs from a U.S. military aircraft. Thrush operative Janus (Geoffrey Lewis) boasts that the criminal organization is now “a nuclear power.” Yawn. Thrush was much more ambitious in the old days.

The show had been sold to NBC as “James Bond for television.” Sloan & Co. took the idea literally, hiring one-time 007 George Lazenby to play “JB,” who happens to drive as Aston Martin DB5. JB helps Solo, who has just been recalled to active duty for U.N.C.L.E., get out of a jam in Las Vegas.

The original U.N.C.L.E. had been filmed no further out that about 30 miles from Metro-Goldwyn-Mayer’s studio in Culver City, California. Return was really filmed in and around Las Vegas, with the desert nearby substituting for Libya, where Thrush chieftain Justin Sepheran (Anthony Zerbe) has established his headquarters.

Vaughn and McCallum, being old pros, make the best of the material they’re given, especially when they appear together. That’s not often, as it turns out. After being reunited, they pursue the affair from different angles. Solo has to put up with skeptical U.N.C.L.E. agent Kowalski (Tom Mason), who complains out loud about new U.N.C.L.E. chief Sir John Raleigh (Patrick Macnee) bringing back two aging ex-operatives.
lazuncle
Sloan did end up bringing in two crew members of the original series: composer Gerald Fried, who worked on the second through fourth seasons, and director of photography Fred Koenekamp, who had photographed 90 U.N.C.L.E. episodes from 1964 through 1967. Also on the crew was Robert Short, listed as a technical adviser. He and Danny Biederman had attempted to put together an U.N.C.L.E. feature film. Their project eventually was rejected in favor of Sloan’s TV movie.

In the end, the April 5, 1983 broadcast produced respectable ratings but CBS passed on committing to a new U.N.C.L.E. series. Despite many attempts, Return remains the last official U.N.C.L.E. production.

For a more detailed review, CLICK HERE.

Return of The Man From U.N.C.L.E.’s 30th anniversary

David McCallum, left, and Robert Vaughn

David McCallum, left, and Robert Vaughn during filming of The Return of The Man From U.N.C.L.E.

You can’t keep a good man down. So it was for former U.N.C.L.E. spies Napoleon Solo and Illya Kuryakin, who made a one-time return 30 years ago.

The intrepid agents, again played by Robert Vaughn and David McCallum, were back after a 15-year absence. This time they appeared in a made-for-television movie broadcast in April 1983 on CBS, instead of NBC, home of the original 1964-68 series.

It was a mixed homecoming. Return’s script, penned by executive producer Michael Sloan, recycled the plot of Thunderball, the fourth James Bond film. Thrush steals two nuclear bombs from a U.S. military aircraft. Thrush operative Janus (Geoffrey Lewis) boasts that the criminal organization is now “a nuclear power.” Yawn. Thrush was much more ambitious in the old days.

The show had been sold to NBC as “James Bond for television.” Sloan & Co. took the idea literally, hiring one-time 007 George Lazenby to play “JB,” who happens to drive as Aston Martin DB5. JB helps Solo, who has just been recalled to active duty for U.N.C.L.E., get out of a jam in Las Vegas.

The original U.N.C.L.E. had been filmed no further out that about 30 miles from Metro-Goldwyn-Mayer’s studio in Culver City, California. Return was really filmed in and around Las Vegas, with the desert nearby substituting for Libya, where Thrush chieftain Justin Sepheran (Anthony Zerbe) has established his headquarters.

Vaughn and McCallum, being old pros, make the best of the material they’re given, especially when they appear together. That’s not often, as it turns out. After being reunited, they pursue the affair from different angles. Solo has to put up with skeptical U.N.C.L.E. agent Kowalski (Tom Mason), who complains out loud about new U.N.C.L.E. chief Sir John Raleigh (Patrick Macnee) bringing back two aging ex-operatives.
lazuncle
Sloan did end up bringing in two crew members of the original series: composer Gerald Fried, who worked on the second through fourth seasons, and director of photography Fred Koenekamp, who had photographed 90 U.N.C.L.E. episodes from 1964 through 1967. Also on the crew was Robert Short, listed as a technical adviser. He and Danny Biederman had attempted to put together an U.N.C.L.E. feature film. Their project eventually was rejected in favor of Sloan’s TV movie.

In the end, the April 5, 1983 broadcast produced respectable ratings but CBS passed on committing to a new U.N.C.L.E. series. Despite many attempts, Return remains the last official U.N.C.L.E. production.

For a more detailed review, CLICK HERE.

RE-POST: 007 moments in Oscars history

oscar

Originally posted Feb. 5, 2009. Re-posting because this year’s Oscars on Feb. 24 will have the biggest 007 component in 31 years. We’ve added some links that weren’t available when the original post was published.

The Oscars (R) are coming up this month. That got us to wondering: What were the great James Bond moments at the Academy Awards?

There haven’t been that many, but here’s a partial list:

1965: Soundman Norman Wanstall picks up the first Oscar (R) for a James Bond movie for his work on Goldfinger. We weren’t watching, alas. But a film historian talked to Wanstall decades later. He described the sound effect when Oddjob demonstrates his deadly hat:

“That had to be really frieghtening. So we got an ordinary carpenter’s woodsaw, put it on a bench and just twanged it.” (Adrian Turner on Goldfinger, page 216)

To see Wanstall pick up his Oscar, CLICK HERE.

1966: We weren’t watching, alas. Nor was the special effects wizard of Thunderball, John Stears. In extras for Thunderball home video releases available since 1995, Sears said he didn’t know he had won the Oscar (R) until his arrived in the U.K.

To see Ivan Tors pickup the award for Stears, CLICK HERE

1973: Roger Moore, the incoming Bond, and Liv Ullmann are on hand to present the Best Actor Oscar (R). Marlon Brando won for The Godfather. But the new 007, and everybody else, got a surprise:

1974: Roger Moore is back, with one 007 film under his belt, and ready to film a second. He introduces Best Song nominee Live And Let Die, written by Paul and Linda McCartney. Instead of a performance by McCartney, the audio of the song is played while Connie Stevens dances to it. The song doesn’t win.

1978: The Spy Who Loved Me, nominated for three Oscars (R), is blanked, taking home none. Ken Adam, the production designer guru, loses out to Star Wars. Marvin Hamlisch is double blanked, losing out for best score and he and his lyricist fail to get the Best Song Oscar (R).

1980: Moonraker, nominated for Best Special Effects, fails to repeat what Thunderball accomplished. It’s just as well after we found out about the salt shakers in the rockets in the extras for the DVD. (Feb. 20, 2013 observation: Then again, given the lack of resources that Derek Meddings and his team had, relative to other nominees such as Alien, The Black Hole and Star Trek: The Motion Picture, the Moonraker nomination is pretty impressive.)

1982: Albert R. “Cubby” Broccoli, founding co-producer of the Bond franchise, receives the Irving G. Thalberg award, given to producers for a career of work. Then-Bond Roger Moore is on hand once again, this time to give Cubby the award.

Snaring the Thalberg award put Broccoli in some impressive company:

Note: Broccoli is shown twice in that video, once by mistake.

What’s more, the music director for the Oscar (R) show is Bill Conti, composer of For Your Eyes Only, which was nominated for Best Song. Sheena Easton performs the song as part of an elaborate Bond dance act. The long skit includes Richard Kiel and, shortly before his death, Harold Sakata, the actor who played Oddjob, for whom Norman Wanstall labored for his sound effect years earlier.

The only sour moment (from a Bond perspective): For Your Eyes Only didn’t win the Oscar (R). But it hardly ruined the evening for the Broccolis.

To view the Sheena Easton performance of For Your Eyes Only, CLICK HERE. To view Albert R. Broccoli getting the Thalberg award, CLICK HERE.

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