By Nicolás Suszczyk, Guest Writer
SMERSH’s dossier on James Bond stipulates he is fluent in three languages: English, French and German.
However in the films, Bond and those he encounters speak a fair amount of Spanish on occasion.
From Russia with Love (1963)
The audience hears a few words in Spanish during the SPECTRE training sequence in the pre-title sequence.
As Red Grant terminates the fake 007 during his exercise, a few headlights are turned on and a voice in an unidentified dialect says: “Silencio, cada uno donde está”, which in English means “Silence! Everyone, stay where you are.”
In the pre-title sequence of Goldfinger, James Bond breaks into a heroin-making laboratory in Latin America.
After setting up explosive charges over nitro barrels in Ramírez’ lab, Bond goes to a nearby canteen. There, a dancer named Bonita makes up a flamenco step show with people cheering.
The charges explode and as the crowd moves along, Bond talks to a man in English. It’s his contact. He warns 007 not to go back to his hotel and to take the first plane to Miami. He addresses Bond as Señor, not Mister.
Bond disregards the advice and goes to see Bonita. He is attacked by an assailant, whom he terminates with electricity in a “shocking” way. The assailant, played by stuntman Alf Joint, is wrongfully credited in publications as “Capungo” as if it were a name or a surname. In Ian Fleming’s novel, we know capungo is a Mexican slang for “thug” or “hitman.”
The Man With The Golden Gun (1974)
Villain Scaramanga (Christopher Lee) says a single line in Spanish when having lunch with Bond, claiming the death of 007 “mano a mano, face to face” will be all his.
For Your Eyes Only (1981)
This is the first film in the series where 007 speaks in Spanish. Roger Moore has the distinction of being the first Bond to use the language.
007 is sent to Madrid to capture and interrogate Héctor González, a Cuban hitman responsible of the death of Timothy and Iona Havelock. While spying on the González estate, Bond is captured. The agent escapes after a diversion caused by Melina, the daughter of the late Havelocks, when she shots a bolt into González’ back.
As Bond and Melina escape, we hear some words: “¡Vamos, que no se puede escapar!” (Come on, we can’t let him escape). Later, 007 and the girl try to find a way out while driving Melina’s Citroen 2 CV.
The car flips down while taking a low road and some of the natives try to help the couple. As the henchmen of González try to reach them in their more powerful Mercedes Benz, Bond asks the citizens to help them push the car: “Por favor, ¡empujen!”
Safe in his hotel, Bond reserves a flight back to London and thanks in Spanish: “Muchas gracias.”
Spanish is much heard during the first ten minutes of the film, when 007 infiltrates an air base in an unknown Latin American country (probably Cuba) to sabotage a missile. We hear trough the radio phones one Colonel Alvarado is performing an equestrian show.
Bianca, a Latin American agent, helps 007 don his disguise (fake moustache included): Colonel Luis Toro. A detail to note is that the prop department wrongfully abbreviated the word “Colonel” in English (Col. Toro) when it should have used the Spanish abbreviation (Cnel. Toro).
Moore makes a good use of his double entendrés with Toro’s surname: “Toro? Sounds like a load of bull” (The English for toro is “bull”).
Bond –- posing as Toro -– infiltrates the compound and greets one of the officers working on the missile. “Coronel,” the man says. 007 replies “Continúe” (Carry on) before knocking the man unconscious and getting discovered by the real Toro.
“Interrogación”, the military orders for the impostor to be arrested and interrogated. One of the officers complies while replying: “Sí, Coronel. Métanlo al camion” (Yes, Colonel. Get him on the truck).
007 escapes with the aid of Bianca’s seductive skills and, before taking a leap on the Acrostar jet for the definitive runaway, he thanks her with a “gracias, querida” (Thank you, darling).
Licence to Kill’s poster
Licence to Kill (1989)
Given the film had major locations shot in Mexico, Spanish is present in the last film with Timothy Dalton as 007.
Bond himself only uses the language by addressing the villain as “Señor Sánchez” and by translating to Leiter the villain’s statement: “Plomo o Plata” (literally translated as “Lead or Silver”).
The villain played by Robert Davi uses a handful of Spanish words: “No te preocupes” (Don’t worry) to his girlfriend Lupe before whipping her; “amigo” (friend) to Krest and Bond); and even a mouthful: “¡Este hijo de p*ta!” (son of a bitch) before shooting the dead body of double agent Kwang, who killed himself with cyanide to avoid capture.
So does Lupe Lamora –often addressed as señorita instead of Miss– mixing words in Spanish with English phrases: “You loco” and “You borracho” (loco: crazy, borracho: drunk) to Bond and Krest.
Milton Krest, one of Sànchez’ associates, says a “muy bien” (all right) while searching for Bond as he escapes his troops. We can notice Anthony Zerbe’s voice is dubbed.
More of the language is heard when Bond and Pam (Carey Lowell) arrive at Isthmus City, when a radio is playing a populist narration claiming the benefits for the people given by the president (a puppet of Sánchez): “Beneficios para el pueblo con Héctor López, su Presidente”.
The World Is Not Enough (1999)
The film begins in Bilbao, Spain, while visiting a corrupt banker, Lachaise. The mission for Pierce Brosnan’s Bond is to recover Sir Robert King’s money and extract information on who eliminated a fellow agent.
Bond fights Lachaise’s thugs and manages to escape from the Spanish police trough the office window. We hear officers speculating about the crime scene and shouting warinings: “Creo que son dos o tres, están armados… se oyeron cinco disparos y una explosión… ¡Abra la puerta, Policía!” (I think there were two or three, they’re armed. We heard five shots and an explosion. Police! Open the door!).
007 calmly escapes and, as he walks through the streets close to the Guggenheim, museum, one of Lachaise’s guards is caught: “¡Quieto ahí! Levanta las manos!” (Stay right there! Hands up!).
Die Another Day (2002)
Bond (Brosnan) visits Cuba to eliminate assassin Zao. His first stop in Havanna is Raoul’s tobacco factory, where he asks for Delectados, a kind of cigars not made anymore.
“Raoul, aquí hay un tipo que busca delectados, de Universal Exports” (Raoul, there’s a guy asking for delectados, from Universal Exports), an old man notifies via telephone. Delectados were used as an understanding code between the agents.
In the tobacco factory, a man is reading the newspaper aloud to the employees, an article about the selling of lenses and recording cameras.
As Bond and Raoul talk about Zao, he calms down the tense looking old man, holding a gun to protect his boss, given the case: “Bueno, ¡pero relájate, hombre!”
Strangely, Raoul is a French name and the Spanish version of that name should have been “Raúl.”
Enjoying a bit of the Cuban culture, Brosnan makes use of his Spanish knowledge as James Bond: “Un mojito, por favor”, he asks ordering the famous Cuban drink.
To gain access to the Álvarez Clinic in Los Órganos, where Zao a patient for DNA makeover therapy, he knocks down a grumpy patient, carries him unconscious in a wheelchair and uses his papers to transport him. Before he does, he greets the prostitute: “Buenos días” (Good morning). Then, he delivers his papers to a boat transbord agent, calling him señor, and as the man grants him permission Bond replies “gracias”.
International poster for Quantum of Solace
Quantum of Solace (2008)
The 22nd film in the series is set in Latin American locations, with Panama and Chile doubling for Bolivia.
For the first time, Spanish was an important language in a Bond film and not restricted to a few words. The Spanish dialogue was so important that in most countries it was subtitled.
In Haití, Camille greets General Medrano. Before capturing her, the military, responsible for the death of her parents, tells her: “Conocí a su familia, tristemente, creo que fui el último que los vio vivos” (I met your family. Sadly, I think I was the last one who saw them alive).
As Bond (Daniel Craig) rescues Camille, the general will throw orders in Spanish: “¡Síganlos!” (Follow them!).
Following the lead to villain Dominic Greene, Bond visits La Paz with Mathis, returning to the series after Casino Royale.
Upon reaching the city, they’re joined by Fields, a British agent sent to return Bond to London but who ends up joining the quest.
Stationed in Bolivia for almost a decade, Mathis is a friend of the Police Colonel, Carlos, whom he calls as a chatterbox taxi driver complains of the poor state of the country: “Calentamiento global… llueve mucho o no llueve nada” (Global warmth, it either rains or it never rains) and of the high taxes. Mathis continuously shushes him: “Cállate, ya, ¡chito!”
When Bond checks into the luxurious Grand Andean Hotel, Craig says, “Hola, somos maestros en año sabático, y nos ganamos la lotería” (We’re teachers on sabbatical, and we have just won the lottery).
The concierge replies, “Felicidades, señor. ¿Les puedo ayudar en algo?” (Congratulations. How can I help you?). The voice of the concierge was dubbed by noted Mexican director Guillermo del Toro.
There are some mistakes in the subtitles added to the film: when 007 approaches a villager asking for the DC-3 plane to escape with Camille, the man rudely asks: “Buenos días, ¡¿Qué es lo que quiere?!” Subtitled as the polite “How can I help you?”, it should have been translated as the more literal “What do you want?” given the rudeness of the voice tone of the man.
Another Mexican director, Alfonso Cuarón, provided the voice for the radio guiding the Bolivian jet planes sent by Greene to hunt Bond and Camille, with the first phrase being “Objetivo eliminado” (Target terminated).
Something rather funny happens near the end of the film, when General Medrano and the Chief of Police have a chat on the Perla de las Dunas hotel.
Both characters are Bolivian, yet Medrano is played by a Mexican actor (Joaquín Cosio) and Carlos, the Colonel is played by a Spaniard actor (Fernando Guillén Cuervo).
The different dialects show up, and there’s yet another mistake in the subtitles.
Complaining by the noise made by the fuel cells to give electricity to the complex, the Colonel says: “Maldito quebradero de cabeza, la verdad”. Subtitled as “Pain in the ass, really”, the more literal “This sound wrecks my head” would have been more appropriate.
Daniel Craig in SPECTRE’s main titles
The movie begins in Mexico City during the Día de los Muertos (Day of the Dead) celebration. Bond (Craig) is seen, in disguise, with a girl called Estrella, who in the hotel elevator mutters him some words in Spanish to his ears – presumably “te deseo” (I desire you) is logical since she kisses him as they both reach the room.
Not much more is heard except for the melody sang aloud by the attendants: “Los muertos vivos están, siento ya su poder, vengan todos aquí, este día llegará” (The dead are alive, I can feel their power. Let’s get all together, this day will arrive).
At around the half of the film, the SPECTRE agents are reunited in Rome to discuss the job in hand after the death of Sciarra in Bond’s hands. One of Blofeld’s assistants claims the next duty for Sciarra was the assassination of Mr. White, and offers the assignment to a Spaniard member known as Guerra.
Guerra, played by Benito Sagredo, complies by showing his loyalty to the organization in his own language: “Por supuesto. Mi lealtad a esta organización es absoluta. La protegeré hasta mi último aliento. No habrán más… aficionados. No veremos más muestras de debilidad” (“Of course. My loyalty to this organization is total. I will protect it with my last breath. There will be no more… amateurs. No more shows of weakness”).
Filed under: James Bond Films | Tagged: Daniel Craig, Die Another Day, For Your Eyes Only, From Russia With Love, Goldfinger, Licence to Kill, Octopussy, Pierce Brosnan, Quantum of Solace, Roger Moore, Sean Connery, Spanish, SPECTRE, The Man with the Golden Gun, The World Is Not Enough, Timothy Dalton | 3 Comments »