Here’s why the Bond 25 distributor is a legitimate question

On Twitter, the blog got some push back about continuing to ask about what’s going on with Bond 25’s distributor.

“I think you need to chill about the distributor,” a Bond fan wrote on Twitter. “It’s going to happen don’t you think.”

Here’s why asking about the Bond 25 distributor is a legitimate question.

–The distributor will likely supply a good chunk of the production budget: Sony Pictures (via its Columbia Pictures brand) co-financed Skyfall and SPECTRE while only getting 25 percent of the profits.

Because of the Sony hacks of 2014, it’s known that Sony only had a modest profit from Skyfall. Despite doing almost as well as Skyfall, Sony’s take was even less from SPECTRE. The various studios trying to cut a deal with Metro-Goldwyn-Mayer for Bond 25 know this.

–It has been almost three months since MGM and Eon Productions announced a November 2019 release date for Bond 25: That’d be fine except neither MGM nor Eon actually is in the business of releasing movies. Eon never has distributed films. MGM hasn’t since emerging from bankruptcy in 2010.

Essentially, two parties who don’t release movies said there was a release date.

OK, the 007 film series is established and this may not be a big deal. However…

–Until the distributor is established, Bond 25’s budget won’t be either: It remains to be seen whether Bond 25’s distribution deal is the same as Skyfall and SPECTRE. But it seems pretty evident the Bond 25 distributor will be providing some of the cash to make the movie.

It’s fun speculating whether Denis Villeneuve will be Bond 25’s director, whether director of photography Roger Deakins will return, etc., etc. But until the budget is nailed down, things can only go so far.

Just to be clear, the blog isn’t pushing the panic button. There isn’t information available to push the panic button.

At the same time, legitimate questions ought not to be shooed away simply because they’re inconvenient. Bond 25 has been handled almost from the start in a very peculiar way. The fog isn’t clearing yet.

Advertisements

Have the rewrites on Bond 25’s 1st draft started yet?

Just wondering.

MI6 Confidential brings out 2 new publications

Peter Lamont

MI6 Confidential is bringing out two new publications.

The first is a 100-page special publication focused on Peter Lamont’s work on 1973’s Live And Let Die.

In the publication, “Peter tells the story of making the film, location by location, as they appear in the film. It is lavishly illustrated with rare stills from the film, behind the scenes photographs never committed to print, and notes and storyboards from Lamont’s personal collection,” according to the MI6 Confidential website.

Lamont had the title of co-art director on the film. He worked on the 007 film series in various art department capacities starting with Goldfinger and running through Casino Royale. The only Bond film he missed was 1997’s Tomorrow Never Dies because he was production designer on Titanic.

The other publication is issue 42 of the regular MI6 Confidential magazine. It concentrates on George Lazenby and 1969’s On Her Majesty’s Secret Service.

Included is a story about Lazenby and “007’s lifelong shadow” on the actor as well as a feature on Diana Rigg.

To order the 100-page special, CLICK HERE. The price is 17 British pounds, $22 or 19.50 euros.

To order MI6 Confidential No. 42, CLICK HERE. The price is 7 British pounds, $10 or 8.50 euros.

Well, you can’t say Solo isn’t a popular title

Circa 1963:

1963-64 (before being renamed The Man From U.N.C.L.E.):

2013:

2018:

Gassner says he will be Bond 25’s production designer

Dennis Gassner told International Cinematographers Guild Magazine that he will return as production designer for Bond 25.

“I’m about to do my fourth James Bond film, and acknowledging the efforts of Ken Adam and others is a big part,” Gassner said. He said with franchise films ““you have to honor the established elements while meeting audience expectations.”

The ICG article primarily is about Blade Runner 2049.

Gassner, 68, took over as 007 production designer with 2008’s Quantum of Solace. He held the position with 2012’s Skyfall and 2015’s SPECTRE.

Prior to Gassner, Peter Lamont had a long run as production designer starting with 1981’s For Your Eyes Only and running through 2006’s Casino Royale. The only Bond film Lamont didn’t work on during that period was 1997’s Tomorrow Never Dies.

The MI6 James Bond website earlier wrote about Gassner’s return as part of a roundup of recent Bond 25 news.

Below is a 2012 Skyfall video blog featuring Gassner describing his work on that film.

Pinewood renames stage in honor of Roger Moore

Pinewood Group PLC logo

Pinewood Studios renamed one of its stages in honor of actor Roger Moore, according to an announcement via Twitter.

The new structure now is known as The Roger Moore Stage, Pinewood said.

The actor’s official Twitter feed, which has remained active since his death in May, provided a photo of the full announcement.

There was also a tribute to Moore, who starred in seven James Bond films and the 1960s television version of The Saint. Some of those attending posted on Twitter about the event.

//platform.twitter.com/widgets.js

//platform.twitter.com/widgets.js

//platform.twitter.com/widgets.js

Roger Moore subject of tributes on his birthday

Roger Moore was the subject of numerous tributes on Oct. 14, which would have been his 90th birthday.

The actor, who starred in seven James Bond films and the 1960s television version of The Saint, died in May.

Here’s a sampling:

 

//platform.twitter.com/widgets.js

//platform.twitter.com/widgets.js

//platform.twitter.com/widgets.js

//platform.twitter.com/widgets.js

//platform.twitter.com/widgets.js