Craig ‘keen’ on Villeneuve for B25, Bamigboye says

Daniel Craig in 2012 during filming of Skyfall.

Baz Bamigboye, the Daily Mail scribe who has had a number of 007 scoops proven correct, put out a Bond 25 tweet but it’s hard to say how important it is or is not.

Returning 007 actor Daniel Craig “is said to be ‘keen’ for” Denis Villeneuve to do direct the 25th 007 film, Bamigboye said in the post on Twitter.

That’s all Bamigboye said. The tweet went out in the early evening New York time on Thursday. I thought he might be following up with a story later. But as of 11 p.m. New York time, no story had surfaced.

Bamigboye has had a number of Bond scoops proven correct this decade. His most recent one was in March when he said that Neal Purvis and Robert Wade had been hired to write Bond 25. That was confirmed in a July announcement by Eon Productions and Metro-Goldwyn-Mayer that Bond 25 would have a release date of November 2019.

Deadline: Hollywood said on July 26 there were three director front runners: Villeneuve, Yann Demange and David Mackenzie. Variety said the same day that Demange was the No. 1 front runner.

Since then, not a peep about a Bond 25 director. For that matter, the movie at this point doesn’t have a distributor.

Anyway, Villeneuve has a big movie, Blade Runner 2049, coming out this fall. He’s also committed to direct a remake of Dune. The latter project might limit Villeneuve’s availability for Bond 25. But who knows?

Meanwhile, it’s unclear the importance of Bamigboye’s tweet. Eon boss Barbara Broccoli clearly wanted him back for a fifth 007 film. And Craig was given the title of co-producer for 2015’s SPECTRE.

But, assuming Craig is indeed “keen” on Villeneuve, is there any more to it? Your guess is as good as the blog’s.

Here’s the tweet if you want to see for yourself.

//platform.twitter.com/widgets.js

Advertisements

Bernie Casey dies at 78

Bernie Casey, as Felix Leiter, with Sean Connery and Kim Basinger in Never Say Never Again

Bernie Casey, who co-starred with Sean Connery in 1983’s Never Say Never Again, has died at 78, TMZ and The Hollywood Reporter said.

Casey was the first African American actor to play CIA agent Felix Leiter. Prior to that, the screen Leiter had been portrayed by white actors.

Never Say Never Again was not part of the Eon Productions 007 series. It featured Connery’s return to the role of James Bond, a dozen years after his last appearance in the Eon series in Diamonds Are Forever.

Eon, in the 21st century, made the same move by casting Jeffrey Wright as Leiter in 2006’s Casino Royale and 2008’s Quantum of Solace.

Casey played in the National Football League for eight seasons as a wide receiver with the San Francisco 49ers and Los Angeles Rams. After he turned to acting, he generated almost 80 credits between 1969 and 2007, according to his IMDB.COM entry.

Kingsman sequel gets mixed reaction from critics

Logo for Kingsman: The Golden Circle, sequel to 2015’s Kingsman: The Secret Service

Kingsman: The Golden Circle isn’t off to a fast start with critics.

The movie, a sequel to 2015’s Kingsman: The Secret Service, currently had a 57 percent “fresh” rating Tuesday evening on the Rotten Tomatoes website, which collects and scores reviews.

Here are some non-spoiler excerpts from reviews published after the movie’s premiere this week. The movie comes out this weekend in the U.S.

PHIL NOBILE JR., BIRTH.MOVIES.DEATH: “(Director Matthew) Vaughn’s new film suffers from a kind of Observer Effect: it knows what we loved about the original, is kind of self-satisfied by what mortified us about the original, and endeavors to give us more of both.  Everything is scaled up, and the end result is too much of a good thing, too much of some bad things, and just too much of everything.”

SCOTT MENDELSON, FORBES.COM: “Kingsman: The Golden Circle is surface-level entertaining and offers enough colorful diversions and solid action to merit a viewing. But it focuses too much of its energies on undoing its own narrative while letting everything else of value fall by the side or get outright written out….It feels less like The Spy Who Loved Me and more like James Bond Jr.”

MIKE REYES, CINEMABLEND: “Thankfully, I can say that Kingsman: The Golden Circle keeps the action cranked, the laughs fresh, and even injects more confidence into its proceedings, making for what Eggsy (Taron Egerton) himself might call a fucking proper blast.”

TODD MCCARTHY, THE HOLLYWOOD REPORTER: “There is, then, an endearingly goofy method to the writers’ fervid madness that serves the material well and, as ever, Vaughn puts it all up on the screen with boisterous but carefully calibrated enthusiasm….Vaughn actually seems to prefer character, dialogue and humor to chases and explosion, and he makes mostly very good use of his almost invariably well-chosen actors by identifying their appeal and drawing out their humor.”

ROBERT ABELE, THE WRAP: “It took the Bond series 15 years and 10 movies to get to the ridiculed “Moonraker.” The laddish spy franchise “Kingsman: The Secret Service” series, based on Mark Millar’s comic book, has done it in one leap with the bloated, inexplicably un-entertaining follow-up “Kingsman: The Golden Circle.”

(Note from The Spy Commander: Actually 17 years and 11 films. Moonraker, 11th in the series produced by Eon Productions, came out in 1979, Dr. No in 1962.)

Happy 84th birthday, David McCallum

Sept. 19 is the 84th birthday of David McCallum, who seems busy as ever.

In 2016, he had Once a Crooked Man: A Novel published. He continues to appear in the NCIS series. And over the weekend, he celebrated his 50th wedding anniversary.

Below, we present an advertisement from McCallum’s days as Illya Kuryakin during The Man From U.N.C.L.E. Here the actor, evoking his U.N.C.L.E. image as the agent from the Soviet Bloc (“enigmatic agent,” as it says in the ad), is pitching U.S. Savings Bonds.  Happy birthday, Mr. McCallum.

 

1960s ad with David McCallum, playing off his image as Illya Kuryakin, pitching U.S. Savings Bonds

Jim Steranko lets out a S.H.I.E.L.D. secret

A 1967 S.H.I.E.L.D. story that introduced agent Clay Quartermain

Jim Steranko, the writer-artist of a classic run of Nick Fury, Agent of S.H.I.E.L.D stories in the 1960s, gave away a bit of classified information Sunday night.

Steranko interacts with fans on Twitter each Sunday. This past weekend, a fan asked about the inspiration for a S.H.I.E.L.D. agent named Clay Quartermain.

“I modeled SHIELD’s CLAY QUARTERMAIN after BURT LANCASTER — they’re birds of a feather don’tcha think?” Steranko said on Twitter.

This caught The Spy Commander’s eye because he saw Steranko at a Detroit-area comic book convention/collectibles show in the Detroit area some years back. It almost seemed like Steranko resembled Quartermain.

Years earlier, while reading a collection of Steranko’s S.H.I.E.L.D. stories, it seemed to me that the writer-artist subtly changed Fury (making his face a bit more angular) to resemble Lancaster compared with Jack Kirby’s original version of Fury.

So, in a tweet, I asked Steranko about that. You can view his answer below.

//platform.twitter.com/widgets.js

Vaughn, Moore, Landau in Emmy In Memoriam

Robert Vaughn in The Man From U.N.C.L.E.

Robert Vaughn (The Man From U.N.C.L.E.), Roger Moore (The Saint) and Martin Landau (Mission: Impossible) were among those included in the In Memoriam segment of the Emmy broadcast Sunday night on CBS.

Also included were Mike Connors of Mannix and Adam West of the 1966-68 Batman series. With the latter. a short clip from the show’s pilot played, with Batman doing the “Batusi” dance.

The Emmy version of In Memoriam seemed more weighted to performers compared with the Oscars telecast on ABC, which included publicists. However, some behind-the-camera professionals were included in the Emmy In Memoriam, including producer Stanley Kallis, who worked on Mission: Impossible, among other shows.

Vaughn, who had an Oscar nomination for Best Supporting Actor, and Connors were not included in the Oscars In Memoriam segement earlier this year.

Others included were Mary Tyler Moore (the segment ended with her) and cartoon voice June Foray.

UPDATE (Sept. 18): You can view the In Memoriam segment for yourself.

A View To A Kill’s script: Q goes out in the field

A View To A Kill’s poster

In 1984, the writing team of Richard Maibaum and Michael G. Wilson commenced work on their third consecutive James Bond film.

A View To A Kill (shortened from the Ian Fleming short story title From a View to a Kill) would go all-in on a contemporary plot involving computers and microchips.

A copy of a script identified as a first draft (but with some pages saying they had been revised later) indicates the Maibaum-Wilson team had worked out most of the story issues.

The script is similar to the final film that reached audiences in 1985. But, as is often the case, there are interesting differences.

The most significant is that Q is out in the field during the long San Francisco sequence.

As in the film, Q first shows up in the briefing scene shortly after the main titles. He explains the importance of computer chips and how they can be rendered useless by electro magnet pulses. Bond also comments, “expertise showing,” according to the script.

From there, we’re off to Ascot, where the MI6 crew is at the races. We’re introduced to Max Zorin, described as “tall, slender, impeccably dressed, in his late thirties. Unusually handsome he has one grey eye and one blue eye.”

David Bowie (1947-2016)

Eon initially courted David Bowie to play Zorin. Bowie turned 38 in 1985 and had two different eye colors. He turned down the part and Christopher Walken. who turned 42 the year the movie came out, got the job.

The script also describes May Day as “a shapely, tall, somewhat bizarrely dressed twenty eight year old girl with a distinctively short hairdo and a beautiful but saturninely placid face.”

Most of what follows mirrors the final film until the story shifts to San Francisco.

Bond and Q are in a van using’s Q’s surveillance device, identified in the script as “Snooper.” They’re spying on Zorin and his minions, trying to figure out what he’s up to in his operation in San Francisco Bay. A sample:

IN VAN BOND Q

watching and listening at TV SCREEN showing GROUP in STATION CONTROL ROOM. Voices from TV are faint and somewhat obscured by sound of pumping.

CONLEY ON TV
We’re at maximum pumping now…

ZORIN ON TV
We have a deadline. I’ll hold you personally responsible if we miss it.

A guard dog menances the Snooper. The device sprays the dog with repellent that Q describes as, “Foul smelling stuff.”

Thanks to the Snooper, Bond and Q discover that the Russians are also trying to plant bugs on Zorin’s operation. One Russian is captured by May Day while the other escapes. The second Russian, of course, is Pola Ivanova. Bond intercepts her and things proceed more or less as in the movie.

Desmond Llewelyn (1914-1999)

In the script, we don’t hear anymore from Q until the end of the movie. Still, one suspects this idea resonated with the Eon creative team.

Previously, Q (Desmond Llewelyn) journeyed into the field to provide Bond with gadgets (Thunderball, You Only Live Twice and The Spy Who Loved Me). But in the script, Q is working with Bond side by side.

Q would venture out into the field to assist Bond directly in Licence to Kill.

A few more things of note:

–No Dick Tracy joke when a police captain tries to arrest Bond. In the script, the captain is in plain clothes, rather than a uniform as in the movie.

–Some lines of dialogue between Zorin and Mortner in the blimp were switched between this script and the final film.

–The scene where May Day, having been betrayed by Zorin, sacrifices herself reads flat. It has the dialogue (“Jump! “Have to hold the brake off…..Get Zorin for me!”). But it’s mostly explaining how we get from point A to point B.

After reading the script, I again watched the scene in the movie. Roger Moore and Grace Jones did a lot more with it than what was written. It’s possible director John Glen influenced that (an observation from reader Matthew Bradford made on The Spy Command page on Facebook). Also, having a John Barry absolutely increased the drama. I think it’s one of the best scenes in the movie but you couldn’t tell it by reading the script.

–At the end, it’s the U.S. ambassador to the U.K., and not Gogol (as in the movie) who is visiting M (who “looks very glum,” according to the stage directions).

“The president is most anxious to personally thank Mr Bond and inform him he will be the first foreigner ever awarded the Congressional Medal of Honor,” the U.S. ambassador says. In the final film, Gogol shows up with the Order of Lenin for Bond.

Bond is missing, which accounts for the sad mood at MI6. But, as in the movie, Q is on the job (and still in San Francisco) using the Snooper to track Bond down. In the script, Q shuts off the monitor and quickly calls M. In the film, the gag would be extended for a bit.