Gassner says he will be Bond 25’s production designer

Dennis Gassner told International Cinematographers Guild Magazine that he will return as production designer for Bond 25.

“I’m about to do my fourth James Bond film, and acknowledging the efforts of Ken Adam and others is a big part,” Gassner said. He said with franchise films ““you have to honor the established elements while meeting audience expectations.”

The ICG article primarily is about Blade Runner 2049.

Gassner, 68, took over as 007 production designer with 2008’s Quantum of Solace. He held the position with 2012’s Skyfall and 2015’s SPECTRE.

Prior to Gassner, Peter Lamont had a long run as production designer starting with 1981’s For Your Eyes Only and running through 2006’s Casino Royale. The only Bond film Lamont didn’t work on during that period was 1997’s Tomorrow Never Dies.

The MI6 James Bond website earlier wrote about Gassner’s return as part of a roundup of recent Bond 25 news.

Below is a 2012 Skyfall video blog featuring Gassner describing his work on that film.

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Pinewood renames stage in honor of Roger Moore

Pinewood Group PLC logo

Pinewood Studios renamed one of its stages in honor of actor Roger Moore, according to an announcement via Twitter.

The new structure now is known as The Roger Moore Stage, Pinewood said.

The actor’s official Twitter feed, which has remained active since his death in May, provided a photo of the full announcement.

There was also a tribute to Moore, who starred in seven James Bond films and the 1960s television version of The Saint. Some of those attending posted on Twitter about the event.

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Roger Moore subject of tributes on his birthday

Roger Moore was the subject of numerous tributes on Oct. 14, which would have been his 90th birthday.

The actor, who starred in seven James Bond films and the 1960s television version of The Saint, died in May.

Here’s a sampling:

 

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Some thoughts about Villeneuve’s Blade Runner 2049

Blade Runner 2049 poster

A lot of James Bond fans really, really want Denis Villeneuve to direct Bond 25. Also, The Guardian ran a story this week practically begging the guy to helm Bond 25.

The blog decided to check out Blade Runner 2049, Villeneuve’s newest effort. So here are some general reactions.

The film looks gorgeous. The movie has one memorable image after another. It was photographed by Roger Deakins, who performed the same job on Skyfall.

The pace is a bit slow. Consider this the anti-Bourne, anti-Quantum of Solace, the anti-John Wick.

That, in and of itself, isn’t a bad thing. In a way it’s reassuring to see a movie that doesn’t travel at a frenetic pace.

However, at times, Blade Runner 2049 seems to linger for a long time on its imagery. Then, after awhile, the movie remembers it needs to move the story along. So we get a scene or two that does that. Then, we go into another period of lingering on the images. Wash, rinse, repeat.

The score gets a little repetitive after awhile. There’s this recurring “BRRRRRRRUUUNNNNNG!” bit throughout the film that gave me a headache.

One positive: You don’t need to see the original film. I never saw the original Blade Runner in 1982. There’s a bit of text at the start that gives newbies enough they can figure things out.

The movie (for me) had more positives than negatives. But it was very long and at times had me checking my watch.

Blade Runner 2049 probably won’t change anybody’s mind about Villeneuve and Bond 25. Those who have advocated for him will feel it reinforces their opinion.

Broccoli: ‘We’re not there yet’ on Bond 25 director

Eon Productions boss Barbara Broccoli, while discussing her new Film Stars Don’t Die in Liverpool drama, said, “We’re not there yet” concerning a Bond 25 director.

The brief mention came in an interview with Hey U Guys that’s posted on YouTube.

One person it won’t be is Paul McGuigan, who directed Film Stars Don’t Die in Liverpool.

In a separate interview with Hey U Guys, McGuigan said he’d love to direct a Bond film. “It’s not going to happen this time around,” he said. “Me and Barbara just love working with each other.”

Earlier this year, the IndieWire website speculated that McGuigan could be a contender to direct Bond 25.

Shoutout to @Bond25Film on Twitter who spotted the videos. You can view them below.

Bond 25: The Lt. Columbo edition

We’ve mentioned before how, like Lt. Columbo, “little things” bother the blog.

Like the good lieutenant those little things can prevent you from sleeping soundly at night.

Well, whatever. These aren’t necessarily new, but these little things aren’t getting resolved.

Why hasn’t a distributor been selected yet? We’re approaching the two-year anniversary of SPECTRE’s world premiere. With SPECTRE, Sony Pictures’ most recent two-movie contract to release 007 films would expire.

Metro-Goldwyn-Mayer knew it. Sony knew it. Other studios knew it. Supposedly, there were talks started not long after SPECTRE came out.

Yet no decision was made in 2016. The Wall Street Journal reported in early 2017 that MGM spent much of the year negotiating to sell itself to a Chinese buyer but no deal resulted.

By September 2017, The Hollywood Reporter said tech giants Apple and Amazon were looking to get the Bond 25 distribution rights — and possibly snatch all the 007 film rights.

Yet, more than a month later, NOTHING has been announced. Major news outlets such as The Wall Street Journal and The New York Times, which normally cover Apple and Amazon closely, didn’t even mention the story. You’d think the Journal and Times would find this a juicy story worthy of their time. But no, evidently.

How secure is that announced November 2019 release date? In July, Eon Productions and MGM made separate announcements that Bond 25 would have a November 2019 U.S. release date, with a U.K. release before that.

But neither Eon nor MGM can release a movie. MGM cuts deals with other studios (on a film-by-film basis) to distribute its movies.

Many entertainment news websites take that November 2019 date as a given. But at this point, there isn’t an entity that can actually get the movie into theaters.

Most of the Bond 25 media buzz consists of whether Blade Runner 2049 director Denis Villeneuve will helm Bond 25. But until a distributor is in place, the movie’s financing (i.e. who will cut the checks) isn’t settled.

With the last two Bond films, distributor Sony financed half of the production. That’s an important detail nobody seems interested in talking about.

What about that Eon might want to sell (after Bond 25) buzz? That idea was raised (sort of) in July by a Birth.Movies.Death writer and (sort of) seconded by the MI6 James Bond website, albeit with caveats. Yet, other major entertainment websites apparently have not pursued that question.

As the blog noted earlier this month, it’s all somewhat peculiar.

Historic CBS complex (with a 007 connection) may be sold

Barry Nelson in 1954’s Casino Royale, produced at CBS’s Television City

CBS’s historic Television City complex, where thousands of hours of television shows were made, may be sold off, the Los Angeles Times reported late last month.

“CBS has not decided whether to part with the property it has owned since the early 1950s, but real estate brokers put a tempting value on it for the owners: $500 million to $750 million,” the Times reported on Sept. 28.

The company bought the site in 1950 and Television City began operations in 1952. The phrase, “From Television City in Hollywood” would become familiar to US television viewers.

One of the early shows produced at Television City was Climax!, a series of live dramas beginning in 1954.

The first Climax! broadcast was an adaptation of Raymond Chandler’s The Long Goodbye, with Dick Powell as Philip Marlowe. The third was Casino Royale, adapting Ian Fleming’s first James Bond novel. That, of course, is the broadcast that many 007 fans consider the red-haired stepchild because it features an American Bond (Barry Nelson). Others view it differently, particularly when compared with other live television broadcasts.

In the following years, “such legendary entertainers as Jack Benny, Judy Garland and the cast of ‘All in the Family’ performed for millions of viewers,” the Times noted.

However, according to the newspaper, CBS has moved most of its West Coast entertainment operations to CBS Studio Center, with the network renting out Television City to programs not owned by CBS.