SPECTRE U.S.-Canada weekend revised up to $15M


SPECTRE’s U.S. and Canadian box office for the Nov. 20-22 weekend was revised upward to $15 million, according to BOX OFFICE MOJO.

On Sunday, the 24th James Bond film had been projected to have a weekend box office of $14.6 million. The actual weekend figure was released Monday.

SPECTRE’s box office in the region now stands at $154.1 million through Sunday. Its global box office figure is $677.4 million.

For the weekend, the 007 film fell to the No. 2 slot behind The Hunger Games: Mockingjay Part 2, which generated $102.7 million. That was up from a Sunday estimate of $101 million, but below projections of more than $120 million prior to the movie’s release.

The Chronicles of SPECTRE: SPECTRE (2015)

Christoph Waltz in SPECTRE

Christoph Waltz in SPECTRE

By Nicolas Suszczyk, Guest Writer

No analysis of the chronicles of SPECTRE would be complete if we didn’t examine the latest James Bond outing, SPECTRE, the fourth 007 film starring Daniel Craig and the second directed by Sam Mendes.

Back in December 2014, when the film title and cast were announced, Mendes told the press that Bond fans “knew what it was about” as the title was revealed. It indeed featured the old Bond nemesis, the organization Sean Connery and George Lazenby’s portrayals of 007 fought in the 1960s, the one lead by Ernst Stavro Blofeld with Dr. No, Emilio Largo, Rosa Klebb and Fiona Volpe as proud agents loyal to the cause.

But of course, much like the classic Bond elements and characters throughout these four Daniel Craig entries, the organization has been rebooted and adapted to the 21st century.

James Bond kills Marco Sciarra, an Italian SPECTRE agent operating in Mexico, where he planned to blow up a stadium. Bond attends Sciarra’s funeral in Rome. Bond meets Sciarra’s widow, Lucia (Monica Bellucci). The woman leads 007 to a meeting at the Palazzo Cardezza, where Sciarra’s replacement is discussed.

Harkening back to the SPECTRE board meeting in Thunderball and the Blofeld’s briefing with Rosa Klebb and Kronsteen in From Russia with Love, the organization leader joins the meeting as the members stand up in respect.

Back in 1965, SPECTRE had to steal atomic bombs or start a war to rule the world. In 2015, this new SPECTRE attempts to control the intelligence services worldwide through the Nine Eyes program championed by Max Denbigh (Andrew Scott). Denbigh is also known as C and is the leader of MI5 –- now merged with MI6 –- and a headache for M (Ralph Fiennes) and Bond.

Under the argument that the 00 section is obsolete and new technology and drones can do the same job a man can and better, C convinces the head of nine intelligence services from across the world to join the integrated network. Many of the services were “convinced” after some terrorists attempts occurred in their countries, perpetrated, of course, by SPECTRE. One of them was Sciarra’s ill-fated plan to blow a Mexican stadium during the crowded “Day of the Dead” celebration.

“World domination, the same old dream,” James Bond said when Dr. Julius No explained his plan to topple American rockets from Cape Canaveral to dominate the world.

The same old dream is back with a twist now. Worldwide domination is, this time, more subtle. It will be achieved through moles in the intelligence services and by having SPECTRE controlling everything.

It’s fair to assume the redefinition of SPECTRE for these times has been done in a brilliant way.

Guerra, a Spaniard member, offers to take up the late Sciarra’s assignment: eliminate a certain “Pale King.”

Another agent, the muscular Mr. Hinx, shows the leader he’s more suitable for the job. Hinx blinds Guerra with his thumbs and breaks his neck. At this point, 007’s cover is blown by the leader himself: Franz Oberhauser (Cristoph Waltz), his foster brother.

Later, James Bond is captured by the villain while visiting his lair inside a crater in Morocco, the control center for the Nine Eyes program. The SPECTRE chief provides 007 a painful torture taken from the pages of Kinglsey Amis’ Colonel Sun 007 continuation novel. As a white Persian cat approaches the captive secret agent, Oberhauser reveals his new name: Ernst Stavro Blofeld.

Cristoph Waltz’s incarnation proves to be the perfect adaptation of the mastermind for the 21st century: sinister, deadly, shadowy and creepily funny at the same time. Forty-eight years after Donald Pleasance showed his bald and scarred face to Connery’s Bond inside that volcano lair in Japan in You Only Live Twice, Waltz is equally cold-blooded and reminiscent as the iconic villain.

This time, the screenwriters (John Logan, Neal Purvis & Robert Wade and Jez Butterworth) added a twist. This Blofeld is Bond’s foster brother. This Blofeld killed his father (Hannes Oberhauser, whose connection with the young 007 can be read in Ian Fleming’s Octopussy short story) in revenge for the latter’s preference for the “orphan with the blue eyes.”

Through this series of essays we saw how, after Thunderball, Blofeld eclipsed SPECTRE as the main villain.

In this case, the new Blofeld is linked to the events of the three first Craig films with villains Le Chiffre, Dominic Greene and Raoul Silva being agents of SPECTRE. The terminally ill Mr. White was a high ranking member who disobeyed Blofeld and now he’s hiding on his Austrian retreat.

The dialogue between Bond and his old enemy exposes how threatening this new SPECTRE is.

It has no compunction in killing innocent relatives of their targets or former associates –- White’s daughter Madeleine and Sciarra’s wife Lucia, for example.

And, in the same way Telly Savalas’ Blofeld was responsible for Tracy’s death at the end of On Her Majesty’s Secret Service, Waltz’s Blofeld declares himself as “the author” of all of Bond’s pain by showing his implication with the demise of Vesper Lynd and (Judi Dench’s) M.

“My wounds will heal, what about yours? Look around you James: everything you stood for, everything you believed in… are ruined,” Blofeld points out revealing a scar affecting his right eye –- Bond’s doing during his escape from his imprisonment in Morocco.

SPECTRE has been redefined in an exceptional way for this new era. The “four cornerstones of power” under the acronym weren’t mentioned, and as a matter of fact one of the script drafts linked the name to a platoon integrated by Oberhauser and Mr. White during their wartime activities.

Nevertheless, this new SPECTRE deals with counterintelligence, terrorism and revenge. The Nine Eyes is the organization’s way of infiltrating the worldwide secret services while using terrorist attacks to convince those nations undecided to join C’s network. On the other hand, its leader has a personal vendetta against 007.

To those who wondered why the previous Bond villains looked a bit weak, the answer is in the return of threatening organization and 007’s greatest nemesis of all time: Ernst Stavro Blofeld.

SPECTRE slips to No. 2 in U.S.-Canada


SPECTRE came in No. 2 in the U.S. and Canada in its third weekend of release with an estimated $14.6 million, according to BOX OFFICE MOJO.

The 24th James Bond film finished behind The Hunger Games: Mokingjay Part 2 at $101 million. That movie had been projected for a weekend opening of more than $120 million, according to Variety. The Peanuts Movie, which opened the same weekend as SPECTRE, was No. 3 at $12.8 million.

SPECTRE’s estimate for this weekend was down 57 percent from last weekend’s $33.7 million. Final weekend figures will be released Monday.

SPECTRE was the top movie at the U.S.-Canada box office the past two weekends. The movie has generated an estimated $153.7 million in box office in the region since its Nov. 6 release.

Separately, Exhibitor Relations, which tracks movie box office, said IN A TWEET that SPECTRE’s worldwide box office is “over $670M.”

Variety HAS ESTIMATED SPECTRE needed to generate global ticket sales of $650 million to break even. The movie’s 007 predecessor, 2012’s Skyfall, had worldwide box office of $1.11 billion.

Here’s the Exhibitor Relations tweet:

UPDATE: The Hollywood Reporter puts SPECTRE’s worldwide box office at $677.8 million.

UPDATE II: We went back into the Box Office Mojo archives to look at the first three weekends in the U.S. and Canada for Skyfall and SPECTRE.

Skyfall: $88.4 million, $41.1 million, $35.5 million. The third weekend dropped only 14 percent from the second weekend. A drop of 50 percent is considered average.

SPECTRE: $70.4 million, $33.7 million, $14.6 million (estimate).

Happy 83rd birthday, Robert Vaughn

Today, Nov. 22, is actor Robert Vaughn’s 83rd birthday. The original Man from U.N.C.L.E. is still keeping busy with acting projects.

To note the occasion, here’s a scene from To Trap a Spy, the movie version of the U.N.C.L.E. pilot. This was part of additional footage shot after the pilot was filmed for the movie version. release. In turn, some of the To Trap a Spy additional footage (though not this specific scene) were edited into an episode of the series called The Four-Steps Affair.

Luciana Paluzzi and Robert Vaughn in To Trap  a Spy

Luciana Paluzzi and Robert Vaughn in To Trap a Spy

Thunderball poster sells for $13,145

Thunderball British quad that was auctioned Saturday

Thunderball British quad that was auctioned Saturday

A 1965 Thunderball poster was sold for $13,145 on Saturday, including a buyer’s premium, as part of an auction of James Bond film posters and lobby cards by Heritage Auctions.

The Thunderball poster was a British quad, put up for sale by collector Gary J. Firuta, who earlier this month sold off his collection of first-edition James Bond novels.

Here’s part of the description of the Thunderball poster by Heritage:

This extremely rare and highly sought country of origin British quad will surely be the highlight of all Bond fans’ attentions. Ian Fleming’s agent 007 is at his most spectacular, with Sean Connery in his fourth, and some say best, outing as Bond. As seen on this advance quad, the non stop action takes place in the air, on the land, and in the sea. Only a small number of copies still exist left uncut and this is the only poster from this film to use the artwork featured on the lower right side by Robert McGinnis and Frank McCarthy.

Another highlight of the sale was a Goldfinger “Style B” British quad that went for $10,157.50, including the buyer’s premium. This version had “more conservative artwork for the film was produced primarily for Ireland,” according to the Heritage description. It was also put up for sale by Firuta.

Prices varied widely and 1970s posters put up for sale by Firuta fetched less. A version of The Man With The Golden Gun‘s poster that included Bond villains from previous films went for $1,971.75. A British quad of Moonraker, which also plugged Seiko watches, sold for $406.30. A British quad for The Spy Who Loved Me, that also plugged Seiko, sold for $370.45.

SPECTRE may pass break-even point this weekend

SPECTRE promotional art

SPECTRE promotional art

SPECTRE may surpass the break-even point this weekend less than a month after its premiere.

Exhibitor Relations, which tracks movie box-office data said in a tweet that the 24th James Bond movie’s global box office “looks to top” the $670 million mark this weekend.

While only studio accountants know for sure, VARIETY ESTIMATED NOV. 4 that SPECTRE needed $650 million in worldwide box office to break even. Here’s an excerpt from that story:

With a price tag of $250 million, plus more than $100 million in marketing and promotion costs, industry executives predict that the picture will have to do $650 million to break even. That’s because “Spectre’s” backers, a group that includes Metro-Goldwyn-Meyer and Eon Productions, will have to split revenues with exhibitors. Fewer than 90 films have ever achieved that gross globally and only one other Bond film, “Skyfall,” has ever surpassed that mark.

Skyfall’s global box office was $1.11 billion. An estimate for SPECTRE’s third weekend in the U.S. and Canada will be released Sunday and the actual figure on Monday.

Here’s the tweet from Exhibitor Relations.

Director McQuarrie may helm Cruise’s M:I 6

Tom Cruise

Tom Cruise

Christopher McQuarrie, writer-director of Mission: Impossible Rogue Nation, will write the next movie in the Tom Cruise film series, and may direct it as well, VARIETY REPORTED.

Here’s an excerpt:

(Paramount) and reps for McQuarrie have declined to comment, but several sources with knowledge of the situation say talks are progressing towards a deal being closed, with one insider saying that the studio plans to get production up and running by next August.

Heretofore, Cruise’s Mission: Impossible films have come out at irregular intervals, with the five films spread over 19 years. The producer-star is now 53. While still in movie star shape, Cruise and Paramount have indicated they want a sixth installment sooner than later.

If McQuarrie returns as director, it would be a departure for the series. Each film has had a different director.

Mission: Impossible Rogue Nation generated worldwide box office of more than $682 million, including $195 million in the U.S. and Canada. The movie originally was scheduled to open on Dec. 25, but was moved up to July 31.


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