MGM watch: Studio wants its Bond 23 parter to co-finance other films, Deadline says

Nikki Finke’s Deadline entertain Web site says Metro-Goldwyn-Mayer, negotiating with various studios to distribute Bond 23, to also co-finance other films.

The story, which you can read BY CLICKING HERE, leads off with a report that actor Javier Bardem has been offered a Bond 23, but doesn’t offer many details. The rest of the report talks about how MGM is trying to use its Bond 23 talks for larger things. An excerpt:

Deadline has learned that MGM’s new leadership is trying to leverage the next Bond pic, and indeed the Bond franchise, to create more cash flow for the post-bankruptcy studio. The new brass, Spyglass Entertainment co-owners Gary Barber and Roger Birnbaum who are now the Co-Chairmen/CEOs of Metro-Goldwyn-Mayer Inc, are in the middle of negotiating to make an overall deal for worldwide theatrical and home entertainment distribution of not just Bond but also MGM’s new product as well as its library of films. But what isn’t known is that, as part of that deal, MGM wants whichever studio is chosen to distribute Bond 23 to co-finance a number of films with MGM.

These set of negotiations have the potential to have a longer-term effect on the Bond franchise than any particular Bond 23 casting, even an Oscar winning actor such as Bardem.

MGM and Eon Productions each control half of Bond. But if Deadline’s reporting is accurate, 007 is being used as the equivalent of Boardwalk or Park Place in a real-life game of Monopoly, IF the Bond-related part of the deal goes beyond just distributing Bond 23. It all depends on how far MGM goes in trying to “leverage” the Bond franchise and not just Bond 23. The Deadline story doesn’t explain further.

The other Monpoly players don’t necessarily like MGM’s tactics, according to the report:

There’s no doubt this is a shrewd move by MGM, but Deadline has learned it’s not sitting well with the majors. Top execs at Sony and Fox and Paramount and Warner Bros who are all involved in the negotiations to distribute Bond “are growing increasingly frustrated with the way that the Spyglass duo are playing one studio off another — and enjoying it,” in the words of one exec involved.

Here’s why the Deadline story makes us uneasy. Harry Saltzman once owned half of Bond and tried to “leverage” it in other business dealings. In Saltzman’s case, he used his share of Bond as collateral for loans that eventually came due and United Artists bought him out, and MGM eventually acquired UA. MGM’s new management isn’t doing what Saltzman attempted. Still, the Deadline comment about how MGM wants to “leverage” the franchise makes us wary until we see how it turns out.

One-time 007 contender Cavill cast as Superman, Deadline says

Henry Cavill, one of the contenders for the role of James Bond in 2006’s Casino Royale, has been cast as Superman, in a new Warner Bros. movie to be produced by Christopher Nolan, the Deadline entertainment news Web site is reporting.

An excerpt:

In fact, Cavill also auditioned for the Batman role but lost out to (Christian) Bale in 2005. He also was a contender for James Bond but was deemed too young and lost out to Daniel Craig. Clearly, Cavill is a franchise waiting to happen.

Cavill, born in May 1983, was 22 when Casino Royale started production and 23 when it premiered in 2006. Eon Productions bossfolks Michael G. Wilson and Barbara Broccoli, went with Craig, who’s 15 years older than Cavill, in the series reboot, which depicted Bond at the start of his 007 career.

1967: The Man From U.N.C.L.E./Fugitive crossover

Well, not exactly. But the Quinn Martin-produced series The Fugitive, the first big hit for Martin’s QM Productions, was winding down its four-year run when it filmed the concluding scene to an episode. David Janssen as Dr. Richard Kimble, was walking down a city street. The filming site was Metro-Goldwyn-Mayer’s “street set,” originally to duplicate a New York City street.

QM’s art department apparently was asleep at the switch. It failed to removed the set dressing from another show produced on the same set: the Del Floria’s tailor shop sign from The Man From U.N.C.L.E. The tailor shop was the “security entrance” to U.N.C.L.E.’s New York headquarters. Here’s a video, albeit not good video quality, of the scene from The Fugitive.

According to the For Your Eyes Only Web site’s 100-year timeline showing U.N.C.L.E.-007 interactions, The Fugitive episode aired on April 4, 1967. If correct, that would be an episode called The Walls of Night.

Based on the credits, that would indicate that set decorator Sandy Grace was the one who failed to notice the Del Floria’s sign. Then again, one-hour drama shows were shot in five or six days in the 1960s and had really tight deadlines.

Also, according to For Your Eyes Only, The Fugitive episode aired just a few weeks after a March 1967 fire destroyed the street set. In The Man From U.N.C.L.E.’s fourth season, the show had to use footage from previous episodes to depict the exterior of U.N.C.L.E.’s heaquarters.