Peter Morgan, the prestige screenwriter originally hired to write Bond 23, says the movie retains his “big hook,” according to an interview on the Digital Spy Web site.
“I hear that an idea, the central idea, is still there but not one similar thing other than that. I think they’ve still kept the big hook, which I’m not going to tell you!” (Morgan) said.
Of course, this was the same Peter Morgan who declared in another interview that that James Bond is dated and didn’t sound like he particularly cared for the character.
Morgan dropped out after financial problems, would lead to a short stay in bankruptcy court, at Metro-Goldwyn-Mayer Inc. forced Bond 23 to shut down for almost a year. When MGM and Eon put out a release early this year that Bond 23 was back on, it said the script would be written by Neal Purvis, Robert Wade and John Logan, with no mention of Morgan.
How much of this is hype, how much is real is anybody’s guess. But, from our standpoint, the hiring of Morgan — whose previous work is lathered in politics — was very suspect. His involvement is part of a broader trend where Eon seems desperate for prestige, rather than concerned about putting out an entertaining movie.
Filed under: James Bond Films Tagged: | Bond 23, Eon Productions Ltd., Eon's longing for prestige, James Bond Films, John Logan, Metro-Goldwyn-Mayer, Neal Purvis, Peter Morgan, Peter Morgan being skeptical about 007 concept, Peter Morgan says his "hook" is part of Bond 23 script, Robert Wade