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Charles S. Dubin, one of the leading directors of the original Hawaii Five-O television series, has passed away at the age of 92.
Five-O was just one of Dubin’s many credits. The New York Times’s obituary, which you can read by BY CLICKING HERE, mostly discussed how he directed 44 episode of the 1972-83 series M*A*S*H. For our purposes, though, we wanted to note how he directed 25 episodes of the orignal Hawaii Five-O television series between 1968 and 1977. Five-O, a crime drama, frequently had espionage-themed episodes.
Dubin’s Five-O work inclued the show’s only three-part episode, V for Vashon, in which Steve McGarrett took down three generations of a Hawaii crime family and its sequel, The Case Against McGarrett. Dubin also directed one of the series’ Wo Fat episodes, “Presenting…in the Center Ring…Murder.” His final Five-O effort was to direct a script by Alvin Sapinsley, who penned the four Vashon episodes, called The Descent of the Torches.
Here’s the end of the first installment of the Vashon saga, which ran during Five-O’s fifth season:
This week is the 45th anniversary for The Girl From U.N.C.L.E. Its failure to find an audience — it only lasted one season — is a reminder of what can happen when creators don’t especially believe in what they’re doing.
A spinoff of The Man From U.N.C.L.E., featurng a woman agent, was the idea of NBC. The wife of a network executive had even suggested a name for such an operative: Cookie Fortune. Norman Felton, the executive producer of The Man From From U.N.C.L.E., wasn’t keen on the notion. He counterproposed having two hour-long shows each week simply called U.N.C.L.E., where agents could be mixed and matched. NBC stood firm.
Girl’s pilot aired at a second-season episode of Man called The Moonglow Affair, scripted by Dean Hargrove. Hargrove passed on using Cookie Fortune as a name; he ended up going to Ian Fleming’s list of ideas for Man and used April Dancer (envisioned by Fleming as a Miss Moneypenny type character).
In Moonglow, Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) are incapacitated. April (Mary Ann Mobley) is assigned to take over the assignment, aided by a middle aged Mark Slate (Norman Fell). For the series, April was recast with Stefanie Powers and Slate was turned into a Brit in his 30s, with Noel Harrison in the role.
What happened next was a vicious cycle. By many accounts, Powers and Harrison couldn’t take the material seriously. Douglas Benton ordered scripts to take a lighter tone, figuring it would play to the strengths of Powers and Harrison. One of the crew was associate producer Max Hodge, who had written the first two Mr. Freeze stories on the 1966 Batman series.
Also, Felton & Co. weren’t comfortable having April actually fight guys (and absorb at least some punishment).
As a result, Slate’s Harrison had to take the beatings for two characters, making him look weaker. Meanwhile, ABC was importing episodes of the U.K.-produced The Avengers featuring Diana Rigg’s Mrs. Peel. April looked weak by comparison.
A light tone can work when 1) the jokes are funny and 2) the audience laughs with the hero. The problem with Girl is frequently the jokes weren’t funny and came at the expense of April Dancer and Mark Slate. Late in the season, Hargrove returned and wrote The Double-O-Nothing Affair. It was still light (Thrush villain Edward Asner’s base of operations is disguised as a used-car lot) but the jokes worked and April and Mark came across as capable and brave agents. Perhaps Hargrove had invested enough in the character of April Dancer to try to make it work.
Too little, too late. Girl was canceled in the spring of 1967 and an opportunity was lost. The show is now on DVD. Here’s a clip from what may be the worst episode of the series, The Paradise Lost Affair, in which the supposedly professionally trained April looks weak against villain Genghis Gomez VIII (Monte Landis). Warner Bros. uploaded this clip to YouTube to try to get people to buy the DVDs. Oops.
The Spy Command 