It’s a little-known fact that Brian Wilson harbored such an intent, much less actually went and did it. Working in the studio with the cream of Los Angeles-based studio musicians (while his bandmates were on tour in Japan), Wilson composed and recorded an instrumental track titled Run James, Run. Stacked with swinging brass, bongos, and (the de rigueur) twangy guitars, it’s a quintessential piece of 60s-style spy music. Unfortunately, Wilson wasn’t the most self-confident person in the world to begin with, and his fragile psyche was further compromised by nervous breakdowns, heavy drug use, and (later diagnosed) bipolar syndrome. End result: he lost his nerve and never submitted the music to Eon Productions, producers of the Bond films. Happy ending: he renamed the piece Pet Sounds and made it the title track to one of the greatest albums of the rock era.
It’s an interesting thought that the natural, intuitive, pairing of James Bond and pop music would have been his countrymen — and fellow British invaders — the Beatles1. But it was their American counterpart who actually made the first move, abortive as it was. At any rate, here is an imagining of the title sequence for You Only Live Twice, marrying Maurice Binder’s visuals with Brian Wilson’s music:
(Courtesy LuiECuomo’s channel on YouTube.)
1 Who knows? Maybe they were still smarting over the “earmuffs” crack in Goldfinger. Maybe John Lennon would’ve had political issues with the amorality of the screen 007. Maybe Paul was setting things up for Live and Let Die. Maybe Ringo was setting things up for Barbara Bach…
Filed under: James Bond Films Tagged: | Beach Boys James Bond song, Brian Wilson, Brian Wilson James Bond song, James Bond music, LuiECuomo's channel, Maurice Binder, Pet Sounds, Run James Run, Spy music, The Beach Boys, The Beatles, You Only Live Twice Titles Sequence