Star Trek’s homage to Ken Adam

Ken Adam's "war room" set from Dr. Strangelove

Ken Adam’s “war room” set from Dr. Strangelove

This weekend, the No. 1 in the U.S. is Star Trek Into Darkness. The movie references the original 1966-69 television series and one of the movies in the franchise. We’ll avoid specifics. But it also has an homage to veteran production designer Ken Adam, one of the major contributors to the early James Bond films.

Early in the new Star Trek film, there’s an emergency meeting of Starfleet captains and their first officers. The meeting room is clearly influenced by Adam’s “war room” set from the 1964 film Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb.

Do you suppose Ken Adam will get a royalty for this scene?

Do you suppose Ken Adam will get a royalty for this scene?

For the uninitiated, Ken Adam designed the sets for the modestly budgeted first James Bond film Dr. No. Producer-cirector Stanley Kubrick, upon watching the 1962 007 film, offered Adam the job to design the sets for Dr. Strangelove. The “war room” set is among the most memorable for that 1964 film.

Adam designed the sets for seven James Bond films in all, starting with Dr. No and ending with 1979’s Moonraker. He won TWO OSCARS and was nominated for another for 1977’s The Spy Who Loved Me. Kubrick did some uncredited consulting work for Adam for the 1977 007 movie, according to the documentary Inside The Spy Who Loved Me.

3 Responses

  1. g’day bill, i always love your information as i pass it on to me sci-fi tragic friend. yeah i know gives her more ammo to shoot back at me in a brain drain moment but hey.
    cheers mate
    your coastal cousin
    bobbie

  2. […] other spy films of the 1960s, but well into the 21st century. 2013’s Star Trek Into Darkness had an homage to Adam’s “War Room” set from 1964’s Dr. Strangelove Or How I Learned to […]

  3. […] Kubrick on the nuclear war satire. Adam’s biggest contribution was the War Room set, which has inspired production designers and art directors ever […]

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