Daniel Kleinman discusses his influences

Jack Kirby self portrait

Jack Kirby (1917-1994) self portrait


Daniel Kleinman, who has designed the main titles for six James Bond movies, did an interview in April with the ART OF THE TITLE Web site. Kleinman discussed the titles and what has influenced his work. A few excerpts:

Bond title sequences obviously carry a huge legacy and they often present the themes and settings of the film they precede. What’s the starting point for a new Bond sequence? The script? A cut of the film?

The starting point for me is always the script; I am usually brought into the process before the film has started shooting or at least in very early stages of production. I read the script and get a sense of the main themes of the movie, perhaps start to have a few ideas, brainstorm with myself a bit, write lists, get excited, look for reference, and start sketching. Next I meet with the producers and the director of the film to get a clear idea of the vibe of the film and be aware of any input or requirements for the title sequence. Then, I explain how I see the tone of the titles perhaps with rough sketches and reference. I rarely see a cut of the film until quite late in the process but I do see some individual scenes particularly the ones that lead into and out of the title sequence. There is a back and forth process.

What were some of your stylistic influences?

I have very eclectic tastes! I trained as an artist and designer, so I love painting and film. I collected comics as a boy and was drawn to Aubrey Beardsley, Gustave Doré, Eduardo Paolozzi, Peter Blake, Saul Bass, Windsor McKay, Jack Kirby, Steve Ditko, Magritte, Bosh, Géricault, George Grosz, Hokusai, Francis Bacon, Lucian Freud, Holbein, Dürer, Arthur Rackham, Heath and Charles Robinson — actually the list is fairly endless!

One of Kleinman's influences

One of Kleinman’s influences

What are some of your favorite title sequences in general, whether film or television?

As a child I loved the opening to The Man From Uncle. The way Napoleon Solo stands behind the bulletproof glass being shot at perhaps subliminally influenced my mirror scene in Skyfall. Get Smart was a good one. Man with the Golden Arm was a great visual. Oddly, I’ve never really taken a great deal of notice of title sequences. I didn’t set out to do them and I don’t do any other than Bond, which I do for fun. I’m really an advertising director and therefore shoot a lot of disparate types of things. I suppose I don’t think of myself as a title sequence director.

To read the entire interview, CLICK HERE.

To view the Jack Kirby entry on Wikipedia, CLICK HERE.

To view the Steve Ditko entry on Wikipedia, CLICK HERE.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: