Some notes about the Daily Mail’s SPECTRE story

SPECTRE poster

SPECTRE poster

This weekend, the U.K. Daily Mail’s Event arts section had A STORY about SPECTRE, the 24th James Bond film.

Here were some things in the article that caught our eye:

200 million/300 million: Price in British pounds and U.S. dollars for SPECTRE’s overall budget.

The figure, which makes SPECTRE one of the most expensive movies of all time, was originally disclosed in the hacks at Sony Corp. But the Daily Mail was given a lot of access for this article. The fact the publication is using it amounts to a tacit confirmation of the hacked information.

24 million/36 million: The price in British pounds and U.S. dollars for the budget for expensive sports cars (Aston Martins and Jaguars) to be smashed up in chase sequences.

Possible cost of delays: During filming of a Rome car chase, “one of the crew tells me that every hour of rain could cost the production a cool million pounds,” according to the Daily Mail story.

It took a few months, but we finally got our Barbara Broccoli “the money’s up on the screen” quotes. In fact, we got two.

Long-serving producer Barbara Broccoli tells Event she is immensely proud of those stunning pre-title scenes: ‘My dad Cubby Broccoli always said, “Put all the money on the screen.”

‘There’s a lot of money on the screen in this one! Bond has such an extraordinary tradition of awe-inspiring openings, it is difficult to top them. But this sequence is up there as one of the greatest.’

To read the entire story, CLICK HERE. No real story spoilers, but those especially sensitive fans (i.e. the ones who consider trailers and commercials to be spoilers) may want to think twice.

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One Response

  1. Am I the only one screaming: There is only so much imagery you can put up on a 40×80 foot movie screen and it costs a lot less than 300m to fill it. Also I don’t care about the pre-title sequence being bigger and better. Give me Goldfinger any day and put the rest of the money on the climax of the film where it belongs.

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