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For the James Bond film franchise, Metro-Goldwyn-Mayer is a millstone.
MGM is not big enough to compete with other major studios by itself. Since a 2010 bankruptcy, the home studio of 007 films has needed studio partners to distribute and market Bond movies.
For the past two Bond films, 2012’s Skyfall and 2015’s SPECTRE, MGM negotiated a sweet deal with Sony Pictures. Sony co-financed the movie but only got 25 percent of the profits. Sony ended up in third in line behind MGM and Eon Productions for the 007 spoils.
But good fortune like that only lasts so long.
The Sony deal expired with Skyfall. “There’s no rush,” MGM CEO Gary Barber said of reaching a new Bond distribution deal with Sony or another studio. “We’re evaluating all of our options. We will advise on the deal when we actually make it.”
That was eleven months ago. No hurry, indeed.
In reality, other studios — Sony, Warner Bros. and Paramount among them — have their own issues.
Sony’s parent company wrote down the value of its movie business by almost $1 billion, an indication that things aren’t going well. Warner Bros.’s parent company, Time Warner, is in the midst of an $85 billion acquisition by AT&T. Also, Warner Bros. is struggling with its “extended universe” of movies based on DC Comics characters. Paramount is struggling, period.
Under those circumstances, cutting a deal with MGM to distribute Bond movies might not be the top priority. Even more stable studios, such as 20th Century Fox and Universal, probably want a better deal than Sony got for Skyfall and SPECTRE.
These days, MGM mostly makes television shows while producing a few movies.
Bond, however, remains MGM’s biggest property, going back to when MGM acquired United Artists in 1981. 007, which not that long ago had his first $1 billion box office movie (Skyfall), is a major league property, or at least can be.
For that promise to be fulfilled, however, Bond needs to be at a major league studio.
MGM isn’t that. It hasn’t been for a long time.
To be a big-time studio, MGM needs to be able to release its own movies and be in more control of its destiny.
It’s fine to cut deals with other companies for financing (other studios do). Ultimately, however, Bond’s home studio needs the ability to distribute the movies.
MGM’s Barber wants the company to sell stock to the public in the next three to five years. Maybe it can become big enough to be a real studio again.
But if it can’t, the 007 franchise will suffer. From the selfish standpoint of Bond film fans, a better option might be for MGM to sell to a studio that has big league status.
Filed under: James Bond Films | Tagged: Bond 25, Eon Productions, Gary Barber, Metro-Goldwyn-Mayer, Paramount, Skyfall, Sony Pictures, SPECTRE, United Artists, Warner Bros. |
The Spy Command 
I find it hard believe Craig is going to stick around. He’s getting old and I think who ever ends up distributing these films would want a fresh face.
The only studio I know that has big league status right now is Disney. Look what they’ve done for Marvel.
Reblogged this on Colonel Assignment – and thoughts about writings and the world.
The problem stems from a deal that Eon Productions/Danjaq made in the 1960s that gave United Artists distribution rights in perpetuity. Unless MGM modifies or terminates this arrangement (and why would they?), it looks like the 007 films are going to be few and far between.
[…] Back in February, this blog suggested MGM needed to get bigger or get out. The blog took some flak from on social media for daring to suggest MGM wasn’t as strong as other studios. Nine months later, this blog may have been proven right and then some. […]