The New York Post reported that an unknown Chinese buyer is negotiating to buy Metro-Goldwyn-Mayer, 007’s home studio.
The Post’s sister paper, The Wall Street Journal, followed up by saying MGM had been in talks with a Chinese buyer but the negotiations broke off last year.
How all this applies to Bond 25?
This may explain why MGM never reached a Bond 25 distribution deal
Back in March 2016, MGM said it was in no hurry to negotiate a new Bond movie distribution deal. If the Post and Journal are accurate (that MGM at least *had* talks with a would-be Chinese purchaser), the reason is obvious.
MGM CEO Gary Barber had bigger things on his mind. James Bond may be MGM’s biggest asset, but whether to sell the company or not is bigger (from the perspective of an MGM CEO) than that.
Such talks may have slowed the pace of Bond 25 development
Until there’s a studio that can distribute Bond 25, a new 007 production can’t reach theaters.
Following its 2010 bankruptcy, MGM no longer had a distribution operation. Since then, it has negotiated co-financing and distribution deals with other studios. Maybe that would have changed if a Chinese concern acquired MGM. If the Journal is correct, we’ll never know.
Regardless, MGM negotiating to sell to the Chinese probably would have sent any talks with other U.S.-based studios to distribute Bond 25 to the back burner.
Where do we go from here?
Your guess is as good as this blog’s. However, this is a reminder that Bond is tethered to a weak studio.
MGM bought United Artists in 1981. UA, years earlier, got control of half of the Bond franchise when Harry Saltzman, co-founder of Eon Productions, sold out because of financial troubles.
The MGM soap opera changes in some regards (executives come, executives go) but not in others. MGM’s glory days are long gone.
Filed under: James Bond Films | Tagged: Bond 25, Eon Productions, Harry Saltzman, Metro-Goldwyn-Mayer, New York Post, The Wall Street Journal, United Artists |
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