On April 10 on The Man From U.N.C.L.E. — Inner Circle Facebook page, there was an item about how La La Records will be releasing a soundtrack album from The Wild Wild West television series.
Not a lot of details are available and there’s nothing, as yet, on the La La Land Records website.
The project, not surprisingly, is headed by film and TV music historian Jon Burlingame, according to the item on the Inner Circle page. Burlingame previously produced soundtracks for The Man From U.N.C.L.E. and Mission: Impossible television shows.
Here’s a list of what the blog hopes will be included in a soundtrack for The Wild Wild West.
The Night of the Inferno (Richard Markowitz): Pilot episode, scored by Markowitz (1926-1994). Originally, CBS hired Dimitri Tiomkin, who earlier wrote the theme song to the network’s Rawhide series, to do the show’s theme song.
Tiomkin’s effort was found wanting and Markowitz got the job. His theme would be distinctive. However, he didn’t get a credit for the theme. He only got a credit for episodes of The Wild Wild West he scored.
The Night The Wizard Shook the Earth (Robert Drasnin): The third episode broadcast introduced Dr. Loveless (Michael Dunn), the arch foe for U.S. Secret Service agents James West and Artemus Gordon. Drasnin (1927-2015) cooked up a “Dr. Loveless Theme” (the blog’s informal title) that would be used in the 10 episodes where Loveless made an appearance.
The Night of the Eccentrics (Richard Shores): The second-season opener concerned a bizarre gang called the Eccentrics, led by Count Manzeppi (Victor Buono). Manzeppi was intended to be another arch foe for West and Gordon. But he’d only appear in one more episode.
Regardless, the score by Shores (1917-2001) has a lot of energy. That music would be used for a second-season CBS promo that was re-created on YouTube.
The Night of the Man Eating House (Drasnin): One of the oddest, most tense and disturbing episodes of the series. Drasnin delivers an appropriate score.
The Night of the Big Blackmail (Shores): The fourth-season opener had a Shores score that would show up in some episodes of Hawaii Five-O. In the episode, West and Gordon race against time to break in to the embassy of a nation hostile to the U.S.
The Night of the Kraken (Shores): Another Shores score, which had “spooky” music that would end up in Hawaii Five-O episodes with tracked music when the budget didn’t permit an original score. The Stephen Kandel-scripted episode is a great example of the Jules Verne vibe that echoed through out the 1965-69 series.
For more information: Richard Markowitz’s wild wild TV scoring career.