Wild Wild West soundtrack available July 11

Robert Conrad, right, in a publicity still with Ross Martin for The Wild Wild West

A soundtrack set for The Wild Wild West television series will become available on July 11, La-La Land Records said on Twitter.

The set includes five hours of music from the 1965-69 series, Jon Burlingame, a TV music expert, said in a separate post on Twitter.

Burlingame oversaw the project. He previously produced soundtracks for The Man From U.N.C.L.E. and Mission: Impossible series.

Based on a cover image in the La La Land Records post on Twitter, the four-CD set for The Wild Wild West will include compositions by Dimitri Tiomkin, originally hired by CBS to write a theme for the show. Tiomkin had previously written the title song for the western Rawhide for CBS.

Timokin’s theme for The Wild Wild West wasn’t used. Instead, composer Richard Markowitz scored the pilot episode as well as the catchy theme music that was part of the show that combined cowboys and spies.

Besides Markowitz, composers who worked on the series include Richard Shores, Robert Drasnin and Morton Stevens.

Only 1,000 units of The Wild Wild West soundtrack will be available for sale. .

You can view the Twitter posts below.

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Spider-Man 3.0 gets blessing from critics

Spider-Man: Homecoming poster

Spider-Man: Homecoming had its premiere this week and received a lot of positive reviews, including a score of more than 90 percent on the Rotten Tomatoes website.

This is the third version of biggest character in Marvel Comics. Tom Holland, 21, is taking over from the likes of Toby Maguire and Andrew Garfield.

However, this is the first Spidey movie that’s officially part of the Marvel film universe after Marvel and Sony Pictures (which produced five Spider-Man movies from 2002 to 2014) cut a deal. Marvel produced the latest Spidey epic while Sony released it.

Well, here’s a (non-spoiler) sampling of reviews ahead of the official July 7 release.

JONATHAN L. FISCHER, SLATE: “Spider-Man: Homecoming is both a homecoming for the character as well as a movie in which Spider-Man literally goes to homecoming—a fitting re-introduction and an endearingly goofy teen flick.”

PETER TRAVERS, ROLLING STONE: “News Flash: Tom Holland is the best movie Spider-Man ever. He finds the kid inside the famous red onesie and brings out the kid in even the most hardened filmgoer….Spider-Man: Homecoming feels fresh off the drawing board, as if he was a character with the dew still on him.”

SCOTT MENDELSON, FORBES.COM: “(T)he film doesn’t work. Why not?  Because in a desire to highlight his youth and inexperience, the film turns Peter Parker into a dangerously incompetent would-be superhero.”

BRIAN TRUITT, USA TODAY: “(Tom) Holland not only looks the part of a 15-year-old but portrays the needed vulnerability, immaturity and jocularity of his comic-book counterpart that was sorely missed in previous movie incarnations.”

SCOTT MENZEL, WE LOVE FILM: “The attempt to recreate what made John Hughes films so great felt incredibly forced. It was so obvious that the writers were doing it that there was nothing clever about it.”