A Sampling of Early Atomic Blonde Reviews

Atomic Blonde poster

Atomic Blonde, this summer’s spy movie, has received mostly positive back in March when the film was shown at the South by Southwest film festival.

The film, starring Charlize Theron, had a Rotten Tomatoes score of 81 percent because of those reviews. It remains to be seen how the score may change with newer reviews that come in ahead of its opening this week.

Regardless, here are some non-spoiler excerpts of reviews.

ERIC KOHN, INDIEWIRE: “The first solo effort by ‘John Wick’ co-director David Leitch, ‘Atomic Blonde’ exists in the same realm of hyperstylized action built around the cold ferocity of an unstoppable action star. It only falters when attempting to tie more story around her….Oscillating between the relentless energy of ‘John Wick’ and the dense plotting of a John Le Carré novel, ‘Atomic Blonde’ never quite finds a happy medium between the two. But when Theron goes back to kicking ass, nothing else matters.”

JOHN DEFORE, THE HOLLYWOOD REPORTER: “The more obvious comparison, of course, is with the latest, earthily violent incarnation of James Bond. As enjoyable as Atomic Blonde can be at times, its main utility may be its demonstration that Theron deserves better than this. If not a reincarnation in which James becomes ‘Bond, Jane Bond,’ then at least something with more staying power than this actioner, which looks good and gets some things right, but is as uninterested in its protagonist’s personality as its generic name suggests.”

ANDREW BARKER, VARIETY: “Lifted from Antony Johnston’s graphic novel ‘The Coldest City,’ ‘Atomic Blonde’s’ heroine is a blank slate of emotionless efficiency. A master of cold stares and even colder line readings, (Theron character) Lorraine’s entire diet appears to consist of frozen Stoli on the rocks…Leitch seems uninterested in developing relationships between his characters, leaving them to scamper about on parallel tracks until the hazy machinations of the plot conspire to bring them together.”

JOANNA ROBINSON, VANITY FAIR: “In Atomic Blonde, (Theron’s) Cold War-era spy character, Lorraine Broughton, brutally dispatches Russian and German agents without ever losing an inch of style. She’s the captivating eye of a rather messy plot storm, and you won’t be able to keep your eyes off her for a second. The film had a triumphant, ecstatic debut at SXSW on Sunday night, but won’t debut in the U.S. until July 28. All other summer blockbusters should just surrender now.”

MEREDITH BORDERS: BIRTH. MOVIES. DEATH:Atomic Blonde gives us so little to actually care about, an exercise in style over substance where even the style starts to grate after a time.”

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