Ever since Deadline: Hollywood’s story last week about how Danny Boyle may direct Bond 25 if the idea he and scribe John Hodge are developing is used there are new questions.
As usual, the blog isn’t in a position to answer. But it can ask. The queries below presuppose there’s something to the Deadline story.
How long has work on this new story been going on? Deadline didn’t specify when this effort began. “MGM and producers Barbara Broccoli and Michael G. Wilson sparked to Boyle’s idea enough to engage Hodge, who has quietly been writing their version,” Deadline’s Mike Fleming Jr. wrote.
The entertainment website provided a general idea of when Eon Productions and Metro-Goldwyn-Mayer will have something to consider. Fleming wrote that, “Hodge won’t be done for a couple of months.” If taken literally, that would mean at least two months. But the phrase “a couple” if often not used precisely.
How do you think Neal Purvis and Robert Wade are taking this? It’s doubtful they like it. However, Purvis and Wade have worked for Eon since 1998 when they started work on The World Is Not Enough.
They’ve had their own ups and downs with the franchise. It seemed they were out after Skyfall. Yet, they were summoned back in the summer of 2014 to rewrite John Logan’s work on what would be titled SPECTRE.
By now, they’re more than aware of the twists and turns working on a Bond movie can entail.
Their participation in Bond 25 was one of the few specifics in a July 24, 2017 press release stating the movie has a November 2019 release date in the U.S. Barbara Broccoli also briefly mentioned the duo in a December 2017 podcast with The Hollywood Reporter. The writers, she said, are “busy working away, trying to come up with something fantastic.”
What about the schedule if Eon and MGM go with Boyle-Hodge? At the very least it makes you wonder about that November 2019 release date.
When Hodge produces a draft script, chances are it won’t be ready for filming. Typically, movies go through various rewrites.
In the case of SPECTRE, John Logan produced his first draft in March 2014. Purvis, Wade and Jez Butterworth were rewriting into December 2014, when the movie started principal photography.
Meanwhile, it would at least appear the art department may be limited in what it can do until the basic story is ironed out. On the other hand, there is a steady hand at the wheel.
Dennis Gassner, production designer on the series the last decade, has said he’ll be back for Bond 25. Gassner, whose credits also include Blade Runner 2049, is experienced with working on big, complicated productions.
What does star Daniel Craig think of all this? It’s likely OK with him. Boyle directed a video for the opening ceremonies featuring Craig as Bond taking Queen Elizabeth to the games.
What happens next? If no major developments are announced until April or May, that may be a sign that Deadline’s story and its “couple of months” timeline for Hodge’s writing a script are accurate.
What happens if Eon and MGM ultimately pass on the Boyle-Hodge story? At the very least, that might complicate things even more. Certainly the search for a Bond 25 director would go on.
Filed under: James Bond Films | Tagged: Barbara Broccoli, Bond 25, Danny Boyle, Deadline: Hollywood, Dennis Gassner, Eon Productions, John Hodge, John Logan, Metro-Goldwyn-Mayer, Michael G. Wilson, Mike Fleming Jr., Neal Purvis, Robert Wade |
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