Octopussy’s 35th: Battle of the Bonds, round 1

Octopussy poster with a suggestive tagline.

Poster with a suggestive tagline.

Adapted from a May 2013 post with an epilogue added at the end..

Thirty-five years ago, there was the much-hyped “Battle of the Bonds.” Competing 007 movies, the 13th Eon Productions entry with Roger Moore and a non-Eon film with Sean Connery, were supposed to square off in the summer.

Things didn’t quite work out that way. In June 1983, Eon’s Octopussy debuted while Never Say Never Again got pushed back to the fall.

Producer Albert R. Broccoli was taking no chances. He re-signed Moore, 54 at the start of production in the summer of 1982, for the actor’s sixth turn as Bond. It had seemed Moore might have exited the series after 1981’s For Your Eyes Only. Broccoli had considered American James Brolin, and Brolin’s screen tests surfaced at a 1994 007 fan convention in Los Angeles. But with Never Say Never Again, a competing 007 adventure starring Connery, the original screen Bond, the producer opted to stay with Moore.

Also back was composer John Barry, who been away from the world of 007 since 1979’s Moonraker. Octopussy would be the start of three consecutive 007 scoring assignments, with A View To a Kill and The Living Daylights to follow. The three films would prove to be his final 007 work.

Barry opted to use The James Bond Theme more than normal in Octopussy’s score, presumably to remind the audience this was the part of the established film series.

Meanwhile, Broccoli kept in place many members of his team from For Your Eyes Only: production designer Peter Lamont, director John Glen, director of photography Alan Hume and associate producer Tom Pevsner. Even in casting the female lead, Broccoli stayed with the familiar, hiring Maud Adams, who had previously been the second female lead in The Man With the Golden Gun.

Behind the cameras, perhaps the main new face was writer George MacDonald Fraser, who penned the early versions of the script. Fraser’s knowledge of India, where much of the story takes place, would prove important. Richard Maibaum and Broccoli stepson Michael G. Wilson took over to rewrite. The final credit had all three names, with Fraser getting top billing.

As we’ve WRITTEN BEFORE, scenes set in India have more humor than scenes set in East and West Germany. Some times, the humor is over the top (a Tarzan yell during a sequence where Bond is being hunted in India by villain Kamal Khan). At other times, the movie is serious (the death of “sacrificial lamb” Vijay).

In any event, Octopussy’s ticket sales did better in the U.S. ($67.9 million) compared with For Your Eyes Only’s $54.8 million. Worldwide, Octopussy scored slightly less, $187.5 million compared with Eyes’s $195.3 million. For Broccoli & Co., that was enough to ensure the series stayed in production.

Hype about the Battle of the Bonds would gear back up when Never Say Never premiered a few months later. But the veteran producer, 74 years old at the time of Octopussy’s release, had stood his ground. Now, all he could do was sit back and watch what his former star, Sean Connery, who had heavy say over creative matters, would come up with a few months later.

2018 epilogue: Over the past five years, Octopussy has continued to generate mixed reaction.

One example was an article posted this month the Den of Geek website. 

While the site said Octopussy deserves another chance with fans, it also levied some criticisms.

It’s a funny old film, Octopussy, one used as evidence by both Moore’s prosecution and his defense. Haters cite the befuddled plot, an older Moore, some truly silly moments (Tarzan yell, anyone?), a Racist’s Guide to India, and the painfully metaphorical sight of a 56 year-old clown trying to disarm a nuclear bomb (rivalled only by Jaws’ Moonraker plunge into a circus tent on the “Spot the Unintentional Subtext” scale.)

At the same time, Den of Geek also compliments aspects of the movie, including its leading man.

Moore also submits a very good performance, arguably his strongest. Easy to treat him as a joke but the man really can act. Sometimes through eyebrows alone.

Thirty-five years later, Octopussy still has the power to enthrall some and to generate salvos from its critics.

I know someone, now in his 40s, who says it’s his favorite James Bond film. I have a friend who refuses to buy a home video copy of it (and every other Roger Moore 007 film) on the grounds that none of the Moore entries are true James Bond films. So it goes.

3 Responses

  1. One of the best films in series. I saw many times when it was released in theaters. I STILL LOVE IT!!!!!!! (007 times) PS: Sir Roger George Moore (RIP) is my favorite James Bond!!!

  2. Great review. I’ve always said film must be viewed in a historical context, “sign of the times” if you will. For example, Star Wars cannot be fully appreciated without an understanding of where the film industry was in the mid 70’s.

    I rarely revisit Octopussy. In my opinion, there’s not much to love here. It’s easy to see where Broccoli was headed (a somewhat grounded in reality thriller like FYEO) but couldn’t resist appealing to those casual fans looking for laughs and fun. Now, considering what you’ve examined here, it’s even more important to understand the sentiment of a potentially massive competitor in NSNA. I can completely appreciate his desire to resign Moore and take no risks with the production crew.

    However, something that has always bothered me is the cost of production. As I understand it, from Moonraker to Licence To Kill, there was massive pressure from Broccoli to keep costs from rising. Considering how high inflation had risen in 1980, you’d think there would be some concession (naturally, no one could predict how low inflation would drop by the end of the decade) to account for economic fluctuations. I do not count moving an entire production to Mexico as a positive concession (although I rank LTK as one of the best, albeit with a low budget appearance). Was it UA that didn’t want to put up more cash? Or did Broccoli think that MR’s costs were so astronomical (pun intended) that his edict was justified?

    I love Roger Moore and his films, but there’s a thin layer of dust on the top edge of his blu-ray cases that doesn’t exist over Sean’s or Tim’s.

    I’m going to look for my duster, I wonder where she’s off to…

  3. I grew up with Roger Moore as the reigning James Bond so I enjoy all his entries (some more than others). My favorite is “The Spy Who Loved Me” but “Octopussy” has its moments.

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