Michel Legrand’s brush with 007

Cover to Michel Legrand’s soundtrack for Never Say Never Again

The death of accomplished film composer Michel Legrand at 86 resulted in many tributes (see this story in Variety) because of the work generated over a long career.

But, given the subject matter of this blog, Legrand’s score for a James Bond film shows doing music for any movie isn’t easy and especially so when the core audience has built up certain expectations.

The 007 film, of course, was 1983’s Never Say Never Again, with Sean Connery heading up a Bond production competing with Eon’s Octopussy coming out the same year.

Jon Burlingame wrote in the 2012 book The Music of James Bond that Legrand wasn’t even approached until after filming had been completed. The composer had been working on Yentl, “one of his most complex projects,” involving nine original songs as well as the score, according to the book.

Then, Sean Connery came calling about Never Say Never Again.

“Sean’s warmth and his enthusiasm persuaded me,” Legrand told Burlingame. “And I told myself, to attach a Bond to my filmography, it’s not something to pass up!”

The musical template of the Eon 007 films had been established by John Barry, who had been signed to score Octopussy. Legrand chose to go his own way, especially with Never Say Never Again featuring an older Connery.

“The idea of Never Say Never Again was to bring a distance, an irony, a second layer of connection to the official series, in relation to Connery’s age,” the composer told Burlingame. “Immediately, there was a distinction.”

Over the years, I’ve heard fans complain about Legrand’s score. Burlingame, in a review of the score in his book, says “as a fundamentally jazz-based score, it has many fun moments and offers a very different slant on music for 007 even though it was far from what Connery fans were expecting.”

For more details on Legrand’s career, you can read obituaries from Variety (wrtten by the aforementioned Burlingame), the BBC and The New York Times. Below is a tribute on Twitter from film composer Daniel Pemberton.

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One Response

  1. Worst music of all the Bond films. And one of the reasons the movie flopped.

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