Did Jeffrey Epstein see Kiss the Girls and Make Them Die?

Kiss the Girls and Make Them Die poster

You can’t make this up.

The New York Times today came out with a blockbuster story about Jeffrey Epstein, rich hedge fund manager accused of raping under-aged girls. Here are the first two paragraphs:

Jeffrey E. Epstein, the wealthy financier and accused sex trafficker, had an unusual dream: He hoped to seed the human race with his DNA by impregnating women at his vast New Mexico ranch.

Mr. Epstein over the years confided to scientists and others about his scheme, according to four people familiar with his thinking, although there is no evidence that it ever came to fruition.

This sounds uncomfortably like the 1966 spy movie Kiss the Girls and Make Them Die. It starred Mike Connors and Dorothy Provine as American and British agents trying to foil the plot of a rich adversary.

Said villain intends to make mankind sterile in order to avoid an ecological disaster. But the villain has many beautiful women in suspended animation. So when the time comes to repopulate the planet, he’ll take it upon himself to get all those women pregnant.

The plot is awfully similar to 1979’s Moonraker, the 11th James Bond film from Eon Productions. In that movie, Hugo Drax plans to wipe out most of Earth’s population while he operates an orbiting “stud farm.”

Regardless, the natural reaction is something like, “EEEEEEkkkkkkk.” This is supposed to escapist entertainment, not a serious plan.

Bond 25 questions: The Universal edition

Universal logo

With Bond 25, one of the biggest changes was how Universal, part of Comcast, would be in charge of international distribution.

For the past four 007 films, Sony’s Columbia Pictures handled all the distribution. With Bond 25, Metro-Goldwyn-Mayer and Annapurna, through the United Artists Releasing joint venture, would handle the U.S. and Canada. Universal would deal with international distribution, which is the biggest piece of a Bond film.

With that in mind, the blog has a few questions.

Hey, what about that Bond 25 teaser trailer?

A favorite Bond fan theory was that a Bond 25 teaser trailer might be attached to Universal’s Fast & Furious Presents Hobbs & Shaw, a spinoff from the studio’s successful Fast and the Furious franchise.

Well, Hobbs & Shaw is being released this week. There’s no sign of a Bond 25 trailer. Perhaps it will still happen. Still, these days, trailers debut online days before they show up in theaters. Time is running out for a Bond 25 teaser trailer to be part of Hobbs & Shaw.

What does Universal mean for Bond 25 otherwise?

It may mean the situation is more complicated. Or, as Napoleon Solo once said in an episode of The Man From U.N.C.L.E., “It’s a three-cornered game.”

For the last four Bond films, Columbia managed marketing and releasing. MGM was the home studio for the Bond franchise but it lacked its own distribution operation.

Now, with United Artists Releasing, MGM and Annapurna are involved in addition to Universal. There’s no single distribution/marketing point.

So?

Recall that the late April “reveal” event in Jamaica didn’t have a title for Bond 25. The MI6 James Bond website has reported there was a title (A Reason to Die) ready to go but Eon Productions and its studio partners opted to hold off. The film still has no title three months later.

Essentially, there are more parties who need to be kept in the loop. United Artists Releasing is a proxy for two different (financially struggling) studios while Universal is a Bond newbie.

Anything else?

Back in 2015, Michael G. Wilson of Eon Productions said Eon really does the marketing for Bond films, its studio partners merely execute the plan.

But is that really the case this time? Or would Universal like to have a say? Perhaps we’ll see.

GoldenEye, Saltzman’s son show up on 60 Minutes

GoldenEye’s poster

A clip from GoldenEye plus an appearance by the son of Eon Productions co-founder Harry Saltzman were part of a 60 Minutes story about Monaco. The story originally aired this spring has was recent rerun.

Naturally, the GoldenEye clip is from the casino sequence where Pierce Brosnan’s Bond shows up to gamble. It was this scene where he got to utter his version of the line, “The name’s Bond, James Bond.”

Steven Saltzman is a Monaco resident and was one of those interviewed by Anderson Cooper, the correspondent for the segment on the CBS News program. (Cooper’s main job is for CNN, but he contributes to 60 Minutes.)

Monaco was carved out of the coast of France and, as the story notes, is very small. It’s less than 1 square mile. Only the Vatican is smaller. Monaco doesn’t impose an income tax, helping to draw the rich as residents.

Steven Saltzman has a job helping wealthy foreigners move to Monaco, according to the story. His father and the James Bond connection is briefly referenced. Harry Saltzman’s first name, however, isn’t mentioned.

Steven Saltzman does a sales job for Monaco in the story.

“Monaco is utopia,” the younger Saltzman says. “It’s a country with no sovereign debt where a hundred different nationalities live together protected, in peace, by a planet-loving prince.”

Just don’t move in unless you have many millions of dollars. As 60 Minutes points out, there are more luxury shops than grocery stores. It was appropriate that 60 Minutes sent Anderson Cooper, whose mother was Gloria Vanderbilt. He had a chance to rub shoulders with people with his wealth or greater.

Footnote: Steven Saltzman was interviewed in the late 1990s for documentaries about a number of Bond films. They were included as extras on home video releases. He also has A TWITTER ACCOUNT. However, don’t expect to pick up any 007 tidbits.

Naomie Harris talks (a bit) about Bond 25

Naomie Harris

The Daily Mail published a July 26 feature story on Naomie Harris. It included some comments by Harris about Bond 25.

On the James Bond character:

‘We’re seeing a real evolution of his character. He’s now having equal relationships with the female characters and he’s emotionally attached, making real connections. There’s real respect for the women in his life.”

On the movie’s women characters:

“There are now four women in the script and they all have incredibly strong roles and play a huge part in driving the story forward and assisting Bond.”

On Moneypenny in Bond 25:

“I can’t say what she gets up to. It’s very secretive. The scripts don’t disintegrate after reading, but they get hand-delivered and you have to sign non-disclosures.”

The Wrecking Crew-Golden Gun mashup

Bruce Lee supervises Sharon Tate (left) and Nancy Kwan during production of The Wrecking Crew

The new movie Once Upon a Time…in Hollywood prompted the blog to again watch The Wrecking Crew, the final Matt Helm film with Dean Martin.

The latter figures prominently in the Quentin Tarantino-directed Once Upon a Time.

After the latest viewing of The Wrecking Crew, I couldn’t help but notice some similarities with the 1974 James Bond film, The Man With the Golden Gun.

Wrecking Crew: Freya Carlson (Sharon Tate) is a klutz.

Golden Gun: Mary Goodnight (Britt Ekland) is a klutz.

Wrecking Crew: Freya works for British Intelligence.

Golden Gun: Goodnight works for British Intelligence.

Wrecking Crew: One of Freya’s colleagues is known as JB.

Golden Gun: One of Goodnight’s colleagues is James Bond.

Wrecking Crew: Matt Helm (Dean Martin) spends a portion of the movie commenting on Freya’s clumsiness.

Golden Gun: James Bond (Roger Moore) spends a portion of the movie commenting on Goodnight’s clumsiness.

Wrecking Crew: When the mission is completed, Helm’s boss, MacDonald (John Larch) unexpectedly calls Helm in the villain’s private rail car that is towing $1 billion in gold. (You’d think it’d have an unlisted number.)

Golden Gun: When the mission is completed, Bond’s boss, M (Bernard Lee) unexpectedly calls Bond in the villain’s private boat. (You’d think it’d have an unlisted number.)

Wrecking Crew: Movie ends with Helm and Freya making out, about to make love.

Golden Gun: Movie ends with Bond and Goodnight making out, about to make love.

A guide to references in Tarantino’s new film

Post for Once Upon a Time…in Hollywood

These aren’t plot spoilers but the spoiler adverse should avoid.

The Quentin Tarantino-directed Once Upon a Time…in Hollywood opens this weekend. Trailers and TV spots for the film promised references to 1960s entertainment. It delivers.

Here’s a guide to some of the references that may be of interest to readers of the blog.

The Wrecking Crew: Margot Robbie, playing Sharon Tate, goes to a movie theater to watch the fourth Matt Helm film starring Dean Martin. She’s depicted as gauging how the audience reactions.

As a result, for most of the sequence, you have the fictional Tate watching the real Sharon Tate opposite Martin and Nancy Kwan. At one point, a fight scene between Tate and Kwan is juxtaposed with scenes of  of Robbie’s Tate training with Bruce Lee (Mike Moh).

Burt Reynolds in The FBI episode All the Streets Are Silent. Leonardo DiCaprio replaces Reynolds in Once Upon a Time…in Hollywood

The FBI: Actor Rick Dalton (Leonardo DiCaprio) and stuntman/gofer Cliff Booth (Brad Pitt) goes to Dalton’s house to watch the actor’s appearance in The FBI in an episode titled All the Streets Are Silent.

It’s an actual episode of the series. Except shots with Burt Reynolds, playing the episode’s lead villain, are replaced with DeCaprio as Dalton. “This is my big FBI moment,” Dalton says just before the freeze frame at the end of the pre-titles sequence where the villain’s name is on the screen.

All the Streets Are Silent was a 1965 episode. But the film is set in 1969. So the title card for the episode’s name is altered so it’s consistent with the series for the 1968-69 season.

Mannix: At one point, Booth goes home to his own trailer and watches an episode of the private eye drama. The title sequence does match the titles for the 1968-69 season.

The arrangement of Lalo schifrin’s theme uses strings instead of a piano (which began in the third season and lasted the rest of the series.

The Man From U.N.C.L.E., The Girl From U.N.C.L.E.: The two shows are mentioned in passing by a character played by Al Pacino. Girl went off the air in 1967 while Man’s final episode was in January 1968.

The Wild Wild West: The show isn’t mentioned by name, but Al Pacino also references “Bob Conrad and his tight pants.”

The Green Hornet: There’s a flashback scene depicting Cliff Booth getting into a fight with Bruce Lee on the set of the 1966-67 series.

Have Gun-Will Travel: Underscore from the 1957-63 Western is used with a fictional Western series where Dalton had been a big star. Details of specific music is cited in the end titles.

Batman: The theme music for the 1966-68 series shows up in the end titles, along with audio from what sounds like a radio ad featuring Adam West and Burt Ward.

These are just a fraction of movie and TV references in the film. There are other trailers, posters and billboards shown throughout the movie.

UPDATE (July 26): Matthew Chernov advises via Twitter that there also is music from Thunderball in the end titles of Once Upon a Time…in Hollywood.

“It’s a cue from Thunderball,” Chernov wrote in response to a tweet from me. “I saw both movies virtually back to back and it’s definitely part of a climactic action track.”

Chernov conducted a question and answer session with Luciana Paluzzi on July 17 at the Tarantino-owned New Beverly Cinema in Los Angeles. The actress attended a showing of Thunderball at the theater.

Chernov also wrote a July 23 article for the James Bond Radio website about Pauluzzi’s appearance.

(July 29): Reader Matthew Bradford, in a comment on The Spy Command’s page on Facebook, advises the Thunderball music was part of the Batman radio spot cited above.

(July 30): Reader Delmo Waters Jr. identifies the Mannix episode as “Death in a Minor Key,” original air date Feb. 8, 1969. Guest stars include two future Bond film actors: Yahphet Kotto and Anthony Zerbe.

David Hedison dies at 92

David Hedison (1927-2019)

David Hedison, star of the original film version of The Fly, the Voyage to the Bottom of the Sea TV series and a two-time Felix Leiter, has died at 92, according to various reports, including The Hollywood Reporter.

Hedison died last week and the news was released by a family spokeswoman, THR said.

Hedison’s IMDB.COM ENTRY lists more than 90 acting credits beginning in 1954 and extending into the 21st century.

The actor also was a friend of Roger Moore. “David phoned Roger regularly throughout his final illness in 2017 and was a great support.” according to a tweet from Moore’s official account on Twitter.

The two worked together in an episode of The Saint. They acted together again, with Hedison as Felix Leiter in Live And Let Die, Moore’s debut as James Bond. Hedison reprised the role opposite Timothy Dalton’s James Bond in Licence to Kill.

Hedison also had a relationship with producer Irwin Allen. The actor was in the cast of Allen’s 1960 version of The Lost World.

Allen wanted Hedison for the 1961 film version of Voyage to the Bottom of the Sea but the actor turned it down. Robert Sterling got the part instead. But Hedison signed on when Allen launched the 1964-68 television version.

The first season, shown in black and white, had a lot of espionage and international intrigue stories. As the series progressed, there were a lot of monster story lines.

After Voyage’s run concluded, Hedison didn’t lack for work, often getting guest star parts from producers Quinn Martin (The FBI, Cannon, The Manhunter and Barnaby Jones) and Aaron Spelling (The Love Boat, Dynasty, Fantasy Island).

Here’s the tweet from the Roger Moore account.

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