The canard that haunts the Bond franchise

The prototype for the “reveal” of SPECTRE (2015)

Last week, a website called The Ringer became the latest outlet to repeat the canard that the James Bond films were forced to change in tone to be more serious.

The article was called “Austin Powers Still Haunts the James Bond Franchise.” Here’s an excerpt:

But as excellent as some of (Daniel Craig’s) Bond films have been, fun probably isn’t the first adjective that comes to mind when describing Craig’s take on the character; that was a point unto itself. “Mike Myers fucked us,” Craig told the Bond fan site MI6 Confidential Magazine in 2014. “I am a huge Mike Myers fan, so don’t get me wrong—but he kind of fucked us.”

He’s referring to—what else?—the Austin Powers franchise, Myers’s iconic spoof of Bond and the larger spy genre.

The problem with this often-repeated trope is Austin Powers was hardly the first to poke fun at Bond’s expense.

As early as 1964, future Bond Roger Moore played 007 in a variety show skit.

In 1965, The Beverly Hillbillies (1962-71), a wildly successful, if improbable, situation comedy, featured man-child Jethro Bodine returning from the theater after seeing Goldfinger. Jethro recites the plot to his rich uncle Jed Clampett, who has lost none of his common sense despite his sudden wealth.

After listening to Jethro, Jed has one question: “Why didn’t he just shoot him?” Jethro, who had been smiling moments before, is crestfallen.

Despite that, Jethro decides that being a “double-naught spy” is his life’s calling because double naughts engage in a lot of “fightin’ and lovin’.” Jethro takes the Clampett family truck and adds a bulletproof shield (a meta tub), defensive weapons (two rifles that can be fired when Jetro pulls on strings tied to the rifles) and an ejector seat. Naturally, the latter figures into the episode’s final gag.

In fact, Jethro’s quest to be a “double naught” became a running gag for multiple episodes. There was a follow-up story the next season as Thunderball was coming out.

The Beverly Hillbillies wasn’t the only show to poke fun at 007. It happened all the time during the 1960s. Another example: A 1966 episode of The Dick Van Dyke Show titled “The Man From My Uncle,” in which Godfrey Cambridge played a character named Harry Bond. (“Yeah. Please no jokes. I’m not 007.”)

And, of course, there was Get Smart, a parody of Bond and the spy craze that ran for five seasons (four on NBC, one on CBS).

So, the Austin Powers series, consisting of three movies, was hardly plowing new ground in making light of Bond. Indeed, the Austin Powers series ended (for now) with Austin Powers in Goldmember in 2002, the same year as Die Another Day.

The first new serious, Daniel Craig film, Casino Royale didn’t come out until 2006. Casino Royale had been influenced (in terms of a more serious tone) by the Jason Bourne films starring Matt Damon. With 2008’s Quantum of Solace, the Bond series went full Bourne, bringing in Dan Bradley as second unit director, who had the same job on the Bourne films.

By Casino Royale, and certainly by Quantum of Solace, Austin Powers was receding into memory.

Meanwhile, with 2015’s SPECTRE, the Bond series embraced one of the Austin Powers tropes. It had been revealed that Austin Powers and his arch-enemy Dr. Evil were really brothers. In SPECTRE, it was revealed that Craig/Bond and Blofeld were foster brothers. And SPECTRE came out more than a decade after Austin Powers in Goldmember.

In the words of Daniel Craig, if Austin Powers “fucked us,” it was self-inflicted.