An old Hollywood hand opines on Bond amid Amazon deal

Peter Bart’s Twitter avatar (@MrPeterBart)

h/t to David Leigh and Phil Nobile Jr. who brought this to my attention. The post below is my responsibility alone.

Peter Bart is an old Hollywood hand. He has worked both sides of the fence, serving as a studio executive and an entertainment industry trade journalist (he was a long-time editor of Variety). Currently, he writes columns for the Deadline: Hollywood site.

This week, he opted to weigh in on Amazon’s announced deal to acquire Metro-Goldwyn-Mayer for $8.45 billion. He told an anecdote or two, drawing on his studio executive experience.

 I was personally introduced to the Bond bonanza in 1983 when a cadre of business affairs executives invaded my office with packets of documents. “When you sign the top document, you’ll be greenlighting the next Bond movie,” instructed the first executive. “The film is titled Octopussy.”

“Is the script as bad as the title?” I asked.

“Probably,” came the reply. “But you’re signing as president of United Artists and we need your signature, not your opinion. A Bond deal is a special deal.”

I promptly signed. I’d heard the legend of how Barbara Broccoli and Michael G. Wilson, heirs to the Bond dynasty, had constructed a web of contracts that tightly controlled every creative and marketing element of their franchise, and also kept half of the action. I had no stake in intruding in this cozy arrangement.

That’s all very interesting but, as of 1983, Barbara Broccoli had a junior role in the franchise. Her father, Albert R. Broccoli, the co-founder of Danjaq LLC and Eon Productions, still controlled operations. Barbara Broccoli graduated college and went to work on Octopussy in 1982. She got an on-screen credit but it was part of the end titles.

Bart also took a shot at Octopussy star Roger Moore “who, at 55, came across more as a stylish maître d’ than as a master spy.” Bart also wrote that Octopussy “performed torpidly at the worldwide box office,”

The movie finished 1983 with a global box office of $187.5 million. While behind 1981’s For Your Eyes Only ($195.3 million), it was ahead of Never Say Never Again, a competing Bond film starring Sean Connery ($160 million). Those were big numbers four decades ago.

The article by Bart, who turns 89 in July, reflects a broader unease among entertainment types with Amazon and its outgoing CEO, Jeff Bezos. (Bezos is planning to spend more time with his rocket company.) Hollywood is being rocked by streaming services (such as Amazon Prime) and is still adjusting to the new reality.

Bart also offered this observation about No Time to Die, the upcoming 25th film in the Eon-produced series:

A $300 million theatrical release, the latest Bond represents a tangle of rights agreements dating back 60 years that reflect the legalistic compromises of the past rather than the slick streamer dealmaking of the present…Some ticket buyers may also see its plot as a creaky reminder of white-bread misogyny.

2 Responses

  1. A deplorable human being writing for a deplorable site. He should retire his senile mind.

  2. Amazon Studios is currently making movies and TV shows including movies which get theatrical releases and has anybody shown Jeff Bezos had direct involvement in any of it and in particular any creative decisions? I feel like that is like asking if CEO of General Electric preapproved jokes for Saturday Night Lives.

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