Bond 26 questions: The how long (?) edition

Not coming to a theater near you anytime soon

So Barbara Broccoli, boss of Eon Productions, says (in remarks reported by Deadline) that James Bond is about to be reinvented and that filming of Bond 26 won’t take place for at least two years.

Also, she said, there’s no actor and no script. Neither will happen until the reinvention occurs.

Naturally, the blog has questions.

So when might Bond 26 come out? The MI6 James Bond website estimates “2025, possibly later.”

That makes sense. Two years from now is 2024. The film would then go into post-production and may not be out until 2025.

Are there potential complications? Amazon, the new owner of studio Metro-Goldwyn-Mayer, is yet to be heard from. Would Amazon try to pressure Eon to move faster? Or is the tech company satisfied with all the Bond programming Amazon Prime has?

Is this a surprise? No. Eon is not known for advanced planning.

Some Bond fans hoped it’d be different this time. No Time to Die completed filming in fall 2019. It then went on the shelf until fall 2021.

Eon had time to look to the future if it wanted to do so. But Barbara Broccoli said after No Time to Die came out she was celebrating the tenure of Daniel Craig as Bond. She didn’t sound as if she were in a hurry to deal with a post-Craig era.

What might take place because of this? No Time to Die stirred a strongly mixed reaction in the fanbase. For some, Craig/Bond’s death was a bold creative choice. Others strongly did not like it.

Now, that mixed atmosphere will linger, with at least a four-year gap between No Time to Die and Bond 26.

Anything else? It’s getting harder to imagine the likes of Idris Elba (who turns 50 in September), Henry Cavill, 39, or Tom Hardy (who turns 45 in September) being cast as Bond.

Yes, Roger Moore was in his mid-40s when he began his Bond run but that was a different era.

Yes, Craig was in his 50s when his run finally ended. But he’s a special case, given Broccoli’s strong admiration for the actor. She spoke more than once about being in denial that Craig’s time as Bond was ending.

Broccoli says Bond to be reinvented, Baz reports

Barbara Broccoli, boss of Eon Productions

Eon Productions boss Barbara Broccoli says Bond 26 will be “a reinvention of Bond,” Baz Bamigboye of Deadline: Hollywood reported.

Broccoli said it will be at least two years before Bond 26 starts filming, according to Bamigboye. The Eon chief said there is no script and a search for the next cinematic James Bond hasn’t begun.

Bamigboye formerly worked for the Daily Mail and scored some Bond scoops that proved correct.

Broccoli made the remarks “at a star-studded private event in central London to honor Broccoli and her brother Michael G. Wilson for their BFI Fellowships.”

Here’s an excerpt of the article:

“Nobody’s in the running,” she disclosed. “We’re working out where to go with him, we’re talking that through. There isn’t a script and we can’t come up with one until we decide how we’re going to approach the next film because, really, it’s a reinvention of Bond. We’re reinventing who he is and that takes time. I’d say that filming is at least two years away.”

Last year’s No Time to Die ended Daniel Craig’s five-film run as Bond. The movie ended with the Craig version of Bond being killed. The end titles still proclaimed, “James Bond Will Return.” Craig’s first Bond, Casino Royale, started the series over.

Much of the article is a description of the event, including former Bond composer David Arnold playing the piano.

Cover for Double or Nothing unveiled

The cover for Kim Sherwood’s Double or Nothing was unveiled today as marketing for the novel is picking up.

Sherwood shared the image on Twitter.

At the same time, Sherwood hinted the U.S. edition may have a different cover.

“For folks in America, watch this space for more on the US release…” she said in a follow-up post on Twitter.

On June 27, Sherwood said on Substack she has been “pre-recording interviews about Double or Nothing with podcasts and YouTube channels for release in September.”

Double or Nothing is a sort of “James Bond novel without James Bond.” Bond is missing and Sherwood introduces new 00 agents, including one named after one-time 007 screenwriter Johanna Harwood.

A number of James Bond websites have also received advanced copies of Sherwood’s novel with embargoes for when they can write about it.

Oswald the Rabbit makes his (sort of) MCU debut

Oswald the Rabbit, created by Walt Disney, circa 1927

Oswald the Rabbit, a character created by Walt Disney before Mickey Mouse, made his sort-of Marvel Cinematic Universe debut in Dr. Strange in the Multiverse of Madness.

It takes a bit of explaining. Let’s just say Oswald is shown on a television screen being watched by the imaginary kids of Wanda, the Scarlet Witch. There’s a later scene where the kids are watching the 1930s Disney version of Snow White.

Oswald (also known as Oswald, the Lucky Rabbit) originally was created in 1927 for Universal.

For decades, Disney (the company) wanted to get the rights to Oswald back. In the 2000s, Disney and Universal negotiated a swap: Universal would grant Disney the rights to Oswald. Universal (whose properties include the U.S. network NBC) would gain the services of sportscaster Al Michaels so the latter could work on NBC’s Sunday Night Football. (Early in Michaels’ career, he had a bit part in an episode of Hawaii Five-O.)

Yes, a cartoon character was swapped for the services of a human being. You can CLICK HERE for an account of the trade.

That’s how big business operates. Michaels this past season finished up his Sunday Night Football contract.

The Johnny Williams era of television

John Williams

John Williams told The Assocated Press earlier this month, that his score for Indiana Jones 5 may be his final movie work.

“I don’t want to be seen as categorically eliminating any activity,” The 90-year-old composer told AP. But a Star Wars score, he said, is a six-month commitment and “at this point in life is a long commitment to me.”

Williams is known mostly for his film scores, which include 51 Oscar nominations beginning in the 1960s for scores and songs. Williams was the composer of choice for director Steven Spielberg, a collaboration that lasted decades.

However, once upon a time, Williams was known as Johnny Williams and his work was all over television in the 1950s and 1960s.

Television Days

Williams played piano on the Peter Gunn theme for Henry Mancini. Williams also played as a musician in film scores such as The Magnificent Seven, Sweet Smell of Success and To Kill a Mockingbird, he recalled in a 2002 tribute to composer Elmer Bernstein.

Before he was famous: John(ny) Williams title card for the Kraft Suspense Theater episode Once Upon a Savage Night (black and white copy of a color original).

Williams was hired in 1958 by Stanley Wilson, music supervisor for Revue television (later Universal), to score episodes of M Squad, a police drama starring Lee Marvin. At that point, the composer was billed as John T. Williams Jr.

Wilson evidently liked the results and kept bringing Williams back for work. One of Williams’ jobs for Revue writing the theme for Checkmate, a 1960-62 series created by Eric Ambler.

Checkmate concerned the exploits of two private eyes (Anthony George and Doug McClure) assisted by an academic (Sebastian Cabot). Williams was now billed as Johnny Williams.

Before he was famous: John Williams title card for the unaired pilot of Gilligan’s Island.

Williams also did the theme (and scored some episodes for) a Revue anthology show, Kraft Suspense Theater. One of the installments he scored, Once Upon a Savage Night, was a particularly tense story about the search by Chicago authorities for a psychopathic killer (Philip Abbott).

In his TV days, Williams was versatile. His credits included the odd sitcom, such as the unaired pilot (plus additional episodes) of Gilligan’s Island as well as the theme for The Tammy Grimes Show, a quickly canceled program in the 1966-67 season.

Producer Irwin Allen brought in Williams to work on series such as Lost in Space and The Time Tunnel, which credited Johnny Williams for their themes.

Johnny Williams even showed up on camera in the first episode of Johnny Staccato, a 1959 series starring John Cassavettes and made at Revue. Williams, clean-shaven and with hair, played a jazz pianist. He was listed in the cast as Johnny Williams.

The Johnny Williams era drew to a close by the late 1960s. His credit for the theme of Irwin Allen’s Land of the Giants series listed the composer as John Williams. For Williams, the best was yet to come.

Broccoli, Wilson receive British medals

Barbara Broccoli and Michael G. Wilson today received Commander of the Order of the British Empire (CBE) medals at Buckingham Palace.

According to a U.K. website, the medal is for “a conspicuous leading role in regional affairs through achievement or service to the community, or a highly distinguished, innovative contribution in his or her area of activity.”

The Eon producers received the Order of the British Empire in 2008, according to the Daily Mail. They have been in charge of the James Bond film franchise starting with 1995’s GoldenEye.

Here was the announcement from Eon’s James Bond feed on Twitter.

Paul Haggis arrested on sexual assault charges

Paul Haggis, who worked on two James Bond films as a writer, has been arrested in Italy on sexual assault charges, Variety reported.

Haggis was a screenwriter on 2006’s Casino Royale and 2008’s Quantum of Solace.

Here is an excerpt from the Variety story:

According to multiple Italian press reports and a note from the public prosecutor of the nearby city of Brindisi, Haggis is charged with forcing a young “foreign” – meaning non-Italian – woman to undergo sexual intercourse over the course of two days in Ostuni, where he was scheduled to hold several master classes at the Allora Fest, a new film event being launched by Los Angeles-based Italian journalist Silvia Bizio and Spanish art critic Sol Costales Doulton that is set to run in Ostuni from June 21 to June 26.

When Casino Royale came out in 2006, Haggis got a lot of credit after taking over from Neal Purvis and Robert Wade in the scripting process.

Haggis’s pages referred to “James,” where most Bond scripts refer to Bond as “Bond.”

With Quantum’s final screenplay credit, Haggis got top billing over Purvis and Wade.

At one point, there were reports that Haggis supposedly contributed to the script of No Time to Die. The final credit went to Purvis and Wade, director Cary Fukunaga, and Phoebe Waller-Bridge.

Haggis received no screenplay credit on No Time to Die.

McCallum: 2015 Illya was ‘ridiculous’

David McCallum, the original Illya Kuryakin, in a 1965 publicity still.

David McCallum, the original Illya Kuryakin, has said the 2015 version of the character was “ridiculous.”

Excerpts from an interview with McCallum about his career were posted this month on YouTube. One excerpt centered on McCallum’s reaction to the 2015 movie version of The Man From U.N.C.L.E.

“It’s the Cold War, it’s the Berlin Wall,” McCallum said. “I thought the character of Illya was ridiculous. But he (actor Armie Hammer) did a nice job.”

The 2015 version of Illya, McCallum added, “was uptight, and crazy, and strangling people.”

In 2015, McCallum had a different view in an interview that was telecast on Fox News.

The movie “in no way encroaches into what we did back in the ’60s and at the same time uses a lot of the elements that Norman Felton and Sam Rolfe created within the old Man From U.N.C.L.E.,” McCallum said at that time.

“I think it’s a wonderful success,” McCallum told Fox News in 2015. “My favorite line in the whole movie, the new movie, is the last one delivered by Hugh Grant because clearly it’s going to lead to at least another Man From U.N.C.L.E. movie. I don’t think there’s any question of that.”

The 2015 U.N.C.L.E. movie did not lead to any sequels.

Here’s the excerpt of the interview where McCallum, who turns 89 in September, talked about the 2015 movie:

Alan Caillou: Colorful writer-actor

Alan Caillou, right, with Albert Paulsen in The Terbuf Affair, an episode of The Man From U.N.C.L.E. that he also wrote.

Another in a series of unsung figures of television.

Alan Caillou (born Alan Samuel Lyle-Smythe in England in 1914) worked in front of and behind the camera.

He appeared on television shows as a character actor sporting a distinctive mustache. Behind the camera, he spun colorful tales as a writer. At times, he acted in stories he had written.

In the 1930s, he served as a member of the Palestine Police. During World War II, he served in the Intelligence Corps. It was during this time he adopted Caillou as an alias. According to his Wikipedia entry, he was captured in North Africa and imprisoned in Italy.

After the war, Lyle-Smythe returned for a time to the Palestine Police and then various posts in Africa. He later moved to Canada.

Lyle-Smythe eventually moved to California, where he was frequently employed in various television productions. His IMDB.COM ENTRY lists 80 credits as an actor and 28 as a writer.

One of the shows where Lyle-Smythe had a major impact was The Man From U.N.C.L.E. He wrote five first-season episodes and appeared in one. The character of Illya Kuryakin had been created by Sam Rolfe. But Lyle-Smythe’s scripts expanded the mystique of the character. He wrote the first U.N.C.L.E. story, The Bow-Wow Affair, where the primary attention was on Kuryakin.

Lyle-Smythe was back at the start of U.N.C.L.E.’s second season. But there was a new production team and Lyle-Smythe departed after writing two scripts (and making another appearance). He would also appear in two episodes of The Girl From U.N.C.L.E., strictly as an actor.

Lyle-Smythe died in 2006 in Arizona at the age of 91.

Broccoli, Wilson to receive BFI award

Barbara Broccoli and Michael G. Wilson in November 2011

Barbara Broccoli and Michael G. Wilson of Eon Productions “are set to receive the BFI Fellowship, the top honor from the British Film Institute,” according to The Hollywood Reporter.

An excerpt from the article:

The BFI said it was recognizing the pair’s “extraordinary achievements and enormous contribution to cinema, with arguably the best loved and most enduring film franchise in the world — James Bond — celebrating its 60th anniversary this year.” The two will receive the fellowship at the BFI Chair’s Dinner, hosted by BFI Chair Tim Richards, on June 28 in London.

Wilson turned 80 earlier this year. He has spent the past 50 years in full-time service in the Bond film franchise.

Broccoli, who turns 62 on June 18, has spent 40 years in full-time service for the Bond film franchise. Barbara Broccoli worked part-time in the 1970s writing captions for publicity stills for The Spy Who Loved Me.