The blog’s clock for Bond 25

Other websites/Twitter accounts are doing “countdowns” until when Bond 25 is supposed to come out.

This post is taking the concept and doing it in reverse.

It was on July 24, 2017 that a U.S. release date of Nov. 8, 2019, was announced on the official Eon Productions James Bond site.

Number of days since then with no distributor announcement: 180.

Why is this important? 1) Movies can’t get to theaters without a distributor. 2) A Bond 25 distributor (whether it’s U.S. only, international only or whatever), probably will have to kick in for some of the production budget.

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Bradford Dillman dies at 87

Bradford Dillman in The Man From U.N.C.L.E., The Prince of Darkness Affair Part I

Bradford Dillman, a busy actor who often played villains, died this week at age 87, according to The Hollywood Reporter.

Dillman’s career began in the 1950s. His work that decade included the 1959 film Compulsion, loosely based on the Leopold-Loeb murder case of the 1920s. He also appeared in movies such as The Way We Were, The Enforcer and Sudden Impact.

Dillman was kept busy on television. He was part of the informal group known as “the QM Players,” who frequently appeared on television shows produced by Quinn Martin.

For Dillman, that included multiple appearances on The FBI, Barnaby Jones (starting with that show’s pilot, as the man who kills Barnaby’s grown son) and Cannon. He also had appearances on short-lived QM shows such as Dan August and The Manhunter.

The actor was in demand elsewhere. He was the namesake character in the two-part The Prince of Darkness Affair on The Man From U.N.C.L.E., which aired during that show’s fourth season. Dillman also made appearances on series such as Mission: Impossible,  The Wild Wild West and The Name of the Game.

Here are the opening and end titles of the Barnaby Jones pilot.

U.N.C.L.E. music tracks surface (?)

Gerald Fred’s title card for a second season episode of The Man From U.N.C.L.E.

Some never-used music tracks from The Man From U.N.C.L.E. may have surfaced on YouTube.

A YouTube video, posted on April 2, 2017, says it is “Man From UNCLE 8467, four cues.”

The Deadly Quest Affair, the first U.N.C.L.E. episode produced in its fourth season (and the eighth broadcast by NBC) had a production number of 8467, according to Jon Heitland’s 1980s book, The Man From U.N.C.L.E. book.

The first cue in the video was Gerald Fried’s arrangement of Jerry Goldsmith’s U.N.C.L.E. theme that Fried submitted for the fourth season. It was rejected and a different arrangement by Robert Armbruster was used instead. The Fried fourth-season arrangement was included in an U.N.C.L.E. soundtrack release in the 2000s.

Gerald Fried

Fried also composed a score for The Deadly Quest Affair but that, also, was rejected, according to the U.N.C.L.E. soundtracks produced by Jon Burlingame. The soundtracks didn’t have any selections from the unused Fried score. For the final version of The Deadly Quest Affair, the production team re-recorded Jerry Goldsmith music from the show’s first season.

Fried, who was the show’s go-to composer in seasons two and three, ended up scoring one fourth-season episode, The Test Tube Killer Affair.

There are no titles (and thus no clues) for the other three tracks on the video. The video surfaced on The Man From U.N.C.L.E. — Inner Circle page on Facebook. You can listen below:

 

“That’ll bring tears to your eyes”

From the game show Jeopardy. You answer in the form of a question.

Category: Novels of the 1960s. The answer is (via The Jeopardy Fan website): “The line ‘once when you are born & once when you look death in the face’ follows this title of a 1964 novel & an action-packed 1967 film.”

Close, but no, etc.

UPDATE: Two of  the contestants got it right. THIS STORY in the Milwaukee Journal Sentinel has details about the winner of the game.

Joseph Gantman, early M:I producer, dies

Cover to the first season MIssion: Impossible DVD set

Joseph Gantman, the day-to-day producer for the first two seasons of Mission: Impossible, died Dec. 26 at 95, according to an obituary in the Los Angeles Times.

Gantman came aboard Mission after the pilot was produced. Series creator Bruce Geller supervised the show, but it was up to Gantman to get things going, including securing a scripts that could be filmed. He would end up winning two Emmys for his work on the show.

Those two seasons featured stories such as Operation: Rogosh. The IMF tricks an “unbreakable” Soviet Bloc operative into thinking it’s three years later so he’ll give up where he’s planted germ cultures that will poison the drinking water supply of Los Angeles.

Gantman departed after the end of Mission’s second season. His successors, William Read Woodfield and Allan Balter, had written many of the best stories of the first two seasons. The pair bolted after disagreements with Bruce Geller — an indication that Gantman’s work wouldn’t be easy to duplicate. The series would gain a reputation for chewing up producers.

Before Mission, Gantmen worked on the pilot of The Man From U.N.C.L.E. with with the title of “production assistant.”

During the 1964-65 season, Gantman was associate producer for 16 of the 32 episodes of the first season of Voyage to the Bottom of the Sea, when that Irwin Allen-produced shows emphasized espionage over monsters.

Later, during the 1968-69 season, he was producer for five episodes of the first season of Hawaii Five-O, including three of the first five telecast by CBS (excluding the pilot, which aired as a TV movie).

Bullitt: Movie auto history in Detroit

The original Mustang driven by Steve McQueen in Bullitt, on display at Ford Motor Co.’s stand today at the North American International Auto Show.

DETROIT — A car from the past was featured today at the North American International Auto Show, which normally introduces new models.

The car was the Ford Mustang driven by Steve McQueen in 1968’s Bullitt. It was one of two Mustangs in the film. The other was a stunt car.

One of the new models Ford Motor Co. unveiled was a 50th anniversary, 2019 “Bullitt Mustang.”

However, the new car may have been upstaged a bit by the original car, which was brought out as part of the new model’s introduction.

As part of the presentation, Ford used some of Lalo Schifrin’s score from the 1968 movie in a video promoting the new car. Also present was Molly McQueen, granddaughter of McQueen and Neile Adams. Molly McQueen was born seven years after the death of her grandfather.

In fact, you can check out the promotional video below:

UPDATE (Jan. 15): Hagerty, which insures classic cars, said in an e-mailed statement today that the 1968 Mustang from Bullitt, if it comes to auction, could fetch a price similar to the $4.1 million for the James Bond Aston Martin DB5 in 2010 and the $4.6 million for original Batmobile in 2013.

50th anniversary of the end of U.N.C.L.E. (and ’60s spymania)

The symbolism of a 1965 TV Guide ad for The Man From U.N.C.L.E. came true little more than two years later. (Picture from the For Your Eyes Only Web site)

The symbolism of a 1965 TV Guide ad for The Man From U.N.C.L.E. came true little more than two years later. (Picture from the For Your Eyes Only Web site)

Originally published Dec. 28, 2012. Adjusted to note it’s now the 50th anniversary along with a few other tweaks.

Jan. 15 marks the 50th anniversary of the end of The Man From U.N.C.L.E. It was also a sign that 1960s spymania was drawing to a close.

Ratings for U.N.C.L.E. faltered badly in the fall of 1967, where it aired on Monday nights. It was up against Gunsmoke on CBS — a show that itself had been canceled briefly during the spring of ’67 but got a reprieve thanks to CBS chief William Paley. Instead of oblivion, Gunsmoke was moved from Saturday to Monday.

Earlier, Norman Felton, U.N.C.L.E.’s executive producer, decided some retooling was in order for the show’s fourth season. He brought in Anthony Spinner, who often wrote for Quinn Martin-produced shows, as producer.

Spinner had also written a first-season U.N.C.L.E. episode and summoned a couple of first-season writers, Jack Turley and Robert E. Thompson, to do some scripts.

Also in the fold was Dean Hargrove, who supplied two first-season scripts but had his biggest impact in the second, when U.N.C.L.E. had its best ratings. Hargrove was off doing other things during the third season, although he did one of the best scripts for The Girl From U.N.C.L.E. during 1966-67.

Hargrove, however, quickly learned the Spinner-produced U.N.C.L.E. was different. In a 2007 interview on the U.N.C.L.E. DVD set, Hargrove said Spinner was of “the Quinn Martin school of melodrama.”

Spinner wanted a more serious take on the show compared with the previous season, which included a dancing ape. Hargrove, adept at weaving (relatively subtle) humor into his stories, chafed under Spinner. The producer instructed his writers that U.N.C.L.E. should be closer to James Bond than Get Smart.

The more serious take also extended to the show’s music, as documented in liner notes by journalist Jon Burlingame for U.N.C.L.E. soundstracks released between 2004 and 2007 and the FOR YOUR EYES ONLY U.N.C.L.E. TIMELINE.

Matt Dillon, right, and sidekick Festus got new life at U.N.C.L.E.'s expense.

Matt Dillon (James Arness), right, and sidekick Festus (Ken Curtis) got new life at U.N.C.L.E.’s expense.

Gerald Fried, the show’s most frequent composer, had a score rejected. Also jettisoned was a new Fried arrangement of Jerry Goldsmith’s theme music. A more serious-sounding one was arranged by Robert Armbruster, the music director of Metro-Goldwyn-Mayer. Most of the fourth season’s scores would be composed by Richard Shores. Fried did one fourth-season score, which sounded similar to the more serious style of Shores.

Napoleon Solo and Illya Kuryakin, however, weren’t a match for a resurgent Matt Dillon on CBS. NBC canceled U.N.C.L.E. A final two-part story, The Seven Wonders of the World Affair, aired Jan. 8 and 15, 1968..

U.N.C.L.E. wouldn’t be the first spy casualty.

NBC canceled I Spy, with its last new episode appearing April 15, 1968. Within 18 months of U.N.C.L.E.’s demise, The Wild, Wild West was canceled by CBS (its final new episode aired aired April 4, 1969 although CBS did show fourth-season reruns in the summer of 1970) and the last episode of The Avengers was produced, appearing in the U.S. on April 21, 1969.

NBC also canceled Get Smart after the 1968-69 season but CBS picked up the spy comedy for 1969-70. Mission: Impossible managed to stay on CBS until 1973 but shifted away from spy story lines its last two seasons as the IMF opposed “the Syndicate.”

Nor were spy movies exempt. Dean Martin’s last Matt Helm movie, The Wrecking Crew, debuted in U.S. theaters in late 1968. Despite a promise in the end titles that Helm would be back in The Ravagers, the film series was done.

Even the James Bond series, the engine of the ’60s spy craze, was having a crisis in early 1968. Star Sean Connery was gone and producers Albert R. Broccoli and Harry Saltzman pondered their next move. James Bond would return but things weren’t quite the same.