Horowitz: Four Fleming unused story lines remain

"Sounds like a jolly good time."

Ian Fleming

007 continuation author Anthony Horowitz told the BBC today there are four remaining unused Ian Fleming story lines from an unproduced television project.

“There were five that were discovered quite recently in a bottom drawer,” Horowitz said in an interview. “One of which had to do with motor racing, which of course I used in Trigger Mortis but that left four more.”

Trigger Mortis was published last year. It was a period story, set in 1957 and picked up shortly after Fleming’s Goldfinger novel. Horowitz incorporated Fleming’s auto racing plot. Fleming also included the basic racing idea among notes (written on 11 telegram blanks) he submitted to television producer Norman Felton for The Man From U.N.C.L.E.

Ian Fleming Publications has retained Horowitz’s services for a new and yet untitled Bond novel, due out in 2018.

Of the four Fleming story lines, “I’m going to use one of them, I haven’t decided which one yet, as an opening chapter or second chapter,” Horowitz told the BBC.

“There is nothing more exciting in the world than to read something that nobody else has read,” Horowitz said of the Fleming storylines.

To read more about the BBC interview, CLICK HERE. It incudes an audio clip running almost two minutes.

Van Williams dies at 82

Van Williams and Bruce Lee in The Green Horney

Van Williams and Bruce Lee in The Green Hornet

Van Williams, the nominal star of the 1966-67 television version of The Green Hornet, died late last month, according to an obituary in The Hollywood Reporter.

Williams played Britt Reid, the editor and publisher of The Daily Sentinel who battled crime as the masked Green Hornet. Reid had to dodge both hoods and the police, who believed the Hornet was a racketeer.

The district attorney, Frank Scanlon (Walter Brooke) was in on the masquerade. Meanwhile, Sentinel reporter Mike Axford (Lloyd Gough) was determined the Hornet be captured.

The show, however, became a platform for Bruce Lee, who played the Hornet’s assistant, Kato. Lee’s skill in martial arts was a highlight of the series. For youngsters in the audience, Lee’s Kato upstaged Williams’ Green Hornet. Lee (1940-1973) would become a star before his sudden death.

The show, based on a radio series, was an attempt by producer William Dozier to extend his success with masked characters after the debut of Batman in January 1966. Dozier even provided the narration in the show’s main titles, using his “Desmond Doomsday” voice he utilized in Batman.

Dozier’s Batman series also featured a two-part story in 1967 where the Green Hornet traveled to Gotham City, running afoul of Batman. Earlier in that same season, Bruce Wayne (Adam West) and Dick Grayson were briefly depicted watching The Green Hornet on television. In a different episode, the Green Hornet and Kato opened a window and talking to Batman and Robin, who were climbing up a building. Robin (Burt Ward) commented about the strange outfits worn by The Green Hornet and Kato.

Earlier in his career, Williams played private detective Kenny Madison, first on Bourbon Street Beat (1959-60) and then Surfside 6 (1960-62). two Warner Bros. series that aired on ABC.

A key, if imprecise, date for Bond 25

Image for the official James Bond feed on Twitter

Image for the official James Bond feed on Twitter

With the lack of any substantive news about Bond 25, 007 fans are wondering if the next James Bond movie can make a 2018 release.

Here’s a key date that could tell the tale, even if it’s not a precise one.

If — and that’s a big if — a first draft script is delivered in the spring of 2017, then a 2018 release for Bond 25 could still happen.

With SPECTRE, released in the fall of 2015, scribe John Logan told Empire magazine in March 2014 that the first draft was “almost done.”

The script went through a lot of changes after that — including reworking by the likes of Neal Purvis, Robert Wade and Jez Butterworth. Still, there at least was a starting point.

The problem is nobody outside of Eon Productions knows whether anybody is actually working on a Bond 25 script at this point.

Logan’s hiring to write what would become SPECTRE was announced in November 2012. That was the same month Skyfall was released in the United States.

Originally, Metro-Goldwyn-Mayer disclosed that Logan was hired to write two 007 movies, but that plan was later scrapped — in part to lure Skyfall director Sam Mendes back for SPECTRE.

No announcement has been made concerning a writer or writers for Bond 25.

With the lack of any official news, fans have looked for any tidbits, even rumors. For example, THIS REDDIT POST by someone who knows “people in London who work in the film industry” caused a buzz on some 007 message boards this week.

This is from the same Reddit user WHO HAD A POST IN JUNE that has been contradicted by the new post.

If you want to check out the two posts, feel free. The point for providing the links here is that drastically different, and unconfirmed, stories/rumors are being told.

As this blog said recently, 2016 is shaping up as a lost year for the film 007. Spring 2017, as imprecise as that may be, is a key date that could tell us much about Bond 25.

UPDATE: 20 years of the U.N.C.L.E. episode guide

The original U.N.C.L.E.s, Robert Vaughn and David McCallum

The original U.N.C.L.E.s, Robert Vaughn and David McCallum

Originally posted May 18. Re-posting (with some tweaks and additions) today, Dec. 1, the date of the actual anniversary.

The Man From U.N.C.L.E. episode guide marks its 20th anniversary today. Naturally, after researching some things, the Spy Commander couldn’t wait to do a post.

The episode guide was one of the first U.N.C.L.E. fan sites. It first went live on Dec. 1, 1996. It wasn’t complete at the time by any means, but there were at least some reviews for each of the four seasons of the show.

The following summer, the Spy Commander did a geeky thing, sending a printout of the website to retired executive producer Norman Felton. After putting it in the mail, I immediately had the equivalent of buyer’s remorse.

Some of the Season Three reviews (when the show often took a campy approach) were pretty rough. What if Felton became offended? I wondered. Yikes.

Not to fear. Felton sent a letter dated June 23, 1997. At the top, there was a cartoon of someone critiquing a frustrated William Shakespeare. “Good, but not immortal.”

The letter read thusly (underlined words are highlighted with asterisks) in part:

Terrific! The pages from the Web page — yes, and there were ‘duds’ along the way — but enough *good enough* for our *fans*, yes?

In a P.S. he said he might send a copy of a screenplay he was about to finish. “*Not* in the vein of U.N.C.L.E. — and certainly *not* immortal. Wow!”

Also included were two strips of film with a Post It Note. “Enclosed bits of film made to checking lighting for the cameraman” during filming of U.N.C.L.E.’s pilot.

The Spy Commander did a second geeky thing. Making yet another printout, I went to a collectible show in suburban Chicago in the late 1990s where Robert Vaughn, who played Napoleon Solo, had a table signing autographs.

“What’s that?” he asked.

“It’s a printout of a website.”

No reaction from an actor. I began to try to explain but simply felt embarrassed for bringing the printout. Later, I was told from someone who talked to him extensively he wasn’t on the internet much at the time.

The episode guide also generated a response from writer Stanley Ralph Ross, a frequent writer for the 1966-68 Batman show, who also penned some third-season U.N.C.L.E. episodes. He liked how the episode guide noted how the writer used the same joke in U.N.C.L.E. and Batman.

An e-mail interview ensued. “I have some funny stories about the show, especially when I was in The Pop Art Affair,” he wrote in a June 21, 1999, e-mail. Ross said he did an uncredited rewrite on the episode and got a part in the third-season episode as part of the deal.

“David  asked me to stand on a box,” Ross wrote. “I am already 6:6 and said that he would look like a midget but he replied that the taller I was, the stronger and more macho he would seem for having me beat up.” Ross referred to 5-foot-7 David McCallum, who played U.N.C.L.E. Russian agent Illya Kuryakin.

The U.N.C.L.E. episode guide, meanwhile, has had its share of ups and downs. It originally was hosted by AOL. But in 2008, AOL stopped hosting websites. It moved to the Her Majesty’s Secret Servant website. But when HMSS went offline in 2014, the episode guide went dark with it — missing the show’s 50th anniversary in September of that year.

But you can’t keep a good U.N.C.L.E. agent down. The episode guide returned on Oct. 18, 2014 on WordPress, part of a family of websites including The Spy Command.

Since then, the site has been improved, including finally finishing reviews for The Girl From U.N.C.L.E.  and updating and adding features because of the 2015 movie version of The Man From U.N.C.L.E. with Henry Cavill and Armie Hammer.

As far as those two geeky incidents? I don’t really have regrets. Felton died in 2012 and Vaughn on Nov. 11 of this year. My interactions with them may have been awkward. But at least I did gain some insight because of them.

In particular, I remember Vaughn talking about the end of the series at one of the collectibles shows. He said he wasn’t crushed about the show being canceled.  “I just went on to the next thing I had to do.”

Hopefully, the episode guide will remain around for a while — good, but not immortal.

Al Brodax, cartoon producer, dies at 90

Art for a home video release of Cool McCool

Art for a home video release of Cool McCool

Al Brodax, a busy cartoon producer in the 1960s, has died at the age of 90, according to an obituary posted by The New York Times.

Brodax was in charge of the motion picture of King Features Syndicate. In that capacity, he produced Popeye cartoons for television as well as cartoons based on King Features comic strips such as Beetle Bailey, Snuffy Smith and Krazy Kat.

Broadax also became involved with the 1960s spy crazy with Cool McCool, which originally aired on NBC on Saturday mornings from 1966 to 1969.

Brodax co-created the show with Bob Kane, the co-creator of Batman. This took place at the height of popularity for the Batman television show on ABC. Thus, Kane’s involvement gave Cool McCool a foot in two popular genres of the day.

Cool McCool was closer to Get Smart than James Bond as its hero bumbled his way through assignments from the unseen “No. 1” (voiced by Chuck McCann). No. 1 often lost his cool with McCool (voiced by Bob McFadden) and used an ejector seat (or similar device) to send the operative on his way.

A half-hour show would consist of three cartoons. The first and third featured McCool against a variety of Batman-esque villains such as the Owl, Hurricane Harry (“with all the wind he can carry” according to the catchy title song) and the Rattler. The second cartoon was about McCool’s father, Harry, who had been a cop.

The obituary by the Times focuses on one of Brodax’s biggest successes, the 1968 animated Beatles film Yellow Submarine. However, he also had a notable flop, the 1968 live-action Blondie situation comedy on CBS. It only aired a half season.

Bourne 6: Another reason to keep on living

Jason Bourne teaser poster.

Jason Bourne poster.

Frank Marshall, producer of this year’s Jason Bourne, told Yahoo Movies that a sixth installment in the series is in development.

According to the website, “the franchise is taking a break but a sixth film is currently in development, and it may address the character facing up the ageing process.”

The producer said star Matt Damon and director Paul Greengrass are “very pleased with how the movie turned out. It’s really about the story, just like on this one, everyone said ‘if you come to us with a good story, we’ll think about it.’”

Marshall added: “So right now, we’re taking a pause and then we’re going to dive back in and try to find a story.”

That’s not exactly a hard and firm commitment. Jason Bourne had worldwide box office of $415,2 million, according to Box Office Mojo. That’s solid for most movies but lagged the $442.8 million for 2007’s The Bourne Ultimatum, the previous Damon-Greengrass Bourne entry.

Overall, there have been five Bourne films, four with Damon and one (The Bourne Legacy) with Jeremy Renner as another character. That 2012 film’s global box office totaled $276.1 million.

The Bourne series had an impact on the 007 film series and was a factor in Eon Productions ditching Pierce Brosnan and casting Daniel Crag as a tougher Bond. The primary example of that was 2008’s Quantum of Solace, which featured similar jerky camera movements and fast editing cuts.

Also, according to Greengrass, Bond producer Barbara Broccoli once inquired whether the director would be interested in a 007 film. Meanwhile, Damon has criticized the Bond character in the past.

Caribe: QM tries to cross Five-O and U.N.C.L.E.

Advertisement for Caribe's premiere in early 1975.

Advertisement for Caribe’s premiere in early 1975.

Producer Quinn Martin enjoyed a lot of success in the 1970s with Cannon, The Streets of San Francisco and Barnaby Jones. Caribe was not a high mark, however.

The veteran producer, in effect, was doing a cross of Hawaii Five-O (police drama in a tropical setting) and The Man From U.N.C.L.E. (Caribe, like U.N.C.L.E. was multi-national, although Caribe’s  jurisdiction only extended throughout the Carribean).

Unfortunately for QM Productions (and ABC, the network which televised the show), it ran only for a half-season, from February through May of 1975. The show’s IMDB.COM ENTRY only has episode titles and no plot summaries.

The Spy Commander actually watched the series regularly. I can tell you it included international intrigue (the way Five-O did on CBS). I also have a vague memory of an episode where a military coup against the United States was foiled.

The problem is the show has rarely been seen since its original ABC run. The main source of information about the show is Jonathan Etter’s 2003 book Quinn Martin, Producer.

Martin assigned the project to producer Anthony Spinner, who was simultaneously producing the private eye drama Cannon. According to the Etter book, Spinner envisioned Robert Wagner in the lead. Martin sent word that Stacy Keach would be the lead instead.

“And my head was swiveling like in The Excorist,” Spinner told Etter. “I said, ‘Quinn, I’ve written nine shows for R.J. Wagner — all slick, sophisticated, superficial, wise-guy charm, with millions of girls. How does Stacy Keach play R.J. Wagner? I’ll have to rewrite every single script now.'”

Rounding out the cast was future director Carl Franklin as Keach’s sidekick and Robert Mandan as the boss who sent Our Heroes on their assignments. Mandan , up until this time, was primarily a dramatic actor (including guest star appearances on other QM shows), but he’d become most famous for the (deliberately) goofy 1977-81 series Soap.

Caribe was based out of Miami, similar to how Five-O was based out of Honolulu. The original plan, according to Etter’s book, was to actually film elsewhere in the Carribean but that proved logically impossible because of obtaining visas, etc.

That perhaps shouldn’t have been a surprise. Thirteen years earlier, the first James Bond film, Dr. No, had a difficult shoot in Jamaica that put the movie well behind schedule. And Caribe faced tighter deadlines than Dr. No had. In any case, Miami and vicinity would double for the whole Carribean.

Despite the efforts of Spinner and others, Caribe didn’t survive its only half-season. Today, it’s hard to find evidence of the show’s existence. Even a talented producer such as Quinn Martin has his off days.

Meanwhile, author and television writer-producer has posted an audio copy of a Caribe main titles, including voice work by QM announcer Hank Simms.