Aging ‘Young Turks’ tell kids to get off the lawn

Avengers: Endgame poster

I was going to take a pass on this. But it’s pretty clear that aging “Young Turks” in the movie industry are telling the kids to get off their lawn.

Over the past few years, the likes of Francis Ford Coppola, 80, Martin Scorsese, 76, and Steven Spielberg, 72, have taken shots at the super hero genre of movies, particularly those made by Walt Disney Co.’s Marvel Studios.

Coppola, Scorsese and Spielberg were the directors who turned Hollywood upside down in the 1970s with the likes of the first two Godfather films, Jaws, Close Encounters of the Third Kind, Raging Bull, Taxi Driver, etc.

Their legacies are set. Nobody can take that away from them.

They came to prominence when the likes of directors such as John Ford and Howard Hawks had vacated the stage. Go back a little further, and you’ll read about how cinema was more pure before the “talkies” came in circa 1929.

At the same time, one has to wonder how the former “Young Turks” would react to a job offer from Marvel Studios.

MARVEL STUDIOS BOSS KEVIN FEIGE: Francis, we’ll pay you (THIS AMOUNT) to direct MCU Daredevil.

FRANCIS FORD COPPOLA: How much?

FEIGE: (Repeats amount).

COPPOLA: I used to be a Young Turk. I suddenly feel young again.

A friend of mine hates movies based on comic books. He is reveling in these stories and citing how they mean he is correct.

Comic book-based films, like any genre, have their highs and lows.

Chinatown, the first Star Wars movie, The Empire Strikes Back are among the genre films that are celebrated. High Noon, Rio Bravo and Red River are among the Westerns that were celebrated in the day. Other movies in those genres weren’t as celebrated.

Engaging in broad attacks, on the other hand, isn’t a good look. The former Young Turks might want to look back to the early years of their careers and ponder. Then again, it’s easier to shout at the kids to get off your lawn.

Sony, Marvel make up on Spider-Man

Spider-Man: Homecoming poster from 2017

Sony Studios and Marvel Studios patched up their differences and said they will do a third Spider-Man movie together.

The two studios said today that Marvel Studios chief Kevin Feige will again produce a Spider-Man movie for Sony. You can view details in VARIETY and THE HOLLYWOOD REPORTER.

Spider-Man: Homecoming in 2017 and Spider-Man: Far From Home this summer were made under that arrangement and were big hits.

The deal also allowed Tom Holland’s Spider-Man to appear in other Marvel Studios movies such as Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame.

However, the two sides publicly said in August they couldn’t agree on how to continue the arrangement. So it appeared Spider-Man would keep appearing in Sony movies but no longer be part of Marvel films.

We’ll see if the new deal lasts beyond one movie. But both sides benefited from working together, with Sony getting a revitalized Spider-Man series and Marvel getting to use its most popular comic book character. Sony is also developing other movies based on Spider-Man characters.

When universes collide: Marvel and Star Wars?

Marvel’s Dr. Doom (created by Stan Lee and Jack Kirby in 1962) and Darth Vader of Star Wars, originally created for the first Star Wars movie in 1977.

Kevin Feige, the head of Walt Disney Co.’s Marvel Studios unit, is developing a new Star Wars movie, The Hollywood Reporter said.

The move comes as Disney faces where to take Star Wars next. Star Wars: The Rise of Skywalker, is due out late this year. That will end the entire Skywalker saga encompassing nine films from 1977 to 2019.

Since Disney acquired Star Wars from George Lucas for $4 billion ($2 billion in cash, $2 billion in Disney stock), it attempted to kick start the franchise, which had been dormant since 2005.

Some movies were big successes, but some (such as a film showing Han Solo’s back story) not as much.

Star Wars has been supervised by producer Kathleen Kennedy under Disney ownership while Marvel Studios (a separate Disney acquisition) has operated under Feige.

“With the close of the Skywalker Saga, Kathy is pursuing a new era in Star Wars storytelling, and knowing what a die-hard fan Kevin is, it made sense for these two extraordinary producers to work on a Star Wars film together.”Disney said in a statement to THR.

There have been connections between Star Wars and Marvel going back to the early days of Star Wars.

In the 1970s, many fans commented on the similarities between artist Jack Kirby’s design for Dr. Doom, the arch villain of the Fantastic Four, and Darth Vader in Star Wars.

What’s more, Marvel published comic books based on Star Wars beginning when the first film came out in 1977. The move proved to be a major boost for Marvel during a comic industry slump at the time. That helped keep Marvel alive for better days many years later.

A year later, another Cavill-is-done-as-Superman story

Will play superheroes for food.

Talk about a slow-motion way to lose your job.

In September 2018, The Hollywood Reporter said Henry Cavill was out as Superman. Cavill’s agent tried to dispute that, but Warner Bros. only offered up a vague statement that didn’t say much.

Flash forward a year. A website called Cosmic Book News this week came out with a story saying Cavill is still out. It also adds a wrinkle that stems from more recent developments.

One change from a year ago is that Warner Bros. has secured the services of J.J. Abrams. One Abrams project may be jumpstarting the cinematic Superman and the director-producer likely wants his own choice in the role.

Something similar happened when director Matt Reeves was given the keys to the Batcave. Soon, incumbent Ben Affleck was out and Reeves cast Robert Pattinson as a younger Batman for a 2021 movie. That project reportedly may pick up the services of Jeffrey Wright as the new Commissioner Gordon. THR said this week the actor is in talks for the part. Wright currently is reprising the role of Felix Leiter in No Time to Die.

Nothing is official, of course. Still, it’s interesting to see how Cavill has been left hanging for so long.

There’s been no sign that “Mr. Warner” wants to proceed with Cavill. For example, this year’s Shazam! movie ended with a Superman cameo but it wasn’t with Cavill. It was a guy in a Superman uniform whose face the audience never sees.

Still, Cavill is not out officially, either. In comic books, kryptonite was Superman’s weakness. In real life, Cavill/Superman’s weakness is inertia.

Cavill, of course, has played one spy hero (Napoleon Solo in 2015’s The Man From U.N.C.L.E.) and one spy villain (Mission: Impossible-Fallout). He was tested in play Bond for 2006’s Casino Royale, but Daniel Craig got it, in large part because Eon boss Barbara Broccoli wanted him and wasn’t going to take no for an answer.

Cavill’s name still gets speculated about as the next cinematic James Bond. But given how more men have walked on the Moon (12) than have played Bond on-screen in the Eon series (six) that’s hardly a sure thing.  Besides, one suspects Barbara Broccoli will try to keep Craig in Bondage beyond No Time to Die.

Pinewood sells its stake in Atlanta studio

Pinewood Group PLC logo

Pinewood Group is selling its stake in Pinewood Atlanta, Deadline: Hollywood reported on Aug. 21.

The Atlanta operation, which opened in 2013, was a joint venture between Pinewood and a trust of the Cathy family. Pinewood sold its stake to its partner, Deadline said.

None of this affects the Bond films produced by Eon Productions. Those movies are made out of Pinewood’s home base near London. However, Pinewood Atlanta has been the base for major films, including Avengers: Infinity War and Avengers: Endgame.

A brief excerpt from the Deadline story:

Pinewood will provide sales and marketing support for the (Atlanta) studios for a period of up to 18 months during which time the operation will remain branded and operated as a Pinewood facility. The partners say there will be no impact on productions shooting at the studios, which will continue to be led by Frank Patterson, president of the facility.

Marvel, Sony snatch defeat from the jaws of victory

Spider-Man: Homecoming poster from 2017

Marvel Studios and Sony Pictures entered in a partnership which included, among other things, the highest-grossing (unadjusted) film Sony history while Marvel featured its best known character in its own movies.

What next? Perhaps end the partnership.

That’s apparently what’s happening. This week saw numerous reports about the split. (See THIS STORY from Variety, THIS STORY from The Hollywood Reporter and THIS STORY from The Wrap, among others.)

Essentially, Marvel film boss Kevin Feige produced two Spider-Man movies for Sony while Marvel got to use the Tom Holland version of Spidey in three Marvel films (Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame).

All of the films were enormously successful. Spider-Man: Far From Home, released earlier this year, passed Skyfall in unadjusted worldwide box office for Sony. Still, things apparently not successful enough.

Marvel, owned by Walt Disney Co., reportedly wanted to co-finance Sony’s solo Spider-Man films. Sony issued a statement on Twitter that Feige is getting overextended because of the studio’s “newly added Marvel properties.”

Marvel has gotten control of the X-Men and Fantastic Four as a result of Disney acquiring most of the assets of 20th Century Fox. It’s also launching new TV series on Disney’s new Disney + streaming service.

Whatever the specifics, Sony is saying in effect it doesn’t need Marvel’s Feige to make successful films. Marvel seems to be signaling it still wants a better deal regardless of past success.

We’ll see what happens. The collaboration with Marvel was a shot in the arm for Sony’s Spider-Man franchise. Having Spider-Man in Marvel films was a boost for Marvel.

What’s more, Holland’s Spider-Man had been in position to be the “the face” of future Marvel films with the departure of Robert Downey Jr.’s Iron Man and Chris Evans’ Captain America. Nothing last forever, but this partnership may have reached a premature end.

Family model (Eon) vs. corporate model (Marvel): Update

Avengers: Endgame poster

Chalk up one for the corporate side.

After less than two weeks, Avengers: Endgame has generated almost $2.2 billion in worldwide box office.

What’s more, the mammoth production wraps up story lines from more than 20 Marvel Studios movies going back to 2008.

The inter-connected extended fictional universe has affected how films — at least “popcorn,” escapist movies — are made.

Warner Bros., the studio that’s home to DC Comics characters, has tried to follow Marvel’s path. It has had mixed results.

Some were big successes (Wonder Woman, Aquaman). Others, such as Batman v. Superman: Dawn of Justice and Justice League, had decent box office but didn’t match the success of Marvel’s four Avengers films.

Meanwhile, in Jamaica, the family-led Bond 25 began filming late last month. The franchise is coming off a hiatus. In the words of lead actor Daniel Craig in 2016 at an event sponsored by The New Yorker, “(E)verybody’s just a bit tired.”

By the time the untitled movie debuts in April 2020, more than four years will have passed since the last 007 entry, SPECTRE.

The series has embraced inter-connectivity that Marvel has popularized. Skyfall originally was to have nothing to do with Quantum, the villainous organization in Casino Royale and Quantum of Solace. “It’s its own story,” Skyfall director Sam Mendes said at a 2011 press conference. “It doesn’t connect with the last two movies.”

Never mind. When SPECTRE was made, that was “retconned” (retroactive change in continuity).

Quantum was now SPECTRE (after the Eon side got back the rights to the organization and its leader Ernst Stavro Blofeld in 2013). Silva (Skyfall’s villain played by Javier Bardem) became part of the conspiracy. The new Blofeld (Christoph Waltz) was now “the author of all your pain” for Daniel Craig’s 007.

Director Cary Fukunaga has said that Bond 25 will continue the character arc for Bond that began with Casino Royale. Lea Seydoux, who played Dr. Madeline Swann in SPECTRE, is back. So the inter-connectivity appears to be continuing.

As the blog has stated before, both the family and the corporate model can be successful. But both are different. As Marvel moves into a new era, we’ll see next spring how Eon has adapted.