No Time to Die’s music video debuts with some new shots

No Time to Die’s music video debuted today. It includes some additional shots from the movie, mostly of Daniel Craig and Lea Seydoux as James Bond and Madeline Swann.

The song itself came out months ago. Performer Billie Eilish is photographed in black and white.

I could add more but the spoiler adverse would dislike it even with the usual advisory. So you can view it for yourself below if you wish.

Bond 25 questions: The trailer, soundtrack edition

No Time to Die poster released Sept. 1.

The No Time to Die publicity machine got reactivated this week, including a new trailer and details about the soundtrack being released.

Naturally, the blog has questions.

What’s the big takeaway?

It’s very clear that No Time to Die is back to “saving the world” territory.

The new trailer shows agent Nomi (Lashana Lynch) saying villain Safin “will kill millions.” Bond (Daniel Craig) says if his team is unsuccessful there won’t be anything left to save.

Eon Productions has shied away from such sweeping, big stakes since Craig took over as Bond. Quantum of Solace, for example, dealt with water rights.

I’m not exactly sure about the stakes of SPECTRE. Bond and his allies sought to prevent something from being deployed related to observing people. But SPECTRE already seemingly had the ability to record every single phone conversation on the planet. It wasn’t very clear how things would be any worse if SPECTRE succeeded.

Anything new catch your eye?

The No Time to Die ad that debuted during the Super Bowl showed Bond and Nomi is a plane or glider. In the new trailer, we see it can become a submarine.

That idea isn’t new. One of the earliest Gerry Anderson shows was Supercar, a craft that could fly and be a submarine. (I actually had a Supercar toy as a kid.) The 1964-68 series Voyage to the Bottom of the Sea featured the Flying Sub, which flew and could travel undersea.

Still, it’s an element of fantasy that hasn’t been part of the Daniel Craig era of James Bond films.

Hey, what happened to Steve Mazzaro?

For the uninitiated, No Time to Die composer Hans Zimmer told Variety in June that he needed Steve Mazzaro’s help to do the movie’s score because of a tight deadline.

As part of that interview, Zimmer said: “Steve should really be the top name on the Bond film.”

Naturally, there was no mention of Mazzaro in the press release Eon Productions put out with the soundtrack cover.

There were quotes from the likes of Barbara Broccoli, Michael G. Wilson and director Cary Fukunaga about the genius of Hans Zimmer. Of course, Fukunaga doesn’t mention how his composer choice, Dan Romer, got fired from the project.

Does that surprise you?

No. When I read the Zimmer interview in Variety, I took his remark about how Mazzaro should get top billing as an empty compliment, not something he meant seriously.

Still, it’s another example of how studios and “artistes” count on people not remembering what has been said previously. So it goes.

Cover for NTTD soundtrack unveiled

No Time to Die soundtrack cover

The cover for the No Time to Die soundtrack was unveiled today as pre-orders were again being accepted.

The cover art is a variation of the poster that debuted on Sept. 1.

The soundtrack is being billed as “music by Hans Zimmer.” Evidently, the advice that Zimmer offered in a June interview with Variety isn’t being heeded.

At that time, Zimmer said he asked producer Barbara Broccoli “if it was okay that Steve Mazzaro, who is one of the most fabulous composers I know, could do it with me, because there was very little time. And of course she said yes. Steve should really be the top name on the Bond film.” (emphasis added)

Mazzaro, as things stand now, may be a bit of a forgotten man.

In an Eon Productions statement, a quote attributed to Broccoli and Michael G. Wilson says: “Hans and his team have delivered an exceptional and emotional score for No Time To Die. It has been a privilege to work with this legendary composer on one of the best Bond soundtracks ever.” (emphasis added)

Mazzaro also scored The Rhythm Section, Eon’s non-Bond spy film released early this year. Personal guess: He may get an “additional music” credit in the end titles.

The No Time to Die soundtrack is to be released in November.

Bond 25 questions: The score edition

New No Time to Die poster

It’s still a long way off before people can see No Time to Die. But thanks to an interview with Variety, composer Hans Zimmer has provided the blog with some questions to ask about the movie’s score.

Should the title card read, “Music by Steve Mazzaro and Hans Zimmer”?

Well if you take Zimmer at his word, maybe yes.

Steve should really be the top name on the Bond film,” Zimmer told Variety.

Mazzaro is one of the composers affiliated with Zimmer’s Remote Control Productions company. In the interview, Zimmer said he asked No Time to Die producer Barbara Broccoli “if it was okay that Steve Mazzaro, who is one of the most fabulous composers I know, could do it with me, because there was very little time.”

Was Zimmer perhaps just being polite?

Maybe yes, maybe no. One way Zimmer manages to do so many film scores is by enlisting the help of other composers.

On some films, Zimmer gets the primary “music by” credit while other Remote Control composers get secondary “additional music by” credits. Examples: Man of Steel, Dunkirk, Inception and The Dark Knight Rises.

On still other films, such as Batman v Superman and Blade Runner 2049, Zimmer actually shares the “music by” credit.

Regardless, in addition to Mazzaro, other Remote Control composers who’ve helped out Zimmer include Junkie XL and Lorne Balfe. The latter got the gig to score Mission: Impossible-Fallout and is slated to score the next two M:I movies.

Anything else in that interview catch your eye?

Zimmer’s quote about how “there was very little time” is worth noting. Eon was trying to meet an April release date before the COVID-19 pandemic shut down movie theaters.

Zimmer (and Mazzaro) replaced Dan Romer, who had worked with director Cary Fukunaga on other projects. Since Skyfall, Eon Productions has generally deferred the choice of composer to the directors of Bond films. No Time to Die initially seemed to continue that pattern until Romer’s departure.

A common fan theory is that Romer produced a score deemed too extreme. Meanwhile, Eon had worked with Zimmer and Mazzaro on The Rhythm Section (Mazzaro as composer, Zimmer as music producer, with the latter getting top billing on the music title card).

Zimmer suggests his NTTD co-composer did a lot of work

Hans Zimmer

Hans Zimmer, the lead composer on No Time to Die, suggests in a new interview with Variety that his assistant composer did a fair amount of work on the 25th James Bond film.

Zimmer told Variety of how he was approached by producer Barbara Broccoli about scoring the movie.

“And I asked her if it was okay that Steve Mazzaro, who is one of the most fabulous composers I know, could do it with me, because there was very little time,” Zimmer said. “And of course she said yes. Steve should really be the top name on the Bond film. I hope we’ve done it justice.” (emphasis added).

Mazzaro scored The Rhythm Section, the non-Bond spy film that Eon produced, which was released by Paramount in January. Zimmer was the producer of that movie’s soundtrack. Zimmer and Mazzaro shared the music title card, with Zimmer getting top billing.

Mazzaro also is one of the composers affiliated with Zimmer’s Remote Control Productions company.

In the Variety interview, Zimmer also discussed recruiting guitarist Johnny Marr to perform on No Time to Die.

Zimmer replaced Dan Romer as the composer for No Time to Die. Zimmer’s name is on No Time to Die posters that include credits but Mazzaro’s is not.

The article examines other movie projects Zimmer is working on. You can view it by CLICKING HERE.

1978: 007 wins 000 Oscars

James Bond has an odd history with the Oscars. The film series got two Oscar nods early in its history, then went decades with no wins.

The 1978 Oscars show, for movies made in 1977, was somewhat frustrating from a Bond fan perspective. The Spy Who Loved Me had been nominated for three awards: art direction, song and score. It walked away with….zero.

A big problem (from the Bond perspective) was that Spy was up against Star Wars in two categories. Star Wars was new and fresh and had wowed theatergoers the previous year.

Specifically, Spy’s Ken Adam-designed sets would be compared with the futuristic Star Wars sets. Another science fiction movie, Close Encounters of the Third Kind, was also nominated.

Score one for Star Wars. One of the winners was production designer John Barry (1935-1979), not to be confused with composer John Barry (Prendergast).

Marvin Hamlisch’s Spy score was up against the Star Wars score by John Williams. However, Williams was nominated twice — he also got a nomination for Close Encounters of the Third Kind.

Maybe, just maybe, Williams would split the vote and Hamlisch could sneak in.

Nope. Williams got it for Star Wars. One of the presenters was Henry Mancini. Early in his career, Williams was one of the musicians who recorded Mancini’s Peter Gunn theme in 1958.

The song category was probably Spy’s best hope. Nobody Does It Better had been very popular. Maybe it could salvage the night for 007. It was not to be. It lost to You Light Up My Life.

This wasn’t the first time a Bond song lost. Live And Let Die had done failed to win four years earlier,  with the prize going to The Way We Were (with Hamlisch doing the music.) And classic songs by John Barry (Goldfinger, Thunderball, You Only Live Twice, Diamonds Are Forever hadn’t even been nominated.

No surprise: NTTD soundtrack delayed

No Time to Die character poster

Hardly a surprise but the Decca Records website has been updated to show that the No Time to Die soundtrack has been delayed to Nov. 13.

On March 4, the release date of the 25th James Bond film was pushed back to Nov. 12 in the U.K. and Nov. 25 in the United States.

Originally, the soundtrack was to have come out around the same time as the movie’s original release date of early April. The world premiere had been set for March 31.

Initially, the soundtrack listing didn’t change its date, leading some fans to hope (against hope, as it turns out) that would remain the case.

No such luck. The score for the film was composed by Hans Zimmer, with additional music by Steve Mazzaro, one of the 64 composers (the total went up by one recently) involved with Zimmer’s Remote Control Productions company.

h/t @antovolk

Q the Music raising funds to make up for canceled shows

Q the Music logo

Q the Music, a British group that performs James Bond songs, is conducting a fund-raising effort to make up for canceled shows.

The group, led by Warren Ringham, has been affected by the coronavirus as public events get canceled in an effort to contain the virus.

Here’s an explanation.

Today, I (Warren Ringham) am asking for your help for the musicians of Q The Music. We have had all our work, contracts, theatre shows, ticket sales, everything cancelled for 3 months (minimum). For the musicians, crew & comperes of the show, this amounts to £30,000 of lost earnings for them collectively.

As it stands today, the government have again failed to offer any assistance to either a business like mine (save for loans on top of loans I already have), or more importantly right now for the self-employed musicians in the band.

Please note, I know, and we know, we are not alone in this plight. Many many people are experiencing these problems around the country and around the world…but I have to campaign on our behalf as I know so many of you have got enjoyment from seeing us over the years.

(snip)

Some important notes:

*musicians aren’t “employees” of the show, they are “sub-contracted”. There is no statutory sick pay for the band members.

*theatres cancel the shows, they don’t pay us anything.

*if you haven’t had your tickets refunded yet, by donating them to the theatre (also a worthy cause), that money does NOT come through to the band.

We desperately need your help, please….

To view an entry at the Just Giving website, CLICK HERE.

As this is being written, 4,381 British pounds (of a 10,000-pound target) have been raised.

Coronavirus cancellations/postponements pile up

No Time to Die poster

It turns out No Time to Die was ahead of the curve on this one.

A number of movies, television shows, sports events, and concerts have been among the events affected by the spread of the coronavirus.

No Time to Die’s delay from April to November was announced March 4.

Since then, the list of affected events has piled up. Just a sampling:

Movie release date changes: Besides No Time to Die, My Spy, Peter Rabbit 2, A Quiet Place Part II, F9: The Fast Saga (ninth installment of The Fast and the Furious series), and Mulan have been delayed. CLICK HERE for a more complete list.

Sports events: The NCAA basketball tournament (both men’s and women’s divisions), a number of athletic conference basketball tournaments, the National Basketball Association, the National Hockey League, the Australian Grand Prix, and The Master’s golf tournament have been canceled or postponed.

Concerts: A number of concerts, including part of Billie Eilish’s current tour, have been called off. Eilish performs the No Time to Die title song and she is a hot property after winning a lot of Grammy awards.

Television shows: Late-night shows in the U.S. are going on a hiatus. There have been announcements of other delays amid coronavirus concerns.

A look at Skyfall in Concert

The orchestra is applauded by a Toronto audience after Skyfall in Concert has concluded. The Spy Command photo

TORONTO — This weekend, there were two performances in Toronto of Skyfall in Concert, where an orchestra performed the score of the 23rd James movie live, synched up to a showing of the film.

The show was performed Feb. 21 and 22 at Meridian Hall in downtown Toronto.

The Thomas Newman score sounded subtly different in places with the live performance compared with the film’s original soundtrack.

There were also some changes to highlight the score. Some sound effects were dialed back a bit.

An example: In the movie, there were loud crashing sound effects when Eve Moneypenny (Naomie Harris) loses the side mirrors of the vehicle she’s driving in the pre-titles sequence. With Skyfall in Concert, you still heard the effects but they weren’t as overpowering. Also, the film had subtitles for the dialogue.

The orchestra was stationed below the screen where the movie was shown. As a result, audience members could observe the musicians playing as the film played.

As Skyfall drew to an end, the orchestra played a rousing rendition of The James Bond Theme after the “James Bond Will Return” title card. This took place without the end title crawl. That began after the orchestra finished its performance of the Bond theme.

A number of James Bond fan groups, including James Bond Canada, The James Bond Complex, The Bond Experience, Being James Bond and many others were present for the Feb. 22 performance. The Bond fans had pre- and post-show gatherings.