Happy (belated) 99th birthday, June Foray

Natasha Fatale from Rocky and Bullwinkle, one of the many characters voiced by June Foray

Natasha Fatale from Rocky and Bullwinkle, one of the many characters voiced by June Foray

We would be remiss if we didn’t note that Sept. 18 was the 99th birthday of June Foray, the greatest living cartoon voice.

Her many credits include voicing Rocky, the Flying Squirrel, as well as Natasha Fatale. Natasha was half of the villainous pair of Boris and Natasha, who kept trying to do in Rocky and Bullwinkle the Moose in 1960s cartoons produced by Jay Ward. (Ward’s producing partner, Bill Scott (1920-85), was the voice of Bullwinkle.)

She was a voice on many Warner Bros. cartoons (Granny, Witch Hazel). It took a while but she eventually got an on-screen credit on the cartoons.

Of course, Foray also got voice over jobs on live-action programs. She did the “bumpers” on The Man From U.N.C.L.E. informing viewers the show would resume “after station identification.” She was the voice of Talking Tina, a creepy doll in an episode of The Twilight Zone.

Writer Mark Evanier of The News From ME blog has a tribute you can read by CLICKING HERE.

Happy 83rd birthday, David McCallum

Sept. 19 is David McCallum’s 83rd birthday. Judging by a picture on his Facebook page, he has already celebrated the event.

Meanwhile, below, here once again is a publicity still from The Man From U.N.C.L.E., taken during production of The Girls of Nazarone Affair late in the show’s first season. Happy birthday, Mr. Callum.

David McCallum in a Man From U.N.C.L.E. publicity still

M:I 6 getting back on track, Hollywood Reporter says

Tom Cruise

Tom Cruise

Star-producer Tom Cruise is “on the verge” of completing a deal for a sixth Mission: Impossible movie, The Hollywood Reporter said.

Mission: Impossible Rogue Nation, released in 2015, was a solid box office success. So a sixth film was expected. However, in August, the Deadline: Hollywood entertainment news website reported that Paramount halted pre-production until it worked out a deal with Cruise.

Now, according to THR, “issues have been resolved and M:I6 is being restarted.” The movie will go into production in the spring of 2017, the entertainment news site said.

The development isn’t startling. Paramount is struggling. Its parent company, Viacom, this year was embroiled in a soap opera that led to the ouster of its CEO. It makes sense that the studio would move to get a deal done with Cruise.

Meanwhile, despite being in great physical shape, Cruise is 54. Presumably, the horizon for him being the lead in action movies is winding down. He has another Jack Reacher movie coming out this fall.

The actor has both starred and produced the film series since its debut in 1996.

Robert H. Justman: In the nexus of Star Trek, M:I, Superman

robert-h-justman-title-card

Another in a series about unsung figures of television.

This month is the 50th anniversary of both Star Trek and Mission: Impossible. One man links both. Not to mention The Adventures of Superman.

That man would be Robert H. Justman (1926-2008).

Justman was associate producer for the pilots of Star Trek (specifically, the second pilot, Where No Man Has Gone Before) and Mission: Impossible.

At the time, Desilu was a sleepy studio. Desi Arnaz and Lucille Ball were divorced in 1960. Desi was handled creative efforts. Lucy was the no-nonsense head of business affairs. After the divorce, Lucy bought out Desi.

Over time, Desi’s absence had an effect. As older Desilu shows ran their course, the studio wasn’t able to replace them. By the mid-1960s, Desilu mostly rented out its studios to other production companies.

In early 1966, however, Desilu was getting its mojo back. It pitched two expensive series (for their time), Star Trek and Mission: Impossible, to television networks. Both sold.

Robert Justman suddenly was in demand. Both Star Trek creator Gene Roddenberry and Mission: Impossible creator Bruce Geller wanted Justman to work on their series. Roddenberry won out.

Earlier in his career, Justman worked on a show featuring another major character. He had been an assistant director on The Adventures of Superman, the 1950s series with George Reeves as Superman. He held the same post with The Outer Limits in the early 1960s.

Today, Justman is known mostly for Star Trek. Roddenberry made him part of his team when Star Trek: The Next Generation debuted in 1987.

Still, over a long career, Justman worked in a variety of genres, including a Philip Marlowe series and a TV version of The Thin Man. He was producer of Search, a spy-like series on NBC during the 1972-73 season.

Leslie H. Martinson, versatile director, dies at 101

Cover to the Fathom soundtrack

Cover to the Fathom soundtrack

Leslie H. Martinson, a versatile director who mostly worked in television, has died at 101, according to an obituary published by The New York Times.

Martinson’s IMDB.COM ENTRY lists 108 directing credits, from 1953 through 1989. Besides TV, he also directed some movies, including the 1966 Batman feature based on the Adam West television show and 1963’s PT 109, with Cliff Robertson playing John F. Kennedy as a U.S. Naval officer in World War II.

Naturally, with a resume that long, Martinson dabbled in spy entertainment.

Another one of his movie credits was 1967’s Fathom, Raquel Welch’s entry into the 1960s spy craze. It also featured a script by Lorenzo Semple Jr. and main titles designed by Maurice Binder, and prominently feature the movie’s star.

What’s more, Martinson directed nine episodes of the original Mission: Impossible series. Those episodes ran during the show’s later seasons.

The director worked at various studios. He was in demand at Warner Bros. in the late 1950s and early ’60s, directing episodes of the studio’s detective (77 Sunset Strip, Hawaiian Eye, Bourbon Street Beat, Surfside 6) and western (Maverick, Lawman, Cheyenne) series.

In the latter category, Martinson directed a particularly amusing Maverick installment, Gun-Shy,  which was a parody of the hugely popular CBS western Gunsmoke.

In Gun-Shy, Bret Maverick (James Garner) keeps running afoul of Marshal Mort Dooley. Maverick is repeatedly thrown out of town by Dooley. But Bret, trying to find buried riches, keeps coming back. Writer Marion Hargrove even threw in a joke referencing another CBS western, Have Gun-Will Travel.

Eventually, Bret has to face off against Dooley in a gunfight. But Maverick outsmarts the marshal by staying just outside the range of the lawman’s pistol. Martinson staged the sequence as a send-up of the opening of Gunsmoke where Marshal Matt Dillon faced off against a gunfighter.

Hugh O’Brian dies at 91

TV Guide cover with the stars of Search, Hugh O'Brian (lower right), Tony Franciosa, middle, and Doug McClure, top

TV Guide cover with the stars of Search, Hugh O’Brian (lower right), Tony Franciosa (middle), and Doug McClure (top).

Actor Hugh O’Brian died at age 91, according to an obituary posted by the Los Angeles Times.

O’Brian was best known for starring in The Life and Legend of Wyatt Earp, a 1955-61 television series. But he also made a try at a spy-related show, Search, which ran on NBC during the 1972-73 season.

Search concerned a private organization, the World Securities Corp. Its operatives were equipped with the (then) latest high-tech gear, including miniature cameras that enabled operations chief Cameron (Burgess Meredith) to stay in contact constantly.

O’Brian starred in the two-hour TV movie pilot, titled Probe, as Hugh Lockwood, the top agent for World Securities. It was written and produced by Leslie Stevens, who had also created The Outer Limits television series.

When the now-titled Search went to series, the format was changed so the show rotated O’Brian, Tony Franciosa and Doug McClure as World Securities operatives. Meredith, as the cranky Cameron, was the one constant.

The initial day-to-day producer was Robert H. Justman, who had been associate producer on the original Star Trek series. Anthony Spinner, producer of the fourth season of The Man From U.N.C.L.E., was the story editor.

Justman departed before the end of the season and Spinner, who was a veteran at QM Productions, took command. Meanwhile the show’s roster of writers includes the likes of Norman Hudis, Irv Pearlberg and Richard Landau, who had all contributed to 1960s spy shows.

Search is available from Warner Archive. Here’s a preview clip of an episode featuring O’Brian.

M:I’s 50th: ‘Your mission, should you decide to accept it…’

Cover to the first season MIssion: Impossible DVD set

Cover to the first season MIssion: Impossible DVD set

Mission: Impossible, 50 years after its first telecast this month, still resonates with some viewers.

Part of it is Lalo Schifrin’s memorable theme. Producer-star Tom Cruise retained it when he began his M:I movie franchise in 1996. In the most recent installment, 2015’s Mission: Impossible Rogue Nation, some of Schifrin’s score from the series was also carried over.

Part of it is that many people still remember the 1966-73 original fondly. In September 2014, the MeTV channel brought M:I back for a year as part of a programming block called “The Spies Who Love ME.”

The channel hired Martin Landau, who played disguise expert Rollin Hand for the show’s first three seasons, to do promos. “Watch me on Mission: Impossible,” Landau said.

Some of the images and catchphrases certainly are still remembered. Among them: the main title with its burning fuse; the team leader (Steven Hill the first season, Peter Graves the final six) being briefed in an unusual manner; and the mysterious voice of the never-seen voice saying, “You mission, should you decide to accept it…”

The original series was a tense place to work.

The show chewed up producers (Joseph Gantman, Stanley Kallis and Bruce Lansbury among them). Those day-to-day producers had the primary task of maintaining a steady supply of elaborate stories. They had a tough act to follow after the pilot where the Impossible Missions Force steals two atomic bombs.

What’s more, Bruce Geller, the creator-executive producer, had a falling out with the talented writing tandem of William Read Woodfield and Allan Balter. Woodfield and Balter had received attention for their intricate tales.

But, in the show’s third season (when they were promoted to producers), Woodfield and Balter soon departed after conflicts with Geller. A few seasons later, Geller himself was barred from the Paramount lot because of his battles with studio executives.

Despite all that (because of all that?), M:I had an impact on television audiences.

When Steven Hill died last month, his obituary in The New York Times, detailed more about his one year on M:I than it did his 10-year stint on Law and Order as stern D.A. Adam Schiff.

The Tom Cruise film series is less team-oriented than the TV show. Most notably, its first installment turned the Jim Phelps character played by Peter Graves in the series into a villain. Regardless, the movie series is still around. The Deadline: Hollywood entertainment news website reported last month that a sixth installment may have hit a temporary snag as details get worked out.

But M:I 6 seems more likely than not. Paramount is struggling right now and needs a hit. Cruise, in great shape at 54, isn’t getting any younger. Both sides have ample incentive to get a deal done.

None of this, of course, would have been possible without Bruce Geller (1930-1978), who managed to make a weekly series where nothing was impossible.