M:I 6 getting back on track, Hollywood Reporter says

Tom Cruise

Tom Cruise

Star-producer Tom Cruise is “on the verge” of completing a deal for a sixth Mission: Impossible movie, The Hollywood Reporter said.

Mission: Impossible Rogue Nation, released in 2015, was a solid box office success. So a sixth film was expected. However, in August, the Deadline: Hollywood entertainment news website reported that Paramount halted pre-production until it worked out a deal with Cruise.

Now, according to THR, “issues have been resolved and M:I6 is being restarted.” The movie will go into production in the spring of 2017, the entertainment news site said.

The development isn’t startling. Paramount is struggling. Its parent company, Viacom, this year was embroiled in a soap opera that led to the ouster of its CEO. It makes sense that the studio would move to get a deal done with Cruise.

Meanwhile, despite being in great physical shape, Cruise is 54. Presumably, the horizon for him being the lead in action movies is winding down. He has another Jack Reacher movie coming out this fall.

The actor has both starred and produced the film series since its debut in 1996.

Robert H. Justman: In the nexus of Star Trek, M:I, Superman


Another in a series about unsung figures of television.

This month is the 50th anniversary of both Star Trek and Mission: Impossible. One man links both. Not to mention The Adventures of Superman.

That man would be Robert H. Justman (1926-2008).

Justman was associate producer for the pilots of Star Trek (specifically, the second pilot, Where No Man Has Gone Before) and Mission: Impossible.

At the time, Desilu was a sleepy studio. Desi Arnaz and Lucille Ball were divorced in 1960. Desi was handled creative efforts. Lucy was the no-nonsense head of business affairs. After the divorce, Lucy bought out Desi.

Over time, Desi’s absence had an effect. As older Desilu shows ran their course, the studio wasn’t able to replace them. By the mid-1960s, Desilu mostly rented out its studios to other production companies.

In early 1966, however, Desilu was getting its mojo back. It pitched two expensive series (for their time), Star Trek and Mission: Impossible, to television networks. Both sold.

Robert Justman suddenly was in demand. Both Star Trek creator Gene Roddenberry and Mission: Impossible creator Bruce Geller wanted Justman to work on their series. Roddenberry won out.

Earlier in his career, Justman worked on a show featuring another major character. He had been an assistant director on The Adventures of Superman, the 1950s series with George Reeves as Superman. He held the same post with The Outer Limits in the early 1960s.

Today, Justman is known mostly for Star Trek. Roddenberry made him part of his team when Star Trek: The Next Generation debuted in 1987.

Still, over a long career, Justman worked in a variety of genres, including a Philip Marlowe series and a TV version of The Thin Man. He was producer of Search, a spy-like series on NBC during the 1972-73 season.

Leslie H. Martinson, versatile director, dies at 101

Cover to the Fathom soundtrack

Cover to the Fathom soundtrack

Leslie H. Martinson, a versatile director who mostly worked in television, has died at 101, according to an obituary published by The New York Times.

Martinson’s IMDB.COM ENTRY lists 108 directing credits, from 1953 through 1989. Besides TV, he also directed some movies, including the 1966 Batman feature based on the Adam West television show and 1963’s PT 109, with Cliff Robertson playing John F. Kennedy as a U.S. Naval officer in World War II.

Naturally, with a resume that long, Martinson dabbled in spy entertainment.

Another one of his movie credits was 1967’s Fathom, Raquel Welch’s entry into the 1960s spy craze. It also featured a script by Lorenzo Semple Jr. and main titles designed by Maurice Binder, and prominently feature the movie’s star.

What’s more, Martinson directed nine episodes of the original Mission: Impossible series. Those episodes ran during the show’s later seasons.

The director worked at various studios. He was in demand at Warner Bros. in the late 1950s and early ’60s, directing episodes of the studio’s detective (77 Sunset Strip, Hawaiian Eye, Bourbon Street Beat, Surfside 6) and western (Maverick, Lawman, Cheyenne) series.

In the latter category, Martinson directed a particularly amusing Maverick installment, Gun-Shy,  which was a parody of the hugely popular CBS western Gunsmoke.

In Gun-Shy, Bret Maverick (James Garner) keeps running afoul of Marshal Mort Dooley. Maverick is repeatedly thrown out of town by Dooley. But Bret, trying to find buried riches, keeps coming back. Writer Marion Hargrove even threw in a joke referencing another CBS western, Have Gun-Will Travel.

Eventually, Bret has to face off against Dooley in a gunfight. But Maverick outsmarts the marshal by staying just outside the range of the lawman’s pistol. Martinson staged the sequence as a send-up of the opening of Gunsmoke where Marshal Matt Dillon faced off against a gunfighter.

Hugh O’Brian dies at 91

TV Guide cover with the stars of Search, Hugh O'Brian (lower right), Tony Franciosa, middle, and Doug McClure, top

TV Guide cover with the stars of Search, Hugh O’Brian (lower right), Tony Franciosa (middle), and Doug McClure (top).

Actor Hugh O’Brian died at age 91, according to an obituary posted by the Los Angeles Times.

O’Brian was best known for starring in The Life and Legend of Wyatt Earp, a 1955-61 television series. But he also made a try at a spy-related show, Search, which ran on NBC during the 1972-73 season.

Search concerned a private organization, the World Securities Corp. Its operatives were equipped with the (then) latest high-tech gear, including miniature cameras that enabled operations chief Cameron (Burgess Meredith) to stay in contact constantly.

O’Brian starred in the two-hour TV movie pilot, titled Probe, as Hugh Lockwood, the top agent for World Securities. It was written and produced by Leslie Stevens, who had also created The Outer Limits television series.

When the now-titled Search went to series, the format was changed so the show rotated O’Brian, Tony Franciosa and Doug McClure as World Securities operatives. Meredith, as the cranky Cameron, was the one constant.

The initial day-to-day producer was Robert H. Justman, who had been associate producer on the original Star Trek series. Anthony Spinner, producer of the fourth season of The Man From U.N.C.L.E., was the story editor.

Justman departed before the end of the season and Spinner, who was a veteran at QM Productions, took command. Meanwhile the show’s roster of writers includes the likes of Norman Hudis, Irv Pearlberg and Richard Landau, who had all contributed to 1960s spy shows.

Search is available from Warner Archive. Here’s a preview clip of an episode featuring O’Brian.

M:I’s 50th: ‘Your mission, should you decide to accept it…’

Cover to the first season MIssion: Impossible DVD set

Cover to the first season MIssion: Impossible DVD set

Mission: Impossible, 50 years after its first telecast this month, still resonates with some viewers.

Part of it is Lalo Schifrin’s memorable theme. Producer-star Tom Cruise retained it when he began his M:I movie franchise in 1996. In the most recent installment, 2015’s Mission: Impossible Rogue Nation, some of Schifrin’s score from the series was also carried over.

Part of it is that many people still remember the 1966-73 original fondly. In September 2014, the MeTV channel brought M:I back for a year as part of a programming block called “The Spies Who Love ME.”

The channel hired Martin Landau, who played disguise expert Rollin Hand for the show’s first three seasons, to do promos. “Watch me on Mission: Impossible,” Landau said.

Some of the images and catchphrases certainly are still remembered. Among them: the main title with its burning fuse; the team leader (Steven Hill the first season, Peter Graves the final six) being briefed in an unusual manner; and the mysterious voice of the never-seen voice saying, “You mission, should you decide to accept it…”

The original series was a tense place to work.

The show chewed up producers (Joseph Gantman, Stanley Kallis and Bruce Lansbury among them). Those day-to-day producers had the primary task of maintaining a steady supply of elaborate stories. They had a tough act to follow after the pilot where the Impossible Missions Force steals two atomic bombs.

What’s more, Bruce Geller, the creator-executive producer, had a falling out with the talented writing tandem of William Read Woodfield and Allan Balter. Woodfield and Balter had received attention for their intricate tales.

But, in the show’s third season (when they were promoted to producers), Woodfield and Balter soon departed after conflicts with Geller. A few seasons later, Geller himself was barred from the Paramount lot because of his battles with studio executives.

Despite all that (because of all that?), M:I had an impact on television audiences.

When Steven Hill died last month, his obituary in The New York Times, detailed more about his one year on M:I than it did his 10-year stint on Law and Order as stern D.A. Adam Schiff.

The Tom Cruise film series is less team-oriented than the TV show. Most notably, its first installment turned the Jim Phelps character played by Peter Graves in the series into a villain. Regardless, the movie series is still around. The Deadline: Hollywood entertainment news website reported last month that a sixth installment may have hit a temporary snag as details get worked out.

But M:I 6 seems more likely than not. Paramount is struggling right now and needs a hit. Cruise, in great shape at 54, isn’t getting any younger. Both sides have ample incentive to get a deal done.

None of this, of course, would have been possible without Bruce Geller (1930-1978), who managed to make a weekly series where nothing was impossible.

UPDATED: The Man From U.N.C.L.E. curse

The cast of The Man From U.N.C.L.E. television show.

The cast of The Man From U.N.C.L.E. television show.

Almost five years ago we published a post about The Man From U.N.C.L.E. curse.

Since the end of the 1964-68 series, a lot of things just seemed to go wrong. Well, after taking a look at the original, we decided to dress it up with events of the past few years. The more things change, the more, etc.

So you be the judge whether there’s a curse.

1970s: Veteran James Bond screenwriter Richard Maibaum is hired to develop a new version of U.N.C.L.E. Nothing comes of it, despite Maibaum’s track record.

1976-77: Writer-producers Ivan Goff and Ben Roberts hire Sam Rolfe, the original developer of the show, to do a script for a made-for-televison movie that could be the springboard for a new show. “The Malthusian Affair” has some interesting concepts (including having a dwarf occupy an armored exo-skeleton) but it doesn’t get past the script stage. Had it become reality, Robert Vaughn and David McCallum would have reprised their roles as Napoleon Solo and Illya Kuryakin.

Early 1980s: Would-be producers Danny Biederman and Robert Short cobble together a theatrical movie project. Their script had Thrush, the villainous organization of the original series, take over the world without anyone realizing it. Vaughn and McCallum had expressed interest, as had former 007 production designer Ken Adam. Alas, nothing happened.

1983: The made-for-television series movie The Return of The Man From U.N.C.L.E. airs on CBS. No series, or even a sequel made-for-TV movie, develops.

Early 1990s: Sam Rolfe attempts to do a made-for-cable-television movie that would have been an U.N.C.L.E. “next generation” story. Rolfe drops dead of a heart attack in 1993, ending any such prospect.

Circa 2004-2005: Norman Felton, executive producer of the orignal show, cuts a deal with a small production company for some sort of cable-televison project. Nothing concrete occurs.

2010-2011: Warner Bros. entices director Steven Soderbergh to direct an U.N.C.L.E. movie after a number of false starts. However, the director and studio can’t agree on budget and casting. Ironically, one of Soderbergh’s choices, Michael Fassbender as Napoleon Solo, later emerges as a star. Soderbergh gives up in late 2011.

Spring 2013: Guy Ritchie is now the director on the project. For a time, there are negotiations with Tom Cruise to play Solo. He’d be paired with Armie Hammer as Illya Kuryakin. In May, Cruise breaks off talks to concentrate on a new Mission Impossible movie.

June 2013: The Solo slot doesn’t stay vacant long. Henry Cavill, currently doing publicity for Warner Bros.’s Man of Steel emerges as the new choice.

September 2013: Filming actually starts on an U.N.C.L.E. movie. Is the curse abut to lift?

August 2015: The answer turns out to be no. The Man From U.N.C.L.E. is trounced at the box office. One of the movies doing the trouncing: Mission: Impossible Rogue Nation starring none other than Tom Cruise. Meanwhile, some fans of the original show complain Rolfe was denied a credit and Jerry Goldsmith’s theme went almost entirely unused.

August 2016: A year after the flop, some salt gets rubbed in the wound. Matthew Bradford, in a post on the Facebook group The Man From U.N.C.L.E. Inner Circle notes the following: A commentary track for a Blu Ray release for Modesty Blaise dismisses U.N.C.L.E. as “unwatchable” today.

It turns out the commenter, film historian David Del Valle, based his comment on an episode of The Girl From U.N.C.L.E., where Robert Vaughn appeared as Solo. That episode was titled The Mother Muffin Affair and features Boris Karloff as an elderly woman.

Fox commits to pilot ‘loosely’ based on I Spy, Deadline says

Jack Davis promotional art for I Spy

Jack Davis promotional art for I Spy

The Fox television network has committed to the production of a pilot for a new series that would be based on the I Spy television series, DEADLINE: HOLLYWOOD reported. 

The pilot, at least for now, wouldn’t carry the I Spy name and would only be “loosely” based on the 1965-68 series, Deadline’s Nellie Andreeva wrote.

“I hear that during the discussions with the network, the idea evolved as Fox brass were not interested in a straight I Spy remake but instead a new take on the buddy spy genre,” according to Andreeva.

It will be written by David Shore and directed by McG, Deadline reported. Also involved is producer John Davis, one of the producers of the 2015 movie version of The Man From U.N.C.L.E.

In the original series, Kelly Robinson and Alexander Scott (Robert Culp and Bill Crosby) were U.S. agents operating under the cover of a tennis pro and his trainer. Of 1960s American spy shows, it was the series most grounded in the Cold War and relatively realistic, compared with U.N.C.L.E., The Wild Wild West, Mission: Impossible and the comedy Get Smart.

I Spy has had a checkered post-series history.

Culp and Cosby were reunited in a 1994 television movie, I Spy Returns, featuring aging versions of their original characters. In it, both have grown children operating as spies.

That TV movie didn’t generate interest in any further adventures. It did, however, posthumously provide a creator credit for Morton Fine and David Friedkin. The two were producers of the series, but never received credit for creating the show while it was originally broadcast. Sheldon Leonard, executive producer of the original, had that title for the TV movie, along with Cosby.

The show was also made as a 2002 comedy theatrical film with Eddie Murphy and Owen Wilson. That production still causes groans from fans of the 1965 series.