Coming soon (?): The Wild Wild West soundtrack

Robert Conrad, right, in a publicity still with Ross Martin for The Wild Wild West

On April 10 on The Man From U.N.C.L.E. — Inner Circle Facebook page, there was an item about how La La Records will be releasing a soundtrack album from The Wild Wild West television series.

Not a lot of details are available and there’s nothing, as yet, on the La La Land Records website.

The project, not surprisingly, is headed by film and TV music historian Jon Burlingame, according to the item on the Inner Circle page. Burlingame previously produced soundtracks for The Man From U.N.C.L.E. and Mission: Impossible television shows.

Here’s a list of what the blog hopes will be included in a soundtrack for The Wild Wild West.

The Night of the Inferno (Richard Markowitz): Pilot episode, scored by Markowitz (1926-1994). Originally, CBS hired Dimitri Tiomkin, who earlier wrote the theme song to the network’s Rawhide series, to do the show’s theme song.

Tiomkin’s effort was found wanting and Markowitz got the job. His theme would be distinctive. However, he didn’t get a credit for the theme. He only got a credit for episodes of The Wild Wild West he scored.

The Night The Wizard Shook the Earth (Robert Drasnin): The third episode broadcast introduced Dr. Loveless (Michael Dunn), the arch foe for U.S. Secret Service agents James West and Artemus Gordon. Drasnin (1927-2015) cooked up a “Dr. Loveless Theme” (the blog’s informal title) that would be used in the 10 episodes where Loveless made an appearance.

The Night of the Eccentrics (Richard Shores): The second-season opener concerned a bizarre gang called the Eccentrics, led by Count Manzeppi (Victor Buono). Manzeppi was intended to be another arch foe for West and Gordon. But he’d only appear in one more episode.

Regardless, the score by Shores (1917-2001) has a lot of energy. That music would be used for a second-season CBS promo that was re-created on YouTube.

The Night of the Man Eating House (Drasnin): One of the oddest, most tense and disturbing episodes of the series. Drasnin delivers an appropriate score.

The Night of the Big Blackmail (Shores): The fourth-season opener had a Shores score that would show up in some episodes of Hawaii Five-O. In the episode, West and Gordon race against time to break in to the embassy of a nation hostile to the U.S.

The Night of the Kraken (Shores): Another Shores score, which had “spooky” music that would end up in Hawaii Five-O episodes with tracked music when the budget didn’t permit an original score. The Stephen Kandel-scripted episode is a great example of the Jules Verne vibe that echoed through out the 1965-69 series.

For more information: Richard Markowitz’s wild wild TV scoring career.

Don Rickles dies at 90; credits include ’60s spy TV shows

Don Rickles with Don Adams in Get Smart

Comedian and actor Don Rickles has died at 90, according to an obituary posted by The Hollywood Reporter.

Rickles’ insult humor kept him in the public eyes for decades. In the 1960s, he was already well known and became a guest star on a number of spy series of the era.

His spy TV credits include a two-part Get Smart story, The Little Black Book, where he played Sid Krimm, a Korean Army buddy of Don Adams’ Maxwell Smart; a first-season episode of The Wild Wild West where Rickles’ character appears to be the primary villain; and an episode of I Spy, Night Train to Madrid.

Veteran television director Ralph Senensky helmed Rickles’ appearance in The Wild Wild West, titled The Night of the Druid’s Blood. Here is how Senensky described Rickles in a post on his website about the episode.

“Don was a fanatically conscientious actor, deadly serious about his craft. But that was only during rehearsals and filming,” Senensky wrote. “Rickles between shots was the funnyman in charge. Between takes those final four and a half days seemed more like a Las Vegas showroom than a film set.”

That included insult humor aimed at the show’s star, Robert Conrad, according to the director.

“Robert Conrad was not the tallest creature on the planet, but according to Rickles, even with lifts in the shoes he wore, he barely reached the height of Billy Barty,” Senensky wrote.

“Rickles was merciless, but funny….For some reason Don never targeted me. I wonder if it was because he realized which side of the bread his close-ups were buttered on.”

UPDATE (3:35 p.m., New York time): Roger Moore noted the passing of Don Rickles on Twitter.

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Jim Steranko: 1960s spy fan

Jim Steranko provides a Sean Connery/007 cameo in Strange Tales No. 164 (1967)

Not that it’s a terrible surprise but writer-artist Jim Steranko, who had a legendary run on Nick Fury, Agent of S.H.I.E.L.D. in the 1960s, was a big fan of 1960s spy entertainment.

His S.H.I.E.L.D. stories included a weapons master named Boothroyd. He also had the Sean Connery version of James Bond make a one-panel cameo in Strange Tales No. 164 in 1967.

Anyway, Steranko takes questions from fans (or “henchmen”) each Sunday night on Twitter.

The Spy Commander couldn’t resist. So I asked if he had seen The Man From U.N.C.L.E. during the period.

The answer? Well, judge for yourself:

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I needed to look it up. The Hunter was a 1952 series where, according to IMDB.COM, Bart Adams used the cover of an international businessman to battle Communist spies. Barry Nelson was the first actor to play James Bond in the 1954 CBS television production of Casino Royale.

Our favorite character actors: Jeanette Nolan

Jeanette Nolan in The Man From U.N.C.L.E.

One in an occasional series

“Jeanette Nolan…well, she continues to amaze me,” Richard Boone said in 1963 at the end of the initial broadcast of the anthology show that bore his name.

“She’s a remarkable actress,” Boone said. Nolan was part of the “company of players” who appeared in the weekly Richard Boone Show anthology series.

Indeed, Nolan proved her talents repeatedly over a half-century career.

From playing Lady Macbeth opposite Orson Welles in a 1948 movie to numerous guest appearances on television, Nolan was a chameleon. Her appearance, diction and accent all changed in response to the characters she played.

Naturally, such a versatile talent was seen many times on spy and related television shows.

Among them: Edith Partridge, the eccentric but deadly wife of villain G. Emory Partridge in The Man From U.N.C.L.E.; two episodes of I Spy (one as the contact for Kelly Robinson and Alexander Scott); one episode of Hawaii Five-O; and one episode of The FBI.

Nolan was part of an acting family. Her husband was veteran character actor John McIntire (1907-1991) and her son was Tim McIntire (1944-1986). She on occasion acted together with her husband, including the Western series The Virginian.

Jeanette Nolan was never a star, with the exception of Dirty Sally, a short-lived spinoff series from Gunsmoke.

Nolan’s IMDB.COM entry lists 200 acting credits. She died on June 5, 1998, at the age of 86.

The Marvel/U.N.C.L.E. crossover (sort of)

Cover to Tales of Suspense No. 80

As a result of some banter on Twitter (thanks @AgentSoloUNCLE), we discovered how Marvel Comics and a popular line of Man From U.N.C.L.E. paperback novels shared a similar McGuffin.

That would be a cube. But not any cube. The Cosmic Cube (introduced in Tales of Suspense Nos. 79-81) and the Power Cube (in the U.N.C.L.E. paperback The Power Cube Affair) were sought after bad guys seeking world domination.

The Cosmic Cube came first, in 1966 in a three-part Captain America story by Jack Kirby and Stan Lee.

The story brought the Red Skull, a Cap villain from World War II, into the “present day.” The villain is such a part of Cap history, he was made Cap’s foe in the first Marvel Studios Captain America movie, Captain America: The First Avenger, in 2011.

In the 1966 story, the Skull was found by a villainous organization (Adanced Idea Mechanics, or A.I.M.) and revived from suspended animation.

The group is developing the Cosmic Cube, an “ultimate weapon,” which can generate objects from mere thought. A.I.M. thinks the Skull is working for them but, being a Nazi, has his own ideas how to use the cube.

Eventually, Cap has a showdown with the Skull. Despite the fearsome weapon, Cap prevails. The Skull appears to have drown while wearing golden armor he wished into existence while wielding the cube. But Stan Lee, understandably, couldn’t resist bringing the Skull back in other stories.

The Power Cube, based on reviews by David Munsey of the U.N.C.L.E. tie-in paperbacks on The Fan From U.N.C.L.E. website sounds very similar.

Cover to The Power Cube Affair

The Power Cube Affair was the 19th of 23 U.N.C.L.E. paperback novels published by Ace. The novel, one of three in the series written by John T. Phillifent, came out after the Captain America story.

Here’s how David Munsey described the proceedings in his review:

In this one there is a hunt to find and assemble 27 parts of a power cube that would give the possessor-what else?- world domination. This is familiar enough, it reminds one of Dr. Who’s hunt for the six segments of the Key to Time and the Red Skull’s quest for the Cosmic Cube. (emphasis added)

By the time the novel was published, The Man From U.N.C.L.E. television series was running out of gas (it was canceled in January 1968). The Ace novels were published in the U.K. and The Power Cube Affair was the 15th published there.

Robert Day, Avengers and QM director, dies

Caesar’s Wife, a fourth-season episode of The FBI, directed by Robert Day. Spymaster Russell Johnson (left) is about to beat up Harrison Ford.

Robert Day, whose long career included directing episodes of The Avengers and Quinn Marin television shows, died on March 17 at the age of 94, Deadline: Hollywood reported.

The British-born Day helmed six episodes of The Avengers, including From Venus With Love and Mission…Highly Improbable.

Relocating to the United States, Day was frequently employed by QM Productions, including nine episodes of The FBI, two episodes of The Invaders, Barnaby Jones and The Streets of San Francisco. He also directed a TV movies for QM, 1970’s House on Greenapple Road, which launched the Dan August TV series.

Day’s work on The FBI, included a notable fourth-season episode, Caesar’s Wife, in which a Soviet spymaster played by Russell Johnson beats up a character played by the then-unknown Harrison Ford.

Day was married to actress Dorothy Provine from 1969 until she died in 2010. Her spy-related credits included a two-part episode of The Man From U.N.C.L.E. and the movie Kiss the Girls and Make Them Die.

Day was also the brother of Ernest Day (1927-2006). The younger Day was a second unit director of The Spy Who Loved Me and Moonraker and the 1996 Mission: Impossible movie, as well as directing two episodes of The New Avengers.

Why we mourn those we’ve never met

Chuck Berry, Rock ‘n’ Roll pioneer

Over the weekend, we witnessed the passing of Chuck Berry, a Rock ‘n’ Roll pioneer (age 90); Jimmy Breslin, a distinguished columnist and journalist (age 88); and Bernie Wrightson, a notable comic book artist (age 68).

Their life details and accomplishments vary. But all three touched many. Social media was flooded with remembrances by fans.

A natural question is why so many can feel so intensely.

One answer is those involved touched many people. The passing of those who died this weekend somehow seems personal.

In a way, it is personal. Besides admiration for the accomplishments of the departed, there’s an additional layer of sadness. A piece of one’s own life has died. It is a reminder of one’s own mortality.

Baby Boomers likely are feeling this most of all. That generation is either in retirement age or approaching it. A weekend like this one is a reminder that Boomers are closer to the end than the beginning.

Here’s some context in terms of this blog and its primary subjects, the James Bond films and the spy entertainment generated by them.

In less than 12 months, we’ve witnessed deaths among the few remaining early key behind-the-camera contributors to the Bond film series (Ken Adam, Guy Hamilton). Among the “The Other Spies,” we’ve seen the death of Robert Vaughn, the star of The Man From U.N.C.L.E.

When the first screen Bond passes away — whoever it is, whenever it happens — there will be around round of mourning, one that will circle the globe.

This will only continue. It’s the way of the world.