This week marks the 50th anniversary of spymania in the United States, when three spy television series premiered.
I Spy (Sept. 15): The hour-long drama on NBC was the most serious, least escapist spy program on U.S. television. Its greater significance, however, was having an African American actor receiving equal billing with a white star.
A half century ago, Cosby’s presence on I Spy was a major breakthrough for U.S. television. The show debuted in the midst of the Civil Rights Movement.
Robert Culp, the show’s other star, also wrote episodes that gave Cosby’s Alexander Scott plenty to do and Cosby ample opportunity to show his acting ability.
“People writing…said that I was the Jackie Robinson of television drama,” Cosby said during a 2010 appearance. “I say to all of you if this true that Robert Culp has to be Eddie Stanky, Pee Wee Reese.” He said Culp’s “contribution in I Spy was very valuable in terms of civil rights.”
Besides the show’s social significance, I Spy also had extensive location filming. The lead actors accompanied a small crew that actually traveled to places such as Hong Kong and Tokyo to film exteriors. That footage would be paired with interior scenes shot at stages leased from Desilu Studios.
The Wild Wild West (Sept. 17): The show was originally pitched to CBS as something like “James Bond and cowboys.” It became something much greater.
The series concerned the adventures of ace U.S. Secret Service agents James West (Robert Conrad) and Artemus Gordon (Ross Martin). They traveled in style on a train.
They traveled a lot taking on, among other foes, a 19th century cyborg (John Dehner); Dr. Loveless (Michael Dunn), a short scientist with major plans, such as wiping out the world’s population to restore ecological balance; and Count Manzeppi (Victor Buono), a villain whose magic tricks might not be tricks at all.
Highlights included Conrad frequently fighting a roomful of thugs. In reality, it was usually the same group of stuntmen and it took ingenuity to disguise that fact from the audience. Also a highlight was Martin donning various disguises.
The Wild Wild West really was catching lightning in a bottle. Attempts to recapture the magic (made-for television movies in 1979 and 1980 as well as a 1999 feature film) fell short.
Get Smart (Sept. 18): The half-hour comedy created by Mel Brooks and Buck Henry originally was developed for ABC with Tom Poston in mind. The network rejected it. NBC, looking for a show for Don Adams, snapped it up.
Brooks and Henry revamped the script to adapt it for Adams. For example, Adams had already perfected his “would you believe?” bit, using it on The Bill Dana Show situation comedy series. Thus, it was incorporated into the Get Smart pilot.
Adams’ Maxwell Smart was a force of nature. He bumbled his way through his adventures but, always confident in himself, emerged triumphant. It helped to have Agent 99 (Barbara Feldon) on his side.
Get Smart, naturally, parodied the spy genre, including one episode that did a takeoff on I Spy. But the series had other targets, including an episode that parodied The Fugitive. There have been various attempts over the decades to revive Get Smart, most recently a 2008 feature film with Steve Carell and Anne Hathaway.
Filed under: The Other Spies | Tagged: 50th anniversary of U.S. TV spymania, Anne Hathaway, Barbara Feldon, Bill Cosby, Buck Henry, Don Adams, Get Smart, I Spy, Mel Brooks, Robert Conrad, Robert Culp, Ross Martin, Steve Carell, The Wild Wild West, Tom Poston | 2 Comments »