No spoilers in this post
Some of the drama about SPECTRE, the 24th James Bond film produced by Eon Productions, has concerned its script.
The computer hacking at Sony Pictures caused more attention than normal as versions of the story were among the materials posted by hackers.
What follows is how the story line — and the accompanying behind-the scenes drama — developed.
October 2012: Deadline Hollywood’s Mike Fleming Jr. PUBLISHES A STORY saying John Logan, who had done the later drafts of Skyfall, had been hired to write Bond 24 and Bond 25.
Fleming writes that “the franchise’s producers have quietly made a deal with John Logan to write not one but two 007 films.” (Emphasis in original.) He continues, “I’ve been told that Logan pitched an original two-movie arc to Barbara Broccoli and Michael Wilson while they were shooting Skyfall, and that he has already begun writing the scripts.”
November 2012: Metro-Goldwyn-Mayer announces on an investor call that John Logan indeed had been hired to write Bond 24 and Bond 25. By the time of the call, Skyfall is on its way to becoming the first 007 film to have worldwide box office exceeding $1 billion.
The announcement confirmed the gist of the Deadline story, although later events would call into question how far Logan had really gotten by the end of 2012. Meanwhile, Neal Purvis and Robert Wade, after working on the scripts of five 007 films, later confirm they’re not returning to work on Bond 24.
February 2013: BAZ BAMIGBOYE OF THE DAILY MAIL reports the two-film story arc plan is no more and Skyfall’s Sam Mendes may return as director for Bond 24.
The scribe also reported that “Logan’s thoughts for Bond 24 are in the form of two treatment papers outlining a rough idea of the plot.” According to Bamigboye’s story, the only ones with access to the materials are Eon co-bosses Barbara Broccoli and Michael G. Wilson, Mendes, star Daniel Craig and “a handful” of executives at MGM and Sony.
July 11, 2013: In a PRESS RELEASE, Eon, MGM and Sony announce Mendes will indeed return “to direct the screenplay written by John Logan.”
Broccoli and Wilson are quoted as saying they’re “really excited to be working once again with Daniel Craig, Sam Mendes and John Logan.” Sony executives Michael Lynton and Amy Pascal are quoted as saying “EON, John Logan and Sam Mendes have come up with an extraordinary follow up to SKYFALL.”
At this point, there isn’t even a draft screenplay, which everyone learns in…..
March 2014: John Logan TELLS EMPIRE MAGAZINE that the first draft of Bond 24 “is almost done.”
The scribe tells the magazine he has been “working very closely” with Sam Mendes. (Emphasis in original.) He also says Daniel Craig “is very involved” in the scripting process. “It behooves no-one to write a character the lead actor doesn’t want to play.” Logan says Bond 24 “continues the themes of Skyfall.”
June 2014: Trouble in paradise. THE DAILY MAIL’S BAMIGBOYE reports writer Neal Purvis and Robert Wade are in the 007 fold once more.
Bamigboye asks “an executive associated with the Bond films” if there’s turmoil with the production “Let’s call it ‘polite turmoil,'” Bamigboye’s source (who isn’t further identified) replies. “People are getting on with their work but we have to wait for the script.” Purvis and Wade were brought in to “punch up” the script, according to the story.
July 2014: Bamigboye produces ANOTHER STORY saying Purvis and Wade have delivered a draft that’s “substantially different” than the Logan script.
“There was an awful lot of work to do,” Bamigboye quotes one of his informants as saying. “It was a big job.” Production is to begin by early December, according to the story.
November 2014: The New Yorker, IN A PROFILE OF PLAYWRIGHT JEZ BUTTERWORTH includes the tidbit that he’s been working on Bond 24’s script and had also contributed to Skyfall’s.
December 2014: A media event is held at Pinewood Studios ahead of the start of production of the film, which is now titled SPECTRE. The natural question is whether this means the film will have a rebooted version of 007 arch foe Ernst Stavro Blofeld.
The PRESS RELEASE says the movie is written by “John Logan and Neal Purvis & Robert Wade,” marking the first official confirmation that Purvis and Wade had returned.
Later in the month, stories are written by entertainment and news sites about SPECTRE details in hacked Sony documents. THE GAWKER WEBSITE on Dec. 12 has a post with most details of the plot of a version of the script. (If you click on the link there are many spoilers.)
According to the story, filmmakers and executives at MGM and Sony were still grappling with the last third of the story and that revisions were going on into November.
On Dec. 13, Eon put out A STATEMENT saying “an early version” of SPECTRE’s screenplay had been stolen by the Sony hackers. It says MGM and Danjaq LLC will protect their rights to the script.
Filed under: James Bond Films | Tagged: Amy Pascal, Barbara Broccoli, Baz Bamigboye, Daily Mail, Empire, Eon Productions, James Bond Films, Jez Butterworth, John Logan, Metro-Goldwyn-Mayer, Michael G. Wilson, Michael Lynton, Neal Purvis, Robert Wade, Sony hack, Sony Pictures, SPECTRE | 3 Comments »
2005: a new 007 is cast; past is prologue
Seems hard to believe but it has been more than five years since Daniel Craig was cast as James Bond. While researching something else, we came across how The New York Times reported the story. There were a few things that caught our eye.
First, there was a comment from producer Michael G. Wilson, yet another refrain by Wilson of something he has been saying since the 1990s:
Yes, Wilson could not let the announcement pass without complaining about how tired he was. We’ve written before about Wilson’s complaints about how exhausting it is to make James Bond movies, as close as a movie producer can be to having a guaranteed sale. So add this to the list.
Next, then-NYT reporter Sharon Waxman (now editor-in-chief of The Wrap, an entertainment-news Web site) quoted studio executives she didn’t identify concerning the new direction the 007 film series would take now that it had a new leading man:
Note, this was published in Ocotober of 2005, months before cameras would start rolling on Casino Royale. There wasn’t a public hint that Eon Productions was even thinking about emulating the Bourne films, something that reached its peak in the first 20 minutes or so of 2008’s Quantum of Solace. In that film, the Eon team even hired Dan Bradley, second unit director of the Bourne movies. After Casino Royale, producer Broccoli said Bourne was never a consideration in interviews SUCH AS THIS ONE WITH UGO.COM and that Casino was inspired by From Russia With Love, not Jason Bourne.
Finally, there was this passage in the NYT story, citing Amy Pascal, chairman of Sony’s Columbia Pictures:
Now, for the record, HMSS gave both Daniel Craig and Casino Royale a number of favorable reviews. So what we’re about to say isn’t a jab at Craig. It should be noted what Pascal said is demonstrably incorrect.
Connery, depending on your source, is generally listed at 6-foot-2 or so. Daniel Craig, again depending on the source, at around 5-foot-10. Now 5-foot-10 isn’t a midget by any means. But it’s a good four inches shorter than 6-foot-2. If Pascal wanted to brush off criticism of the choice, there were all sorts of other things to say. Don’t say something that doesn’t stand up to the tiniest bit of scrutiny.
Filed under: James Bond Films | Tagged: Amy Pascal, Barbara Broccoli, Casino Royale, Columbia Pictures, Dan Bradley, Daniel Craig, Eon Productions, Jason Bourne, Jason Bourne influences on James Bond films, Michael G. Wilson, Michael G. Wilson's comments abut being tired, Quantum of Solace, Sony, The New York Times, The New York Times's 2005 story about the casting of Daniel Craig as 007, The Wrap | Leave a comment »