Pinewood sells its stake in Atlanta studio

Pinewood Group PLC logo

Pinewood Group is selling its stake in Pinewood Atlanta, Deadline: Hollywood reported on Aug. 21.

The Atlanta operation, which opened in 2013, was a joint venture between Pinewood and a trust of the Cathy family. Pinewood sold its stake to its partner, Deadline said.

None of this affects the Bond films produced by Eon Productions. Those movies are made out of Pinewood’s home base near London. However, Pinewood Atlanta has been the base for major films, including Avengers: Infinity War and Avengers: Endgame.

A brief excerpt from the Deadline story:

Pinewood will provide sales and marketing support for the (Atlanta) studios for a period of up to 18 months during which time the operation will remain branded and operated as a Pinewood facility. The partners say there will be no impact on productions shooting at the studios, which will continue to be led by Frank Patterson, president of the facility.

Marvel, Sony snatch defeat from the jaws of victory

Spider-Man: Homecoming poster from 2017

Marvel Studios and Sony Pictures entered in a partnership which included, among other things, the highest-grossing (unadjusted) film Sony history while Marvel featured its best known character in its own movies.

What next? Perhaps end the partnership.

That’s apparently what’s happening. This week saw numerous reports about the split. (See THIS STORY from Variety, THIS STORY from The Hollywood Reporter and THIS STORY from The Wrap, among others.)

Essentially, Marvel film boss Kevin Feige produced two Spider-Man movies for Sony while Marvel got to use the Tom Holland version of Spidey in three Marvel films (Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame).

All of the films were enormously successful. Spider-Man: Far From Home, released earlier this year, passed Skyfall in unadjusted worldwide box office for Sony. Still, things apparently not successful enough.

Marvel, owned by Walt Disney Co., reportedly wanted to co-finance Sony’s solo Spider-Man films. Sony issued a statement on Twitter that Feige is getting overextended because of the studio’s “newly added Marvel properties.”

Marvel has gotten control of the X-Men and Fantastic Four as a result of Disney acquiring most of the assets of 20th Century Fox. It’s also launching new TV series on Disney’s new Disney + streaming service.

Whatever the specifics, Sony is saying in effect it doesn’t need Marvel’s Feige to make successful films. Marvel seems to be signaling it still wants a better deal regardless of past success.

We’ll see what happens. The collaboration with Marvel was a shot in the arm for Sony’s Spider-Man franchise. Having Spider-Man in Marvel films was a boost for Marvel.

What’s more, Holland’s Spider-Man had been in position to be the “the face” of future Marvel films with the departure of Robert Downey Jr.’s Iron Man and Chris Evans’ Captain America. Nothing last forever, but this partnership may have reached a premature end.

Family model (Eon) vs. corporate model (Marvel): Update

Avengers: Endgame poster

Chalk up one for the corporate side.

After less than two weeks, Avengers: Endgame has generated almost $2.2 billion in worldwide box office.

What’s more, the mammoth production wraps up story lines from more than 20 Marvel Studios movies going back to 2008.

The inter-connected extended fictional universe has affected how films — at least “popcorn,” escapist movies — are made.

Warner Bros., the studio that’s home to DC Comics characters, has tried to follow Marvel’s path. It has had mixed results.

Some were big successes (Wonder Woman, Aquaman). Others, such as Batman v. Superman: Dawn of Justice and Justice League, had decent box office but didn’t match the success of Marvel’s four Avengers films.

Meanwhile, in Jamaica, the family-led Bond 25 began filming late last month. The franchise is coming off a hiatus. In the words of lead actor Daniel Craig in 2016 at an event sponsored by The New Yorker, “(E)verybody’s just a bit tired.”

By the time the untitled movie debuts in April 2020, more than four years will have passed since the last 007 entry, SPECTRE.

The series has embraced inter-connectivity that Marvel has popularized. Skyfall originally was to have nothing to do with Quantum, the villainous organization in Casino Royale and Quantum of Solace. “It’s its own story,” Skyfall director Sam Mendes said at a 2011 press conference. “It doesn’t connect with the last two movies.”

Never mind. When SPECTRE was made, that was “retconned” (retroactive change in continuity).

Quantum was now SPECTRE (after the Eon side got back the rights to the organization and its leader Ernst Stavro Blofeld in 2013). Silva (Skyfall’s villain played by Javier Bardem) became part of the conspiracy. The new Blofeld (Christoph Waltz) was now “the author of all your pain” for Daniel Craig’s 007.

Director Cary Fukunaga has said that Bond 25 will continue the character arc for Bond that began with Casino Royale. Lea Seydoux, who played Dr. Madeline Swann in SPECTRE, is back. So the inter-connectivity appears to be continuing.

As the blog has stated before, both the family and the corporate model can be successful. But both are different. As Marvel moves into a new era, we’ll see next spring how Eon has adapted.

Avengers: Endgame, an epic about second chances

Avengers: Endgame poster

Only the mildest of spoilers but the super-sensitive to spoilers should go somewhere else.

The three-hour epic Avengers: Endgame is, in the end, a story about second chances. Not only in its extravagant story but it also appeals to the human desire for do-overs.

As a result, it’s an epic with a heart, frequently punctuated by emotional scenes. For a genre attacked by detractors as a lot of CGI (which it has), there are many human moments.

In last year’s Avengers: Infinity Wars, the superheroes had been beaten by Thanos, who wiped out half of living beings in the universe.

The story utilizes time travel as a plot device for the Avengers to try and undo their defeat. But it also becomes a way for key members of the team to address personal setbacks and regrets.

The result is a film that keeps topping itself in terms of spectacle. Just when the viewer thinks the stakes can’t get higher, they do. Just when it seems there can’t be another twist, there is.

The movie, directed by Anthony and Joe Russo, also is self-referential to the 11-year, 22-movie Marvel Cinematic Universe. If you’ve seen all of the entries, it’s easier to follow along. But things move swiftly enough, late comers can enjoy the ride and go to Google later to catch up.

In the meantime, virtually every actor who’s had a significant role in any of the Marvel films gets to make an encore.

Avengers: Infinity War and Avengers: Endgame were filmed back-to-back. Together, they comprise a mammoth $500 million (at least) undertaking. I had some misgivings about Avengers: Infinity War. They were all wiped away with this film.

It’s a cliche, but true. Things will never be the same for the Marvel Cinematic Universe. Marvel Studios will face challenges where to go from here, although it has the laid the foundation for ways to proceed.

But that’s a discussion for another day. The film, its huge cast and creative personnel have delivered what seemed impossible: A spectacle with a heart and emotion. GRADE: A.

McQuarrie to direct 2 M:I films back to back, Variety says

Mission: Impossible-Fallout poster

Stop me if you’ve heard this before.

Christopher McQuarrie has agreed to direct two more Mission: Impossible movies for Paramount, Variety reported and film them back to back,  citing people familiar with the situation it didn’t identify.

McQuarrie wrote and directed the last two installments in the Tom Cruise series, 2015’s Mission: Impossible Rogue Nation and Mission: Impossibl-Fallout. Both were hits, with the latter addressing loose ends from previous M:I adventures.

The decision to film two films at once, with McQuarrie again writing and directing is  “to take advantage of the popularity of the series,” wrote Variety’s Justin Kroll. The first would be out in 2021, the second the following year, Variety said.

Cruise, who turns 57 in July, also is committed to the two movies, according to Variety.

In 2012, Metro-Goldwyn-Mayer announced John Logan had been hired to write Bond 24 and Bond 25. The announcement occurred after the release of Skyfall, the first 007 film to generate $1 billion in global box office.

Star Daniel Craig vetoed the idea of making two Bond films back to back. Bond 24, later titled SPECTRE, came out in the fall of 2015. Bond 25 is scheduled to be released in February 2020.

Other franchises, though, have done back to back productions. Marvel Studios took that approach with Avengers: Infinity War, released in 2018, and Avengers: Endgame, scheduled for release this spring.

UPDATE Jan. 15: Both McQuarrie and Cruise confirmed the news on social media.

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Avengers 4 gets a trailer and a title

Marvel Studios’s fourth Avenger film got a teaser trailer and an announced title (Avengers: Endgame) today.

In the trailer, things look bleak for Robert Downey Jr.’s Tony Stark. He’s traveling in outer space having run out of food and water and about to use up the last of his oxygen.

Meanwhile, Captain America (Chris Evans) moves to rally the surviving Marvel characters after Thanos had wiped out half of all living beings at the end of last year’s Avengers: Infinity War.

Avengers: Endgame wraps up story threads that began with the first Marvel-produced film, 2008’s Iron Man. Avengers: Infinity War had a global box office of $2.05 billion. We’ll see next spring whether the next installment draws the same kind of business. You can view the trailer below.