THR says Broccoli & Wilson had rift with deposed MGM chief

Barbara Broccoli

The Hollywood Reporter, as part of a followup story about the firing of Metro-Goldwyn-Mayer chief Gary Barber, said Barbara Broccoli and Michael G. Wilson of Eon Productions also had major differences with Barber.

“(I)nsiders say a rift had also developed between (Barber) and 007 producers Barbara Broccoli and Michael Wilson,” according to the story by THR’s Paul Bond. ‘“There was a revolt,’ says an insider who claims the Broccoli camp ultimately refused to work with Barber.”

The THR story  was posted this morning. Variety and Deadline: Hollywood had new or updated stories Tuesday night. All three outlets described how Barber and board chairman Kevin Ulrich disagreed over strategy. Ulrich, according to the accounts, wants MGM to get bigger amid changes in media.

Variety said MGM’s board “had doubts about whether Barber had the right strategic vision and willingness to take big risks.”

Deadline said: “Ulrich saw an opportunity for MGM to remake itself into a digital powerhouse by renaming Epix with the MGM brand and making it a subscription streaming service that could line up favorably along the likes of Netflix, Amazon, Disney’s new service, Hulu and others that come along. The idea would be to include the upcoming James Bond film’s pay window as part of this.”

The upcoming film, of course, is Bond 25, which has an official U.S. release date of November 2019. Ulrich heads a New York investment company, Anchorage Capital Group, a major shareholder in MGM.

UPDATE (2:35 p.m.): The Wall Street Journal weighed in with an MGM story I can’t access because it’s behind a paywall. However, one of the reporters, Ben Fritz, sent out this tweet quoting from a Broccoli-Wilson statement that’s not referenced in the story.

 

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Bond 25 questions (Danny Boyle edition Part IV)

Danny Boyle

Apologies. The blog is suffering from Lt. Columbo-itis. Little things bother it. So here are some more questions about Bond 25.

Why did Danny Boyle go public with his involvement with Bond 25 now?

Without a mind reading machine, there’s no way to know for sure. But Boyle’s behavior is a lot different than his predecessor in the 007 director’s chair, Sam Mendes.

In January 2010, The Wall Street Journal interviewed Mendes mostly about other topics. But the paper asked if it was true he’d be directing the next James Bond film.

“It’s only speculation and, you know, at the moment there isn’t even a studio to make the James Bond movie, because MGM is for sale.”

The thing was, at almost the same time, Mendes’ U.K. publicist, Sara Keene, confirmed to The Guardian that Mendes was in talks about directing what would become Skyfall. “I can confirm that he has had a meeting, but Sam always has lots of projects on the table that he might direct next,”

In contrast, Boyle’s comments to Metro and other outlets were relatively straight forward. He said he planned to direct Bond 25 if a script being written by John Hodge is accepted. If that occurred, the plan would be to start production toward the end of 2018.

Just to be clear, the blog likes straight forwardness. Meanwhile, if you don’t want to comment, you say, “No comment.” That’s because when you deny things that turn out to be true (i.e. Ben Whishaw was playing Q in Skyfall, etc.) it hurts your credibility in the long run.

On the other hand, intentionally or not, Boyle may have pressured Eon Productions and Metro-Goldwyn-Mayer a bit. If the Hodge script were rejected (and Boyle ended up not directing Bond 25), both would get questions about what happened.

Do you think Eon/MGM will turn down the script when Hodge finishes it?

Not likely. Supposedly, actor Daniel Craig is really keen on Boyle directing. For now, the blog suspects Eon boss Barbara Broccoli will move heaven and earth to keep him happy.

She’s repeatedly expressed her admiration for Craig. If Hodge delivered 110 pages of chicken tracks as a script, sure it’d be rejected. But if the Boyle-backed story is even remotely acceptable, it will get approved and off we go. At least, that’s the blog’s guess.

How does the pace of Bond 25 development compare with recent 007 films?

It’s lagging.

Bond 23 (Skyfall) was suspended because of MGM’s 2010 bankruptcy. In January 2011, there was an announcement the movie was back on, finally confirming Mendes’ involvement. Principal photography started in November 2011.

Bond 24 (SPECTRE) had a first draft script submitted in March 2014. Principal photography originally was slated to begin in October 2014, but was pushed back to December 2014.

At this point, Hodge is still writing his first draft. Neal Purvis and Robert Wade had worked on a Bond 25 script for the better part of a year, but that’s been put aside for the Boyle-backed Hodge script.

Also, at the start of 2011 and 2014, it was known what studio (Sony Pictures) would be distributing Skyfall and SPECTRE respectively. No announcement has been made concerningt what what/which studio(s) will be distributing Bond 25.

Bond 25 questions (Danny Boyle edition Part III)

After Danny Boyle this week confirmed his involvement in Bond 25 (he’ll direct if a script being written by John Hodge is approved), the director’s comments generates even more questions about the next 007 film.

Who will be the composer? Some directors have a long-running collaboration with composers. The duos of Blake Edwards and Henry Mancini along with Steven Spielberg and John Williams come to mind.

The 007 film series isn’t immune. Thomas Newman did the scores for Skyfall and SPECTRE because director Sam Mendes wanted him.

Boyle has worked with a variety of composers.

Some examples: Boyle’s A Life Less Ordinary (1997) was scored by David Arnold, the five-time 007 film composer. A.R. Rahman scored Boyle’s 127 Hours and Slumdog Millionaire. Daniel Pemberton scored 2015’s Steve Jobs.

Arnold, of course, knows his way around scoring a Bond film. Pemberton, in scoring 2015’s The Man From U.N.C.L.E., was under orders from director Guy Ritchie to avoid a James Bond sound. To know how to avoid a 007 sound, you have to know what the Bond sound is to begin with.

Then again, Boyle might have a new choice up his sleeve. Assuming Boyle makes it to the Bond 25 director chair, the composer question may be one of the biggest wild cards in the production.

Why Boyle, and why now? Boyle wasn’t asked this question and nobody else is talking for the record.

A guess: For what ever reason, the powers that be (Eon Productions, Metro-Goldwyn-Mayer) were looking for something different. 

In March 2017, the Daily Mail’s Baz Bamigboye reported that six-time 007 screenwriters Neal Purvis and Robert Wade had been hired for yet another go. That was confirmed in July 2017 and, as recently as December, Eon boss Barbara Broccoli said in a Hollywood Reporter podcast the writers were still going at it.

P&W was a safe choice. Eon, which has employed P&W’s services since 1998, when they began work on the World Is Not Enough’s first draft, knows what P&W can do. By this time, P&W knows the ups and downs of working for Eon.

Boyle (and writer Hodge) evidently pitched something that caught the interest of Eon and MGM.

Is everything locked down? In the words of Sheriff J.W. Pepper: “Helllllllllll no!”

Outsiders don’t know when Hodge will deliver his first draft. Regardless, it’s doubtful that draft will be ready to go before the cameras. In movies, there is much rewriting after the initial draft is delivered.

What would be the strangest thing you could imagine regarding this process? If P&W were brought in to rewrite whatever Hodge delivers.

 

Bond 25: The passionless 007?

Image for the official James Bond feed on Twitter

Bond 25 is progressing. Nobody knows how quickly. Nobody outside Eon Productions know exactly what’s happening..

Despite questions this blog has raised (including how nobody knows the distributor who will actually get the movie to theaters) , chances are the next James Bond film will still come out in the fall of 2019.

Why? Well, somebody is likely to step up even if Skyfall and SPECTRE generated small profits for Sony Pictures, the distributor for those two 007 films. Bond, at least for now, still generates a lot of global attention.

Bond still is a way to promote other, more profitable movies for studios that may become involved in Bond 25’s distribution.

The question remains whether Bond 25 will generate passion for global movie audiences.

Marvel Studios’s Black Panther, the newest member of the billion-dollar movie club, generated passion. It was viewed as a breakthrough for a vast audience that finally got to see sympathetic movie characters who looked like them.

That’s passion.

James Bond movies, of course, have been around for more than 55 years. There have been a half-dozen actors who’ve played Bond in the films.

Yet, the lack of Bond passion goes beyond familiarity.

The two custodians of the 007 franchise (Barbara Broccoli, 57, and Michael G. Wilson, 76) have spent the bulk of their lives in Bondage. That’s both a tremendous achievement (keeping such a franchise going) and, one suspects, a tremendous burden.

Broccoli and Wilson operated for years under the watchful eye of Eon Productions co-founder Albert R. Broccoli (1909-1996) and his wife Dana Broccoli (1922-2004).

Since then, Barbara Broccoli and Michael Wilson have pursued non-Bond projects for many years now. Bond is lucrative. The other projects have provided variety. Maybe even provided passion.

In the coming months, there likely will be many stories generated about Bond 25.

But the larger question is whether Bond 25 will generate passion — for Broccoli and Wilson as well as the larger 007 audience.

Maybe it will. Maybe it won’t. But it’s something to keep in mind as the Bond 25 story unfolds.

Eon wants Boyle for Bond 25, Bamigboye says

UPDATE (9:10 p.m. New York Time): Baz Bamigboye now has a story on the Daily Mail website.

“James Bond star Daniel Craig is pulling out all the stops to ensure that Oscar-winning director Danny Boyle can complete a Richard Curtis Beatles movie musical in time to take charge of the new Bond film by the end of the year,” Bamigboye wrote.

Here’s a longer excerpt:

Craig attended a meeting with James Bond producers Barbara Broccoli, Michael G. Wilson and Boyle and his Trainspotting writing partner John Hodge, where the film-makers pitched their vision for Bond 25.

‘They took the idea to Barbara, never believing for a minute she would go for it. But she’s excited by the concept — and so is her producing partner Michael,’ a closely connected source told me in Los Angeles.

Bamigboye says Hodge hasn’t completed his script yet. The Daily Maily scribe describes Craig as one of the main forces pushing for Boyle to direct Bond 25.

“All my reporting suggests that by year’s end, the man who made Slumdog Millionaire will be putting Craig through his paces as Her Majesty’s Secret Service agent 007,” the Daily Mail scribe wrote.

ORIGINAL POST: Eon Productions wants Danny Boyle to direct Bond 25, is willing to wait until after he directs another movie *if* a script being written by John Hodge is acceptable, the Daily Mail’s Baz Bamigboye said on Twitter Thursday night.

#DannyBoyle will direct next #007 film #Bond25 late this year after shooting #allyouneedislove for @Working_Title – as long as Bond screenplay by #JohnHodge meets approval,” Bamigboye wrote in his Twitter post. “#BarbaraBroccoli #Michael G.Wilson & #DanielCraig ‘willing’ this to happen.”

Bamigboye, since 2011, has had a number of scoops about Skyfall, SPECTRE and Bond 25 proven correct. However, he has been silent in recent weeks as Variety and Deadline: Hollywood had Bond 25 stories.

Variety reported Feb. 20 that Boyle, director of Slumdog Millionaire and a video featuring Daniel Craig as Bond for the 2012 Summer Olympics, was being considered to helm Bond 25. Deadline went one better on Feb. 21, saying Boyle would direct Bond 25 only if a script being written by Hodge would be the basis of the film.

That would mean ditching a story that veteran 007 scribes Neal Purvis and Robert Wade had devised. Bamigboye reported a year ago that Purvis and Wade were hired to write Bond 25, which was confirmed in a July 24, 2017 announcement saying Bond 25 would be released in November 2019 in the U.S.

Things got more complicated when multiple entertainment news outlets reported that Boyle was going to direct a musical that could go into production fairly soon.

In effect, Bamigboye is saying all of the above is correct. If he’s right, Eon remains in its “prestige” phase, hiring auteur directors (Marc Forster, Sam Mendes). Stayed tuned. Meanwhile, you can view Bamigboye’s tweet for yourself.

https://platform.twitter.com/widgets.js

James Bond: The tired franchise?

Daniel Craig

Happy 50th birthday, Daniel Craig. You’re only the second cinematic James Bond to make it to 50, after Roger Moore, while in the employ of Eon Productions.

(Sean Connery had passed his 50th birthday when he did Never Say Never Again, but that 1983 007 film was not part of the Eon series.)

Still, the blog can’t help but remember Craig’s remarks in October 2016 during an event sponsored by The New Yorker magazine.

“There’s no conversation going on (about Bond 25) because genuinely everybody’s just a bit tired,” Craig said at that time.

When Craig said that, he had worked on the movie Logan Lucky, was getting ready to do a stage production of Othello and had other projects. Barbara Broccoli, the boss of Eon Productions, was producing that Othello stage production, was planning the film Film Stars Don’t Die in Liverpool. And she had other projects in the pipeline.

Physically tired? No.

Tired of making James Bond movies?

That’s the question.

Bond 25, in its early stages, didn’t seem to be making major changes.

Neal Purvis and Robert Wade, writers on six 007 films, were hired for a seventh. This was confirmed in a July 24, 2017 press release that said the movie would be released in November 2019 in the United States. This was weeks before Craig, confirmed in August 2017 he was coming back to Bondage.

At this point, Bond 25 is mostly murky. There is no announced distributor and no announced director,

Supposedly, Eon and Metro-Goldwyn-Mayer want prestige director Danny Boyle to helm the movie, according to stories last month in Variety and Deadline: Hollywood. If that happens, the choice of Boyle would follow the selections of “auteur” directors such as Marc Forster (Quantum of Solace) and Sam Mendes (Skyfall and SPECTRE).

The Deadline story said Boyle would direct if a new story he devised with John Hodge is used. Meanwhile, The Hollywood Reporter said March 1 that Boyle may direct another film as early as this summer.

Mmuch of Bond 25 is unresolved. What’s also unresolved is how enthusiastic Eon is regarding the film future of 007.

Film Stars Don’t Die in Liverpool has been described as a dream project of Barbara Broccoli. It’s not a big box office hit. But it wasn’t intended to be.

As the sixth film Bond celebrates his half century, there’s still a lot to be determined in the film world of 007. One of the most important questions is what does “everybody’s just a bit tired” really mean.

Bond 25 questions (Danny Boyle edition)

Ever since Deadline: Hollywood’s story last week about how Danny Boyle may direct Bond 25 if the idea he and scribe John Hodge are developing is used there are new questions.

As usual, the blog isn’t in a position to answer. But it can ask. The queries below presuppose there’s something to the Deadline story.

How long has work on this new story been going on?  Deadline didn’t specify when this effort began. “MGM and producers Barbara Broccoli and Michael G. Wilson sparked to Boyle’s idea enough to engage Hodge, who has quietly been writing their version,” Deadline’s Mike Fleming Jr. wrote.

The entertainment website provided a general idea of when Eon Productions and Metro-Goldwyn-Mayer will have something to consider. Fleming wrote that, “Hodge won’t be done for a couple of months.” If taken literally, that would mean at least two months. But the phrase “a couple” if often not used precisely.

How do you think Neal Purvis and Robert Wade are taking this? It’s doubtful they like it. However, Purvis and Wade have worked for Eon since 1998 when they started work on The World Is Not Enough.

They’ve had their own ups and downs with the franchise. It seemed they were out after Skyfall. Yet, they were summoned back in the summer of 2014 to rewrite John Logan’s work on what would be titled SPECTRE.

By now, they’re more than aware of the twists and turns working on a Bond movie can entail.

Their participation in Bond 25 was one of the few specifics in a July 24, 2017 press release stating the movie has a November 2019 release date in the U.S. Barbara Broccoli also briefly mentioned the duo in a December 2017 podcast with The Hollywood Reporter. The writers, she said, are “busy working away, trying to come up with something fantastic.”

What about the schedule if Eon and MGM go with Boyle-Hodge? At the very least it makes you wonder about that November 2019 release date.

When Hodge produces a draft script, chances are it won’t be ready for filming. Typically, movies go through various rewrites.

In the case of SPECTRE, John Logan produced his first draft in March 2014. Purvis, Wade and Jez Butterworth were rewriting into December 2014, when the movie started principal photography.

Meanwhile, it would at least appear the art department may be limited in what it can do until the basic story is ironed out. On the other hand, there is a steady hand at the wheel.

Dennis Gassner, production designer on the series the last decade, has said he’ll be back for Bond 25. Gassner, whose credits also include Blade Runner 2049, is experienced with working on big, complicated productions.

What does star Daniel Craig think of all this? It’s likely OK with him. Boyle directed a video for the opening ceremonies featuring Craig as Bond taking Queen Elizabeth to the games.

What happens next? If no major developments are announced until April or May, that may be a sign that Deadline’s story and its “couple of months” timeline for Hodge’s writing a script are accurate.

What happens if Eon and MGM ultimately pass on the Boyle-Hodge story? At the very least, that might complicate things even more. Certainly the search for a Bond 25 director would go on.