About that whole ‘true’ Bond fan thing

Image for the official James Bond feed on Twitter

Recently, I’ve seen some posts on social media bringing up the issue of who is a “true” James Bond fan.

I suspect the recent posts were spurred by the poll of Americans last month performed by Morning Consult on behalf of The Hollywood Reporter. It dealt with opinions about 007 films.

Some Bond fans complained, saying only people who are knowledgeable about 007 should be polled.

The Morning Consult poll appeared to be trying to come up with a statistically representative sampling of Americans. In that regard, it was similar to a political poll. Such polls talk to everyone from hard-core political junkies, to those who couldn’t spell “president” and everything in between.

Anyway, if you were to do a poll of “true” James Bond fans, how do you define that?

Should only those who’ve seen every Eon Productions 007 movies be considered? If so, how many times? Five? 10? 15? More?

How about only those who’ve seen the Eon series plus the two non-Eon 007 films? All of the above plus the 1954 CBS adaptation of Casino Royale?

How about all of the above plus those who’ve read the Ian Fleming original novels and short stories? Or should the continuation novels and short stories also be part of the definition?

I brought this up on Twitter this week and got a lot of feedback. Some of it, I suspect was tongue in cheek. Some of it, maybe not.

Regardless, this isn’t the first time the subject will come up. It’s unlikely to be the last.

However, the more germane issue is how James Bond — despite many interpretations over the decades — still is popular with the general population, not just hard-core fans.

In that regard, he’s similar to Batman, a character who has been around even longer. (Batman debuted in 1939 compared with Bond’s arrival in 1953.) You’ve had the Dark Knight. You’ve the Bright Knight. And everything in between.

That kind of longevity should be something that 007 fans — “true” fans or casual fans — ought to be able to celebrate in unison.

1966: Lone Ranger adapts WWW, Batman

Lone Ranger and Tonto in the 1966 cartoon series that aired on CBS.

There have been many versions of The Lone Ranger, but a forgotten one aired on CBS in the fall of 1966.

That was a cartoon series, produced by Format Films. The series apparently was influenced by The Wild Wild West series that aired on CBS and the Batman  series that was broadcast on ABC.

The Lone Ranger and Tonto, as depicted in the cartoon, very much followed the Clayton Moore-Jay Silverheels model that debuted on television in 1949 and starred in movies in 1956 and 1958.

However, the villains the heroes confronted in the 1966 film were different.

The Iron Giant, built by Tiny Tom to menace the Lone Ranger in a 1966 cartoon.

In a number of the cartoons, the Ranger and Tonto faced Tiny Tom, a a very short scientist, sometimes aided by a giant assistant named Goliath. That was similar to Dr. Loveless (Michael Dunn) and his extremely fall assistant Voltaire (Richard Kiel).

Beyond that pair of villains, other of the Ranger’s foes had familiar capers to viewers of The Wild Wild West.

In particular, a Ranger cartoon titled Quicksilver had a villain who, after consuming a formula, moved so fast he was practically invisible. This was practically the same plot of the first-season episode of The Wild Wild West titled The Night of the Burning Diamond.

Format Films, the maker of the Ranger cartoons, had earlier produced the title sequence for I Spy.

One of the company’s principals was Herbert Klynn (1917-1999). Klynn was an alumnus of UPA, the cartoon operation that produced Mr. Magoo and Gerald McBoing-Boing theatrical shorts as well as a memorable adaption of Edgar Allan Poe’s The Tell-Tale Heart, with James Mason as the murder-narrator.

Meanwhile, Format’s version of The Lone Ranger featured villains with elaborate lairs, similar to the Batman television series with Adam West and Burt Ward that debuted in January 1966.

One of the Ranger’s foes in the cartoon series, the Black Widow (in the episode titled Cult of the Black Widow), had thugs in outfits similar to the henchmen in a typical Batman outing. The Black Widow was voiced by Agnes Moorehead, who would later win an Emmy for an appearance in The Wild Wild West.

Today, there’s a term, “steampunk,” definted as “a genre of science fiction that has a historical setting and typically features steam-powered machinery rather than advanced technology.”

The Wild Wild West featured steampunk. So did the 1966 version of The Lone Ranger.

William Self: Fox TV to the rescue

William Self title card on an episode of Batman, produced by 20th Century Fox’s television unit

Another in a series about unsung figures of television.

In the early 1960s, things were not looking good at 20th Century Fox.

The 1963 film Cleopatra, while popular with audiences. It sold 67.2 million tickets in the U.S. and Canada. That was more than Goldfinger’s 66.3 million.

But Cleopatra was so expensive, it had no chance of recouping its costs. The studio was going to need a bailout.

The bailout came from its television division, headed by executive William Self, a former actor.

Self’s TV unit took an inventory of the properties Fox held and began developing television versions.

As a result, in the fall of 1964, Fox came out with Voyage to the Bottom of the Sea (based on the studio’s 1961 film produced by Irwin Allen); Peyton Place, based on a 1956 novel, made into a 1957 Fox film; and 12 O’Clock High, based on a 1948 novel and made into a 1949 Fox movie.

All three were part of ABC’s 1964-65 schedule. Also, Fox produced Daniel Boone for NBC that same season.

Soon after, Self’s Fox TV unit was the home of other Allen shows as well as the 1966-68 Batman series starring Adam West and Burt Ward. The latter got off to a rocky start as test audiences were confused by the campy approach.

Self’s tenure at Fox lasted into the early 1970s. He became a producer (something he had done before joining Fox), whose credits included 1976’s The Shootist, the final John Wayne film.

Self died in 2010 at the age of 89.

Our interview with The Batman Vs. James Bond Show

The Batman Vs. James Bond Show logo

This week the Spy Commander participated in his first podcast interview at The Batman Vs. James Bond Show.

The interview took place in Episode 83 and the subject was Global James Bond Day (which is tomorrow, Oct. 5). Host Brian Thomas and I covered various topics related to James Bond ahead of the film franchise’s 55th anniversary.

A lot of the discussion covered Bond 25 and the future of the franchise. We also talked about the ties between 007 and The Man From U.N.C.L.E.

As indicated by its name, the podcast covers both Batman and Agent 007. Other recent Bond-related topics include Bond and Batman connections (Episode 78), feminism and Bond moves (Episode 80) and Daniel Craig’s return for a fifth Bond film (Episode 77).

 

Vaughn, Moore, Landau in Emmy In Memoriam

Robert Vaughn in The Man From U.N.C.L.E.

Robert Vaughn (The Man From U.N.C.L.E.), Roger Moore (The Saint) and Martin Landau (Mission: Impossible) were among those included in the In Memoriam segment of the Emmy broadcast Sunday night on CBS.

Also included were Mike Connors of Mannix and Adam West of the 1966-68 Batman series. With the latter. a short clip from the show’s pilot played, with Batman doing the “Batusi” dance.

The Emmy version of In Memoriam seemed more weighted to performers compared with the Oscars telecast on ABC, which included publicists. However, some behind-the-camera professionals were included in the Emmy In Memoriam, including producer Stanley Kallis, who worked on Mission: Impossible, among other shows.

Vaughn, who had an Oscar nomination for Best Supporting Actor, and Connors were not included in the Oscars In Memoriam segement earlier this year.

Others included were Mary Tyler Moore (the segment ended with her) and cartoon voice June Foray.

UPDATE (Sept. 18): You can view the In Memoriam segment for yourself.

Len Wein, co-creator of Wolverine, dies at 69

Len Wein (1948-2017)

Len Wein, a comics fan turned comics professional, has died at 69, according to multiple posts on social meedia by comics professionals including Mark Millar and Kurt Busiek. .

Wein co-created the mutant character Wolverine while writing The Incredible Hulk for Marvel.

He also revived the X-Men in 1975, with a new cast, including Wolverine. (The X-Men originally were created in 1963 by Stan Lee and Jack Kirby.)

Wolverine helped make Hugh Jackman a star, both through X-Men and Wolverine movies. Jackman’s most recent performance as the character was in this year’s Logan.

At DC Comics, Wein wrote a number of Batman stories. One highlight was a 1970s story, Moon of the Wolf, illustrated by Neal Adams and Dick Giorddano, in which Batman encounters a warewolf. It would later be adapted in the Batman: The Animated Series.

Growing up in the greater New York area, Wein and friend Marv Wolfman (who would also become a comics professional) would visit the prolific Jack Kirby at his home.

“We came over for mile and cookies on Saturdays,” Wein said in a documentary about Kirby. When they’d see Kirby at his drawing board, Wein said, “His hand was always moving, producing.”

Such experiences presumably explain why Wein went into the field.

After becoming a writer at Marvel, he was named editor-in-chief after Roy Thomas (who had succeeded Stan Lee) stepped down. It wasn’t an easy time for the company. “Wein struggled with the constant cycle of cancellations and launches,” Sean Howe wrote in his book, Marvel Comics: The Untold Story. Wolfman took over.

Eventually, a number of people (Thomas, Wein, Wolfman and others) got deals where they were editors of the titles they wrote. In the late 1970s, these deals were ended and Jim Shooter was put in charge of Marvel’s titles.

Nevertheless, Wein stayed in the field for a long time. Joss Whedon, creator of Buffy the Vampire Slayer and director of the first two Avengers movie for Marvel, posted a tribute:

UPDATE (8:55 p.m. ET): Hugh Jackman posted a tribute to Len Wein on Twitter.

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Dina Merrill dies at 93

Dina Merrill, center, with Jeffrey Hunter and Efrem Zimbalist Jr. in a publicity still for the debut of The FBI.

Dina Merrill, an “actress and heiress to two fortunes,” has died at 93, according to an obituary posted by The New York Times.

Merrill was the daughter of Wall Street stockbroker E.F. Hutton and “cereal heiress” Marjorie Merriweather Post died Monday, according to The Times.

Her acting credits included the first episode of The FBI, where she played Jean Davis, a woman being stalked by a psychopath played by Jeffrey Hunter; The Controllers, a two-part Mission: Impossible story, where she played a woman operative in the show’s fourth season; an academic manipulated by Wo Fat in the 1976 Hawaii Five-O episode Nine Dragons; and Calamity Jan, the girlfriend of cowboy villain Shame (Cliff Robertson, her then-husband) during the final season of Batman.
An excerpt from the obituary:

 

As a child, born into the American aristocracy of money and high society, Ms. Merrill wished she could take the bus “like the other kids,” she said, instead of being driven to school by the family chauffeur. After she became a successful actress, she told Quest magazine, “It’s fascinating to lead someone else’s life for a while.”

Merrill also appeared on game shows, such as To Tell The Truth. Here is an example.