Bill Finger to get credit on Batman adaptations, THR says

Gotham promotional art

Gotham promotional art

Bill Finger, widely viewed as the co-creator of Batman, is to get a credit for his work on Batman-related adaptations, THE HOLLYWOOD REPORTER SAID.

Finger will begin receiving a credit on the Gotham television series “beginning later this season,” according to a statement from DC Entertainment published by THR. Finger (1914-1974) will also get a credit in the 2016 film Batman v. Superman: The Dawn of Justice, DC said in the statement.

Bob Kane has received sole creator credit for Batman since the character debuted in 1939, including seven Warner Bros. movies released since 1989.

Finger’s contributions to the character include major revisions to Kane’s original costume (such as the cowl and gauntlets as well as a dark color scheme), the Bruce Wayne true identity, Bruce Wayne back story, the original Robin, the original Robin’s back story, etc. Finger wrote the first Batman story published in Detective Comics No. 27 and many other early stories.

In 2014, illustrator Ty Templeton did a cartoon showing what Batman would have been like without Finger’s contributions.

DC said in the statement published by THR it and Finger’s family “reached an agreement that recognizes Mr. Finger’s significant contributions to the Batman family of characters.”

In addition to Batman, Finger also co-created the original version of Green Lantern, which debuted in 1940. Finger also co-wrote a two-part story in the 1966 Batman television series.

DC has long been owned by the various parent companies of Warner Bros. DC now is part of Warner Bros. and moved to Burbank, California, from New York, the comics company’s long-time home.

U.N.C.L.E.-Batman comic book scheduled


A comic book story featuring a crossover between The Man From U.N.C.L.E. and Batman has been scheduled, NEWSARAMA.COM REPORTED.

This is part of the Batman ’66 title published by DC Comics.

How is this possible? DC has long been a corporate cousin of Warner Bros. DC now is part of Warners, even moving from its long-time home in New York to Burkbank, California, home base of Warner Bros.

That move reflects how Warners is ramping up its output of films based on DC characters. The studio also controls The Man From U.N.C.L.E. original series, which ran from 1964 to 1968.

Batman ’66 is based on the 1966-68 series starring Adam West and Burt Ward. The comic uses the likenesses of the actors. DC has published crossover stories with The Green Hornet, mimicking a teamup from the original Batman show. The comic even published a story based on a rejected script plot by Harlan Ellison for the Batman series.

According to, the U.N.C.L.E. crossover will be published in December.

“The deadly organization known as T.H.R.U.S.H. has a new twist in their plans for world conquest—they’re recruiting some of Gotham City’s most infamous villains!,” according to a description published by “Agents Napoleon Solo and Illya Kuryakin bring this information to the one man who knows everything about these new enemies: Batman. Before you can say ‘Open channel D,”’the Dynamic Duo and the Men from U.N.C.L.E. are jetting off to Europe to thwart the schemes of this deadly criminal cartel.”

In real life, the U.N.C.L.E. television series was influenced by the Batman show. In U.N.C.L.E.’s VERY LIGHT THIRD SEASON, two regular Batman writers, Stanford Sherman and Stanley Ralph Ross, were hired to contribute scripts. Ross even worked THE SAME JOKE into both series.

UPDATE: If you CLICK HERE, you can read a 2013 Den of Geek story about the rejected Harlan Ellison story for the Batman television series, which featured Two Face as the villain.

‘Mr. Warner’ and creator credits

Sam Rolfe, circa 1964

Sam Rolfe, circa 1964

Fans of The Man From U.N.C.L.E. television series, for the most part, weren’t happy to see that Sam Rolfe — the major creator of the 1964-68 television series — didn’t get a credit with the movie that debuted this month.

Rolfe (1924-1993) created Illya Kuryakin, Alexander Waverly as well as the U.N.C.L.E. organization and format. The main element he didn’t create was Napoleon Solo, which had been hashed out by executive producer Norman Felton and 007 author Ian Fleming.

Felton (1913-2012) did receive an “executive consultant” credit in the U.N.C.L.E. film.

The series didn’t carry a formal creator credit. Instead it was either, “Developed by Sam Rolfe” or “The Man From U.N.C.L.E. Developed by Sam Rolfe,” depending on the season of the show.

While Rolfe not getting a mention is understandably disappointing, Warner Bros., aka “Mr. Warner” on this blog has an interesting history.

In the early days of Warner Bros. television, the real-life Mr. Warner (Jack) had an aversion to bestowing a creator credit. Roy Huggins didn’t get a creator credit for either Maverick or 77 Sunset Strip. Charles Larson (the person who most likely deserved one) didn’t get a creator credit for The FBI, a co-production with Quinn Martin. On the other hand, When Maverick became a Warner Bros. movie in 1994, Huggins did get on-screen recognition.

Warner Bros. also controls DC Comics. The studio gives credit for movies based on DC characters where it has an obligation. Superman movies, for example, have a creator credit for Jerry Siegel and Joe Schuster. Warner and DC only agreed to that in the 1970s as the first Superman film with Christopher Reeve was being prepared and there was a big public relations campaign for Siegel and Schuster.

Warners also gives Bob Kane the creator credit for Batman, although there’s evidence that uncredited Bill Finger really did the heavy lifting. In 2014, cartoonist Ty Templeton drew what a Batman without Bill Finger would look like. Anyway, Warners/DC also credits Charles Moulton (real name William Moulton Marston) for Wonder Woman.

Other than that, though, no creator credits. The 2011 Green Lantern, for example, movie didn’t credit John Broome and Gil Kane. The current Flash television series doesn’t credit Robert Kanigher and Carmine Infantino.

Put another way, Sam Rolfe — who wrote the U.N.C.L.E. pilot and produced the show’s first season — has plenty of company. Also that “developed by” credit probably gives the studio legal leeway in not including Rolfe in the movie’s credits.

Yvonne Craig, TV’s Batgirl, dies at 78

Yvonne Craig in The Man From U.N.C.L.E.

Yvonne Craig in The Man From U.N.C.L.E.

Yvonne Craig, who played Batgirl in the 1960s Batman series, has died at 78, according to obituaries ON HER OFFICIAL WEBSITE and on CNN’S WEBSITE.

She died “from complications brought about from breast cancer that had metastasized to her liver,” according to the obituary on her website.

Craig’s Barbara Gordon was introduced during the final season of the 1966-68 Batman series. The librarian doubled as the masked crime fighter Batgirl, whose identity was unknown to Batman or Commissioner Gordon (Neil Hamilton), her father.

Craig also appeared in various 1960s spy shows and movies. She had a supporting role in The Brain Killer Affair, a first-season episode of The Man From U.N.C.L.E., as a woman whose brother is the key to a plot hatched by villain Dr. Dabree.

The actress was brought back to appear in extra footage for movie versions of U.N.C.L.E. episodes. Her biggest such role was in One Spy Too Many, where she played Maude Waverly, niece of U.N.C.L.E. chief Waverly (Leo G. Carroll). None of her scenes appeared in the television version, Alexander the Greater Affair.

Craig also had a supporting role in In Like Flint, the second Derek Flint film starring James Coburn.

You can CLICK HERE to view a very brief Q&A with the actress done in the late 1990s.

Finally, here’s a 1974 public service announcement with Craig again playing Batgirl. Adam West declined to participate, so Dick Gautier played Batman instead. The video isn’t very good, unfortunately.

Should 007 and Batman share the same cinema universe?

NOT an actual comic book cover

NOT an actual comic book cover

It was reported this week that Warner Bros. may be in a good position to replaced Sony Pictures as the studio that releases James Bond movies. That got some fans to wonder whether 007 and Batman (and Superman and the Justice League) could share the same cinema universe.

Necessary background: 007’s home studio is Metro-Goldwyn-Mayer. But, after emerging from bankruptcy, it’s a relatively small company and cuts deals with other studios to release its films.

Sony Pictures’ current two-picture deal with MGM for Bond expires once SPECTRE is released in November. Sony wants to strike a new deal, but the studio knows it’ll have competition for post-SPECTRE 007 projects.

Variety reported Warner Bros. is a leading contender because its executives have a good relationship with MGM’s top executive, Gary Barber.

Anyway, on THE SPY COMMAND’S FACEBOOK PAGE, a reader asked if Warners really does secure the 007 releasing deal whether Bond could be included in a planned two-part Warner Bros. Justice League movie, even if it’s just a cameo.

For the uninitiated, the Justice League is a group of DC Comics heroes, headed by Batman, Superman and Wonder Woman. DC Comics has long been part of Warners’ parent company and the comic book company now is actually part of the studio. Next year’s Batman v. Superman: The Dawn of Justice will help set up the even bigger Justice League project.

It seems like a stretch that Barbara Broccoli and Michael G. Wilson, the co-bosses of Eon Productions, would go along with such a concept. In AN INTERVIEW WITH COMING SOON.NET, Broccoli and Wilson did not warm up to the idea of Bond sharing a fictional universe with any other character.

Q: The notion of cinematic shared universes are increasingly popular in Hollywood these days. Any chance of seeing the Bond franchise go after something like that?

Broccoli: I think Bond lives in his own universe. I don’t think he wants to share it with anyone else.

Wilson: Like Bond and Mission: Impossible? I think that’s the stuff for comic books. More power to them.

Beyond the Eon leadership, there’s the question of 007 fans.

It’s hard to know how many, but — via Internet message boards and social media outlets — there are a lot of vocal 007 fans critical about “comic book movies.” For these fans, Bond is above that sort of thing. For them, “comic book movies” are glorified cartoons. Except, of course, when director Sam Mendes acknowledged that The Dark Knight, directed by Christopher Nolan, INFLUENCED 2012’s SKYFALL.

Humility is not part of the 007 fan’s DNA. Bond is the best. Any other spy entertainment that has been created since 1962 is merely a “James Bond knockoff.” Bond in the same universe as Batman and Superman, even if it came via a cameo? Untold billions of brain cells around the world would explode.

Meanwhile, a note about the illustration with this post. It APPEARED ON THIS WEBSITE. The actual cover The Brave and The Bold No. 110 LOOKED LIKE THIS.

The rise of the ‘origin’ storyline

Daniel Craig and Jeffrey Wright in Casino Royale

Daniel Craig and Jeffrey Wright in Casino Royale

Fifty, 60 years ago, with popular entertainment, you didn’t get much of an “origin” story. You usually got more-or-less fully formed heroes. A few examples:

Dr. No: James Bond is an established 00-agent and has used a Baretta for 10 years. Sean Connery was 31 when production started. If Bond is close to the actor’s age, that means he’s done intelligence work since his early 20s.

Napoleon Solo on TV: fully formed

Napoleon Solo on TV: fully formed

The Man From U.N.C.L.E.: During the first season (1964-65), Napoleon Solo (Robert Vaughn) has worked for U.N.C.L.E. for at least seven years (this is disclosed in two separate episodes). A fourth-season episode establishes that Illya Kuryakin (David McCallum) graduated from U.N.C.L.E.’s “survival school” in 1956 and Solo two years before that.

Batman: While played for laughs, the Adam West version of Batman has been operating for an undisclosed amount of time when the first episode airs in January 1966. In the pilot, it’s established he has encountered the Riddler (Frank Gorshin) before. There’s a passing reference to how Bruce Wayne’s parents were “murdered by dastardly criminals” but that’s about it.

The FBI: When we first meet Inspector Lewis Erskine (Efrem Zimbalist Jr.) in 1965, he’s established as the “top trouble shooter for the bureau” and is old enough to have a daughter in college. We’re told he’s a widower and his wife took “a bullet meant for me.” (The daughter would soon be dropped and go into television character limbo.) Still, we don’t see Young Lewis Erskine rising through the ranks of the bureau.

Get Smart: Maxwell Smart (Don Adams) was a top agent for CONTROL despite his quirks. There was no attempt to explain Max. He just was. A 2008 movie version gave Max a back story where he had once been fat.

I Spy: Kelly Robinson (Robert Culp) and Alexander Scott (Bill Cosby) have been partners for awhile, using a cover of a tennis bum and his trainer.

Mission: Impossible: We weren’t told much about either Dan Briggs (Steven Hill) or Jim Phelps (Peter Graves), the two team leaders of the Impossible Missions Force. A fifth-season episode was set in Phelps home town. Some episodes introduced friends of Briggs and Phelps. But not much more than that.

Mannix: We first meet Joe Mannix (Mike Connors) when he’s the top operative of private investigations firm Intertect. After Joe goes off on his own in season two, we meet some of Joe’s Korean War buddies (many of whom seem to try to kill him) and we eventually meet Mannix’s father, a California farmer. But none of this is told at the start.

Hawaii Five-O: Steve McGarrett (Jack Lord) is the established head of the Hawaiian state police unit answerable only to “the governor or God and even they have trouble.” When the series was rebooted in 2010, we got an “origin” story showing McGarrett (Alex O’Loughlin) as a military man, the unit being formed, his first meeting with Dan Williams, etc.

And so on and so forth. This century, though, an “origin story” is the way to start.

With the Bond films, the series started over with Casino Royale, marketed as the origin of Bond (Daniel Craig). The novel, while the first Ian Fleming story, wasn’t technically an origin tale. It took place in 1951 (this date is given in the Goldfinger novel) and Bond got the two kills needed for 00-status in World War II.

Barbara Broccoli and Michael G. Wilson, co-bosses of Eon Productions

Barbara Broccoli and Michael G. Wilson

Nevertheless, audience got an “origin” story. Michael G. Wilson, current co-boss of Eon Productions (along with his half-sister, Barbara Broccoli) wanted to do a Bond “origin” movie as early as 1986 after Roger Moore left the role of Bond. But his stepfather, Eon co-founder Albert R. Broccoli, vetoed the idea. With The Living Daylights in 1987, the audience got a younger, but still established, Bond (Timothy Dalton). In the 21st century, Wilson finally got his origin tale.

Some of this may be due to the rise of movies based on comic book movies. There are had been Superman serials and television series, but 1978’s Superman: The Motion Picture was the first A-movie project. It told the story of Kal-El from the start and was a big hit.

The 1989 Batman movie began with a hero (Michael Keaton) still in the early stages of his career, with the “origin” elements mentioned later. The Christopher Nolan-directed Batman Begins in 2005 started all over, again presenting an “origin” story. Marvel, which began making movies after licensing characters, scored a big hit with 2008’s Iron Man, another “origin” tale. Spider-Man’s origin has been told *twice* in 2002 and 2012 films from Sony Pictures.

Coming up in August, we’ll be getting a long-awaited movie version of U.N.C.L.E., this time with an origin storyline. In the television series, U.N.C.L.E. had started sometime shortly after World War II. In the movie, set in 1963, U.N.C.L.E. hasn’t started yet and Solo works for the CIA while Kuryakin is a KGB operative.

One supposes if there were a movie version of The FBI (don’t count on it), we’d see Erskine meet the Love of His Life, fall in love, get married, lose her and become the Most Determined Agent in the Bureau. Such is life.

Goldfinger: the first ‘A-movie’ comic book film?

Goldfinger poster

Goldfinger poster

Here’s a thought as Goldfinger celebrates its 50th anniversary. In a way, the third James Bond film may have been the first “A-movie” comic book film.

Before Goldfinger, comic book films existed as serials. Lewis Wilson, father of Eon Productions co-boss Michael G. Wilson, played Batman in a 1943 serial, for example. Serials would run for weeks in 15-minute or so installments ahead of the main feature.

Goldfinger, of course, was based on Ian Fleming’s novel, not a comic book. Still, some Fleming novels seem to draw their inspiration from pulp adventure stories (also a source of inspiration for comic books).

In Fleming’s novel, Goldfinger’s henchman Oddjob was already over the top. With the film, that increased. A gold bar bounced off his chest without causing Oddjob harm. Harold Sakata’s Oddjob crushed a golf ball to show his displeasure with Sean Connery’s Bond. The henchman used his steel-rimmed hat to kill with precision. Oddjob, for a time in the Fort Knox sequence, bats Bond around like a cat playing wth a mouse.

Nor did the comic book style action end there. Bond’s tricked out Aston Martin became the inspiration for “spy cars,” with far more weaponry that a few extras the novel’s Aston had. The deaths of both Oddjob and later Auric Goldfinger could be described as comic book like. It was as if Jack Kirby of Marvel Comics drew the storyboards.

The difference, of course, was this all occurred in a $3 million A-movie where the audience could see the story all in one night.

Goldfinger’s success certainly was felt in the 007 series. In Thunderball, Bond flew a jet pack and in the climatic underwater fight had an oversized air tank that had additional weapons. You Only Live Twice included a helicopter snatching a car with a giant magnet and Blofeld’s volcano headquarters set that cost more than it took to produce Dr. No.

The success of such movies demonstrated audiences had an appetite for such uber-escapist sequences when executied in an entertaining way. You could make the case that Goldfinger blazed a trail that the likes of Star Wars, Indiana Jones and, yes, movies based directly on comic books, exploited.

The path from Connery’s Bond to, say, Robert Downey Jr.’s Iron Man may be shorter than it appears.

The most obvious sign: director Christopher Nolan, a self-described 007, adapted Bond bits (the Bond-Q briefing evolved into Bruce Wayne getting new equipment from Lucius Fox) into his three Batman movies. Director Sam Mendes in Skyfall returned the favor, saying Nolan’s 2008 The Dark Knight influenced the 2012 007 film.


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