Roger Smith, 77 Sunset Strip star, dies

Roger Smith, top center, in a TV Guide cover featuring the cast of 77 Sunset Strip

Roger Smith, who starred with Efrem Zimbalist Jr. in 77 Sunset Strip, has died at 84, according to Variety.

The 1958-64 series was an early hit for ABC. Warner Bros., which produced the TV series, quickly launched other private eye shows.

77 Sunset Strip was part of an “extended universe” decades before the term was coined.

Other shows part of that universe included Hawaiian Eye (with Anthony Eisley and Robert Conrad), Bourbon Street Beat (with Richard Long and Andrew Duggan) and Surfside 6 (with Troy Donahue and Van Williams).

All of the shows featured snappy theme songs by Mack David and Jerry Livingston.

Smith was fired with most of the 77 Sunset Strip cast following the show’s fifth season. Only Efrem Zimbalist Jr. remained as Jack Webb and William Conrad revamped the show, turning Zimbalist’s Stuart Bailey into a lone-wolf PI. The experiment didn’t last the 1963-64 season.

Smith married actress Victoria Shaw in 1956, but the couple divorced in 1965, according to a biography on IMDB.COM. In 1967, Smith married Ann-Margaret. He gave up acting and managed her career.

One of his final public appearances was with Ann-Margaret for the premiere of the 2017 movie Going In Style.

Mary Tyler Moore’s noir beginnings, role as TV mogul

Mary Tyler Moore’s unusual title card for Man of Mystery, an episode of the Thriller TV series

Mary Tyler Moore died Jan. 25 at the 80, The New York Times and numerous media outlets reported. Quite understandably, the obituaries focused on how she, in the words of the Times, “helped define a new vision of American womanhood” with The Dick Van Dyke Show and The Mary Tyler Moore Show in the 1960s and ’70s.

That’s because a woman wearing pants (as her Laura Petrie did in Van Dyke) or being an independent career woman (as her Mary Richards was on her namesake show) were considered big deals at the time.

The purpose of this post is to highlight other parts of her lengthy career: Her start on black-and-white TV and her later role as television mogul.

Her early credits included Sam, the woman answering service during the third season of Richard Diamond, Private Eye. She also made the rounds in guest appearances on other detective shows of the era such as 77 Sunset Strip, Hawaiian Eye, Bourbon Street Beat and Checkmate. This was a time that television was almost entirely filmed in black and white.

The actress also appeared in two episodes of the Boris Karloff-hosted anthology show, Thriller. She was more prominent in her second appearance, Man of Mystery. That episode ran during the 1961-62 season, which coincided with the first season of The Dick Van Dyke Show. CLICK HERE for a review at a Thriller fan website.

Moore, in 1969, formed MTM Enterprises with her then-husband Grant Tinker. MTM produced The Mary Tyler Moore Show but it would quickly expand.

Initially it stayed with situation comedies (including Mary Tyler Moore Show spinoffs) but branched out into drama and other formats. Its hour-long shows included the medical drama St. Elsewhere and Remington Steele. The latter made Pierce Brosnan a star in the United States and put him in position to take the role of James Bond.

MTM would change ownership a number of times before eventually dissolving in the late 1990s. But it left a significant mark on U.S. television.

Tinker and Moore divorced in 1981. Tinker died in November at age 90.

 

Van Williams dies at 82

Van Williams and Bruce Lee in The Green Hornet

Van Williams, the nominal star of the 1966-67 television version of The Green Hornet, died late last month, according to an obituary in The Hollywood Reporter.

Williams played Britt Reid, the editor and publisher of The Daily Sentinel who battled crime as the masked Green Hornet. Reid had to dodge both hoods and the police, who believed the Hornet was a racketeer.

The district attorney, Frank Scanlon (Walter Brooke) was in on the masquerade. Meanwhile, Sentinel reporter Mike Axford (Lloyd Gough) was determined the Hornet be captured.

The show, however, became a platform for Bruce Lee, who played the Hornet’s assistant, Kato. Lee’s skill in martial arts was a highlight of the series. For youngsters in the audience, Lee’s Kato upstaged Williams’ Green Hornet. Lee (1940-1973) would become a star before his sudden death.

The show, based on a radio series, was an attempt by producer William Dozier to extend his success with masked characters after the debut of Batman in January 1966. Dozier even provided the narration in the show’s main titles, using his “Desmond Doomsday” voice he utilized in Batman.

Dozier’s Batman series also featured a two-part story in 1967 where the Green Hornet traveled to Gotham City, running afoul of Batman. Earlier in that same season, Bruce Wayne (Adam West) and Dick Grayson were briefly depicted watching The Green Hornet on television. In a different episode, the Green Hornet and Kato opened a window and talking to Batman and Robin, who were climbing up a building. Robin (Burt Ward) commented about the strange outfits worn by The Green Hornet and Kato.

Earlier in his career, Williams played private detective Kenny Madison, first on Bourbon Street Beat (1959-60) and then Surfside 6 (1960-62). two Warner Bros. series that aired on ABC.

77 Sunset Strip’s experiment with film noir for TV

A cast shot of 77 Sunset Strip. All except Efrem Zimbalist Jr., would be gone for the sixth season.

77 Sunset Strip is one of those shows that, despite being popular in its time, doesn’t strike a chord with a lot of people today. It was one of Warner Bros.’s first hits on television and spawned three similar detective shows (Bourbon Street Beat, Hawaiian Eye and Surfside 6). Even more obscure is 77’s final season, which did a drastic makeover and began with an experiment of producing film noir for television.

William Conrad, producer-director of “5.”

A new producing team of Jack Webb (yes, that Jack Webb) and William Conrad (yes, that William Conrad) fired the entire cast except for star Efrem Zimbalist Jr. The actor’s Stuart Bailey character was now a hard-boiled, lone wolf private eye worried about paying his rent. The catchy Mack David-Jerry Livingston song was gone as well, replaced by an instrumental by Bob Thompson.

To kick off the new format, Webb and Conrad began with a five-part episode simply titled “5,” written by Harry Essex and directed by Conrad. The producer-director also made a cameo toward the end of the conclusion.

The show enlisted a large roster of guest stars. Some were key characters in the story, others eccentric cameo roles. The group included two actors who either had or would play James Bond villains (Peter Lorre and Telly Savalas) and others who’d play villains on the ABC Batman show (Burgess Meredith, Cesar Romero, Walter Slezak and Victor Buono). And being a 1960s event, of a sort, it wouldn’t be complete without William Shatner in the mix.

Anyway, “5” recent showed up online (but unofficially). It comes across as very ambitious for its time with some attempts at innovation but with some flaws as well.

Positives: At the end of part I, Bailey is caught off guard by an attack by a thug and rolls down a stairway. Conrad and his crew came up with some kind of rig so the camera in a point-of-view shot seems spin, matching the PI’s fall. Also, there’s some pretty good tough-guy PI dialogue. (“Did I hit a nerve?” asks New York City detective played by Richard Conte. “You couldn’t find one in a dental college,” Bailey replies.)

Negatives: At the start of the final part, the story runs out of a gas a bit and there’s a long recap of the first four installments. Also, it seems improbable that Bailey would lug a big 1963 tape recorder around. The tape recorder is merely a device to justify first-person narration by Zimbalist. It might have been better to just go with the narration and not worry about the recorder.

In any case, “5” nor the new format was a commercial success. Only 20 episodes were made at a time 30 or more episodes made up a full season. ABC showed reruns from previous seasons to fill out the 1963-64 season according to the show’s entry in Wikipedia.

Still, “5” was an interesting experiment and fans of film noir ought to check it out as Stuart Bailey travels from Los Angeles to New York to Europe to Israel and back to New York on the marathon case. We’ve embedded part one below. If interested, you can also go to PART TWO, PART THREE, PART FOUR and THE CONCLUSION. Warning: you never know who long these things will stay on YouTube.