Bond 25 questions: The Total Film edition

One of the many No Time to Die posters

This post includes spoilers. Stop reading now if spoilers aren’t your thing.

Total Film this week published a detailed story about No Time to Die. Naturally, the blog has questions

Did Daniel Craig really say No Time to Die’s theme was “love and family”?

He did. Sounds almost like a Fast and the Furious movie, doesn’t it? In this case, Craig told Total Film that Bond’s family is Moneypenny, M and Q with Lashana Lynch’s Nomi “a distant cousin who you’re not sure about.”

One of the most hyped aspects of the movie was how Phoebe Waller-Bridge was among the screenwriters. Any additional details?

Of course. “Phoebe came on, and she injected some brilliance into the situation, and a tone I was really after,” Craig told Total Film.

“What we wanted to do was… not ridicule (Bond). It’s sharing in the fun with the audience,” Craig told the magazine. “But you’ve got to be respectful of what it is.” 

According to Total Film, Waller-Bridge “punched up Ana de Armas’ character Paloma – a fresh-faced CIA field agent who Bond crosses paths with in Cuba – and brought a myth-pricking irreverence to the story.”

What about agent Nomi and her relationship with Bond?

“Bond is going to be Bond no matter what happens,” Lashana Lynch told Total Film. “But it’s about how people react to him. That’s the difference between the earlier films. In this film we are vocal. We are opinionated. We know how to stop [Bond] in his tracks, and to teach him something.”

What about the sets?

“We have really gone out of our way to make some really gorgeous big sets,” says production designer Mark Tildesley. The designer originally was recruited to the film by Danny Boyle, the project’s first director who departed over “creative differences.”

What about Rami Malek’s Safin?

“Safin is pulling all the strings,” Eon boss Barbara Broccoli told Total Film about the character. “He’s controlling all of those megalomaniacs out there. He’s created them.”

What does that mean?

I suppose that in Quantum of Solace that Quantum was BIG. In SPECTRE, SPECTRE was BIGGER. Perhaps Safin is EVEN BIGGER!

Total Film provides a behind-the-scenes look at NTTD

No Time to Die poster from 2020

Total Film is out with an article taking a behind-the-scenes look at No Time to Die.

Here are some non-spoiler highlights:

–Cary Fukunanga, who would eventually direct the movie, wined and dined Eon’s Barbara Broccoli before Danny Boyle was hired as the film’s first director.

“At that point Daniel (Craig) said he wasn’t doing another one, so we spit-balled all the potential new Bonds – that was exciting,” Fukunaga told Total Film. “I just told her what I loved about Bond and what it meant to me growing up. And just that I’d be honoured if they’d consider me for the next one.”

–After Boyle (and his writer John Hodge) exited the project, writers Neal Purvis and Robert Wade went back to a script they were working on before Boyle was hired. That’s not terribly surprising but there has been hype that *everything was new* after Boyle left.

“Effectively, we went back to what we’d done,” Purvis told Total Film. “And then we changed things with Cary over several months in the attic at Eon.” Over time, Phoebe Waller-Bridge (who got a credit) and Scott Z. Burns (who did not) also worked on the script.

–Michael G. Wilson of Eon describes the Craig era as “a little miniseries within the series.” Broccoli added: ““This film feels like a good bookend to Casino (Royale), because his emotional evolution gets to a place where we’ve never seen Bond before. So that’s pretty exciting.”

–Craig describes the theme of No Time to Die as “love and family.”

–Funkunaga says that only goes so far. “No one’s trying to say some sort of long sentimental goodbye. It’s just another Bond film. The credits still say: ‘Bond will return.’”

There’s a lot more, including some comments about Safin, the villain played by Rami Malek, that get into spoiler territory.

Broccoli decries superhero films while using their tropes

Barbara Broccoli, boss of Eon Productions

Barbara Broccoli, the boss of Eon Productions, which makes James Bond movies, says the 007 film series is better than superhero films despite using some of the same tropes.

An April 26 story by The Express had this passage:

Ms Broccoli believed moviegoers connected with Bond because he remains an “ordinary” and “regular person” unlike “superheroes”.

She claimed this was reemphasised in (Daniel) Craig’s portrayal where “he bleeds” and “he cries” like any other person. 

Almost a decade ago, Sam Mendes, the director of Skyfall, acknowledged how he adapted ideas from Christopher Nolan’s Batman movies that ran from 2005 to 2012.

With SPECTRE (2015), Eon adopted the notion of multi-film continuity made popular by Walt Disney Co.’s Marvel Studios unit.

With No Time to Die, director Cary Fukunaga in 2019 talked up “the joy of continuity.” He commented about how No Time to Die embraced the continuity of Daniel Craig’s first four James Bond films.

So it goes.

Bond 25: How we got to this point

No Time to Die poster

David Leigh of The James Bond Dossier and I chatted on a livestream on Feb. 19. We reviewed how No Time to Die arrived at its current point, a movie costing almost $290 million in a holding pattern.

This is mostly a summary of what we discussed. This also is my own phrasing and analysis. If you have objections, send them my way.

2016’s black hole: In 2016, there was a three-cornered game that would ensure a new James Bond movie wouldn’t happen quickly.

MGM, Bond’s home studio, was busy trying to sell itself to a Chinese buyer. That didn’t work out.

Barbara Broccoli, the leading force at Eon Productions, had other irons in the fire. Eon wanted to make movies such as Film Stars Don’t Die in Liverpool, Nancy and The Rhythm Section. None of the three would be popular successes.

Daniel Craig, the Bond star of record, wanted to do other projects. One of them was titled Kings (Halle Berry was the co-star) and set in 1992 Los Angeles. It wasn’t a hit. Craig also did a new play based on Shakespeare’s Othello.

–Le affaire de Danny Boyle: After the principals got all that out of their system, MGM, Eon and (apparently Craig) were wowed by a pitch by director Danny Boyle and one of his writers, John Hodge.

By early 2017, Eon Productions had hired Neal Purvis and Robert Wade. But the Boyle-Hodge team pitched a new idea. Supposedly this idea was so FANTASTIC, the Purvis-Wade effort was tossed aside in 2018.

In May 2018, the Boyle-Hodge effort was now the way to go. Until, a few months later, it wasn’t any more. “Creative differences” (as noted in a press release).

So long, Danny. Hello search for a new director. That would end up being Cary Fukunaga. Hello, more writers, including Fukunaga (who’d get a credit), Phoebe Waller-Bridge (ditto) and Scott Z. Burns (sorry, Scott).

Coronavirus: Some delays for No Time to Die have been due to COVID-19. But the bulk of delays stem from other reasons.

So it goes.

UPDATE (Feb. 20): Here’s a replay of most the livestream, at least after we got some technical issues out of the way.

NTTD costume designer describes working on the film

No Time to Die logo

Suttirat Anne Larlarb, the costume designer for No Time to Die, was interviewed last year on the Behind the Seams podcast about her career.

She made limited comments about the 25th James Bond film but she shared some observations.

Script state of flux: “The script changed countless times,” she said. “The settings, the locations, all that stuff was kind of in flux for a while. It was in terms of a costume process quite difficult.”

The movie has four credited writers (Neal Purvis, Robert Wade, director Cary Fukunaga and Phoebe Waller-Bridge). Scott Z. Burns did uncredited work. One script, by John Hodge, apparently went unused.

Size of the costume crew: “On any one day we had 56, or 57 people full-time…On big days, that could double or triple.”

Time spent on the project: “It was kind of a bumpy start. I was on it all told for 18 months.”

Larlarb is a collaborator with director Danny Boyle, including the films Slumdog Millionaire and Steve Jobs as well as the opening ceremonies of the 2012 Olympics in London.

Boyle originally was hired to direct No Time to Die but departed over “creative differences.” Hodge worked on the script while Boyle was on board as director. Hodge left the project with Boyle. After all that, Fukunaga was hired to helm the movie.

About those Bond film series gaps

Image for the official James Bond feed on Twitter

Last week saw another delay announced for No Time to Die. That has prompted some entertainment news websites to look back at how the gap between SPECTRE and No Time to Die ranks among Bond films.

With that in mind, here’s the blog’s own list.

You Only Live Twice (1967) to On Her Majesty’s Secret Service (1969): This isn’t getting the attention as the others.

But You Only Live Twice came out in June of 1967 while On Her Majesty’s Secret Service debuted in December 1969. That was about two-and-a-half years. Today? No big deal. But at the time, the Bond series delivered entries in one- or two-year intervals.

This period included the first re-casting of the Bond role, with George Lazenby taking over from Sean Connery. Also, Majesty’s was an epic shoot.

The Man With the Golden Gun (1974) to The Spy Who Loved Me (1977): This period often is written up as the first big delay in the series made by Eon Productions.

It’s easy to understand why. The partnership between Eon founders Albert R. Broccoli and Harry Saltzman broke up. There were delays in beginning a new Bond film. Guy Hamilton originally was signed to direct but exited, with Lewis Gilbert eventually taking over. Many scripts were written. And Eon and United Arists were coming off with a financial disappointment with Golden Gun.

Still, Golden Gun premiered in December 1974 while Spy came along in July 1977. That’s not much longer than the Twice-Majesty’s gap. For all the turmoil that occurred in the pre-production of Spy, it’s amazing the gap wasn’t longer.

Licence to Kill (1989) to GoldenEye (1995): This is the big one. Licence came out in June 1989 (it didn’t make it to the U.S. until July) while GoldenEye didn’t make it to theater screens until November 1995.

In the interim, there was a legal battle between Danjaq (Eon’s parent company) and Metro-Goldwyn-Mayer, Bond’s home studio, which had acquired UA in 1981. MGM had been sold, went into financial trouble, and was taken over by a French bank. The legal issues were sorted out in 1993 and efforts to start a new Bond film could begin in earnest.

This period also saw the Bond role recast, with Pierce Brosnan coming in while Timothy Dalton exited. In all, almost six-and-a-half years passed between Bond film adventures.

Die Another Day (2002) to Casino Royale (2006): After the release of Die Another Day, a large, bombastic Bond adventure, Eon did a major reappraisal of the series.

Eventually, Eon’s Barbara Broccoli and Michael G. Wilson decided on major changes. Eon now had the rights to Casino Royale, Ian Fleming’s first Bond novel. So the duo opted to start the series over with a new actor, Daniel Craig and a more down-to-earth approach.

Quantum of Solace (2008) to Skyfall (2012): MGM had another financial setback with a 2010 bankruptcy. That delayed development of a new Bond film. Sam Mendes initially was a “consultant” because MGM’s approval was needed before he officially was named director.

Still, the gap was only four years (which today seems like nothing) from Quantum’s debt in late October 2008 to Skyfall’s debut in October 2012.

SPECTRE (2015) to No Time to Die (?): Recent delays are due to the COVID-19 pandemic. But pre-production got off to a slow start below that.

MGM spent much of 2016 trying to sell itself to Chinese investors but a deal fell through. Daniel Craig wanted a break from Bond. So did Eon’s Barbara Broccoli, pursuing small independent-style movies such as Film Stars Don’t Die in Liverpool and Nancy, as well as a medium-sized spy movie The Rhythm Section.

Reportedly, a script for a Bond movie didn’t start until around March 2017 with the hiring (yet again) of Neal Purvis and Robert Wade. The hiring was confirmed in summer 2017. Craig later in summer of 2017 said he was coming back.

Of course, one director (Danny Boyle) was hired only to depart later. Cary Fukunaga was hired to replace him. More writers (Phoebe Waller-Bridge and Scott Z. Burns) arrived. The movie finally was shot in 2019.

Then, when 2020 arrived, the pandemic hit. No Time to Die currently has an October 2021 release date. We’ll see how that goes.

It’s STFU Day for No Time to Die

The No Time to Die publicity machine apparently decided Nov. 3 was a great day to lift media embargoes for No Time to Die stories. Given how nobody can see the movie for the foreseeable future, it’s more like STFU Day.

Yes, yes, this was probably decided back when the 25th James Bond film was scheduled to come out this month. Still, given how nobody is going to see the movie until April 2021 (if then), there’s an odd feel to all this.

Example: GQ comes out with a long story about Rami Malek, with lots of photos of him wearing expensive clothes. Meanwhile, the 39-year-old actor assures us we’ll be “shocked” when the movie comes out.

Whenever that is. OK, champ. Get back to us when we can actually check it out.

Example II: NTTD director-screenwriter Cary Fukunaga boasts to The Playlist that the Safin villain played by Malek is “bigger” than Blofeld.

Earth to Cary: That’s not much of a boast. Better than Donald Pleasance? Charles Gray? Telly Savalas? Christoph Waltz? Blofeld was best on-screen in the Eon Productions series with the body of Anthony Dawson and voice of Eric Pohlman.

Example III: Harper’s Bazaar came out with a new issue with Lashana Lynch on the cover. It also has a (nominal) No Time to Die spoiler. So if you really want to see it, CLICK HERE. Later on Tuesday, the entire Harper’s story goes online with the spoiler displayed prominently, including the headline.

Yes, No Time to Die has had its share of bad luck. But this week rings hollow. “You wait and see! It’ll be really good!” Whatever. Whenever.

NTTD: Key events, dates that shaped expectations

.

All they need to do is change the “3” to a “2.”

No Time to Die has become one of the longest soap operas in the history of the Eon Productions James Bond film series. But how did it get that way?

What follows are some key events and dates. All of them helped shape outside perspective of the production.

July 24, 2017: Both Eon and Metro-Goldwyn-Mayer announce that Bond 25 will be released on Nov. 8, 2019. Neal Purvis and Robert Wade are onboard as writers.

At this point, MGM had no way of distributing the film. As it turns out, MGM was working to get back into distribution. But that wouldn’t be firmed up for some time. MGM and Annapurna would form a joint venture, later called United Artists releasing, for U.S. distribution. Eventually, Universal would be picked for international distribution.

In any case, the announcement creates the expectation Bond 25 would be out in fall 2019.

Aug. 15, 2017: Daniel Craig, on CBS’s The Late Show, says he’s returning as Bond in the new movie. The July 2017 announcement didn’t specify who was playing Bond.

Craig’s appearance helps create the impression of momentum. The Bond film machine is stirring.

Oct. 31, 2017: MGM and Annapurna announce their joint venture. Bond 25, for now, is not part of the deal. (It would become part of it later.) But again, the news creates the image of momentum.

February 2018: Entertainment news outlets report that Danny Boyle is a contender to direct Bond 25. Ultimately, it turns out Boyle and his writer, John Hodge, have a competing idea for the film and Hodge is working up a script. If that idea gets approved, Hodge is in the director’s chair.

Boyle confirms all this in March.

May 25, 2018: Official announcement is made that Boyle is directing and Hodge is writing Bond 25.

It’s a new day. Now, that’s what you call momentum.

Aug. 21, 2018: Danny Boyle, we hardly ye. He’s out, according to a new announcement. (It later becomes clear Hodge is gone, too.) Now, that’s what you call slamming the brakes on momentum.

Sept. 20, 2018: Bond 25 has a new director, Cary Fukunaga. It also has a new release date, Feb. 14, 2020, according to an official announcement.

That’s a mixed bag, but at least work is moving ahead.

Feb. 15, 2019: New release date is announced, now April 2020. The news was a bit of a letdown to Bond fans who had started their “one year to go” countdowns the previous day.

April 25, 2019: Eon conducts a livestream event in Jamaica ahead of the start of the production of Bond 25. There are some technical hiccups. There’s still no title. But, hey, filming is starting at long last.

We’re on our way now. What could go wrong?

May 22, 2019: Eon confirms Daniel Craig suffered an injury and will have ankle surgery. It’s not the firm time Craig has gotten hurt. Eon says the April release date is still in effect.

June 4, 2019: There’s an explosion at the 007 Stage at Pinewood Studios. No serious injuries but the optics weren’t the best.

007 Stage after the June 4, 2019 incident.

Aug. 20, 2019: Bond 25 gets a title — No Time to Die. This helps re-establish momentum and anticipation. A title helps things seem more real. A movie is actually coming.

Oct. 25, 2019: Eon announces filming has concluded. Whatever bumps took place, the movie is done. Anticipation builds.

Over the next few months, the first trailer comes out, an expensive ad appears during the Super Bowl and plans for a world premiere get announced.

Then, on March 4, Bond 25/No Time to Die is delayed to November 2020. This week, it was delayed again to April 2021. In both cases, the actions stem from the novel coronavirus (COVID-19). The pandemic has slammed a lot of industries, including the film industry.

The point of bringing all this up is that Bond 25 has had 1) a lot of ups and downs and 2) had those ups and downs for an extended time.

As a result, if fans are feeling a little whipsawed, there’s good reason.

The movie is sitting there, presumably secure and ready to be shown. When that happens, anticipation will build yet again. But nobody should blame fans for feeling a little uneasy at this point.

Eon puts out a NTTD promo featuring Safin

Rami Malek in a No Time to Die trailer

Eon Productions today put out a No Time to Die promo featuring the character of Safin, the film’s villain.

“What I really wanted from Safin was to make him unsettling…thinking of himself as heroic,” actor Rami Malek says in the promo.

Director Cary Fukunaga also chimes in about how Safin is “a very frightening character.”

The promo also still lists November as No Time to Die’s release date.

The tweet with the promo is embedded below. The promo also was on Eon’s official 007 website. You can check out the promo for yourself.

https://platform.twitter.com/widgets.js

Bond 25 questions: The score edition

New No Time to Die poster

It’s still a long way off before people can see No Time to Die. But thanks to an interview with Variety, composer Hans Zimmer has provided the blog with some questions to ask about the movie’s score.

Should the title card read, “Music by Steve Mazzaro and Hans Zimmer”?

Well if you take Zimmer at his word, maybe yes.

Steve should really be the top name on the Bond film,” Zimmer told Variety.

Mazzaro is one of the composers affiliated with Zimmer’s Remote Control Productions company. In the interview, Zimmer said he asked No Time to Die producer Barbara Broccoli “if it was okay that Steve Mazzaro, who is one of the most fabulous composers I know, could do it with me, because there was very little time.”

Was Zimmer perhaps just being polite?

Maybe yes, maybe no. One way Zimmer manages to do so many film scores is by enlisting the help of other composers.

On some films, Zimmer gets the primary “music by” credit while other Remote Control composers get secondary “additional music by” credits. Examples: Man of Steel, Dunkirk, Inception and The Dark Knight Rises.

On still other films, such as Batman v Superman and Blade Runner 2049, Zimmer actually shares the “music by” credit.

Regardless, in addition to Mazzaro, other Remote Control composers who’ve helped out Zimmer include Junkie XL and Lorne Balfe. The latter got the gig to score Mission: Impossible-Fallout and is slated to score the next two M:I movies.

Anything else in that interview catch your eye?

Zimmer’s quote about how “there was very little time” is worth noting. Eon was trying to meet an April release date before the COVID-19 pandemic shut down movie theaters.

Zimmer (and Mazzaro) replaced Dan Romer, who had worked with director Cary Fukunaga on other projects. Since Skyfall, Eon Productions has generally deferred the choice of composer to the directors of Bond films. No Time to Die initially seemed to continue that pattern until Romer’s departure.

A common fan theory is that Romer produced a score deemed too extreme. Meanwhile, Eon had worked with Zimmer and Mazzaro on The Rhythm Section (Mazzaro as composer, Zimmer as music producer, with the latter getting top billing on the music title card).