A No Time to Die reality check

Daniel Craig/James Bond character poster

Adapted, updated and expanded from previous blog posts.

Ben Whishaw, who has played Q for three James Bond films, has told Collider.com that No Time to Die will be a “summing up” of Daniel Craig’s 007 films.

There has been some fan discussion of how the Craig films will now be this five-film epic, something the series had never attempted. Under this idea, No Time to Die will conclude five Bond films, similar to how Avengers: Endgame was the conclusion of more than 20 Marvel Studios movies.

No Time to Die may be presented that way. But this is just a reminder that Craig’s tenure was never planned this way unlike Marvel.

Let’s go back some years.

Sam Mendes said Skyfall “didn’t connect” to Casino Royale or Quantum of Solace: At a November 2011 press conference, Mendes was asked whether Skyfall was related to Casino Royale and Quantum of Solace.

“It’s its own story,” the Skyfall director said of Skyfall. “It doesn’t connect with the last two movies.”

After the fact, things changed.

The filmmakers once told us SPECTRE was passe: Here’s a quote from Barbara Broccoli in a 2012 interview with CRAVE ONLINE:

Barbara Broccoli: I mean, we’ve talked about Blofeld over the years. The thing is Blofeld was fantastic for the time but I think it’s about creating characters that are, villains that are more appropriate for the contemporary world. It’s more exciting for us to create somebody new. (emphasis added)

The filmmakers told us Quantum was better than SPECTRE: Here’s a summary by the JAMES BOND INTERNATIONAL FAN CLUB of an article that originally appeared in SPX magazine.

Interestingly, Wilson and Broccoli told SFX that they have not abandoned the Quantum organisation, but also confirmed that it is not used in ‘Skyfall’. Wilson also revealed that they have the rights to bring back Blofeld and SPECTRE. ‘We believe we can use them. They’re a little dated at the moment. We went for the Quantum organisation, which was more business oriented, trying to corner the market on scarce resources, rather than a criminal organisation that did blackmail and bank robberies…’.

But Wilson’s co-producer Barbara Broccoli added, cautiously, that they needed a little more time to pass before they could go back to ‘extortion and blackmail! The Quantunm organisation does seem far more realistic. (emphasis added)

In 2006’s Casino Royale, the mysterious organization that Bond battled didn’t have a name. In Quantum of Solace, we found out it was called Quantum. In SPECTRE, we learned there was a tie between Quantum and SPECTRE via Mr. White.

The 2013 settlement with the Kevin McClory estate that gave Eon Productions the ability to use SPECTRE was an opportunity. That changed everything,

With SPECTRE, we got a “retcon” (retroactive change in continuity).

I saw a tweet from a fan who wondered whether No Time to Die was SPECTRE Part II. Essentially, many fans are buying into the idea (seemingly voiced by Whishaw in his Collider interview) that No Time to Die is Casino Royale Part V.

None of this means No Time to Die won’t be an entertaining James Bond. Still, let’s not get carried away.

A SPECTRE reality check

SPECTRE teaser poster

SPECTRE teaser poster

Since the SPECTRE teaser trailer came out on March 27, many 007 fans have gotten excited about how the 24th James Bond film may tie together the Daniel Craig era.

It may turn out that way. But it was never planned that way, based on past comments by the filmmakers.

SPECTRE was passe: Here’s a quote from Barbara Broccoli in a 2012 interview with CRAVE ONLINE:

Barbara Broccoli: I mean, we’ve talked about Blofeld over the years. The thing is Blofeld was fantastic for the time but I think it’s about creating characters that are, villains that are more appropriate for the contemporary world. It’s more exciting for us to create somebody new. (emphasis added)

Quantum was better than SPECTRE: Here’s a summary by the JAMES BOND INTERNATIONAL FAN CLUB of an article that originally appeared in SPX magazine.

Interestingly, Wilson and Broccoli told SFX that they have not abandoned the Quantum organisation, but also confirmed that it is not used in ‘Skyfall’. Wilson also revealed that they have the rights to bring back Blofeld and SPECTRE. ‘We believe we can use them. They’re a little dated at the moment. We went for the Quantum organisation, which was more business oriented, trying to corner the market on scarce resources, rather than a criminal organisation that did blackmail and bank robberies…’.

But Wilson’s co-producer Barbara Broccoli added, cautiously, that they needed a little more time to pass before they could go back to ‘extortion and blackmail! The Quantunm organisation does seem far more realistic. (emphasis added)

In 2006’s Casino Royale, the mysterious organization that Bond battled didn’t have a name. In Quantum of Solace, we found out it called, surprise, Quantum. Now, Quantum’s Mr. White is in the SPECTRE teaser trailer. This suggests there’s a tie between Quantum and SPECTRE.

As Emily Litella used to say, “Never mind!”

More seriously, the 2013 settlement with the Kevin McClory estate that gave Eon Productions the ability to use SPECTRE was an opportunity. The success of SPECTRE, the film, will depend on how well Eon seizes upon that opportunity. Still, this was never part of a grand plan. It may still be entertaining, however.

UPDATE: Meanwhile, here’s a reminder about Eon’s commitment to continuity. Michael G. Wilson said in 2008 that Quantum of Solace took place “literally an hour” after Casino Royale.

In that hour, a) Bond changed suits from a three piece to a two piece b) M redecorated her office c) Mathis went from being interrogated to moving into a villa that MI6 bought for him, complete with live-in girlfriend d) the year changed from 2006 to 2008. Not exactly much attention to detail. Do people really think Eon had a four-film plan in 2006?

Will Blofeld return to the 007 film series?

"Good to see you again, Mr. Bond." (Graphic by Paul Baack.)

“Good to see you again, Mr. Bond.”
(Graphic by Paul Baack.)

Now that Metro-Goldwyn-Mayer and the Broccoli family have acquired the 007 film rights held by the estate and family of Kevin McClory, the obvious question is whether Ernst Stavro Blofeld, James Bond’s arch-enemy, will return to the film series.

The brief announcement on Nov. 15 didn’t provide details of the settlement. But it closed a half-century saga. It began with an ill-fated James Bond movie project in the 1950s in which 007 author Ian Fleming participated. When the project fell apart, Fleming based his Thunderball novel on screenplays written for the never-made movie.

A legal fight ensued. Under a settlement, Kevin McClory held the screen rights. As a result, he had the leverage to negotiate a deal with 007 film producers Albert R. Broccoli and Harry Saltzman for a co-production of Thunderball. Fleming’s novel had introduced Blofeld and his SPECTRE organization (the SPecial Executive for Counterintelligence, Terrorism, Revenge and Extortion). Broccoli and Saltzman already had inserted SPECTRE into their adaptations of Dr. No and From Russia With Love, Fleming novels that hadn’t included SPECTRE.

Ten years after Thunderball, McClory began efforts to do his own Bond movies based on his Thunderball rights. As a result, the Eon Productions series steered clear of Blofeld and SPECTRE.

Barbara Broccoli, daughter of Albert R. Broccoli and current co-boss of Eon Productions, previously said Blofeld was past his due date. For example there was A CRAVEONLINE INTERVIEW where this exchange occurred:

Barbara Broccoli: I mean, we’ve talked about Blofeld over the years. The thing is Blofeld was fantastic for the time but I think it’s about creating characters that are, villains that are more appropriate for the contemporary world. It’s more exciting for us to create somebody new.

Some fans cite comments like this one and figure there’s no way Blofeld will return. However, that’s also the same interview where Broccoli denied writer John Logan had been hired to write Bond 24 and Bond 25, the next two movies in the series. (“That was a Hollywood announcement, not from us if you notice.”) A few days after the interview was published, MGM confirmed on an investor call that Logan had, indeed, been hired to script the films. When it comes to previous statements by Bond producers, caveat emptor applies.

As reader Mark Henderson pointed out in a response to a previous post, “The realism of the last three movies, and the legacy of Austin Powers, all but preclude the Nerhu jacket and white cat fetish.” But that garb and pet were creations of the early Bond filmmakers. There’s nothing to preclude a darker, more realistic Blofeld.

In From Russia With Love and Thunderball (with Anthony Dawson providing the body and Eric Pohlman providing the voice), Blofeld wore a plain business suit. The character didn’t get the Nehru jacket until 1967’s You Only Live Twice.

Only Ms. Broccoli, her half-brother Michael G. Wilson and their associates know whether Blofeld, and SPECTRE, will only live twice. But the McClory settlement certainly makes it possible. The real question is whether Broccoli and Wilson want do exercise that option.

How honest should former 007 crew members be?

Martin Campbell, two-time 007 director who helmed the new Green Lantern movie, has caused a bit of a stir among James Bond fans. While promoting his new film, Campbell got asked about what he thought about Quantum of Solace, the 2008 followup to 2006’s Casino Royale that Campbell directed. His answer, in interviews such as the one he did for Crave Online he spoke plainly:

Crave Online: What do you think of the way they’ve taken the Bond series after Casino Royale with Quantum of Solace?

Martin Campbell: Oh, I thought it was lousy. And hopefully this next one will be terrific. Sam Mendes is directing it and I’m sure it’ll be terrific.

Crave Online: Why didn’t you like it? Were there themes from Casino Royale you were hoping they’d pick up on?

Martin Campbell: No, I just thought the story was pretty uninteresting. I didn’t think the action was related to the characters. I just thought overall it was a bit of a mess really.

Message board of Bond fan Web sites, Facebook and other Internet destinations lit up. Some fans have suggested Campbell was unseemingly, ungentlemanly and just plain nasty to Eon Productions, which makes the 007 films.

A couple of observations:

1. Campbell was asked by an interviewer about his opinion and he evidently answered honestly. At the very least, it wasn’t the canned pap that comes as actors, directors and producers stick to planned talking points. Also, Campbell didn’t criticize QoS director Marc Forster, or anyone else associated with the 2008 film by name. Some fans felt Campbell was personally dissing Forster.

2. Campbell isn’t the only former crew member of a Bond film to stray into candid remarks. A few examples:

Ken Adam: The seven-time Bond production designer told U.K. film historian Adrian Turner part of the reason he left the series after 1979’s Moonraker. “The production team had changed and, in my opinion not for better — except for Cubby Broccoli who is an old friend and who I worked for even before the Bonds. I just would not have felt comfortable being associated with some of the new people involved.”

Adam didn’t name names. But this was around the time that Michael G. Wilson, Broccoli’s stepson, was taking on greater responsibility with the movies. He was “special assistant to producer” in The Spy Who Loved Me (credit in small type) then was promoted to executive producer (credit in big type) in Moonraker. He added co-screenwriter to his titles with 1981’s For Your Eyes Only, which Adam didn’t participate in.

Guy Hamilton: The director of four Bond movies, including Goldfinger, told Turner that producer Albert R. Broccoli was “the tit and bum man” of the early Eon Productions team of producers. Interesting description for someone who’d eventually win the Irving G. Thalberg Award, a big deal in Hollywood. Hamitlon also told the film historian that producer Harry Saltzman, Broccoli’s partner for the first nine 007 films, “had the subtlety of an ape.”

Guy, tell us what you really feel.

The point is that people, even when they’re doing what they love for a career, have mixed feelings about individuals and situations.

In Campbell’s case, he’s 70 years old. In terms of Bond, his two films, GoldenEye and Casino Royale, were the 007 debut for Pierce Brosnan and Daniel Craig and big hits. That’s a big legacy for the Bond series.

But, you may ask, isn’t he closing the door to doing another Bond movie?

Eon has made all of three films since 1999. Campbell has little incentive on waiting on another opportunity from Eon. The number of films he has left is probably pretty limited; to cite some superstar directors, Howard Hawks’s last film was released when he was 74, while the last films of John Ford and Alfred Hitchock came out when each director was 75. Also, as we said before, Campbell’s remarks weren’t personal and were tamer than others.

For some Bond fans, though, honesty may not be the best policy. James Bond films are a type of fantasy. Straight talk by people who used to work in the franchise remind us it’s still a job, a job that has frustrations and trying moments like other jobs. That disrupts the fantasy.