Lynch’s Nomi may be 001 instead of 007, tabloid says

Lashana Lynch publicity still released during April “reveal” event in Jamaica

The tabloids never sleep. The Mail on Sunday (Sunday edition of The Daily Mail) is out with a story saying that Lashana Lynch’s character in No Time to Die may have a code number of 001 instead of 007.

Here’s the key excerpt:

However, plans for her (Lynch) to become the first black, female 007 – taking over the codename from (Daniel) Craig’s Bond after he retires – could be scrapped after a social-media backlash. Sources say she is now likely to get another agent number, 001.

This possibility has caused a lot of angst on social media among Bond fans. As recently as a Nov. 6 Hollywood Reporter feature story on Lashana Lynch and Ana de Armas said Nomi having the 007 code number was still the plan.

There’s a lot of the usual tabloid stuff with the new story. For example, the headline says declares No Time to Die is the “wokest” James Bond film.

About that fuss over Phoebe Waller-Bridge

Phoebe Waller-Bridge

The fuss about writer-actress Phoebe Waller-Bridge working on No Time to Die’s script isn’t going away. In part that’s because it’s getting hyped by various parties.

Case in point: The Sunday Times this week published an interview with star Daniel Craig. The actor said Waller-Brige is a great writer and there’s no reason she shouldn’t be on the project.

“Look, we’re having a conversation about Phoebe’s gender here, which is f****** ridiculous,” Craig told the newspaper.

The online entertainment site IndieWire decided to add some drama to the proceedings.

The IndieWire story ran with the headline, “Daniel Craig Shuts Down Reporter for Asking if Phoebe Waller-Bridge was a Bond Diversity Hire.”

A headline on Entertainment Tonight’s website boosted the hype a bit more. “Daniel Craig Claps Back At Reporter’s ‘F***ing Ridiculous’ Question About Whether Phoebe Waller-Bridge Was A Diversity Hire.”

That was an interesting take, especially given that the scribe for The Sunday Times didn’t feel shut down after Craig’s comments about Waller-Bridge.

It was then that I realised the more Craig shouts at you, the better things are going. He enjoys this sort of debate and, by virtue of the energetic rate he punches out words, nothing comes across as rude as it seems on the page. He is, instead, brusque and open. Just a really big fan of ironing things out and, like a friend in a pub during a fourth pint argument, any bad blood will be forgotten by the journey home.

Hence, we got a little drama where it perhaps really didn’t exist.

In a perfect world, Waller-Bridge’s gender would have nothing to do with her work on No Time to Die. But that’s not going to happen for a variety of reasons.

First, not that many women writers have worked on Bond films until now and only Johanna Harwood received a credit (Dr. No and From Russia With Love).

Second, Waller-Bridge is also a performer as well a scribe and has more visibility than most writers, female or male.

Finally, Waller-Bridge’s participation in No Time to Die may become a talking point for the movie.

The Daily Mail’s Baz Bamigboye had a September story quoting an unidentified executive (described as being close to the production) as saying Waller-Bridge’s “great” contribution to the script was “the savior of Bond, really.”

If Bamigboye’s source really is “close to the production,” then expect to hear more of this sort of thing.

Meanwhile, the notion of Waller-Bridge as No Time to Die’s savior is amusing given how another entertainment website, The Playlist, earlier this year essentially hyped another No Time to Die screenwriter, Scott Z. Burns, as saving the movie.

Who knew Bond needed so much saving?

For her part, Waller-Bridge hasn’t said much about No Time to Die. She said in a Deadline: Hollywood interview that Bond doesn’t have to change but the movies need to treat women better

In any case, expect more fuss related to Waller-Bridge between now and April when No Time to Die comes out.

Waller-Bridge being ‘wooed’ for Bond 26, Baz says

Phoebe Waller-Bridge

Phoebe Waller-Bridge “is being wooed” to write Bond 26, the Daily Mail’s Baz Bamigboye wrote in a story published Thursday.

Earlier this week, Amazon Studios announced it signed Waller-Bridg to create and produce new shows for the streaming service, a deal Variety reported is worth $20 million a year. That deal was disclosed after Waller-Bridge won three Emmys for her Fleabag series.

Bamigboye previously had a number of scoops proven direct during production of Skyfall and SPECTRE. He hasn’t been reporting on Bond films as much in recent years and hadn’t written at all about No Time to Die for months.

His newest story quotes a source he didn’t identify as saying Waller-Bridge’s contributions to No Time to Die were “great — far greater than we’d anticipated. She’s the savior of Bond really.”

The tone of the story was considerably more cheerful that a piece Bamigboye did in May that described No Time to Die’s script as being written by committee.

Waller-Bridge was one of several writers who worked on the 25th Bond film made by Eon Productions. Others included Scott Z. Burns and the writing team of Neal Purvis and Robert Wade.

Bamigboye’s new story provided no details about when Bond 26 might come along except to say it will be “years” from now.

It remains to be seen whether the busy Waller-Bridge will be available for Bond 26.

The Bond series has a history where a writer comes aboard to rewrite and gets a lot of credit for improving the story. However, in some cases, (Bruce Feirstein after GoldenEye, Paul Haggis after Casino Royale and John Logan after Skyfall) they ran into problems with their second Bond effort.

No Time to Die’s sudden switch

No Time to Die logo

No spoilers except in the most general sense.

So how did this happen?

Early in the filming of No Time to Die, the 25th James Bond film, there was mystery. There were some images available but enough you could really make out the plot. Then, the second unit went off to film action sequences while the first unit was behind the walls of Pinewood Studios.

However, since production moved to Matera, Italy, all that has changed.

Some of it reflects modern technology. People take video using their smartphones and upload it to social media. Initially, it was the second unit. Then, the first unit and actors Daniel Craig and Lea Seydoux arrived. All of that has meant a lot of video and stills.

As a result, tabloids have stories seemingly daily. Daniel Craig does this. Daniel Craig does that. Oh look, there’s Daniel Craig with his stunt double. Oh, and here’s Lea Seydoux. She’s in this outfit. She’s in that outfit. Oh look, according to one Daily Mail caption, Daniel Craig is talking to a member of the crew. It turned out to be Eon Productions boss Barbara Broccoli.

Metro-Goldwyn-Mayer moved to yank smartphone video posted by fan sites. Not too long after that, outlets such as Reuters and Sky News started tweeting out some of the same No Time to Die videos. The toothpaste was well out of the tube.

All of this is the way of the world, I guess. For me personally, it’s gotten exhausting. There’s enough out there you can put together a rough idea of how the movie may be structured (at least at the start) if you’re so inclined. There’s also enough out there to question some of the favorite fan theories of what will happen in the movie. We’ll see how it goes.

Daily Mail commits a big oops on No Time to Die

No Time to Die logo

The Daily Mail, one of the British tabloids that can’t enough of James Bond, committed a faux pas in a one of its stories about the filming of No Time to Die in Matera, Italy.

The writer of a caption for a photo misidentified Barbara Broccoli, the boss of Eon Productions, as “a female assistant” to actor Daniel Craig.

The gaffe was spotted by Phil Nobile Jr., editor of Fangoria magazine. Nobile took to Twitter. His post included a screen grab of the original version. The caption read: “Craig was joined by a female assistant as he relaxed between takes on Tuesday.”

Here’s the tweet that Nobile sent out:

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Barbara Broccoli has been involved with the series going back to the 1970s. She told a Hollywood Reporter podcast in December 2017 that she captioned stills during production of The Spy Who Loved Me when she was in her teens. She received an onscreen credit in 1983’s Octopussy as “executive assistant.”

The Daily Mail caption was changed later in the day to read, “Craig was joined by Barbara Broccoli as he relaxed between takes on Tuesday.” Nevertheless, the original error enraged some fans. One example from the Thunderballs photo archive:

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Naomie Harris talks (a bit) about Bond 25

Naomie Harris

The Daily Mail published a July 26 feature story on Naomie Harris. It included some comments by Harris about Bond 25.

On the James Bond character:

‘We’re seeing a real evolution of his character. He’s now having equal relationships with the female characters and he’s emotionally attached, making real connections. There’s real respect for the women in his life.”

On the movie’s women characters:

“There are now four women in the script and they all have incredibly strong roles and play a huge part in driving the story forward and assisting Bond.”

On Moneypenny in Bond 25:

“I can’t say what she gets up to. It’s very secretive. The scripts don’t disintegrate after reading, but they get hand-delivered and you have to sign non-disclosures.”

Bond 25 questions: The script edition

Phoebe Waller-Bridge

Bond 25 filming is underway. Work has wrapped up in Jamaica. Things should be moving along nicely, right?

Not according to tabloid newspapers, specifically The Sun and Daily Mail in the U.K. and the New York Post in the U.S. And a lot of the hubbub has to do with the film’s script.

Naturally, the blog has a few questions.

Is there really “no script”?

From the time the first draft is submitted, there’s a script. The question is whether there’s a script everyone is happy with.

Still, at any time, there’s a document that exceeds 100 pages and says “The End” at the end. The first draft is replaced by a second draft and so on and so forth.

Nevertheless, the tabloids say differently. The Post in an April 25 story quotes a person it didn’t identify as saying, “They don’t have a script.”

The Sun in an April 26 story said “there is no script.”

Not to be outdone, the Daily Mail began a May 9 story thusly: “The joke on the Bond 25 set is the script’s under wraps. And the response is: ‘What script?’” The story said the story is being rewritten “endlessly.”

So what’s really going on?

Clearly, a number of writers have worked on the project at one time or another. Among them: the team of Neal Purvis and Robert Wade; John Hodge when Danny Boyle was attached as director; and Scott Z. Burns and Phoebe Waller-Bridge since Cary Fukunaga (who also writes scripts) replaced Boyle.

In the past week, Waller-Bridge has gotten a lot of attention. She’s both a performer and writer and worked on various high-profile projects.

Waller-Bridge was interviewed on The Hollywood Reporter’s Awards Chatter podcast. That mostly concerned her career generally but included a few minutes about Bond 25 at the end. She was also the subject of a separate Daily Mail feature story.

In both instances, Waller-Bridge made it sound as if Bond 25’s scripting is under control.

“We have a script and we’re continuing to work on it, all of us floating ideas around and creating characters together,” she said in the Daily Mail story.

Anything else catch your eye?

The Daily Mail’s May 9 story about the “endless” rewriting of Bond 25’s script said it was being revised by Waller-Bridge, director Fukunaga and star Daniel Craig.

Back in 2011, Craig said how he and director Marc Forster supposedly rewrote Quantum of Solace on the set. “A writer I am not,” Craig said then.

If the Daily Mail is correct (something I am not assuming), did Craig change his mind?

Is there context we should keep in mind?

At various times in the 57-year history of the 007 film franchise, there’s been frantic rewriting: From Russia With Love, The Spy Who Loved Me and Tomorrow Never Dies come to mind. Things turned out well at the end.

Still, past performance isn’t a guarantee of future success. You can’t take success for granted.

That’s something to keep in mind. But not something to lose sleep over, at least not at this stage in the proceedings.

UPDATE: A Japanese outlet, Cinema Today, posted a story dated May 12 but is based on an April interview with Eon’s Barbara Broccoli and Michael G. Wilson. According to a translation, the duo say that director Cary Fukunaga recruited Scott Z. Burns as a writer while they brought in Phoebe Waller-Bridge. Wilson said work on the script “struggled for a while” but they have a story “with a lot of twists and surprises.”