Bond 25 questions: The trailer, soundtrack edition

No Time to Die poster released Sept. 1.

The No Time to Die publicity machine got reactivated this week, including a new trailer and details about the soundtrack being released.

Naturally, the blog has questions.

What’s the big takeaway?

It’s very clear that No Time to Die is back to “saving the world” territory.

The new trailer shows agent Nomi (Lashana Lynch) saying villain Safin “will kill millions.” Bond (Daniel Craig) says if his team is unsuccessful there won’t be anything left to save.

Eon Productions has shied away from such sweeping, big stakes since Craig took over as Bond. Quantum of Solace, for example, dealt with water rights.

I’m not exactly sure about the stakes of SPECTRE. Bond and his allies sought to prevent something from being deployed related to observing people. But SPECTRE already seemingly had the ability to record every single phone conversation on the planet. It wasn’t very clear how things would be any worse if SPECTRE succeeded.

Anything new catch your eye?

The No Time to Die ad that debuted during the Super Bowl showed Bond and Nomi is a plane or glider. In the new trailer, we see it can become a submarine.

That idea isn’t new. One of the earliest Gerry Anderson shows was Supercar, a craft that could fly and be a submarine. (I actually had a Supercar toy as a kid.) The 1964-68 series Voyage to the Bottom of the Sea featured the Flying Sub, which flew and could travel undersea.

Still, it’s an element of fantasy that hasn’t been part of the Daniel Craig era of James Bond films.

Hey, what happened to Steve Mazzaro?

For the uninitiated, No Time to Die composer Hans Zimmer told Variety in June that he needed Steve Mazzaro’s help to do the movie’s score because of a tight deadline.

As part of that interview, Zimmer said: “Steve should really be the top name on the Bond film.”

Naturally, there was no mention of Mazzaro in the press release Eon Productions put out with the soundtrack cover.

There were quotes from the likes of Barbara Broccoli, Michael G. Wilson and director Cary Fukunaga about the genius of Hans Zimmer. Of course, Fukunaga doesn’t mention how his composer choice, Dan Romer, got fired from the project.

Does that surprise you?

No. When I read the Zimmer interview in Variety, I took his remark about how Mazzaro should get top billing as an empty compliment, not something he meant seriously.

Still, it’s another example of how studios and “artistes” count on people not remembering what has been said previously. So it goes.

Bond 25 questions: The score edition

New No Time to Die poster

It’s still a long way off before people can see No Time to Die. But thanks to an interview with Variety, composer Hans Zimmer has provided the blog with some questions to ask about the movie’s score.

Should the title card read, “Music by Steve Mazzaro and Hans Zimmer”?

Well if you take Zimmer at his word, maybe yes.

Steve should really be the top name on the Bond film,” Zimmer told Variety.

Mazzaro is one of the composers affiliated with Zimmer’s Remote Control Productions company. In the interview, Zimmer said he asked No Time to Die producer Barbara Broccoli “if it was okay that Steve Mazzaro, who is one of the most fabulous composers I know, could do it with me, because there was very little time.”

Was Zimmer perhaps just being polite?

Maybe yes, maybe no. One way Zimmer manages to do so many film scores is by enlisting the help of other composers.

On some films, Zimmer gets the primary “music by” credit while other Remote Control composers get secondary “additional music by” credits. Examples: Man of Steel, Dunkirk, Inception and The Dark Knight Rises.

On still other films, such as Batman v Superman and Blade Runner 2049, Zimmer actually shares the “music by” credit.

Regardless, in addition to Mazzaro, other Remote Control composers who’ve helped out Zimmer include Junkie XL and Lorne Balfe. The latter got the gig to score Mission: Impossible-Fallout and is slated to score the next two M:I movies.

Anything else in that interview catch your eye?

Zimmer’s quote about how “there was very little time” is worth noting. Eon was trying to meet an April release date before the COVID-19 pandemic shut down movie theaters.

Zimmer (and Mazzaro) replaced Dan Romer, who had worked with director Cary Fukunaga on other projects. Since Skyfall, Eon Productions has generally deferred the choice of composer to the directors of Bond films. No Time to Die initially seemed to continue that pattern until Romer’s departure.

A common fan theory is that Romer produced a score deemed too extreme. Meanwhile, Eon had worked with Zimmer and Mazzaro on The Rhythm Section (Mazzaro as composer, Zimmer as music producer, with the latter getting top billing on the music title card).

Zimmer suggests his NTTD co-composer did a lot of work

Hans Zimmer

Hans Zimmer, the lead composer on No Time to Die, suggests in a new interview with Variety that his assistant composer did a fair amount of work on the 25th James Bond film.

Zimmer told Variety of how he was approached by producer Barbara Broccoli about scoring the movie.

“And I asked her if it was okay that Steve Mazzaro, who is one of the most fabulous composers I know, could do it with me, because there was very little time,” Zimmer said. “And of course she said yes. Steve should really be the top name on the Bond film. I hope we’ve done it justice.” (emphasis added).

Mazzaro scored The Rhythm Section, the non-Bond spy film that Eon produced, which was released by Paramount in January. Zimmer was the producer of that movie’s soundtrack. Zimmer and Mazzaro shared the music title card, with Zimmer getting top billing.

Mazzaro also is one of the composers affiliated with Zimmer’s Remote Control Productions company.

In the Variety interview, Zimmer also discussed recruiting guitarist Johnny Marr to perform on No Time to Die.

Zimmer replaced Dan Romer as the composer for No Time to Die. Zimmer’s name is on No Time to Die posters that include credits but Mazzaro’s is not.

The article examines other movie projects Zimmer is working on. You can view it by CLICKING HERE.

Eon confirms Zimmer scoring NTTD

Hans Zimmer

Hans Zimmer is scoring No Time to Die, Eon Productions said in a statement on its official James Bond webite.

Variety reported Jan. 6 that Zimmer was now working on the score of the 25th James Bond film. Zimmer replaces the original composer on the project, Dan Romer.

Romer wasn’t referenced in today’s press release. He was listed as composer in an August press release saying the movie would be titled No Time to Die.

It remains to be seen whether Zimmer is tackling the Bond film by himself or is getting help from composers affiliated with his Remote Control Productions company.

A number of Zimmer-scored films, such as Man of Steel, had other composers getting “additional music” credits.

The statement didn’t have information about a title song performer for No Time to Die.

Today’s press release also confirms that No Time to Die’s U.S. release has been pushed back two days to April 10. Previous releases by Eon and Metro-Goldwyn-Mayer (including the August release revealing the film’s title) listed the date as April 8. However, IMDB.com and other sources have been listing it as April 10.

Bond 25 questions: The composer edition

Hans Zimmer title card from Inception (2010),

Thanks to Variety (but still not announced), the word is out that Hans Zimmer is working on the score for No Time to Die. Naturally, the blog has a few questions.

Is it Zimmer or Hans Zimmer & Co.?

Hans Zimmer runs a company called Remote Control Productions. It has more than 60 affiliated composers. On a number of films (Dunkirk, Man of Steel, The Dark Knight Rises and Inception), Zimmer gets sole “music by” credit while of the Remote Control Productions composers get an “additional music” credit.

Those other composers have included Lorne Balfe and Junkie XL. The number of additional music composers varies from project to project.

On other occasions, including Blade Runner 2049 and Batman v Superman: Dawn of Justice, Zimmer has shared the main “music by” credit with another one of the Remote Control Productions composers. Benjamin Wallifisch shared the credit with Zimmer on Blade Runner 2049 while Junkie XL shared the Batman v Superman music credit.

How long has Zimmer been working on No Time to Die?

The MI6 James Bond website, in a story early today, said it “understands that orchestral sessions are currently being recorded” for the new Bond film. Mr. Obvious observation: That sounds like the score has been written, or at least partly written.

What happened to Dan Romer?

The Variety story said “creative differences” without providing more details. News that Romer was initially hired to score No Time to Die surfaced last year. He was listed in the crew in an August press release issued primarily because of the title reveal.

Presumably, Romer’s work didn’t please Eon Productions in some way. Meanwhile, Eon has been working with Zimmer’s Remote Control Productions for its upcoming non-Bond spy film The Rhythm Section. Zimmer is listed as executive music producer.

Why don’t they bring David Arnold back?

Arnold composed scores for five Bond films and is a fan favorite. But starting with Skyfall, Eon Productions has — at least initially — hired a composer chosen by the director.

Sam Mendes wanted Thomas Newman and got him. Romer had worked on some previous projects of No Time to Die director Cary Fukunaga.

In the end, any composer is a hired hand when it comes to the family-run Bond films. Marvin Hamlisch got two Oscar nominations for The Spy Who Loved Me but was never asked back into Bondage.

Hans Zimmer to score NTTD, Variety says

Hans Zimmer

Hans Zimmer is the new composer for No Time to Die, Variety reported late Monday night.

The entertainment news outlet cited “multiple sources” without identifying them. Metro-Goldwyn-Mayer, the Bond franchise’s home studio, declined to comment to Variety.

Zimmer has scored various major films, including a number of movies directed by Christopher Nolan. He has been nominated for 11 Oscars with one win.

Zimmer also is listed as executive music producer for Eon Productions’ non-Bond spy film The Rhythm Section, to be released late this month.

He replaces Dan Romer, who Eon said in August would score No Time to Die. Romer previously had worked on some projects with director Cary Fukunaga.

Variety cited reports “so far without confirmation” that “have suggested” Zimmer may have to work with another composer to complete the movie. Variety didn’t identify what those reports were.

Zimmer runs Remote Control Productions, a music company with a large roster of affiliated composers. One of them, Steve Mazzaro, scored The Rhythm Section for Eon. Another, Benjamin Wallisfisch, shared the scoring credit with Zimmer for Blade Runner 2049.

What we know (and don’t know) about NTTD’s music

Daniel Craig/James Bond character poster

(Corrects to note Dan Romer listed in August press release.)

One of the main unanswered questions about No Time to Die is who will do the music. There’s been a lot of smoke but no definite answers.

So, here’s a recap.

1. IndieWire reported July 2 that Dan Romer had the job. The same day, Romer put out a tweet thanking IndieWire and said he was “very excited for this year.”

2. An August press release about the title No Time to Die lists Romer as composer.

3. The James Bond Radio fan website on Nov. 1 says it has heard Romer has departed the project. But the website also says to take the development with a grain of salt. Romer’s Twitter account is of no help. Its last post was on Sept. 6.

4. David Arnold, a five-time Bond film composer (and a fan favorite), says Dec. 4 on Twitter he hasn’t been approached about working on No Time to Die. “I can sit back and enjoy it with everyone else,” he writes.

5. Anton Volkov, founder of TrailerTrack (@antovolk), posts a Dec. 27 tweet saying “there’s some smoke” that someone affiliated with Hans Zimmer’s Remote Control Productions may be doing the No Time to Die’s score.

One of the sources is a message board at Zimmer’s website. The site administrator reportedly is close to Zimmer.

6. One question is whether we’re talking about Zimmer himself or another composer affiliated with his Remote Control Productions company. For background about Remote Control, CLICK HERE to view a 2014 story by Variety.

7. James Bond Radio comes back with a Dec. 28 tweet saying it doesn’t know who the composer is, just that it’s not Zimmer but “one of his guys” at Remote Control. The tweet includes a link to composers affiliated with Remote Control.

One of the 63 composers shown on the Zimmer website page is Tom Holkenborg, known professionally as Junkie XL. Holkenborg and Zimmer shared the composer credit for 2016’s Batman v Superman: Dawn of Justice. Holkenborg was supposed to score 2017′ Justice League but got replaced by Danny Elfman.

Another one of the Remote Control composers is Lorne Balfe, the credited composer for 2018′ Mission: Impossible-Fallout.

UPDATE (10:15 a.m., New York time, Dec. 29): On Dec. 25, Film Music Reporter had a story about Dan Romer’s latest project, Wendy. It does not list No Time to Die as among Romer’s credits. h/t MI6 James Bond website, which mentioned in a story.

Bond 25 questions: The miscellaneous edition

Daniel Craig/James Bond character poster

We seem to have completed a wave of No Time to Die marketing that included the release of the film’s first trailer. However, as is often the case, the blog has some questions.

How long will the movie be?

The Daniel Craig era of the James Bond film series has been known for long movies.

2006’s Casino Royale came in at 144 minutes, edging out On Her Majesty’s Secret Service (142 minutes) for the longest film in the series up to that time.

Six years later, Skyfall came in at 143 minutes, according to its IMDB.com listing. Then, in 2015, SPECTRE seized the crown of longest-running Bond film at 148 minutes.

The one exception in the Craig era was 2008’s Quantum of Solace at a slender106 minutes, the shortest movie in the series made by Eon Productions.

Based on recent history, it would seem a longer movie is more likely than a shorter one. But how long? Two-and-a-half hours? Longer? Is three hours a possibility? There’s no way to know, obviously, at this point.

Who will do the title song?

To be honest, this isn’t something I personally get excited about. It used to be the title song was an integral part of the movie. Now, it seems to be little more than part of the marketing.

The last time a Bond film composer helped write a title song was Casino Royale’s You Know My Name, where David Arnold collaborated with singer Chris Cornell. When that happens, the composer can weave the title song into the movie’s score.

Now? Music from the song does show up in the underscore, but it doesn’t sound particularly smooth.

When No Time to Die’s title song composer is announced, it’ll get a lot of attention. But, speaking only for myself, it’s hard to get that excited. Which leads up to the next question….

Who is scoring the movie?

In July, IndieWire reported that Dan Romer, who had worked with director Cary Fukunaga on some projects, was the composer. Romer put out a tweet that appeared to confirm the report.

Then, in November, fansite James Bond Radio said it heard Romer had left the production.

Nothing has been heard of since then. There has been no announcement about a No Time to Die composer. So who knows at this point?

Bond 25 questions: The composer edition (again? maybe?)

No Time to Die teaser poster

On All Saints’ Day 2019, the James Bond Radio podcast raised the question whether Dan Romer may not score No Time to Die after all.

On posts on Twitter and Facebook, the fan site said it heard from a source that Romer has left the 25th James Bond film. Romer has worked with No Time to Die director Cary Fukunaga on other projects.

At this point, there’s no way to know. In the James Bond Radio post on Facebook, there was this caveat: “Our source does seem credible, but of course you never know for sure until we get an official word.”

With all that in mind, the blog has some questions:

Is Romer really gone?

There’s no way to know. Eon Productions isn’t likely to say until a replacement is lined up.

Is this sort of thing unusual?

Not really. Bernard Herrmann scored a number of films for producer-director Alfred Hitchcock. But Herrmnn delivered a score for Torn Curtain (1966). Hitchcock hated it and that was the end of the long collaboration between director and composer.

More recently, Warner Bros. superhero film Justice League (2017) started out with a score by Junkie XL. But the powers that be rejected it and Danny Elfman came in Elfman included his own theme for the 1989 Batman movie as well as John Williams’ theme for the 1978 Superman movie.

If (repeat IF) Romer is gone, who might replace him?

A lot of Bond fans would love to have five-time Bond film composer David Arnold back. Arnold hasn’t scored a Bond film since 2008’s Quantum of Solace.

Arnold has a following among Bond fans, many of whom have been wishing he’d return. Director Sam Mendes insisted on Thomas Newman to compose the scores for Skyfall and SPECTRE. Then, Romer was the man for No Time to Die, presumably because he worked with Fukunaga before.

Another fan favorite is composer Michael Giacchino, who has worked in John Barry-style flourishes in a number of scores including The Incredibles (2004) and other films. His credits include one Mission: Impossible movie and a number of Marvel Studios films.

Any other thoughts?

Not really. The James Bond Radio social media posts quickly spread among fans. It remains to be seen what’s really happening. That’s not a criticism of James Bond Radio. We just don’t know what’s happening.

No Time to Die wraps filming (evidently)

No Time to Die logo

No Time to Die has apparently completed (or is about to complete) filming. At least it is done enough that crew members are taking to social media to say their goodbyes. (CLICK HERE and CLICK HERE for examples.) Even if those posts are a bit premature, this stage of the saga is ending.

To say the journey has had its ups and downs is an understatement. An ankle injury to its star, Daniel Craig. An explosion in June that damaged the exterior of the 007 Stage at Pinewood Studios. More than one tabloid headline referring to a doomed production.

Meanwhile, a team of writers, including Bond newcomers Phoebe Waller-Bridge and Scott Z. Burns, wrestled with the story. A new director to the series, Cary Fukunaga, is following in the footsteps of Terence Young and other directors for the Eon series.

There is, of course, a lot that fans are curious about. What’s the name of the villain played by Rami Malek? To date, there have been no stills of the actor in character. What about a trailer? Who knows at this point. What will new composer Dan Romer bring to the party?

Still, there have been some of the usual moments in the lead up to a new Bond film. A Bond actress proclaiming her character is different than all those other Bond women? Ana de Armas just came through in a feature story.

Next up: Putting the movie together in time for an April 2020 release. By now, Bond films are well known for tight post-production schedules. There will likely be some late nights in the editing bays ahead — if they haven’t started already.

UPDATE (5:40 p.m., New York time): The MI6 James Bond website says filming is scheduled to be actually completed on Friday, Oct. 25. See the tweet below.