Bond 25 director will juggle another project

Cary Fukunaga, director for Bond 25

Cary Fukunaga, Bond 25’s director, will also be juggling another project, Deadline: Hollywood reported.

Fukunaga and David Lowery will write a pilot script for the Paramount Channel cable outlet based on the 1985 Joe Dante-directed film Explorers, the entertainment news website said.

Either will “direct the pilot should it get to that,” according to Deadline.

Deadline referenced how Fukunaga is directing Bond 25, but didn’t specify when the new scripting effort would occur. Bond 25 is scheduled to begin production on March 4 for a February 2020 release.

Daniel Craig, scheduled to return to play 007 in Bond 25, is in a new mystery movie Knives out, directed by Rian Johnson. That will film before Bond 25 starts production. (According to IMDB.COM, filming is underway.)

Eon Productions, meanwhile, has a non-007 spy movie, The Rhythm Section that’s due for a February 2019 release by Paramount.

Michael Apted discusses 007 films and the female audience

Michael Apted

Michael Apted, director of 1999’s The World Is Not Enough, says the James Bond film series may have trouble expanding its female audience beyond what it is now. Also, Apted says he wouldn’t be up to directing another 007 film.

Apted, 77, gave an interview to The Hollywood Reporter. Much of the interview covered his “Up” series of documentaries that follows the same group of people every seven years. But the interview veered into James Bond territory.

The director was mostly known for dramatic films, including Coal Miner’s Daughter prior to signing to direct the 19th James Bond film made by Eon Productions. He was brought aboard The World Is Not Enough for that season. What follows are some of his Bond comments.

-How he got the 007 job: “It turned out, they were trying to get more women to come and see it. So, we really wanted to do a Bond with a lot of women in it. I was right person because I’d done a lot of successful films with women in them. But they didn’t tell me that until right before we started. When I found out, I finally understood.”

–Bond’s female audience: “Well we had a woman as the murderer (in The World Is Not Enough) and Judi Dench was featured a lot more. But it still did not bring more women in to see it….I honestly don’t think they can (bring women in) anymore than they have. We have really tried everything. At the end of the day, it is for the fathers and the sons.”

-Why he wouldn’t do another 007 film: “I’ll never do another one. The actor sets the tone and I think the current Bond is a great actor, but Bond has become very violent. There is so much violence in it now.”

–Could Bond ever be transformed into a woman? “I don’t think so. They could do another version with a woman but I don’t see how it could be Bond.It could beJulia Bond” or something like that, but than it gets into the realm of stupidity.”

Questions for a Barbara Broccoli interview

Barbara Broccoli

The Metro website, in a story labeled “exclusive,” quotes Eon Productions boss Barbara Broccoli as saying things are just fine with Bond 25. “No, it’s film making,” she told the website. “We’re very excited about Bond and can’t wait.”

There really isn’t much more than that. The story has some background about Bond 25’s pre-production and some Broccoli quotes that previously appeared in The Guardian about how 007 will main a man. The new quotes apparently were generated thusly:

But producer Barbara Broccoli has laughed off fan worries, asking Metro.co.uk ‘concerned about what?’ when queried about the difficulties the production has come under.

Not that the blog is ever going to get the chance, but here are some questions interviewers might want to ask Broccoli if they get the chance in the future.

–You told a Hollywood Reporter podcast in December 2017 that “my heart was breaking” before Daniel Craig agreed to come back for Bond 25. Was it ever in doubt that Craig would come back? If so, when did the situation change and why?

Why did you announce in July 2017 that Bond 25 had a release date when no distributor was lined up yet?

Do you have regrets about the whole Danny Boyle-John Hodge situation? That appears to have cost Bond 25 months in pre-production time.

–Is the big Boyle-Hodge idea still part of Bond 25 or not?

–What can you say about Boyle’s departure from the project?

–What was the back story of how you signed on Bond 25’s new director, Cary Joji Fukunaga?

–What is it like working with MGM? The studio still hasn’t named a successor to the departed Gary Barber. What was Eon’s relationship with Barber?

–Will Bond 25 be Daniel Craig’s last 007 film? Or do you think you can get him back for future installments?

–Are intervals of four or more years what we should expect from now for the 007 film series?

Broccoli tells The Guardian 007 ‘probably’ will remain a man

Barbara Broccoli

Eon Productions boss Barbara Broccoli told The Guardian that the cinematic 007 “probably” will remain a man.

“Bond is male,” Broccoli, 58, told the British newspaper. “He’s a male character. He was written as a male and I think he’ll probably stay as a male.

“And that’s fine. We don’t have to turn male characters into women. Let’s just create more female characters and make the story fit those female characters.”

Over the past few years, various publications have speculated about women who could play Bond. Among them: Vogue (“6 Women Who Would Make a Killer 007”), The Independent (“James Bond: The Women Who Could Play a female 007 When Daniel Craig Steps Down”), Maxim (“10 Amazing Actresses Who Could Play a Killer James Bond”) and Newsday (“Jane Bond: 10 actresses who could play a female James Bond”).

A number of recent pieces along this line were published when Broccoli and her leading man, Daniel Craig, were taking an extended break from the 007 film series. The most recent Bond film, SPECTRE, came out in the fall of 2015 while Bond 25 won’t be released until February 2020.

Still, the question has come up long before now. In the late 1990s, there was a gathering at Northwestern University near Chicago where 007 continuation author Raymond Benson spoke. One of the questions from the audience was when Bond would be played by a woman or a person of color.

In The Guardian interview, there was also this passage:

Yes, she concedes, Bond cannot be considered a feminist property, but mostly because people tend to “reference those early (Bond) movies. It was written in the 50s, so there’s certain things in [Bond’s] DNA that are probably not gonna change.”

“But look at the way the world has changed. And I think Bond has come through and transformed with the times. I’ve tried to do my part, and I think particularly with the Daniel [Craig] films, they’ve become much more current in terms of the way women are viewed.”

Broccoli previously has taken credit for updating the way the film 007 interacts with women. “Fortunately, the days of Bond girls standing around with a clipboard are over,” she said in a 2012 interview with the London Evening Standard.

Bond 25 may decide Barbara Broccoli’s legacy

Barbara Broccoli, boss of Eon Productions

For Barbara Broccoli, Bond 25 may determine her career legacy.

Broccoli has produced a number of plays and non-Bond films. But being in the driver’s seat of the 007 film series will outweigh that.

Put another way: Her eventual obit will NOT have a headline of “Barbara Broccoli, producer of plays and dramas, dies.” It will read (more or less), “Barbara Broccoli, James Bond producer, dies.”

For the record, Broccoli, 58, is co-leader of Eon Productions with her half-brother, Michael G. Wilson, 76. In official Eon press releases, Wilson’s name is first, hers second. And, since 1995’s GoldenEye, the title card reads, “Produced by Michael G. Wilson and Barbara Broccoli.”

However, the Dec. 1, 2014 press event for SPECTRE made clear it was Broccoli was now in the lead position. Wilson wasn’t present. He would show up at later SPECTRE press events.

Nevertheless, the December 2014 event cemented a narrative that Broccoli, daughter of Albert R. and Dana Broccoli, was the lead figure of the franchise. For example, there’s this April 20, 2017 New York Times story that had this passage:

“…Barbara Broccoli, who runs Eon Productions. Moviemaking is a collaborative process, but Ms. Broccoli and her older half brother, Michael G. Wilson, have final say over every line of dialogue, casting decision, stunt sequence, marketing tie-in, TV ad, poster and billboard.”

Note The Times listed Broccoli first, Wilson second, the reverse of their title cards on 007 films.

However, that control doesn’t extend to financing. Eon has never financed its own movies. Others have always paid the bills. United Artists carried that responsibility in the early years. Metro-Goldwyn-Mayer after it acquired UA in 1981.

MGM financial problems caused the longest hiatus in the 007 film series, 1989-95. An MGM bankruptcy was a major issue in the 2008-2012 gap.

The gap between 2015’s SPECTRE and 2020’s Bond 25 will be the second-longest in the history of the franchise. This time, though, MGM financial issues aren’t a reason. Both Broccoli and her preferred leading man, Craig, wanted a break. They took one from Bond while pursuing other projects.

“There’s no conversation going on because genuinely everybody’s just a bit tired,” Craig said at during an October 2016 event sponsored by The New Yorker. “The producers are just…Barbara (Broccoli) is making a movie. I’m doing (the play) Othello, Barbara’s producing that.”

Contributing to the current gap was how Eon this year pursued Danny Boyle as a director for Bond 25. This occurred after long-time 007 screenwriters delivered a Bond 25 treatment, according to multiple media reports. But Boyle and his writer, John Hodge, supposedly pitch a spectacular idea that Eon wanted. On May 25, Eon said that version was full speed ahead. On Aug. 21, Boyle was gone because of “creative differences.”

Now, a new director (and writer), Cary Joji Fukunaga, has come aboard. “We are delighted to be working with Cary,” according a quote attributed to both Wilson and Broccoli in a press release. “His versatility and innovation make him an excellent choice for our next James Bond adventure,”

(Reminder: Press release quotes are written by those charged with drafting the statement. The principals then approve the quotes or suggest/demand changes. In this case, it’s unlikely either Broccoli or Wilson actually said this. That’s not unique to Eon. It’s true of virtually every corporate press release.)

The thing is, if Bond 25 proves an outstanding entry in the series and/or is a huge financial success, none of this will matter much. Pro-Broccoli fans will say, “I told you so!” The worst-case scenario, likely, is a popular film that fans have second thoughts about (like SPECTRE).

Nevertheless, Broccoli’s legacy does have a lot riding on Bond 25. Her chosen Bond, Craig, will have an unprecedented run as Bond (albeit one with delays).

Nothing succeeds like success. A combination critical and popular success (similar to or exceeding 2013’s Skyfall) will cause most to forget the various bumps. For Barbara Broccoli, a spectacular Bond 25 would put her at the front of the line to take credit.

No pressure.

IndieWire claims Bond 25 will be Craig’s FRWL

Daniel Craig in 2012 during filming of Skyfall.

IndieWire, without saying how it obtained the information, claims that Bond 25 will be Daniel Craig’s version of From Russia With Love. Here’s the opening of the article:

What Daniel Craig wants, Daniel Craig gets. And what he wants is to make his own version of “From Russia with Love” (1963), arguably the best of the James Bond movies and Sean Connery’s favorite. And now, with the signing of Cary Fukunaga as director, it looks like Craig’s going to pull it off for his fifth and final outing as 007.

All of this is presented with the certainty that the sun rises in the East and sets in the West. Journalists like Bob Woodward get away with this sort of thing because of a long track record.

Also, in Woodward’s case, it’s known he has recordings of all his interviews and lots of documents. People will speak to Woodward (even if it’s not with their name attached) to make sure they come across as good as possible.

IndieWire is a long-standing entertainment news website and clearly aspires to be more than British tabloids. But its latest story on Bond 25 calls on the reader to take a lot on faith without providing any information how the information was obtained.

The article says Craig has been seeking a From Russia With Love-like vehicle for almost a decade, going back to when Peter Morgan was hired to work with Nearl Purvis and Robert Wade on what eventually would be Skyfall.

IndieWire says Craig approached Morgan “to write a ‘From Russia with Love’-inspired treatment. Morgan delivered ‘Once Upon a Spy,’ in which Judi Dench’s M is blackmailed by a ghost from her Cold War past, exposing a secret love affair with a Soviet spy, which threatens to topple MI6, forcing Bond to kill his boss and maternal figure.”

Morgan’s misadventure in 007 screenwriting (he left the project) has been covered in the book Some Kind of Hero: The Remarkable Story of The James Bond Films by Matthew Field and Ajay Chowdhury.

Is IndieWire summarizing the book? Or does IndieWire claim original reporting about this? There’s no way for the reader to know. IndieWire wrote about the Field-Chowdhury book and Morgan in a 2015 story. In turn, that article was a summary of a Digital Spy article about the book.

There’s not much more to tell. If IndieWire is correct, it’s interesting for a number of reasons. The most important is Craig’s power — unprecedented among Bond actors working for Eon Productions —  to determine the course of the 007 film franchise. We’ll see how it goes.

Bond 25 questions: The P&W are back edition

So Neal Purvis and Robert Wade are back (if they ever were really away) for Bond 25. At least that’s the news from the Daily Mail’s Baz Bamigboye, whose 007 scoops for the Daily Mail are usually proven right.

Naturally, the blog has questions. So let’s get to it, shall we?

Just what are P&W writing up for Bond 25?Bamigboye makes it sound like the duo are writing up a treatment they worked on last year. So will it incorporate ideas/input from departed director Danny Boyle and his writer of choice, John Hodge?

We don’t really know. Members of FOE (Friends of Eon) would have you believe that Hodge was rewriting previous work by Purvis and Wade. Boyle, in public comments in March, didn’t make it sound that way. Neither did Eon’s own May 25 announcement that Boyle would direct and Hodge was writing Bond 25.

A treatment is like a detailed outline. It’s not a full-fledged script. So, based on Bamigboye’s story, Purvis and Wade never got past the treatment stage for Bond 25.

How does this affect Bond 25’s schedule?  This is the more important question. Again, FOE members are telling everyone that everything is on track for Bond 25 to come out in fall 2019. Eon has previously said Bond 25 will start filming on Dec. 3. But Eon’s leading man, Daniel Craig, has much of his November spoken for, filming another movie.

 Put another way, how far advanced is Bond 25’s story?  Hypothetically speaking, if a “polish” (tweaking dialogue, massaging set pieces) were underway now, that wouldn’t be a big deal. But based on Bamigboye’s story, things may not be that far advanced.

The thing is, nobody outside of the Eon/MGM/Universal camp really know. That may even apply to FOE members. For the moment, Bond 25 still doesn’t have a director to replace Boyle. Until that appointment is made, there are more questions than answers.

UPDATE (5:30 p.m. New York time): Variety had a story this afternoon making it sound as if nothing from John Hodge/Danny Boyle is being retained. It says Purvis and Wade will write a “new script” based on their treatment that had been approved before Boyle and Hodge entered the picture. It also refers to the Hodge-Boyle effort as having been “tossed.”