A look back at The Spy Who Loved Me novel

Cover to the Signet U.S. paperback edition of The Spy Who Loved Me (1962)

Five years ago, the blog published a post that described The Man With the Golden Gun, Ian Fleming’s final novel, as “the runt of the litter” for Fleming’s original tales.

But, for many Fleming fans, The Spy Who Loved Me is really the runt of the litter.

It’s a very unusual novel. Fleming, in his 50s at the time, wrote a first-person story from the perspective of a woman in her 20s.

Context: Fleming had been writing Bond novels for roughly a decade when The Spy Who Loved Me was published

The author took a major detour from his previous Bond tales. The novel is told in the first person. Fleming’s previous novels and short stories were told in the third person.

What’s different: The novel is told from the perspective of Viv Michael, a Canadian, who has endured affairs that didn’t work out. She decided to emigrate to North America. She has planned out a long trip she intends to make by motor scooter.

The first two-thirds of the novel concerns Viv’s love affairs in Europe. Afterward, she opts to emigrate to North America. She ends up in northern New York State. Viv gets hired for a couple of weeks to mind the operations at a motel in the region. But all is not what it is what it seems to be.

Climax: Viv is about to get killed by Horror and Sluggsy, two hoods, just before Bond arrives. The agent is driving from Toronto to Washington, D.C., after a mission involving SPECTRE.

More context: Fleming practically disowned this story. Supposedly, when Fleming did his deal with Danjaq/Eon, the filmmakers could only use the title.

Still more context: One chapter consists of Bond telling Viv what he was up to in Canada. If (and Danjaq/Eon has said this will never happen) there were a Bond streaming TV series, that would make for a great episode.

Conclusion: Fleming was really in experimental mode. At one point, “All women love semi-rape,” Viv says in Chapter 14 (“Bimbo”). That was likely cringe-worthy in 1962, when the novel was published.

At the same time, Fleming deserves a tip of the cap for going so far out from his earlier efforts.

This was his last effort before On Her Majesty’s Secret Service, his biggest epic. Whatever you feel about Fleming, he wasn’t afraid to change directions.

The unheralded James Bond anniversary

Albert R. Broccoli (Illustration by Paul Baack)

Last month marked a notable anniversary of the James Bond film franchise, but it dealt with behind-the-scenes maneuvers.

In December 1992, Metro-Goldwyn-Mayer settled a lawsuit filed by Danjaq LLC, the parent company of Eon Productions. The legal fight had paralyzed the production of Bond films.

The dispute was related to a takeover of MGM by financier Giancarlo Parretti. Here’s an excerpt from a UPI story about the settlement.

The companies said the agreement settles the suit Danjaq filed in February 1991 against MGM and its former parent company, Pathe Communications Corp. Danjaq claimed in the suit that then-MGM owner Parretti had breached contracts with it by selling the rights to the Bond films to help finance his $1.4 billion purchase of the studio in late 1990 from Kirk Kerkorian.

This is how Albert R. Broccoli, the co-founder of Danjaq and Eon, described the situation leading up to the lawsuit in his autobiography When the Snow Melts.

We learned that our sixteen James Bond pictures were being sold off as part of Parretti’s cash-raising in order to clinch the purchase of MGM/UA. Moreover, it was clear — to us least — that these pictures were to be sold off at bargain-basement prices in a number of foreign TV and video licensing deals. The longer we looked at the fine print, the more our attorneys, Michael (G. Wilson) and me were convinced that not only an alleged breach of contract was involved. This was becoming a question of the virtual survival of James Bond…Our action was a matter of simple prudence…During the protracted lawsuits that arose from this situation we were forced to put James Bond on hold and carry on with our lives.

The legal settlement changed that. Much work would remain to relaunch the film series, such as hiring a director and writers. Still, the conclusion of the legal fight more than 30 years ago was a significant milestone.

MGM watch: Amazon tightens its grip on Leo the Lion

Recently, Amazon, which acquired Metro-Goldwyn Mayer for $8.45 billion, has been taking control over the home studio of the James Bond film franchise.

Examples:

–Deadline: Hollywood acquired internal emails showing that Jennifer Salke, chief of Amazon Studios, is now formally in charge of MGM.

Salke now is in charge of Amazon Studios and MGM. Christopher Brearton, who had been chief operating officer of MGM, now has a new executive job.

Before the Amazon deal, MGM’s film division was headed by Michael De Luca and Pamela Abdy. Eon liked the duo and said they wished they’d stay. But they departed earlier and landed at Warner Bros.

–Mark Burnett, who had created Survivor The Apprentice and other “reality” shows and who had headed MGM’s TV division, is gone, noted The Hollywood Reporter.

Back in 2018, THR reported that Burnett was instrumental in having then MGM CEO Gary Barber fired. What goes around, comes around, one supposes.

To be sure, anytime there’s an acquisition, executive changes occur.

The main question — from the perspective of James Bond fans — is whether any of this affects the 007 franchise. Eon and its parent company Danjaq control the creative rights to the franchise. But Danjaq/Eon relies on its studio partner to finance the films.

Michael G. Wilson turns 80

Michael G. Wilson

Michael G. Wilson, during publicity for 2015’s SPECTRE

Michael G. Wilson, a producer and writer who worked longer on James Bond films than anyone else, celebrated his 80th birthday today.

Wilson, who has been involved with Bond for 50 years on a full-time basis, is the stepson of Eon Productions co-founder Albert R. Broccoli and the half-brother of 007 producer Barbara Broccoli.

Wilson and Barbara Broccoli took command of Eon in 1994 as GoldenEye was in pre-production and Cubby Broccoli suffered from ill health. The Wilson-Barbara Broccoli combination has produced every Bond film starting with GoldenEye.

Albert R. “Cubby” Broccoli died in 1996, ending 35 years with the franchise.

Wilson’s mother, Dana, married Cubby Broccoli in 1959. She had earlier been married to actor Lewis Wilson, who had played Batman in a 1943 serial. The actor was the father of Michael Wilson.

Michael Wilson’s first involvement in the 007 series was as an extra on 1964’s Goldfinger, but that was a one-off. Starting in 1972, he joined Eon and its parent company, Danjaq.

Michael G. Wilson’s first 007 on-screen credit in The Spy Who Loved Me

In those early years, Wilson, a lawyer who also had training in engineering, was involved in the separation between Eon founders Cubby Broccoli and Harry Saltzman, the latter facing financial troubles. Eventually, United Artists bought out Saltzman’s interest in the 007 franchise.

Wilson’s first on-screen credit was as “special assistant to producer” on 1977’s The Spy Who Loved Me. Wilson got a small title card, sharing the screen with other crew members. But that belied how Wilson’s influence on the series was growing following Saltzman’s departure.

A Poster Changes

CLIP TO EMBIGGIN

A preliminary version of the poster for The Spy Who Loved Me, with a credit for “Mike Wilson.”

An early poster for Spy had the credit “Assistant to the Producer Mike Wilson.” It didn’t mention other notables such as production designer Ken Adam or associate producer William P. Cartlidge. Later versions didn’t include Wilson’s credits but Adam and Cartlidge still didn’t make the final poster.

For 1979’s Moonraker, Wilson was elevated to executive producer, a title which can be a little confusing. On television series, an executive producer is supposed to be the top producer or producers. For movies, it’s a secondary title to producer. This time, Wilson was included on the posters as were Adam and Cartlidge.

With 1981’s For Your Eyes Only, Wilson doubled as a screenwriter, working in conjunction with Bond veteran Richard Maibaum. Wilson received a screenwriting credit on every 007 film made by Eon in the 1980s. Starting with 1985’s A View to a Kill, he was joint producer along with Cubby Broccoli.

While adding to his production resume, Wilson also began making cameo appearances in the Bond movies themselves. A 2015 story in the Daily Mail provided images of a few examples. The cameos varied from a quick glance (The World Is Not Enough) to getting several lines of dialogue (Tomorrow Never Dies, as a member of the board of directors working with the villain).

‘Particularly Hard’

After Cubby Broccoli’s death, Wilson in interviews began complaining about the work load of making Bond films. “It just seems that this one’s been particularly hard,” Wilson said in an interview with Richard Ashton on the former Her Majesty’s Secret Service website concerning The World Is Not Enough that’s archived at the Internet Archive Wayback Machine.

In an earlier Ashton interview, after production of 1997’s Tomorrow Never Dies, Wilson described the pressure he felt.

“There are a myriad of things every day,” Wilson told Ashton. “From the producer’s point of view they want to know the schedule, does the set need to be this big? Are we gonna shoot all this stuff in the action sequence? How much of it is going to end up on the cutting room floor? You’re putting the director under pressure to make decisions all the time – and he has a point of view he wants to put across.”

‘Desperately Afraid’

Dana Broccoli was an uncredited adviser on the Bond films during Cubby Broccoli’s reign. She became “the custodian of the James Bond franchise” after his death in 1996, according to a 2004 obituary of Dana Broccoli in The Telegraph.

With her passing, Wilson and Barbara Broccoli were truly on their own. One of their first decisions was to move on from Pierce Brosnan, the last 007 actor selected by Albert R. Broccoli, and go in a new direction with Daniel Craig.

In an October 2005 story in The New York Times, Wilson described the process.

“I was desperately afraid, and Barbara was desperately afraid, we would go downhill,” said Michael G. Wilson, the producer of the new Bond film, “Casino Royale,” with Ms. Broccoli. He even told that to Pierce Brosnan, the suave James Bond who had a successful run of four films, he said.

“We are running out of energy, mental energy,” Mr. Wilson recalled saying. “We need to generate something new, for ourselves.”

Wilson and Barbara Broccoli also began pursuing other interests, including plays as well as movies such as the drama The Silent Storm, where they were among 12 executive producers.

Wilson as P.T. Barnum

Wilson, to a degree, also was the Bond franchise’s equivalent of P.T. Barnum. In separate interviews and public appearances he said he hoped Daniel Craig would do more 007 films than Roger Moore even as the time between Bond films lengthened while later saying Bond actors shouldn’t be kept on too long.

Legal fights between Eon and Metro-Goldwyn-Mayer (which acquired United Artists in 1981) caused a six-year hiatus in Bond films between 1989 and 1995. When production resumed with GoldenEye, Wilson no longer was a credited screenwriter.

Cubby Broccoli had benefited from a long relationship with Richard Maibaum (1909-1991), who ended up contributing to 13 of the first 16 Bond movies. Wilson and Barbara Broccoli seemed to search for their own Maibaum.

At first, screenwriter Bruce Feirstein seemed to fit the bill. He received a writing credit on three movies, starting with GoldenEye and ending with The World Is Not Enough.

Barbara Broccoli and Michael G. Wilson in November 2011 Productions

Barbara Broccoli and Michael G. Wilson in November 2011.

Later, the producing duo seemed to settle on scribes Neal Purvis and Robert Wade, who received credits on six consecutive 007 epics. They ran began with 1999’s The World Is Not Enough and ran through 2015’s SPECTRE. They were hired in 2017 to work on a 007th film, No Time to Die, released in 2021. Director Cary Fukunaga and scribe Phoebe Waller-Bridge were among the other writers on the script.

Still, it wasn’t the same. After 2012’s Skyfall, Purvis and Wade weren’t supposed to return, with writer John Logan (who’d done Skyfall’s later drafts) set to script two movies in a row.

It didn’t work out that way. With SPECTRE, the followup to Skyfall, Logan did the earlier drafts but Purvis and Wade were summoned back. Eventually, Logan, Purvis, Wade and Jez Butterworth would get a credit.

Changing Role?

Cubby Broccoli seemed to live to make James Bond movies. Wilson  not as much, as he pursued other interests, including photography. By the 2010s, it appeared to outsiders that Barbara Broccoli had become the primary force at Eon.

In December, 2014, at the announcement of the title for SPECTRE, Wilson was absent. Director Sam Mendes acted as master of ceremonies with Barbara Broccoli at his side. Wilson showed up in later months for SPECTRE-related publicity events.

Nevertheless, Wilson devoted the majority of his life to the film series.

Making movies is never easy. Wilson’s greatest accomplishment is helping — in a major way — to keeping the 007 series in production. He was not a founding father of the Bond film series. But he was one of the most important behind-the-scenes figures for the film Bond beginning in the 1970s.

“When you go around the world you see how many people are so anxious, in every country, ‘Oh, when’s the next Bond film coming out?'” Wilson told Ashton after production of Tomorrow Never Dies. “You realize that there’s a huge audience and I guess you don’t want to come out with a film that’s going to somehow disappoint them.”

Bond 25 questions: No Time to Die’s box office crown

One of the many No Time to Die posters

Sometime soon, No Time to Die is expected will pass F9: The Fast Saga as the No. 1 Hollywood box office movie of 2021. Naturally, the blog has questions.

What do you mean “Hollywood” movie?

From the very beginning, Bond movies were financed by Hollywood studios. United Artists secured a loan from BANK OF AMERICA (a U.S. company) that supplied most of the money. It has never changed since.

Wait, what?

Yes, even though the movies were made in the U.K., the U.S. supplied the money. Without the likes of Arthur Krim, Robert Benjamin and David V. Picker at United Artists, Bond would never have gotten off the ground.

But I thought Eon did everything!

That’s a comforting myth that many Bond fans have adopted. In reality, Eon plays with others’ money.

OK, but doesn’t product placement finance *everything*?

No. That’s another comforting myth among Bond fans.

What are you saying?

REPEAT: James Bond’s ownership is blurred. Creatively, it is controlled by Danjaq/Eon while Bond’s home studio is MGM. It’s an uneasy partnership. MGM can’t go forward without Danjaq/Eon while Danjaq/Eon can’t launch a Bond movie without MGM.

What are you trying to say?

MGM and Danjaq/MGM are in an uneasy partnership. MGM has agreed to be acquired by Amazon. Maybe that will create new opportunities.

Still?

Until Amazon gets full control of MGM (that deal still is subject to regulatory review), we don’t really know.

A pedantic observation about No Time to Die

No Time to Die poster released Sept. 1, 2020

While glancing at Metro-Goldwyn-Mayer’s website, I noticed the copyright notice for No Time to Die. It read:

© 2020 Danjaq, LLC and Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

In recent years, Bond films have had copyright notices citing Danjaq and United Artists Corporation (an MGM owned brand and the name of the original studio that released Bond films). Examples include Die Another Day and The World Is Not Enough.

The first four films of the Daniel Craig era were released by Sony under its Columbia brand. So, for example, the copyright notice for Casino Royale listed Danjaq, United Artists and Columbia Pictures Industries Inc. The same thing happened with Quantum of Solace, Skyfall and SPECTRE.

Sony wasn’t involved with No Time to Die so naturally it’s not part of the new copyright notice. Why was United Artists dropped? Perhaps because the UA name was revived for United Artists Releasing, MGM’s joint venture with Annapurna Pictures, which will distribute No Time to Die in the U.S.

U.S. FTC to probe Amazon’s purchase of MGM, WSJ says

MGM logo

For blog subscribers: This had the correct headline.

The U.S. Federal Trade Commission plans to investigate Amazon’s planned $8.45 billion acquisition of Metro-Goldwyn-Mayer, The Wall Street Journal reported.

Amazon has said it plans to acquire MGM, which controls half of the James Bond film franchise as well as thousands of other film titles and TV properties.

The FTC and U.S. Justice Department split U.S. regulatory review for large deals, the Journal said.

“During recent interagency negotiations, the FTC secured the right to review the Amazon-MGM deal, the people familiar with the matter said,” according to the Journal.

Amazon’s deal to acquire MGM may provide financial security for the Bond franchise — if approved by regulators. The Bond series has been subject to financial insecurity since MGM acquired United Artists, Bond’s original studio, in 1981.

U.S. FTC to probe Amazon’s purchase of MGM, WSJ says

MGM logo

The U.S. Federal Trade Commission plans to investigate Amazon’s planned $8.45 billion acquisition of Metro-Goldwyn-Mayer, The Wall Street Journal reported.

Amazon has said it plans to acquire MGM, which controls half of the James Bond film franchise as well as thousands of other film titles and TV properties.

The FTC and U.S. Justice Department split U.S. regulatory review for large deals, the Journal said.

“During recent interagency negotiations, the FTC secured the right to review the Amazon-MGM deal, the people familiar with the matter said,” according to the Journal.

Amazon’s deal to acquire MGM may provide financial security for the Bond franchise — if approved by regulators. The Bond series has been subject to financial insecurity since MGM acquired United Artists, Bond’s original studio, in 1981.

Broccoli celebrates birthday amid interesting 007 times

Barbara Broccoli, boss of Eon Productions

Barbara Broccoli today celebrates her 61st birthday. Some birthdays are more memorable than others. As the boss of Danjaq LLC and its Eon Productions unit, Broccoli’s birthday comes amid a lot of developments.

In recent years, Broccoli — the daughter of Danjaq/Eon co-founder Albert R. Broccoli — has emerged as the dominant management voice of the James Bond film franchise. And with this year’s birthday, there’s a lot happening on the Bond front.

Amazon has agreed to acquire Metro-Goldwyn-Mayer, Bond’s home studio. That means, relatively soon, Broccoli and her colleagues will be dealing with a new studio regime — again. This has occurred quite a bit since 1981 when MGM first acquired United Artists.

No Time to Die, the 25th Bond film made by Eon, has been on hold, partly because of creative disagreements (director Danny Boyle’s departure from the project), partly because of a global pandemic.

Bond fans around the globe are hoping No Time to Die finally comes out this fall. Broccoli and her half-brother, Michael G. Wilson, have said they want Bond to continue as a big-screen experience, not as a streaming one.

In other words, Barbara Broccoli has a lot on her plate amid her latest birthday.

Broccoli has spent 39 years on a full-time basis in service of the Bond franchise. Even before that, as a teenager, she wrote captions for publicity stills for 1977’s The Spy Who Loved Me.

So happy birthday, Ms. Broccoli. The blog hopes it’s a good one.

An old Hollywood hand opines on Bond amid Amazon deal

Peter Bart’s Twitter avatar (@MrPeterBart)

h/t to David Leigh and Phil Nobile Jr. who brought this to my attention. The post below is my responsibility alone.

Peter Bart is an old Hollywood hand. He has worked both sides of the fence, serving as a studio executive and an entertainment industry trade journalist (he was a long-time editor of Variety). Currently, he writes columns for the Deadline: Hollywood site.

This week, he opted to weigh in on Amazon’s announced deal to acquire Metro-Goldwyn-Mayer for $8.45 billion. He told an anecdote or two, drawing on his studio executive experience.

 I was personally introduced to the Bond bonanza in 1983 when a cadre of business affairs executives invaded my office with packets of documents. “When you sign the top document, you’ll be greenlighting the next Bond movie,” instructed the first executive. “The film is titled Octopussy.”

“Is the script as bad as the title?” I asked.

“Probably,” came the reply. “But you’re signing as president of United Artists and we need your signature, not your opinion. A Bond deal is a special deal.”

I promptly signed. I’d heard the legend of how Barbara Broccoli and Michael G. Wilson, heirs to the Bond dynasty, had constructed a web of contracts that tightly controlled every creative and marketing element of their franchise, and also kept half of the action. I had no stake in intruding in this cozy arrangement.

That’s all very interesting but, as of 1983, Barbara Broccoli had a junior role in the franchise. Her father, Albert R. Broccoli, the co-founder of Danjaq LLC and Eon Productions, still controlled operations. Barbara Broccoli graduated college and went to work on Octopussy in 1982. She got an on-screen credit but it was part of the end titles.

Bart also took a shot at Octopussy star Roger Moore “who, at 55, came across more as a stylish maître d’ than as a master spy.” Bart also wrote that Octopussy “performed torpidly at the worldwide box office,”

The movie finished 1983 with a global box office of $187.5 million. While behind 1981’s For Your Eyes Only ($195.3 million), it was ahead of Never Say Never Again, a competing Bond film starring Sean Connery ($160 million). Those were big numbers four decades ago.

The article by Bart, who turns 89 in July, reflects a broader unease among entertainment types with Amazon and its outgoing CEO, Jeff Bezos. (Bezos is planning to spend more time with his rocket company.) Hollywood is being rocked by streaming services (such as Amazon Prime) and is still adjusting to the new reality.

Bart also offered this observation about No Time to Die, the upcoming 25th film in the Eon-produced series:

A $300 million theatrical release, the latest Bond represents a tangle of rights agreements dating back 60 years that reflect the legalistic compromises of the past rather than the slick streamer dealmaking of the present…Some ticket buyers may also see its plot as a creaky reminder of white-bread misogyny.