Bond 25 has new production designer, fan publication says

Bond 25 will have a new production designer, with incumbent Dennis Gassner not returning, James Bond-magasinet said, citing comments made at the opening of the 007 Elements museum in Austria.

“Dennis Gassner is not doing the production design on Bond 25,” the publication said in an Instagram post. “The new production designer is Mark Tildesley. The news was confirmed by art director Neal Callow at the opening for @007elements.”

Gassner told International Cinematographers Guild Magazine last year that he was “about to do my fourth James Bond film.” Gassner took over from Peter Lamont starting with 2008’s Quantum of Solace through 2015’s SPECTRE.

However, that was before Danny Boyle emerged as Bond 25’s director earlier this year. Tildesley has been production designer on Boyle-directed movies such as 28 Days Later and T2 Trainspotting.

When the 007 film series began, Eon Productions had regular crew members such as Ken Adam (production designer), Peter Hunt (film editor) and Ted Moore (director of photography). When Adam was unavailable for From Russia With Love, art director Syd Cain essentially took over.

In recent decades, Eon has deferred selections for key posts to the directors it hired. That has been the case with directors of photography for years. Now, that trend is spreading to other posts. Thomas Newman, for example, scored Skyfall and SPECTRE because he was director Sam Mendes’ choice.

UPDATE (3 p.m. eastern time): Other fan groups have posted on social media while not mentioning the production designer news. Apparently, today was a press event at 007 Elements. The actual opening is July 12.

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Bond 25 pre-announcement accuracy scorecard

A reader of the blog, @EiriniMakr on Twitter, suggested a post about inaccurate things published about Bond 25.

Well, we’ll go one step further. What follows is a look at major examples of what panned out, what didn’t and what was muddy.

DEFINITELY RIGHT

Craig was coming back: The Page Six gossip operation of the New York Post said Feb. 22, 2017 that Daniel Craig was indeed coming back to play 007 in Bond 25. It had another item to that effect on April 3, 2017. The New York Times has its own story about Craig’s return on July 24, 2017.

All of these were published before Craig announced in mid-August 2017 that he was returning (2:06 mark).

Purvis & Wade were (initially) hired to write Bond 25: Baz Bamigboye of the Daily Mail reported on March 9, 2017 that six-time 007 screenwriters Neal Purvis and Robert Wade had been hired to write Bond 25. This was confirmed in a July 24, 2017 announcement that the movie would have a November 2019 release date in the United States.

Danny Boyle would direct Bond 25: Variety reports Feb. 20 that Boyle was in contention to direct Bond 25. Deadline: Hollywood comes back Feb. 21 with a story that Boyle’s participation depends on whether an idea he has developed with writer John Hodge (and that Hodge is writing as a script) is accepted.

On May 25, it was announced Boyle is directing from a script by Hodge.

DEFINITELY WRONG

The Daily Mail says May 18, 2016 that Daniel Craig turned down an offer of 68 million British pounds to play Bond in two more films. Problem: Craig says in a public appearance in New York in October 2016 that there are “no conversation going on because genuinely everybody’s just a bit tired,” Also, Craig ended up coming back.

Radar Online says Sept. 3, 2016 that Sony Pictures was offering Daniel Craig $150 million to do two more James Bond film. Problem: Sony’s involvement as a Bond film distributor ended with 2015’s SPECTRE. The Bond 25 distribution wouldn’t be settled until last month and Sony wasn’t part of it.

The Mirror says July 29, 2017 that Bond 25 will be based on a 007 continuation novel by Raymond Benson titled Never Dream of Dying. Problem: Benson says on social media that he was never contacted by the Mirror and that he can only assume the story was a fabrication. Also, Eon Productions has been notoriously adverse to using Bond continuation novels as the basis of its films. A sequence from Kingsley Amis’ Colonel Sun was adapted for SPECTRE but you have to dig deep into the end titles to find acknowledgment of it.

Archivo 007, a fan website, says Dec. 2, 2017 Christopher Nolan is “more than likely” to direct  Bond 25. Problem: Didn’t happen. Nolan said in a BBC interview in February he wasn’t going to direct the film.

The Sun says April 26 that filming on Bond 25 “has been put back to later next year” because Daniel Craig’s wife, actress Rachel Weisz, is pregnant. ProblemThe May 25 official announcement about Boyle, Hodge, et. al., specifies that Bond 25 is to begin production Dec. 3.

MUDDY

This section involves stories that are plausible but aren’t likely to be confirmed definitively

Deadline: Hollywood says on July 26, 2017 that  Denis Villeneuve, Yann Demange and David Mackenzie are the “frontrunners” to direct Bond 25. Variety says the same day that Demange is the leading contender. (Variety also said Daniel Craig was likely to return.)

Some Bond fans were extremely enthusiastic about Villeneuve. And the director said in a November podcast that, ” “I had some contact” regarding Bond 25. But Villeneuve said he was is working on a new version of Dune and that was that.

So taking Villeneuve at this word, one of those three directors had been contacted about directing Bond 25. Were Demange and Mackenzie also under consideration? No way to know at this point.

Why Bond 25 may not do much economizing

Image for the official James Bond feed on Twitter

One question about Bond 25 is whether its budget may get trimmed. 2015’s SPECTRE was the most expensive 007 film adventure, with an estimated $245 million budget including Mexican tax credits and product placement deals.

While it’s too early to say definitively, there are signs that Bond 25 won’t exactly fly economy class.

Craig’s reported paycheck: Earlier this month, Variety reported that star Daniel Craig is set for a $25 million payday from his fifth Bond film. It was the highest amount in a survey of actor compensation by the trade publication.

If correct, that makes it harder to drastically cut the budget. For example, if you wanted to cut Bond 25’s outlay to $100 million to $150 million, Craig’s pay would mean you could only spend $75 million to $125 million for the rest of the film.

Boyle’s change of attitude: Director Danny Boyle has a reputation for making very lean, small-scale films. Some fans on internet message boards have speculated Boyle in Bond 25’s director chair could mean a less epic, leaner 007 outing.

Not so fast.

This week, Boyle spoke at the Liverpool Institute for Performing Arts. Here’s an excerpt from a story about the talk on LIPA’s website.

Danny says, at first, he wasn’t sure he was the right person for the job (for Bond 25). “I like watching big films but I don’t think I’m necessarily good at making them. Then I thought ‘no, you shouldn’t think like that’.”

Working with long-time collaborator, writer John Hodge, Danny explained why he accepted. “We have this idea about what we want to do with Bond and I felt we should have a go because of this idea. So we are trying to stay true to our principles.” (emphasis added)

It sounds, at the very least, Boyle may be more than willing to have a go at an epic-like film.

Broccoli’s ambitions: The Screen Daily website this week ran a story about how Universal became the international distributor for Bond 25. There was this passage:

“(Eon Productions boss) Barbara Broccoli wants a one billion dollar international gross,” says one industry expert, noting that international box office accounts for the bulk of Bond films’ global theatrical revenues. No 007 release has ever achieved this, and Universal knows a thing or two about getting to the hallowed milestone. Of only seven films to cross $1bn at the international box office, Universal has released three, and it has done so in the last three years: Furious 7 and Jurassic World in 2015, and Fate Of The Furious in 2017.

Only one Bond film surpassed $1 billion globally. 2012’s Skyfall had $304.4 million in the U.S. and $804.2 million internationally. SPECTRE slipped to $200 million in the U.S. and $680.6 million internationally.

To achieve that $1 billion international mark, Bond 25 would have to generate more than 45 percent more box office compared with SPECTRE. Higher ticket prices will help some. But if Broccoli really wants $1 billion, excluding the U.S. market, Bond is going to have to ramp things up.

What’s more, if Broccoli really is seeking $1 billion internationally, that generally means mounting a big-scale production. Marvel Studios filmed two Avengers movies back to back, Avengers: Infinity War, released in late April and the yet-to-titled Avengers 4, due out next year.

It’s been estimated the combined cost of the two movies may reach as much as $1 billion. Avengers: Infinity War has been a big hit (global box office of $1.9 billion so far).

Big risks, big rewards. If the expert quoted by Screen Daily is correct (and the website didn’t identify him or her), that may mean that Bond 25 may be a more high stakes game than anything 007 encountered in a novel or movie scene.

Bond 25 questions: Full speed ahead edition

Bond 25 is full speed ahead, with a director, new screenwriter and a new distribution lineup. So, it’s time for the blog’s specialty — questions.

What was that story idea (turned into a script by John Hodge) that was so good Eon Productions dropped a Neal Purvis-Robert Wade script?

Throughout the Bond 25 saga to date, this has been one of the most intriguing angles.

Eon announced 10 months ago that Purvis and Wade were back as 007 screenwriters. Eon boss Barbara Broccoli said in a December podcast from The Hollywood Reporter that Purvis and Wade were ““busy working away, trying to come up with something fantastic.”

Not fantastic enough. Danny Boyle, now officially named as Bond 25’s director, and Hodge pitched Eon an idea. Boyle would direct if a script based on the idea were selected. (Boyle spoke about this in public, even if Eon didn’t until this week.)

Boom! Here we are.

This week’s official announcement about Boyle’s and Hodge’s participation in Bond 25 didn’t reference any plot points. The guess here is we’ll get some kind of brief synopsis when production starts in early December.

Who will compose Bond 25’s score? Some directors have a strong relationship with composers. That’s why we got Thomas Newman for Skyfall and SPECTRE, directed by Sam Mendes.

A variety of composers have worked on Boyle’s films, including David Arnold (A Life Less Ordinary), John Murphy (28 Days Later…), A.R. Rahman (Slumdog Millionaire and 127 Hours) and Daniel Pemberton (Steve Jobs).

Arnold, of course, is a 007 film veteran, working on five films from 1997 through 2008. Does he get a chance at a sixth?

Will Bond 25’s budget expand or contract compared with SPECTRE?  SPECTRE’s budget was an estimated $245 million (after including tax credits in Mexico and product placement deals). A car chase scene in Rome alone cost about 24 million British pounds, or $36 million at the time. Also, Eon boasted how the movie had the biggest explosion in motion picture history.

By contrast, 2012’s Skyfall had an estimated budget of $200 million. That’s still a lot of money but there was economizing. The first unit only traveled to Turkey. Sequences set in China were filmed with a second unit, with interiors filmed either at Pinewood Studios or U.K. locations doubling for China.

Presumably, Bond 25’s budget has been taken into account by the new distribution setup: A joint venture between Metro-Goldwyn-Mayer (007’s home studio) and Annapurna Pictures for the U.S. and Universal for international.

The previous four 007 films were distributed by Sony Pictures. For Skyfall and SPECTRE, Sony contributed 50 percent of the production budget but only got back 25 percent of the profit, while MGM kept 75 percent.

Bond 25 announcements confirm director, distribution

Daniel Craig

Official announcements about Bond 25 being directed by Danny Boyle and its distribution were issued early Friday.

Versions were on the official James Bond website and official James Bond feed on Twitter.

They followed a story late Thursday by Deadline: Hollywood that Universal would distribute the movie internationally while a joint venture between Metro-Goldwyn-Mayer and Annapurna Pictures would distribute it in the United States. The story also said Boyle was confirmed as director.

The announcements also confirmed a Feb. 21 story in Deadline about how  Boyle would direct is a script by John Hodge were accepted. Boyle said as such in subsequent public appearances but that hadn’t been part of official announcements until now.

A March 8 story by Baz Bamigboye of the Daily Mail, who has had a number of 007 scoops confirmed in the past, said star Daniel Craig was “pulling out all the stops” to have Boyle direct the new Bond film.

The announcements reference Hodge working on Bond 25’s script. A July 24, 2017 announcement said veteran 007 screenwriters Neal Purvis and Robert Wade were writing Bond 25.

Excerpt from the announcement issued early today:

Daniel Craig returns as 007 and Academy Award-winning director Danny Boyle (Slumdog Millionaire, Steve Jobs) will direct from an original screenplay by Academy Award nominee John Hodge (Trainspotting) with production set to begin on 3 December 2018. Metro Goldwyn Mayer Pictures will release the film theatrically in the US on 8 November 2019 through its new joint venture for domestic theatrical distribution with Annapurna Pictures, and Universal Pictures will release internationally commencing with the traditional earlier release in the UK on 25 October 2019.

Here is what the Twitter version looked like:

https://platform.twitter.com/widgets.js

Deadline says Bond 25 distribution settled

Bond 25’s distribution has been settled, Deadline: Hollywood reported. with Universal taking over the international distribution.

Universal will also handle home video distribution, the entertainment website, citing sources it didn’t identify.

U.S. distribution will be through a joint venture that Metro-Goldwyn-Mayer and Annapurna Pictures formed last year, Deadline said.

That joint venture was announced on Oct. 31. Deadline reported in November that the joint venture was “thisclose” to securing U.S. distribution rights but no formal announcement has been made.

Deadline also said the movie will debut in the U.K. on Oct. 25, 2019, with a U.S. release on Nov. 8, 2019. The U.S. release date was announced by Eon Productions and MGM on July 24, 2017.

Bond 25 will begin production on Dec. 3 of this year, Deadline said.

UPDATE (11:55 p.m.): Deadline says the studios involved confirmed the news. Danny Boyle also  is now confirmed as director, the website said.

“We are delighted to announce that the exceptionally talented Danny Boyle will be directing Daniel Craig in his fifth outing as James Bond in the 25th installment of the franchise,” Eon’s Barbara Broccoli and Michael G. Wilson said in a statement quoted by Deadline.

“We will begin shooting Bond 25 at Pinewood Studios in December with our partners at MGM and thrilled that Universal will be our international distributor.” the duo said in the statement.

The distribution deal was put together more than 300 days after the release date was announced.

 

Boyle’s musical (comedy?) gets September 2019 release

Danny Boyle

Director Danny Boyle’s “other” movie has been given a Sept. 13, 2019, release by Universal, The Hollywood Reporter said, citing an announcement by the studio.

The project has been described at times as a musical, although the THR story called it a comedy. The writer attached is Richard Curtis.

Boyle also has said he will direct Bond 25, which currently has a November 2019 release, despite the lack of a distributor.

Boyle’s participating depends on whether a script by Boyle collaborator John Hodge is accepted for the 007 project.

THR said it “could prove challenging to promote two films debuting so close together. However, there is speculation that the Bond pic may move to another date, since MGM is still figuring out who is going to handle it internationally.”

Interestingly, THR itself reported on April 4 that even the U.S. distribution wasn’t settled because Metro-Goldwyn-Mayer was seeking a buyer and trying to use its James Bond rights as a selling point.

THR didn’t specify who was doing the speculating about Bond 25. We’ll see what happens.

UPDATE (April 17): Variety had its own story about the Universal announcement. It had this passage: ” MGM announced last summer that it would open Bond 25 on Nov. 8, 2019, but it’s unlikely to do so.”