1960s meme: The irresistible hero

Publicity still for Dr. No that established James Bond was irresistible to women.

A recurring meme of 1960s entertainment — greatly aided by the James Bond film series — was the hero so irresistible to women they couldn’t keep away.

By the end of the decade, it was so prevalent, it came up on all sorts in places. What follows are some examples — both obvious and one not so obvious. (And no, it’s not a comprehensive list.)

Sean Connery as James Bond (of course): In his first scene in his first movie (Dr. No), the Connery Bond already has the attention of Sylvia Trench (Eunice Gayson) while at a casino. She surprises him at his flat wearing nothing but his pajama top.

Over the course of Connery’s 1960s run, even small-part characters show their appreciation. In both Dr. No and Thunderball, women hotel clerks eye Bond as he walks away.

Film editor Peter Hunt, years later (for the “banned” Criterion commentaries), said Connery  “was really a very sexy man” and that the few stars of his appeal “virtually can walk into a room and f*** anybody.”

Certainly, that’s the way director Terence Young, followed by Guy Hamilton and Lewis Gilbert, staged it with Connery in the part. The success of the 007 films would soon be felt elsewhere.

Robert Vaughn as Napoleon Solo and David McCallum as Illya Kuryakin: The Man From U.N.C.L.E. was pitched to network executives as “James Bond for television.” Ian Fleming, 007’s creator, was involved for a time, though not many of his ideas made it to the final product.

Vaughn’s Solo was the obvious Bondian figure (although the blog has argued before there are key differences, including Solo having more of a moral streak).

But McCallum’s Illya also proved irresistible to the oppose sex. That included two first-season episodes where the female lead (played by McCallum’s then-wife Jill Ireland) decides Illya is the U.N.C.L.E. agent for her.

Another first-season installment included Susan Oliver as a woman whose uncle has been killed by his pet dog as part of an extortion plot. The Oliver character asks Illya if he is present “to bodyguard me? Uh, should I say guard my body?” In the final scene, they’re walking arm in arm.

Robert Conrad as James West: The Wild Wild West was pitched to network executives as “James Bond and cowboys.” So CBS aired the adventures of James West and U.S. Secret Service partner Artemus Gordon (Ross Martin).

West drew the attention of women, especially those working for his opponents. In the first Dr. Loveless episode, West wins over Loveless’ female assistant (Leslie Parrish). She helps him escape, enabling the agent to stop Loveless’ plot.

The producers also took advantage of Conrad’s chiseled physique, so there are a number of episodes where West appears shirtless.

Jack Lord as Steve McGarrett: In the first season of Hawaii Five-O, McGarrett, too, was intended to draw the attention of women. In the pilot, a graduate student (Nancy Kwan) falls for the lawman after being questioned about what she knows concerning the death of a U.S. intelligence agent.

Later in the first season, the girlfriends of two suspects in a complicated kidnapping case ogle McGarrett as he walks away. And in the two-parter Once Upon a Time, a woman medical quack (Joanne Linville) gets the hots for the Big Kahuna. So does a woman records clerk who helps McGarrett do research.

This sort of thing faded away in future seasons, although there would be occasional episodes where McGarrett became involved with a woman.

Robert Stack as Dan Farrell: At this point readers are wondering if this post has gone off the rails. But bear with us for a moment.

Dan Farrell (Robert Stack) busy researching a story for Crime magazine.

The Name of the Game was a 1968-71 series with three rotating leads: Stack, Tony Franciosa and Gene Barry. It concerned a magazine publishing empire run by Glenn Howard (Barry).

Stack’s Dan Farrell worked at Crime magazine. A first-season stack episode, Swingers Only, reflects how the irresistible hero meme could surface where you didn’t expect it.

A friend of Farrell’s (who’s also a staffer at Crime magazine) has been arrested for the murder of a young women he was having an affair with. Farrell looks into the situation. He has to check out Los Angeles’ “swingers” culture to do it.

The intrepid journalist shows up at a “swingers” pool party to talk to someone. The party is already getting out of control. A ping pong table is thrown into the pool.  A bikini-clad woman quickly gets out of the pool. “Hi! Do you belong to somebody?” She’s quickly disappointed when Farrell says he’s working. She still is making eyes at him as he walks away.

Later, Farrell visits another woman (Nancy Kovack) to follow up a lead. She grabs Farrell and begins making out with him. Farrell, though, keeps his cool. She’s lying to him and he knows it.

Eventually, Farrell gets into a bar fight following up another lead. Later, he solves the case (his friend didn’t do it) and writes a cover story for Crime. All in a day’s work.

Less obvious ways of celebrating Global James Bond Day

Image for the official James Bond feed on Twitter

Friday is Global James Bond Day, the event that was invented six years ago for the 50th anniversary of the premiere of Dr. No.

There are obvious ways to mark the day, namely watch a Bond film or films, read a James Bond novel, etc.

What follows are some less obvious ways. They involve offerings available on home video with significant 007 connections.

–Watch selected episodes of Hawaii Five-O (1968-80): Series star Jack Lord was the original Felix Leiter in Dr. No. So any episode begins with that. But these episodes have additional Bond ties.

The Year of the Horse (11th season). George Lazenby, a decade removed from his only performance as Bond, gets “special guest star” billing. He’s actually the secondary villain. His character also is considerably scruffier than Bond. But, hey, it’s a pretty major tie to the Bond series. The episode was filmed in Singapore.

Deep Cover (10th season). Maud Adams made her Five-O appearance inbetween her two 007 films, The Man With The Golden Gun and Octopussy. Here, she’s the leader of a spy ring that’s up to no good. She’s quite convincing ordering people to die.

George Lazenby in Hawaii Five-O’s The Year of the Horse.

My Friend, the Enemy (10th season). Luciana Paluzzi plays an Italian journalist who complicates things for McGarrett (Lord) in a kidnapping case involving international intrigue. This wasn’t the first time Paluzzi was paired with Lord. They acted together more than a decade earlier in an episode of 12 O’Clock High.

Episodes with Soon-Tek Oh. The late actor was in eight episodes, including the pilot. Recommended would be The Jinn Who Clears the Way (fifth season). It’s one of the Wo Fat episodes and his character is a “young Maoist” who’s being manipulated by Wo Fat. It also has a shock ending.

–Watch selected episodes of The Man From U.N.C.L.E. The 1964-68 series also has performers who’d play major Bond roles before their 007 appearances.

To Trap a Spy/The Four-Steps Affair. Luciana Paluzzi figures in here. She plays Angela, an operative for Thrush who can be pretty cold blooded.

Luciana Paluzzi and Robert Vaughn in To Trap a Spy.

To Trap a Spy is an expanded version of the show’s pilot released as a movie. Paluzzi and star Robert Vaughn filmed additional footage after production of the pilot was completed. The thing is, Angela is a dry run for Paluzzi. The character is extremely similar to Fiona, the SPECTRE assassin she’d play in Thunderball.

The Four-Steps Affair is a first-season episode. It takes extra footage used to lengthen the running times of the first two U.N.C.L.E. movies (The Spy With My Face was the other) and combined it with with new material to make a television episode. Obvious difference: Angela sleeps with Solo (Vaughn) in Trap a Spy but doesn’t in The Four-Steps Affair.

The Five Daughters Affair/The Karate Killers (third season). The Five Daughters Affair was a two-part story that was expanded into a feature film for the international market.

At the start, a fleet of mini-helicopters attack Solo and Illya Kuryakin (David McCallum). This was made after You Only Live Twice but before the 1967 007 film (which included mini-copter Little Nellie) arrived in theaters.

What’s more, the cast includes Telly Savalas and Curt Jurgens in supporting roles. Neither is a villain, though (as they would be in Bond films). The villain is played by Herbert Lom.

Meanwhile, I am aware of episodes of the Roger Moore version of The Saint with David Hedison and Lois Maxwell. I just don’t own copies. The Hedison episode has an especially cute ending.

UPDATE (9:30 a.m. New York time): I got “mansplained” that Danger Man/Secret Agent has Bond actors in it also. Besides the actors this reader named (Bernard Lee and Desmond Llewelyn), there’s also Earl Cameron. Also, John Glen edited a number of episodes.

You could also extend that to The Prisoner, the other major Patrick McGoohan series. Guy Doleman, who played Count Lippe in Thunderball, was Number Two in the episode titled Arrival.

And while we’re at it, I could also mention Donald Pleasance was in Part II of Hawaii Five-O’s The Ninety-Second War. He’s a German scientist who began working for the U.S. with the end of World War II who’s being blackmailed by Wo Fat.

I could also add The Avengers (Patrick Macnee, Honor Blackman, Diana Rigg, many character actors and crew members) and various Gerry Anderson shows (Derek Meddings special effects, Shane Rimmer), but I’m not. These are blog posts, not books.

Historian notes U.N.C.L.E., NxNW anniversaries

Robert Vaughn as Napoleon Solo

Historian Michael Beschloss used his Twitter feed to note two spy-entertainment landmarks: The first telecast of The Man From U.N.C.L.E. and the end of production on North by Northwest.

The Man From U.N.C.L.E. debuted on Sept. 22, 1964 on NBC. The show had been in development for almost two years.

Producer Norman Felton, invited to discuss doing a TV series based on Ian Fleming’s Thrilling Cities book, instead pitched an adventure show.

The network said it’d commit to a series without a pilot episode if Felton could get Ian Fleming on board. The two had discussions in October 1962 in New York. In June 1963, Fleming dropped out because of pressure by 007 film producers Albert R. Broccoli and Harry Saltzman.

Despite Fleming’s departure, the project continued, although a pilot would have to be made before NBC committed to a series. Writer Sam Rolfe did the heavy lifting on scripting the pilot and would be the day-to-day producer on the show’s first season. The series paired Robert Vaughn as Napoleon Solo (the character name being one of Fleming’s surviving contributions) and David McCallum as Illya Kuryakin.

North by Northwest, directed by Alfred Hitchcock and written by Ernest Lehman, would set the style for a lot of 1960s spy entertainment. It balanced drama and humor as Cary Grant’s Roger O. Thornhill would dodge spies, with a climax on Mount Rushmore. The film ended production in September 1958 and would be released in 1959.

Here are Beschloss’s tweets:

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UPDATE (9:30 p.m. New York time): Beschloss was busy with other 1960s TV shows, including Get Smart.

 

Happy 85th birthday, David McCallum

David McCallum in a Man From U.N.C.L.E. publicity still, 1965

The blog wishes a happy 85th birthday to David McCallum. He’s had a long, very successful acting career. Still, for people of a certain age, he’ll always be known as the alter ego for U.N.C.L.E. agent Illya Kuryakin.

Regardless, happy birthday, Mr. McCallum, and many happy returns.

Return of The Man From U.N.C.L.E.’s 35th anniversary

Robert Vaughn and David McCallum in a publicity still for The Return of The Man From U.N.C.L.E.

Adapted from a 2013 post with updates.

You can’t keep a good man down. So it was for former U.N.C.L.E. spies Napoleon Solo and Illya Kuryakin, who made a return 35 years ago.

The intrepid agents, again played by Robert Vaughn and David McCallum, were back after a 15-year absence. This time they appeared in a made-for-television movie broadcast in April 1983 on CBS, instead of NBC, home of the original 1964-68 series.

It was a mixed homecoming. Return’s script, penned by executive producer Michael Sloan, recycled the plot of Thunderball, the fourth James Bond film. Thrush steals two nuclear bombs from a U.S. military aircraft. Thrush operative Janus (Geoffrey Lewis) boasts that the criminal organization is now “a nuclear power.” Yawn. Thrush was much more ambitious in the old days.

The show had been sold to NBC as “James Bond for television.” Sloan & Co. took the idea literally, hiring one-time 007 George Lazenby to play “JB,” who happens to drive as Aston Martin DB5. JB helps Solo, who has just been recalled to active duty for U.N.C.L.E., to get out of a jam in Las Vegas.

In a sense, this TV movie was a footnote to 1983’s “Battle of the Bonds.” Roger Moore and Sean Connery were starring in dueling 007 films, Octopussy and Never Say Never Again respectively.

As a result, for a time in 1982, when the two Bond films and this TV movie were in production, all three Bond film actors up to that time were either playing 007 or a reasonable facisimile..

The original U.N.C.L.E. had been filmed no further out that about 30 miles from Metro-Goldwyn-Mayer’s studio in Culver City, California. Return was really filmed in and around Las Vegas, with the desert nearby substituting for Libya, where Thrush chieftain Justin Sepheran (Anthony Zerbe) has established his headquarters.

lazuncle

George Lazenby’s title card in the main titles of The Return of The Man From U.N.C.L.E.

Vaughn and McCallum, being old pros, make the best of the material they’re given, especially when they appear together. That’s not often, as it turns out. After being reunited, they pursue the affair from different angles. Solo has to put up with skeptical U.N.C.L.E. agent Kowalski (Tom Mason), who complains out loud about new U.N.C.L.E. chief Sir John Raleigh (Patrick Macnee) bringing back two aging ex-operatives.

Sloan did end up bringing in two crew members of the original series: composer Gerald Fried, who worked on the second through fourth seasons, and director of photography Fred Koenekamp, who had photographed 90 U.N.C.L.E. episodes from 1964 through 1967.

Also on the crew was Robert Short, listed as a technical adviser. He and Danny Biederman had attempted to put together an U.N.C.L.E. feature film. Their project eventually was rejected in favor of Sloan’s TV movie.

In the end, the April 5, 1983 broadcast produced respectable ratings. CBS, however, passed on committing to a new U.N.C.L.E. series.

For a long time, Return remained the last official U.N.C.L.E. production. Another U.N.C.L.E. project wouldn’t be seen until 2015. That’s when The Man From U.N.C.L.E. film debuted. It had an “origin” story line, didn’t feature many of the familiar U.N.C.L.E. memes and revised the back stories of Solo and Kuryakin.

In 2013, the blog did a post about Return’s 30th anniversary. Since then Vaughn, Macnee and Koenekamp have died.

For a more detailed review of The Return of The Man From U.N.C.L.E., CLICK HERE.

U.N.C.L.E. script: The show’s popularity surges Part II

Illya and Tracey, anxious for the blog to start Part II of its look at the script of Alexander the Greater Affair.

Dean Hargrove was assigned the task of writing the first two-part story for The Man From U.N.C.L.E. One question: How do you provide a recap at the start of Part II?

Instead of beginning directly with the story’s cliffhanger, Hargrove began back at U.N.C.L.E. headquarters in New York. There, U.N.C.L.E. boss Alexander Waverly wants all communications channels open should Solo and Illya report.

Agent Farrell complains to Waverly about the money Solo and Illya have been spending.

He’s interrupted by “AGENT FARRELL, a harried-looking man” who “enters with an open file.”

“When you do reach Mr. Solo and Mr. Kuryaking, Sir,” Farrell says, “I think it would be good policy to remind them that although they have unlimited expense accounts Budget Control feels this present mission is getting completely out of hand.”

The stage directions indicate Waverly’s reaction is “wry.” “Oh, really.”

Farrell then lists some of the agents’ expenses incurred during Part I. Waverly’s response, according to the script is “dry.” I’ll speak to Mr. Solo about it — as soon as I hear from him.”

FARRELL
Thank you, Sir. We have to hold the line somewhere.

WAVERLY (amused)
Yes, don’t we?

The scene was filmed and used in the TV version of Part II. However, it was clipped from the movie version, One Spy Too Many. As a result, it went unseen for almost 35 years until the TV version was shown on TNT in 2000.

Cliffhanger

Now, it’s back to the cliffhanger, with Alexander, his flunky Parviz and his advisor Mr. Kevon, who walks with a crutch. (Sorry, should have mentioned him in Part I of this post, but we were covering a lot of territory.)

Luckily, the villains have to leave to catch a flight to the United States. This enables Solo to get his legs free from his bonds. He catches the scimitar with his feet. During this maneuver, the script says Solo slices open his trousers. As filmed, that doesn’t happened.

Anyway, Solo uses the scimitar to cut his remaining bonds. As the rope holding Illya and Tracey burns through, Solo grabs it. “The weight of the two people pulls him forward.” Illya and Tracey are now down in the opening to the pit. But Solo ties the rope, preventing Illya and Tracey from descending any further.

Solo and Waverly discuss how to pick up Alexander’s trail.

At the start of Act I, the agents are back at headquarters. Their only lead to Alexander is a health club the industrialist owns in Washington.

‘Out of the Question’

Tracey is at headquarters, too. Waverly initially ponders using Tracyey as bait. “Of course, that’s out of the question,” he says. “It’s far too dangerous. We certainly couldn’t ask her to do that.”

“Solo and Illya share a glance,” according to the stage directions. “I think you’ll find her unusually cooperative,” Illya says.

The trio go to Solo’s office. Tracey latches onto Waverly.

“She stands, extends her hand,” read the stage directions. “In her own way, she takes command — which somewhat unnerves the Section One leader.” She asks to speak privately to Waverly.

SOLO (slyly)
We’ll be outside…in case you need us, Sir.

WAVERYLY (curt)
Thank you.

Naturally, Tracey suggests using herself as bait to get Alexander. And off we go.

Alexander and two generals have a pleasant chat about a planned assassination.

Next up is a “large, sedate-looking Virginia estate.” This is supposed to be at Alexandria, Virginia. Alexander is entertaining “two oriental gentlemen (more Indosesian-looking than Chinese), GENERAL BON-PHOUMA and GENERAL MAN-PHANG. Both are heavily-medaled, wear military uniforms and sunglasses.”

The generals are planning a military coup for their home nation, unaware they’re being manipulated by Alexander. The industrialist gives them the “will gas” he stole from the U.S. Army at the start of Part I.

Alexander will play a central part in the coup. “I have arranged for your Washington Embassy to hold a special party in honor of your country’s President,” Alexander says. “I will be there to make a ‘good-will’ speech. I’ll kill him immediately after my remarks.”

Bon-Phouma says, “I must admit your plan has an almost oriental subtlety.”

After sending the generals on their way home, Alexander is approached by Mr. Kavon. Alexander says the generals are “second rate intellects. I won’t have any trouble using their country as my personal power base. From there I can subvert all of Asia.”

In the course of the conversation, we now learn that Alexander is a protoge of Kavon’s. However, Kevon, is feeling alienated from Alexander. The latter has hinted (via a brochure for a retirement home) that Kevon should take it easier.

Alexander “exits,” according to the stage directions. “Kavon looks after him, a rejected man.”

Breaking a Commandment

It turns out that Alexander drives into Washington. He pays a call to Princess Nicole and breaks the Seventh Commandment with her. Her husband, Prince Phanong arrives.

PHANONG
I’ll kill you.

ALEXANDER
No, you won’t. You’re not suited for it. But don’t worry. I’ll see to it that no one knows you’re not ‘Prince’ enough to keep your own wife. I’m very reasonable.

Phanong knows it’s all too true.

Alexander is doing this to ensure Phanong will support “the junta that will overthrow you new government.” He hangs a framed number 7.

Elsewhere in Washington, Tracey goes into Alexander’s health club. She’s detained by the club staff, who are being supervised by Parviz. Eventually, Solo follows. He gets captured also and is left to the mercies of “INGO, a huge, blond man in a sweatsuit.” In the final version, Ingo would be played by Cal Bolder, who shaved his head and didn’t wear a sweatsuit.

Parviz takes Tracey to Alexander’s health farm. Illya follows but checks in with Solo first via their communicators.

“I’m going to be busy for awhile,” Solo said.

“Solo has his communicator out, backing away from Ingo,” according to the stage directions. “I’m going to be busy for awhile,” Solo tells Illya. “You go ahead.”

Naturally, Solo comes out on top but not without some effort. Illya, after arriving at the farm, walks on the property, where he’s menaced by Alexander’s men operating a variety of farm equipment.

The Russian U.N.C.L.E. agent escapes (thought not after being buried in mud).

Skipping ahead, Alexander plans to take Tracey to the dinner honoring Sing-Mok. He’s the leader of the Asian nation Alexander plans to assassinate. Kevon, who top of anything belongs to an ancient cult (the Sons of Medea), is going to use Illya as the guinea pig in a mummification experience.

Solo arrives but is discovered by Kevon. The latter has a metal blade in his crutch, pointing it at Solo. Illya, bound up like a mummy, falls on top of Kevon.

Eventually, Solo and Illya are following Alexander and Tracey. Alexander loses them, and takes Tracey to the dinner. Solo and Illya have to deal with Parviz and another thug.

Oops for Alexander

By now, U.N.C.L.E. is on alert. But Alexander still has time to try to kill Sing-Mok. However, the coup has failed (apparently without any assistance from U.N.C.L.E.) Sing-Mok is wearing a “protective vest” made by one of Alexander’s own companies.

Alexander makes a run for his farm, where a plane (which we saw earlier when Illya was roaming the grounds) is waiting for him. Solo and Illya give chase. Solo gets in through an open rear aircraft door.

The fight in the script is a bit more involved than the final version.

INT. COCKPIT
Kevon is at the controls. He removes his head-set, picks up his metal crutch and goes back to the passenger cabin. WE HEAR the O.S. SOUNDS of a terrific struggle.

INT. PASSENGER CABIN
Alexander has Solo by the door — choking him. Solo is in danger of falling out of the plane. Kevon moves over to them. Solo shoves Alexander back, Alexander inadvertently runs into Kavon –knocking him down.

Solo is back on his feet. He hits Alexander, knocking him back towards the cockpit. Kavon reaches over, trips Solo with his crutch. Solo falls to the door. Alexander picks up a parachute, throws it at Solo.

ANGLE – SOLO
The parachute hits him chest high — and Solo is knocked out of the plane.

Solo, however, manages to get the parachute on, open it and land safely. Back on the plane. The script description is again more elaborate than the final version.

Kevon tries to kill Alexander with the blade in his crutch. “Alexander deftly ducks aside,” according to the screen directions. Kevon, though, lunges and the crutch “jams into the instrument panel. Sparks. Smoke.”

CLOSE -ALEXANDER
Terror.

LONG SHOT – PLANE
It EXPLODES.

Back at the embassy, it’s a festive mood. Tracey gives Solo and Illya a kiss on the cheek. In the final version, she appears to give Illya a kiss full on the lips.

Tracey now is flirting with Sing-Mok. Director Joseph Sargent would stage the ending differently. Solo and Illya would each offer Waverly a glass of champagne. Waverly would take both. But here’s how Dean Hargrove wrote it.

ANGLE – TRACEY AND SING-MOK

She’s on his arm, talking animatedly.

WAVERLY
Sing-Mok is a single man, you know.

RESUME-GROUP

SOLO
I think she’ll do very well.

They smile, lift their glasses in agreement as we…

FADE OUT

THE END

U.N.C.L.E. script: The show’s popularity surges Part I

Lobby card for One Spy Too Many, the movie edited from Alexander the Greater Affair

The Man From U.N.C.L.E. had escaped cancellation in its first season. At the start of its second, the show’s popularity was surging.

Major changes were underway. Sam Rolfe, who had written the show’s pilot and produced its first season, had departed. Executive producer Norman Felton, who had co-created Napoleon Solo with Ian Fleming, moved over David Victor, producer of Felton’s Dr. Kildare series, to the same post at U.N.C..L.E.

Dean Hargrove, who had scripted two U.N.C.L.E. episodes late in the first season, was hired as “staff writer.” At least that’s how he described it in a 2007 interview that was part of an U.N.C.L.E. home video release.

Hargrove Takes Charge

Hargrove wrote a two-part story, Alexander the Greater Affair, early in pre-production for the second season. It would not be the first story filmed. But NBC would lead off the second season of U.N.C.L.E. with Alexander in September 1965.

NBC would air the two-parter only once After that, it’d be an MGM movie, One Spy Too Many. As it turned out, the TV version wouldn’t be seen (officially, anyway) until July 4, 2000, the final U.N.C.L.E. telecast on cable network TNT.

Hargrove’s script, though, has been available for years. I’ve had one since the 1990s. Re-reading it, you get the sense that U.N.C.L.E. was mostly a smooth-running machine by this point.

The script is pretty close to what NBC viewers saw in 1965. A few scenes are longer, but that’s not unusual. The script’s title page is dated June 14, 1965. Some pages are dated as early as June 1. Some pages are dated as late as July 1965.

We wish to thank the United Network Command for Law and Enforcement without whose assistance this blog post would not be possible.

The Ten Commandments

The plot concerns the mysterious industrialist Alexander (Rip Torn), whose real name is Baxter. Alexander is described in the script as “tall, intelligent-looking, enigmatic” and 32 years old. The part was cast with Rip Torn, 34 at the time the episode was broadcast.

Alexander intends to implement a coup at an unnamed Asian country. That will be part of his plan to eventually rule the world.

Alexander wants to do this with flair. He will have broken every one of the Ten Commandments by the time the coup takes effect.

The industrialist’s activities have come to the attention of U.N.C.L.E. after he has stolen “will gas” from the U.S. Army. One of Alexander’s companies was an Army supplier. So he was invited to a demonstration.

Alexander Waverly, the Number One of U.N.C.L.E.’s Section One gives Napoleon Solo (Robert Vaughn) and Illya Kuryakin (David McCallum) their respective assignments.

SOLO
Which leaves me with…

WAVERLY
Mr. Alexander. It’s most important to recover this gas, Mr. Solo, there was enough of it stole to cause considerable difficult if used improperly. Also, its composition is top secret.

(snip)

SOLO
I’ll find Mr. Aleander and if has the gas…
(wry smile)
I’ll ask him to return it.

Alexander’s primary lackey is Parviz, “a mustachioed Turk.” The part would be cast with character actor David Sheiner. He played an almost identical part in the I Spy episode Carry Me Back to Old Tsing Tao. His appearance and accent in both series is virtually identical.

However, when Sheiner was called back for extra scenes for One Spy Too Many, he’s wearing a bald cap. Sheiner also appeared in a later second-season U.N.C.L.E. episode, The Nowhere Affair. There, he’s wearing a hairpiece.

Meet Tracey

Along the way, Alexander’s ex-wife, Tracey (Dorothy Provine) shows up. She was rich when she married Alexander. She wants the million dollars she had Skipping ahead,

Tracey is the “innocent” for this story. However, I suspect this isn’t exactly what Norman Felton and Sam Rolfe had in mind when devising the show. Originally, the “innocent” was supposed to be a surrogate for the audience, someone who was “ordinary.” Tracey isn’t exactly “ordinary.” But, hey, that’s how things go.

Chess Game 

Skipping ahead, Solo and Illya crash a party Alexander is throwing. Alexander has already abducted Tracey, so she’s there also.

Solo has been investigating, but he’s getting some heat from Parviz. Thankfully (from Solo’s perspective), Alexander likes to play chess with human chess pieces (in this case the party guests). So Solo takes Alexander up on his challenge and avoids problems with Parviz.

The party is part of Alexander’s plans. Alexander explains it to Tracey.

ALEXANDER
The party that I’m holding this evening to honor Prince and Princess Phanong has a special significance. The Princess is an admirer of mine. Her husband, however, is an obsessively jealous man. He misinterprets the Princess’ appreciation for me.

TRACEY
Just how much does she appreciate you? If you don’t mind my asking.

ALEXANDER
(matter of fact)
She worships me. I allow it because I think it’s healthy for a young woman to have an idol.

Tracy knows better than to laugh, so she tries to appear very sincere.

The Princess is described as “a beautiful French girl in her middle twenties.” The part was cast with Donna Michelle, a one-time Playboy playmate. The prince was cast with veteran character actor James Hong.

Anyway, when we get to the chess game, there are some details that didn’t make the final version.

ALEXANDER
It’s a shame your husband was detained. A major disappointment.
(smiles)
Now when do you suppose he will arrive?

PRINCESS
(smiles knowingly)
The Prince received an emergency call to go and see his mother. I suspect she’ll keep keep him occupied for some time. They’re very close.

ALEXANDER
Well then, let’s begin the entertainment.

Solo prepares to play chess with Alexander. There’s another exchange that wouldn’t make the final version.

WOMAN – SOLO’S POV

A matronly woman standing on one of his square.

WOMAN (smiles)
I’m your queen.

RESUME – SOLO

SOLO (smiles wryly)
I’ll try very hard not to lose you.

The game unfolds. The script refers different diagrams that weren’t part of the script I have. After a few moves, Alexander makes a comment that doesn’t appear in the show.

ALEXANDER
I see. The Vienna gabmit. Rather pedestrian, Mr. Solo. Pawn takes pawn.

The script moves the game ahead. Solo sacrifices his Queen. “The matronly woman looks over at Solo, somewhat hurt,” according to the stage directions. But Solo puts Alexander into checkmate. Solo celebrates his win by dancing with the princess. What follows pretty much follows the final version.

“It’s lucky for you I’m a busy man,” Solo says while not drawing a revolver.

Suddenly, Solo is confronted by PRINCE PHANONG. The Prince slaps Solo.

PHANONG
I will kill any man who makes indecent advances to my wife. Let this be a warning to you.

The people around them are shocked. Even more so when Solo draws his revolver. (emphasis added.)

SOLO
It’s lucky for you I’m a busy man.

The problem: Solo never carried a revolver unless he relieved one off a thug. The U.N.C.L.E. Special was a semi-automatic pistol. The main version was based on the Walther P-38. Evidently, despite having written two U.N.C.L.E. episodes prior to this, Hargrove didn’t know much about firearms.

Later, Solo, Illya and Tracey check out a rock quarry owned by Alexander. They encounter his parents, Harry and Miriam Baxter, who are kept prisoners.

Middle-aged HARRY BAXTER, dressed in tattered evening clothes and middle-aged MIRIAM BAXTER, dressed in the ragged remains of a formal gown stand at the bottom of the pit. The Man holds a pick-axe in his hand, the woman lowers a wheelbarrow full of rocks to the ground as they look thi way. Their feet are chained.

The scene was only shown in the TV version. It would edited out of One Spy Too Many. In the TV version, David McCallum’s Illya has a line not in the script. “Let’s get those chains off!” It’s a great moment. Was it a last-minute revision in the script? Or a McCallum ad-lib? I don’t know.

Suffice to say, the U.N.C.L.E. agents rescue Alexander’s parents after a chase sequence. The agents also head to an ancient Greek temple where Alexander is running things.

Solo in a tight spot at the end of Part I.

Tables Are Turned

Solo gets to explain how he figured out the Ten Commandments angle and how this was all a trap. Nevertheless, Alexander gets the upper hand.

ALEXANDER
You see, Mr. Solo, you’ve only scratched the surface. I am breaking the universal law of morality — call them the Ten Commandments if you like — but for a special reason.

The script (as in the TV version) ends with a cliffhanger. Solo is tied up, a scimitar swinging ever closer to him. Illya and Tracey are tied together, held above a bottomless pit, with a candle burning the rope.

ANGLE – ILLYA AND TRACEY

TRACEY
Now what are we going to do?

ANGLE – SOLO AND THE SCIMTAR

The huge blade swings down, getting closer and close.

SOLO
The best we can.

FADE OUT

END OF PART i