Suicide Squad is No. 1 again, albeit with a big falloff

The Joker after reading the Rotten Tomatoes website about Suicide Squad.

The Joker celebrates after Suicide Squad repeats as No. 1 movie in America.

“Mr. Warner” got good news and not-so-good news about Suicide Squad.

The Warner Bros./DC Entertainment movie about super villains forced to work for the government was again the No. 1 in the U.S. and Canada, with an estimated box office take of $43.8 million for the Aug. 12-14 weekend, according to BOX OFFICE MOJO.

The not-so-good news was that represents a 67 percent falloff from its opening weekend. Still, the movie is estimated to generate U.S.-Canada box office of almost $223 million through today.

Suicide Squad isn’t nearly as well known as DC kingpins Batman and Superman. Three characters in the movie (Deadshot, Harley Quinn and Killer Croc) had their origins as Batman villains.

Batman v Superman: Dawn of Justice, the first film appearance together of the flagship DC characters, had U.S.-Canada box office of $330 million earlier this year. So, you can argue that Suicide Squad is punching above its weight.

Suicide Squad is arguably going to perform about as well as we could have hoped a Task Force X movie to play,” Forbes.com’s Scott Mendelson wrote. “Regarding actual grosses, it was indeed a live-action shot-in-the-arm to the summer box office that the theaters needed after a somewhat underwhelming mid-May to late-July period.”

Suicide Squad also includes cameo appearances by two DC heroes and has some scenes that set up bits for future movies based on DC characters.

Suicide Squad opens big despite reviews

The Joker after reading the Rotten Tomatoes website about Suicide Squad.

“We’re No 1!” The Joker chanted.

Despite bad reviews and reports about production and editing problems, Suicide Squad opened big in the U.S. and Canada.

The Warner Bros./DC Entertainment movie generated estimate box office in the region of $135.1 million for the Aug. 5-7 weekend, according to the BOX OFFICE MOJO website.

The results were, no doubt, welcome news for “Mr. Warner” (this blog’s nickname for Warners). The studio has a lot riding on movies based on characters originally published by DC Comics.

The movie, about a group of villains forced to work for the government, initially had positive buzz when its first trailer was released early this year.

Over the past week, that changed as critics panned the movie and The Hollywood Reporter published a story describing reshoots and a last-minute attempt to light the film’s tone in the editing room. The IndieWire website published a follow-up story saying Suicide Squad was “the product of everything that’s wrong with studio filmmaking.”

The main question now is whether Suicide Squad can hold on to its audience and attract some repeat viewings. Batman v Superman: Dawn of Justice opened big in March ($166 million its opening weekend), but it fell off quickly.

Jason Bourne was the No. 2 movie of the weekend, with estimated box office of $22.7 million in the U.S. and Canada, a 62 percent drop from its opening weekend.. That movie has a global box office of $195.3 million, with $103.4 million of that coming from the U.S. and Canada.

 

‘Mr. Warner’ having a bad week (so far) with Suicide Squad

The Joker after reading the Rotten Tomatoes website about Suicide Squad.

The Joker after reading the Rotten Tomatoes website about Suicide Squad.

Mr. Warner (our nickname for Warner Bros.) has been having a bad week as Suicide Squad, the studio’s latest big DC Comics-based movie, is about to debut.

First, there were the reviews. Good news: Suicide Squad scored better than the 27 percent “fresh” rating of March’s Batman v Superman: Dawn of Justice.

Bad news: Not much better. As of Wednesday afternoon, Suicide Squad has a 32 percent “fresh” rating on the same website.

Now bad reviews by themselves don’t necessary translate to financial ruin. Batman v Superman had a global box office of almost $873 million. However, it didn’t match a number of Marvel Studios movies (including two Avengers films) that scored global ticket sales exceeding $1 billion. Also, Batman v Superman had a big opening but fell off quickly.

Until this week, there had been positive buzz about Suicide Squad, about a group of Batman villains forced to work for the government. Beyond the bad reviews, a story today by Kim Masters of The Hollywood Reporter suggests a lot of behind-the-scenes intrigue affected the film, including millions of dollars of reshoots. A sample:

Yet if the villain team-up ultimately works — and it has drawn some harsh early reviews — it will be in spite of the kind of behind-the-scenes drama that is becoming typical for giant franchise movies that now are the main focus of the studio business: a production schedule engineered to meet an ambitious release date; a director, David Ayer (Fury), untested in making tentpole movies; and studio executives, brimming with anxiety, who are ready to intercede forcefully as they attempt to protect a branded asset.

That’s probably not the kind of reading Mr. Warner was looking forward to just ahead of the film’s debut.

Now, as the Masters story notes, there are estimates that Suicide Squad could have an opening weekend of $140 million. Still, Mr. Warner has a lot riding on DC Comics-based films, as it tries to match rival Marvel Studios and its owner, Walt Disney Co. So Suicide Squad is going to get even more scrutiny than the average big-budget movie.

We’ll see how it turns out for Mr. Warner in short order. If that big Suicide Squad opening materializes — and Suicide Squad doesn’t fade as quickly as Batman v Superman did — the bad buzz will fade quickly.

DC rolls out more optimistic take on movies

Batman v Superman poster

Batman v Superman was criticized for being overly dark.

At this weekend’s San Diego Comic Book Con, Warner Bros./DC Entertainment provided its first preview of an more optimistic take on its super hero movies.

The studio used Comic Con to show a trailer for the Woman Woman movie scheduled for June 2017. Also unveiled was a video with footage from Justice League, due out for release in the fall of 2017.

To a degree, both seemed lighter than Batman v Superman, which was criticized in late March for its mostly dark and somber tone.

Batman v Superman got a ton of bad reviews, reflected in a only a 27 percent “fresh” rating on the Rotten Tomatoes website. More importantly, for studio executives, its worldwide box office was $872.7 million.

While impressive for most movies, the movie plunged after a huge opening its first weekend. Also, Warners was looking to join the $1 billion club. The movie didn’t match the 2015 James Bond movie SPECTRE ($880.7 million).

WB/DC’s big competitor, Walt Disney Co.’s Marvel Studios, made to the $1 billion club again a few months later with Captain America: Civil War. That movie had a serious, emotional payoff while still retaining the type of humor seen in other Marvel films.

Since then, there has have been executive changes at DC, including elevating Geoff Johns, a comic book writer turned executive, to co-head of DC’s movie operations. The news was broken in May by The Hollywood Reporter, which described the move as a “course correction.”

New York magazine’s Vulture website described Johns as “big on hope and optimism.”

The studio has a lot riding, in particular, on Justice League, because it’s DC’s answer to Marvel’s Avengers movies (the Justice League came first in the comics). Also, Justice League, is being directed by Zack Snyder, the director of Batman v Superman.

Anyway, both trailers are below.

Batman ’66 to feature team up with (TV) Avengers

DC Comics illustration evoking one version of The Avengers' main titles.

DC Comics illustration evoking one version of The Avengers’ main titles.

DC Comics’ Batman ’66, based on the Adam West television show, will feature a team up with the British TV version of The Avengers, DC announced April 15.

The official title of the mini series is “Batman ’66 Meets Steed and Mrs. Peel.” While The Avengers television series started in 1961, it didn’t reach American audiences until a few years later. Meanwhile, in 1963, Marvel Comics started its The Avengers title.

The mini series “will feature Batman and Robin coming face-to-face for the first time with the other (and English) dynamic duo John Steed and Mrs. Peel – characters from the hit ’60s British TV series The Avengers starring Patrick Macnee and Diana Rigg,” according to DC’s press release.

Here’s DC’s plot summary.

As Bruce Wayne shows the beautiful head of a UK electronics company the sights of Gotham, they are interrupted by the felonious feline Catwoman! Unwilling to leave Miss Michaela Gough unprotected, Bruce resigns himself to the fact that Batman cannot save the day. But some new players have arrived in town – though even as the lovely, catsuit-clad Mrs. Peel and her comrade John Steed take control of the situation, nefarious plots continue apace!

As an aside, character actor Michael Gough (1916-2011) played Alfred the Butler in four Batman movies from 1989 to 1997. He also appeared in two episodes of The Avengers, including The Cybernauts.

DC last year canceled the regular Batman ’66 title. It is being replaced with a series of mini-series. The first, still underway, is a crossover with The Man From U.N.C.L.E.

The Avengers crossover story will become available digitally on June 8 (99 cents for a download) while the print version is scheduled to go on sale on July 6 for $3.99. The digital version is broken up into 12, bi-weekly installments while the print version consists of six monthly issues.

 

Action, Detective Comics to revert to original numbering

Action Comics 1 cover

DC Comics plans to revert the numbering of its two oldest titles, Detective Comics and Action Comics, to their original numbering, the COMIC BOOK RESOURCES WEBSITE reported.

Both DC and Marvel Comics have reset the numbering of long running titles multiple times over the year. This creates multiple “No. 1” issues for characters who’ve been published for decades.

DC is preparing for a “re-set” of characters (a few years ago it did so under the banner of “The New 52,” referring to the number of titles it was publishing at the time.)

This time, Geoff Johns, DC’s chief creative officer, told the website most titles will again have “No. 1” but an exception is being made for Action and Detective.

“Even though most of the books are relaunching at #1, the fact that ‘Action’ and ‘Detective’ are returning to their original numbers says something about the tone of what this is,” said Johns. “[DC publisher] Dan [DiDio] is psyched we’re gonna get to ‘Action’ #1000!”

“Action Comics'” numbering will pick up with #957 and “Detective” will be at #934. Both series will be released on a twice-monthly schedule, at a $2.99 price, placing Issue #1000 just over two years away for “Action.”

Action Comics No. 1 (the original) in 1938 was the first appearance of Superman. Detective Comics actually began publishing earlier in 1937, and that’s why the comic is known as DC. But differing publishing schedules (Detective went to a bi-monthly schedule for a period in the 1970s) means its original numbering is lower than Action.

Detective Comics No. 27 (original numbering) in 1939 was the first appearance of Batman, who, in the 21st century, is DC Comics’ most popular character.

 

Batman v Superman turns into a Batman movie

So when did Batman v. Superman: Dawn of Justice turn into the newest Batman movie?

Warner Bros. came out with its final trailer for the movie that’s intended to launch a “shared universe” of characters from DC Comics. However, from the looks of the trailer, it looks more like a new Batman movie with an expanded cast. Or, put another way, there’s a reason Batman gets top billing in the title.

This trailer opens with Ben Affleck, the newest incarnation of the Bob Kane-Bill Finger character, in action along with an assist from the new Alfred, Jeremy Irons.

More importantly, it ends with a shot showing a surprised Superman (Henry Cavill) when an armored Bats is able to block a punch. Somehow (Kryptonite, anyone?), Batman has found an edge in what logically would be a rout.

If 2015 was “The Year of the Spy,” then 2016 is “The Year of the Superhero,” as Warner Bros. ramps up its output against rival Marvel/Disney. Warners and DC have had common ownership for decades, but DC now is directly a part of the studio. DC even moved from its long time home in New York to Warners’ digs in Burbank, California.

The studio has a lot riding on Batman v. Superman, especially after a sour 2015 at the box office.

Warners originally scheduled Batman v. Superman for July 2015 but delayed it to May 2016. But the studio slotted it for the first Friday in May, a date Marvel/Disney has owned more or less since 2008’s Iron Man. Marvel didn’t back down. It went ahead and scheduled the third Captain America movie — now Captain America: Civil War, which is more like The Avengers Part 2.5 — into the slot.

So Warners rescheduled again, moving Batman v. Superman to March, not your typical month for a blockbuster “tentpole” (in studio speak).

One shouldn’t read too much into trailers. Yet, it appears Warners is playing the Batman card heavily. From the trailer, it also looks like director Zack Snyder owes more than a little to Frank Miller’s 1986 The Dark Knight Returns comic book.